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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7CD5F it is the complementary color #4832A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7CD5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7CD5F shade: #BCCD5A, #CDDF6D, #DEF180, #EFFF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7CD5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7CD5F shade: #B7CD5F, #A6BB4C, #95A939, #849726 and #738513

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7CD5F shade: #B7CC60, #CCC560, #CCA760, #CC8A60 and #CC6D60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7CD5F shade: #B7CC60, #99CC60, #7CCC60, #60CC61 and #60CC7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7CD5F shade matches the following richer shades: #B7CC60, #C1DD4F and #CBEE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7CD5F shade: #B7CC60, #ACBB71, #A2AA81, #989A92 and #8E89A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7CD5F shade: #CCA860, #CCC560, #B7CC60, #9ACC60 and #7DCC60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7CD5F shade: #8FA534, #A8C240, #B7CC60, #C5D67F and #D3E09E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7CD5F shade: #B7CD5F, #60CC8B and #B760CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7CD5F shade: #B7CD5F, #60B7CC and #CC60B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7CD5F shade: #B7CD5F, #60CC8B, #7560CC and #CC60A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7CD5F shade: #B7CD5F, #60CCAC, #7560CC and #CC6080

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 54 / 20

HEX #B7CD5F

RGB 183 205 95

HSL 72, 0.52%, 0.59%

LAB 78.78, -23.46, 51.53

 

Complementary color

CMYK 55 / 69 / 0 / 37

HEX #4832A0

RGB 72 50 160

HSL 252, 0.52%, 0.41%

LAB 29.9, 39.42, -56.43

 

CMYK 8 / 0 / 56 / 20

HEX #BCCD5A

RGB 188 205 90

HSL 68.87, 0.53%, 0.58%

LAB 79.09, -21.89, 54.26

 

CMYK 8 / 0 / 51 / 13

HEX #CDDF6D

RGB 205 223 109

HSL 69.47, 0.64%, 0.65%

LAB 85.43, -22.26, 53.22

 

CMYK 8 / 0 / 47 / 5

HEX #DEF180

RGB 222 241 128

HSL 70.09, 0.8%, 0.72%

LAB 91.68, -22.57, 52.12

 

CMYK 6 / 0 / 42 / 0

HEX #EFFF93

RGB 239 255 147

HSL 68.89, 1%, 0.79%

LAB 96.81, -20.91, 49.71

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 11 / 0 / 54 / 20

HEX #B7CD5F

RGB 183 205 95

HSL 72, 0.52%, 0.59%

LAB 78.78, -23.46, 51.53

 

CMYK 11 / 0 / 59 / 27

HEX #A6BB4C

RGB 166 187 76

HSL 71.35, 0.45%, 0.52%

LAB 72.34, -23.08, 52.51

 

CMYK 12 / 0 / 66 / 34

HEX #95A939

RGB 149 169 57

HSL 70.71, 0.5%, 0.44%

LAB 65.8, -22.59, 53.27

 

CMYK 13 / 0 / 75 / 41

HEX #849726

RGB 132 151 38

HSL 70.09, 0.6%, 0.37%

LAB 59.14, -21.93, 53.54

 

CMYK 14 / 0 / 86 / 48

HEX #738513

RGB 115 133 19

HSL 69.47, 0.75%, 0.3%

LAB 52.36, -21.05, 52.82

 

CMYK 10 / 0 / 53 / 20

HEX #B7CC60

RGB 183 204 96

HSL 71.67, 0.51%, 0.59%

LAB 78.52, -22.88, 50.75

 

CMYK 0 / 3 / 53 / 20

HEX #CCC560

RGB 204 197 96

HSL 56.11, 0.51%, 0.59%

LAB 78.24, -10.86, 50.83

 

CMYK 0 / 18 / 53 / 20

HEX #CCA760

RGB 204 167 96

HSL 39.44, 0.51%, 0.59%

LAB 70.4, 4.86, 41.5

 

CMYK 0 / 32 / 53 / 20

HEX #CC8A60

RGB 204 138 96

HSL 23.33, 0.51%, 0.59%

LAB 63.23, 20.61, 32.59

 

CMYK 0 / 47 / 53 / 20

HEX #CC6D60

RGB 204 109 96

HSL 7.22, 0.51%, 0.59%

LAB 56.7, 36.2, 24.15

 

CMYK 10 / 0 / 53 / 20

HEX #B7CC60

RGB 183 204 96

HSL 71.67, 0.51%, 0.59%

LAB 78.52, -22.88, 50.75

 

CMYK 25 / 0 / 53 / 20

HEX #99CC60

RGB 153 204 96

HSL 88.33, 0.51%, 0.59%

LAB 76.56, -34.4, 47.96

 

CMYK 39 / 0 / 53 / 20

HEX #7CCC60

RGB 124 204 96

HSL 104.44, 0.51%, 0.59%

LAB 75.02, -44.45, 45.76

 

CMYK 53 / 0 / 52 / 20

HEX #60CC61

RGB 96 204 97

HSL 120.56, 0.51%, 0.59%

LAB 73.89, -52.51, 43.65

 

