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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7C724 it is the complementary color #4838DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7C724. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7C724 shade: #BCC71F, #CDD932, #DEEB45, #EFFD58 and #FFFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7C724. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7C724 shade: #B7C724, #A6B511, #95A300, #849100 and #737F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7C724 shade: #B6C624, #C6AA24, #C67E24, #C65324 and #C62724

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7C724 shade: #B6C624, #8AC624, #5FC624, #33C624 and #24C640

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7C724 shade matches the following richer shades: #B6C624 and #C5D911

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7C724 shade: #B6C624, #A7B337, #97A04A, #888D5D and #797A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7C724 shade: #C67D24, #C6A824, #B8C624, #8DC624 and #62C624

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7C724 shade: #768017, #96A31D, #B6C624, #CADA39 and #D4E15C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7C724 shade: #B7C724, #24C652 and #9224C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7C724 shade: #B7C724, #24B8C6 and #C624B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7C724 shade: #B7C724, #24C652, #3124C6 and #C62498

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7C724 shade: #B7C724, #24C682, #3124C6 and #C62467

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 82 / 22

HEX #B7C724

RGB 183 199 36

HSL 65.89, 0.69%, 0.46%

LAB 76.7, -24.05, 71.45

 

Complementary color

CMYK 67 / 74 / 0 / 14

HEX #4838DB

RGB 72 56 219

HSL 245.89, 0.69%, 0.54%

LAB 36.59, 54.31, -80.21

 

CMYK 6 / 0 / 84 / 22

HEX #BCC71F

RGB 188 199 31

HSL 63.93, 0.73%, 0.45%

LAB 77.06, -22.09, 73.07

 

CMYK 6 / 0 / 77 / 15

HEX #CDD932

RGB 205 217 50

HSL 64.31, 0.69%, 0.52%

LAB 83.36, -23.11, 74.15

 

CMYK 6 / 0 / 71 / 8

HEX #DEEB45

RGB 222 235 69

HSL 64.7, 0.81%, 0.6%

LAB 89.57, -23.97, 74.39

 

CMYK 6 / 0 / 65 / 1

HEX #EFFD58

RGB 239 253 88

HSL 65.09, 0.98%, 0.67%

LAB 95.71, -24.69, 74.1

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 8 / 0 / 82 / 22

HEX #B7C724

RGB 183 199 36

HSL 65.89, 0.69%, 0.46%

LAB 76.7, -24.05, 71.45

 

CMYK 8 / 0 / 91 / 29

HEX #A6B511

RGB 166 181 17

HSL 65.49, 0.83%, 0.39%

LAB 70.31, -22.93, 69.56

 

CMYK 9 / 0 / 100 / 36

HEX #95A300

RGB 149 163 0

HSL 65.15, 1%, 0.32%

LAB 63.82, -21.62, 66.27

 

CMYK 9 / 0 / 100 / 43

HEX #849100

RGB 132 145 0

HSL 65.38, 1%, 0.28%

LAB 57.23, -20.03, 60.78

 

CMYK 9 / 0 / 100 / 50

HEX #737F00

RGB 115 127 0

HSL 65.67, 1%, 0.25%

LAB 50.48, -18.41, 55.16

 

CMYK 8 / 0 / 82 / 22

HEX #B6C624

RGB 182 198 36

HSL 65.93, 0.69%, 0.46%

LAB 76.35, -23.98, 71.11

 

CMYK 0 / 14 / 82 / 22

HEX #C6AA24

RGB 198 170 36

HSL 49.63, 0.69%, 0.46%

LAB 70.09, -2.81, 66.24

 

CMYK 0 / 36 / 82 / 22

HEX #C67E24

RGB 198 126 36

HSL 33.33, 0.69%, 0.46%

LAB 59.03, 21.04, 56.54

 

CMYK 0 / 58 / 82 / 22

HEX #C65324

RGB 198 83 36

HSL 17.41, 0.69%, 0.46%

LAB 49.88, 43.49, 48.24

 

CMYK 0 / 80 / 82 / 22

HEX #C62724

RGB 198 39 36

HSL 1.11, 0.69%, 0.46%

LAB 43.63, 60.45, 42.35

 

CMYK 8 / 0 / 82 / 22

HEX #B6C624

RGB 182 198 36

HSL 65.93, 0.69%, 0.46%

LAB 76.35, -23.98, 71.11

 

CMYK 30 / 0 / 82 / 22

HEX #8AC624

RGB 138 198 36

HSL 82.22, 0.69%, 0.46%

LAB 73.49, -41.59, 67.5

 

CMYK 52 / 0 / 82 / 22

HEX #5FC624

RGB 95 198 36

HSL 98.15, 0.69%, 0.46%

LAB 71.52, -55.89, 64.99

 

CMYK 74 / 0 / 82 / 22

HEX #33C624

RGB 51 198 36

HSL 114.44, 0.69%, 0.46%

LAB 70.33, -65.68, 63.46

 

CMYK 82 / 0 / 68 / 22

HEX #24C640

RGB 36 198 64

HSL 130.37, 0.69%, 0.46%

LAB 70.27, -65.57, 53.82

 

CMYK 8 / 0 / 82 / 22

HEX #B6C624

RGB 182 198 36

HSL 65.93, 0.69%, 0.46%

LAB 76.35, -23.98, 71.11

 

CMYK 9 / 0 / 92 / 15

HEX #C5D911

RGB 197 217 17

HSL 66, 0.85%, 0.46%

LAB 82.67, -27.28, 80.24

 

CMYK 8 / 0 / 82 / 22

HEX #B6C624

RGB 182 198 36

HSL 65.93, 0.69%, 0.46%

LAB 76.35, -23.98, 71.11

 

