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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7C142 it is the complementary color #483EBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7C142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7C142 shade: #BCC13D, #CDD350, #DEE563, #EFF776 and #FFFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7C142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7C142 shade: #B7C142, #A6AF2F, #959D1C, #848B09 and #737900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7C142 shade: #B7C142, #C1A942, #C18742, #C16442 and #C14242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7C142 shade: #B7C142, #95C142, #73C142, #50C142 and #42C156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7C142 shade matches the following richer shades: #B7C142, #C8D52E, #D9EA19 and #EAFE05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7C142 shade: #B7C142, #A6AD56, #95996A, #84857E and #737093

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7C142 shade: #C18642, #C1A842, #B9C142, #97C142 and #75C142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7C142 shade: #7E862B, #9CA535, #B7C142, #C3CB61 and #CFD580

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7C142 shade: #B7C142, #42C164 and #9742C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7C142 shade: #B7C142, #42B9C1 and #C142B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7C142 shade: #B7C142, #42C164, #4A42C1 and #C1429F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7C142 shade: #B7C142, #42C18A, #4A42C1 and #C14279

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 66 / 24

HEX #B7C142

RGB 183 193 66

HSL 64.72, 0.51%, 0.51%

LAB 75.2, -19.73, 60.17

 

Complementary color

CMYK 62 / 67 / 0 / 26

HEX #483EBD

RGB 72 62 189

HSL 244.72, 0.51%, 0.49%

LAB 35, 41.58, -65.41

 

CMYK 3 / 0 / 68 / 24

HEX #BCC13D

RGB 188 193 61

HSL 62.27, 0.52%, 0.5%

LAB 75.56, -17.92, 62.6

 

CMYK 3 / 0 / 62 / 17

HEX #CDD350

RGB 205 211 80

HSL 62.75, 0.6%, 0.57%

LAB 81.92, -18.65, 62.05

 

CMYK 3 / 0 / 57 / 10

HEX #DEE563

RGB 222 229 99

HSL 63.23, 0.71%, 0.64%

LAB 88.19, -19.25, 61.21

 

CMYK 3 / 0 / 52 / 3

HEX #EFF776

RGB 239 247 118

HSL 63.72, 0.89%, 0.72%

LAB 94.39, -19.75, 60.22

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 5 / 0 / 66 / 24

HEX #B7C142

RGB 183 193 66

HSL 64.72, 0.51%, 0.51%

LAB 75.2, -19.73, 60.17

 

CMYK 5 / 0 / 73 / 31

HEX #A6AF2F

RGB 166 175 47

HSL 64.22, 0.58%, 0.44%

LAB 68.73, -18.95, 60.45

 

CMYK 5 / 0 / 82 / 38

HEX #959D1C

RGB 149 157 28

HSL 63.72, 0.7%, 0.36%

LAB 62.16, -17.98, 59.93

 

CMYK 5 / 0 / 94 / 45

HEX #848B09

RGB 132 139 9

HSL 63.23, 0.88%, 0.29%

LAB 55.47, -16.76, 57.97

 

CMYK 5 / 0 / 100 / 53

HEX #737900

RGB 115 121 0

HSL 62.98, 1%, 0.24%

LAB 48.66, -15.23, 53.82

 

CMYK 5 / 0 / 66 / 24

HEX #B7C142

RGB 183 193 66

HSL 64.72, 0.51%, 0.51%

LAB 75.2, -19.73, 60.17

 

CMYK 0 / 12 / 66 / 24

HEX #C1A942

RGB 193 169 66

HSL 48.66, 0.51%, 0.51%

LAB 69.55, -3.11, 54.52

 

CMYK 0 / 30 / 66 / 24

HEX #C18742

RGB 193 135 66

HSL 32.6, 0.51%, 0.51%

LAB 60.83, 15.35, 45.04

 

CMYK 0 / 48 / 66 / 24

HEX #C16442

RGB 193 100 66

HSL 16.06, 0.51%, 0.51%

LAB 52.78, 34.37, 35.78

 