CMYK 7 / 0 / 69 / 30

HEX #A7B337

RGB 167 179 55

HSL 65.81, 0.53%, 0.46%

LAB 69.99, -20.12, 58.78

 

CMYK 6 / 0 / 54 / 37

HEX #97A04A

RGB 151 160 74

HSL 66.28, 0.37%, 0.46%

LAB 63.52, -15.83, 43.13

 

CMYK 4 / 0 / 34 / 45

HEX #888D5D

RGB 136 141 93

HSL 66.25, 0.21%, 0.46%

LAB 57.15, -9.91, 25.04

 

CMYK 1 / 0 / 8 / 52

HEX #797A70

RGB 121 122 112

HSL 66, 0.04%, 0.46%

LAB 50.87, -2.32, 5.34

 

CMYK 0 / 37 / 82 / 22

HEX #C67D24

RGB 198 125 36

HSL 32.96, 0.69%, 0.46%

LAB 58.79, 21.59, 56.33

 

CMYK 0 / 15 / 82 / 22

HEX #C6A824

RGB 198 168 36

HSL 48.89, 0.69%, 0.46%

LAB 69.57, -1.75, 65.79

 

CMYK 7 / 0 / 82 / 22

HEX #B8C624

RGB 184 198 36

HSL 65.19, 0.69%, 0.46%

LAB 76.5, -23.14, 71.3

 

CMYK 29 / 0 / 82 / 22

HEX #8DC624

RGB 141 198 36

HSL 81.11, 0.69%, 0.46%

LAB 73.66, -40.47, 67.72

 

CMYK 51 / 0 / 82 / 22

HEX #62C624

RGB 98 198 36

HSL 97.04, 0.69%, 0.46%

LAB 71.63, -55.03, 65.13

 

CMYK 8 / 0 / 82 / 50

HEX #768017

RGB 118 128 23

HSL 65.71, 0.7%, 0.3%

LAB 51.1, -16.95, 50.69

 

CMYK 8 / 0 / 82 / 36

HEX #96A31D

RGB 150 163 29

HSL 65.82, 0.7%, 0.38%

LAB 63.97, -20.56, 61.26

 

CMYK 8 / 0 / 82 / 22

HEX #B6C624

RGB 182 198 36

HSL 65.93, 0.69%, 0.46%

LAB 76.35, -23.98, 71.11

 

CMYK 7 / 0 / 74 / 15

HEX #CADA39

RGB 202 218 57

HSL 65.96, 0.69%, 0.54%

LAB 83.44, -24.54, 72

 

CMYK 6 / 0 / 59 / 12

HEX #D4E15C

RGB 212 225 92

HSL 65.86, 0.69%, 0.62%

LAB 86.32, -21.83, 61.93

 

CMYK 8 / 0 / 82 / 22

HEX #B7C724

RGB 183 199 36

HSL 65.89, 0.69%, 0.46%

LAB 76.7, -24.05, 71.45

 

CMYK 82 / 0 / 59 / 22

HEX #24C652

RGB 36 198 82

HSL 137.04, 0.69%, 0.46%

LAB 70.44, -63.52, 46.23

 

CMYK 26 / 82 / 0 / 22

HEX #9224C6

RGB 146 36 198

HSL 280.74, 0.69%, 0.46%

LAB 40.33, 67.32, -61.62

 

CMYK 8 / 0 / 82 / 22

HEX #B7C724

RGB 183 199 36

HSL 65.89, 0.69%, 0.46%

LAB 76.7, -24.05, 71.45

 

CMYK 82 / 7 / 0 / 22

HEX #24B8C6

RGB 36 184 198

HSL 185.19, 0.69%, 0.46%

LAB 68.56, -31.54, -17.65

 

CMYK 0 / 82 / 7 / 22

HEX #C624B8

RGB 198 36 184

HSL 305.19, 0.69%, 0.46%

LAB 47.92, 74.39, -40.8

 

CMYK 8 / 0 / 82 / 22

HEX #B7C724

RGB 183 199 36

HSL 65.89, 0.69%, 0.46%

LAB 76.7, -24.05, 71.45

 

CMYK 82 / 0 / 59 / 22

HEX #24C652

RGB 36 198 82

HSL 137.04, 0.69%, 0.46%

LAB 70.44, -63.52, 46.23

 

CMYK 75 / 82 / 0 / 22

HEX #3124C6

RGB 49 36 198

HSL 244.81, 0.69%, 0.46%

LAB 29.39, 55.81, -79.99

 

CMYK 0 / 82 / 23 / 22

HEX #C62498

RGB 198 36 152

HSL 317.04, 0.69%, 0.46%

LAB 46.36, 70.08, -24.26

 

CMYK 8 / 0 / 82 / 22

HEX #B7C724

RGB 183 199 36

HSL 65.89, 0.69%, 0.46%

LAB 76.7, -24.05, 71.45

 

CMYK 82 / 0 / 34 / 22

HEX #24C682

RGB 36 198 130

HSL 154.81, 0.69%, 0.46%

LAB 71.13, -55.41, 23.06

 

CMYK 75 / 82 / 0 / 22

HEX #3124C6

RGB 49 36 198

HSL 244.81, 0.69%, 0.46%

LAB 29.39, 55.81, -79.99

 

CMYK 0 / 82 / 48 / 22

HEX #C62467

RGB 198 36 103

HSL 335.19, 0.69%, 0.46%

LAB 44.58, 64.96, 3.05

 

Description

Color code: HEX #B7C724 | qconv.com Color code: HEX #B7C724 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 199 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 199 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 82 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 82% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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