CMYK 0 / 66 / 66 / 24

HEX #C14242

RGB 193 66 66

HSL 0, 0.51%, 0.51%

LAB 46.48, 50.72, 28.16

 

CMYK 5 / 0 / 66 / 24

HEX #B7C142

RGB 183 193 66

HSL 64.72, 0.51%, 0.51%

LAB 75.2, -19.73, 60.17

 

CMYK 23 / 0 / 66 / 24

HEX #95C142

RGB 149 193 66

HSL 80.79, 0.51%, 0.51%

LAB 72.84, -33.49, 56.98

 

CMYK 40 / 0 / 66 / 24

HEX #73C142

RGB 115 193 66

HSL 96.85, 0.51%, 0.51%

LAB 70.99, -45.79, 54.46

 

CMYK 59 / 0 / 66 / 24

HEX #50C142

RGB 80 193 66

HSL 113.39, 0.51%, 0.51%

LAB 69.64, -55.93, 52.6

 

CMYK 66 / 0 / 55 / 24

HEX #42C156

RGB 66 193 86

HSL 129.45, 0.51%, 0.51%

LAB 69.45, -56.75, 43.33

 

CMYK 5 / 0 / 66 / 24

HEX #B7C142

RGB 183 193 66

HSL 64.72, 0.51%, 0.51%

LAB 75.2, -19.73, 60.17

 

CMYK 6 / 0 / 78 / 16

HEX #C8D52E

RGB 200 213 46

HSL 64.67, 0.67%, 0.51%

LAB 81.87, -23.4, 73.82

 

CMYK 7 / 0 / 89 / 8

HEX #D9EA19

RGB 217 234 25

HSL 64.88, 0.83%, 0.51%

LAB 88.77, -26.96, 84.55

 

CMYK 8 / 0 / 98 / 0

HEX #EAFE05

RGB 234 254 5

HSL 64.82, 0.99%, 0.51%

LAB 95.32, -29.6, 92.09

 

CMYK 5 / 0 / 66 / 24

HEX #B7C142

RGB 183 193 66

HSL 64.72, 0.51%, 0.51%

LAB 75.2, -19.73, 60.17

 

CMYK 4 / 0 / 50 / 32

HEX #A6AD56

RGB 166 173 86

HSL 64.83, 0.35%, 0.51%

LAB 68.51, -15.17, 43.43

 

CMYK 3 / 0 / 31 / 40

HEX #95996A

RGB 149 153 106

HSL 65.11, 0.19%, 0.51%

LAB 61.84, -9.33, 24.28

 

CMYK 1 / 0 / 5 / 48

HEX #84857E

RGB 132 133 126

HSL 68.57, 0.03%, 0.51%

LAB 55.26, -1.73, 3.63

 

CMYK 22 / 24 / 0 / 42

HEX #737093

RGB 115 112 147

HSL 245.14, 0.14%, 0.51%

LAB 48.69, 9.01, -18.61

 

CMYK 0 / 31 / 66 / 24

HEX #C18642

RGB 193 134 66

HSL 32.13, 0.51%, 0.51%

LAB 60.59, 15.9, 44.77

 

CMYK 0 / 13 / 66 / 24

HEX #C1A842

RGB 193 168 66

HSL 48.19, 0.51%, 0.51%

LAB 69.28, -2.58, 54.24

 

CMYK 4 / 0 / 66 / 24

HEX #B9C142

RGB 185 193 66

HSL 63.78, 0.51%, 0.51%

LAB 75.36, -18.89, 60.38

 

CMYK 22 / 0 / 66 / 24

HEX #97C142

RGB 151 193 66

HSL 79.84, 0.51%, 0.51%

LAB 72.97, -32.71, 57.15

 

CMYK 39 / 0 / 66 / 24

HEX #75C142

RGB 117 193 66

HSL 95.91, 0.51%, 0.51%

LAB 71.09, -45.12, 54.59

 

CMYK 6 / 0 / 68 / 47

HEX #7E862B

RGB 126 134 43

HSL 65.27, 0.51%, 0.35%

LAB 53.66, -15.48, 46

 

CMYK 5 / 0 / 68 / 35

HEX #9CA535

RGB 156 165 53

HSL 64.82, 0.51%, 0.43%

LAB 65.15, -17.85, 54.4

 

CMYK 5 / 0 / 66 / 24

HEX #B7C142

RGB 183 193 66

HSL 64.72, 0.51%, 0.51%

LAB 75.2, -19.73, 60.17

 

CMYK 4 / 0 / 52 / 20

HEX #C3CB61

RGB 195 203 97

HSL 64.53, 0.5%, 0.59%

LAB 79.14, -17.48, 51.24

 

CMYK 3 / 0 / 40 / 16

HEX #CFD580

RGB 207 213 128

HSL 64.24, 0.5%, 0.67%

LAB 83.13, -14.66, 41.28

 

CMYK 5 / 0 / 66 / 24

HEX #B7C142

RGB 183 193 66

HSL 64.72, 0.51%, 0.51%

LAB 75.2, -19.73, 60.17

 

CMYK 66 / 0 / 48 / 24

HEX #42C164

RGB 66 193 100

HSL 136.06, 0.51%, 0.51%

LAB 69.62, -54.73, 36.71

 

CMYK 22 / 66 / 0 / 24

HEX #9742C1

RGB 151 66 193

HSL 280.16, 0.51%, 0.51%

LAB 44.7, 55.87, -51.62

 

CMYK 5 / 0 / 66 / 24

HEX #B7C142

RGB 183 193 66

HSL 64.72, 0.51%, 0.51%

LAB 75.2, -19.73, 60.17

 

CMYK 66 / 4 / 0 / 24

HEX #42B9C1

RGB 66 185 193

HSL 183.78, 0.51%, 0.51%

LAB 69.26, -30.04, -13.79

 

CMYK 0 / 66 / 4 / 24

HEX #C142B9

RGB 193 66 185

HSL 303.78, 0.51%, 0.51%

LAB 50.38, 64.23, -37.55

 

CMYK 5 / 0 / 66 / 24

HEX #B7C142

RGB 183 193 66

HSL 64.72, 0.51%, 0.51%

LAB 75.2, -19.73, 60.17

 

CMYK 66 / 0 / 48 / 24

HEX #42C164

RGB 66 193 100

HSL 136.06, 0.51%, 0.51%

LAB 69.62, -54.73, 36.71

 

CMYK 62 / 66 / 0 / 24

HEX #4A42C1

RGB 74 66 193

HSL 243.78, 0.51%, 0.51%

LAB 36.37, 40.8, -65.5

 

CMYK 0 / 66 / 18 / 24

HEX #C1429F

RGB 193 66 159

HSL 316.06, 0.51%, 0.51%

LAB 49.18, 60.25, -24.15

 

CMYK 5 / 0 / 66 / 24

HEX #B7C142

RGB 183 193 66

HSL 64.72, 0.51%, 0.51%

LAB 75.2, -19.73, 60.17

 

CMYK 66 / 0 / 28 / 24

HEX #42C18A

RGB 66 193 138

HSL 154.02, 0.51%, 0.51%

LAB 70.27, -47.67, 17.71

 

CMYK 62 / 66 / 0 / 24

HEX #4A42C1

RGB 74 66 193

HSL 243.78, 0.51%, 0.51%

LAB 36.37, 40.8, -65.5

 

CMYK 0 / 66 / 37 / 24

HEX #C14279

RGB 193 66 121

HSL 334.02, 0.51%, 0.51%

LAB 47.77, 55.39, -3.46

 

Description

Color code: HEX #B7C142 | qconv.com Color code: HEX #B7C142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 193 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 193 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 66 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 66% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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