CMYK 53 / 0 / 38 / 20

HEX #60CC7E

RGB 96 204 126

HSL 136.67, 0.51%, 0.59%

LAB 74.3, -48.12, 29.65

 

CMYK 10 / 0 / 53 / 20

HEX #B7CC60

RGB 183 204 96

HSL 71.67, 0.51%, 0.59%

LAB 78.52, -22.88, 50.75

 

CMYK 13 / 0 / 64 / 13

HEX #C1DD4F

RGB 193 221 79

HSL 71.83, 0.68%, 0.59%

LAB 83.76, -28.39, 64.15

 

CMYK 15 / 0 / 74 / 7

HEX #CBEE3E

RGB 203 238 62

HSL 71.93, 0.84%, 0.59%

LAB 89.01, -33.3, 75.69

 

CMYK 10 / 0 / 53 / 20

HEX #B7CC60

RGB 183 204 96

HSL 71.67, 0.51%, 0.59%

LAB 78.52, -22.88, 50.75

 

CMYK 8 / 0 / 40 / 27

HEX #ACBB71

RGB 172 187 113

HSL 72.16, 0.35%, 0.59%

LAB 73.22, -17, 35.74

 

CMYK 5 / 0 / 24 / 33

HEX #A2AA81

RGB 162 170 129

HSL 71.71, 0.19%, 0.59%

LAB 68.03, -9.95, 20.24

 

CMYK 1 / 0 / 5 / 40

HEX #989A92

RGB 152 154 146

HSL 75, 0.04%, 0.59%

LAB 63.23, -2.24, 3.94

 

CMYK 13 / 16 / 0 / 36

HEX #8E89A3

RGB 142 137 163

HSL 251.54, 0.12%, 0.59%

LAB 58.31, 7.22, -13.08

 

CMYK 0 / 18 / 53 / 20

HEX #CCA860

RGB 204 168 96

HSL 40, 0.51%, 0.59%

LAB 70.65, 4.33, 41.81

 

CMYK 0 / 3 / 53 / 20

HEX #CCC560

RGB 204 197 96

HSL 56.11, 0.51%, 0.59%

LAB 78.24, -10.86, 50.83

 

CMYK 10 / 0 / 53 / 20

HEX #B7CC60

RGB 183 204 96

HSL 71.67, 0.51%, 0.59%

LAB 78.52, -22.88, 50.75

 

CMYK 25 / 0 / 53 / 20

HEX #9ACC60

RGB 154 204 96

HSL 87.78, 0.51%, 0.59%

LAB 76.62, -34.03, 48.04

 

CMYK 39 / 0 / 53 / 20

HEX #7DCC60

RGB 125 204 96

HSL 103.89, 0.51%, 0.59%

LAB 75.07, -44.12, 45.82

 

CMYK 13 / 0 / 68 / 35

HEX #8FA534

RGB 143 165 52

HSL 71.68, 0.52%, 0.43%

LAB 64.16, -23.44, 53.48

 

CMYK 13 / 0 / 67 / 24

HEX #A8C240

RGB 168 194 64

HSL 72, 0.52%, 0.51%

LAB 74.37, -26.53, 59.76

 

CMYK 10 / 0 / 53 / 20

HEX #B7CC60

RGB 183 204 96

HSL 71.67, 0.51%, 0.59%

LAB 78.52, -22.88, 50.75

 

CMYK 8 / 0 / 41 / 16

HEX #C5D67F

RGB 197 214 127

HSL 71.72, 0.51%, 0.67%

LAB 82.64, -19.15, 41.01

 

CMYK 6 / 0 / 29 / 12

HEX #D3E09E

RGB 211 224 158

HSL 71.82, 0.52%, 0.75%

LAB 86.81, -14.99, 30.94

 

CMYK 11 / 0 / 54 / 20

HEX #B7CD5F

RGB 183 205 95

HSL 72, 0.52%, 0.59%

LAB 78.78, -23.46, 51.53

 

CMYK 53 / 0 / 32 / 20

HEX #60CC8B

RGB 96 204 139

HSL 143.89, 0.51%, 0.59%

LAB 74.53, -45.76, 23.17

 

CMYK 10 / 53 / 0 / 20

HEX #B760CC

RGB 183 96 204

HSL 288.33, 0.51%, 0.59%

LAB 54.86, 51.62, -41.53

 

CMYK 11 / 0 / 54 / 20

HEX #B7CD5F

RGB 183 205 95

HSL 72, 0.52%, 0.59%

LAB 78.78, -23.46, 51.53

 

CMYK 53 / 10 / 0 / 20

HEX #60B7CC

RGB 96 183 204

HSL 191.67, 0.51%, 0.59%

LAB 69.97, -20.38, -18.66

 

CMYK 0 / 53 / 10 / 20

HEX #CC60B7

RGB 204 96 183

HSL 311.67, 0.51%, 0.59%

LAB 56.71, 53.76, -26.4

 

CMYK 11 / 0 / 54 / 20

HEX #B7CD5F

RGB 183 205 95

HSL 72, 0.52%, 0.59%

LAB 78.78, -23.46, 51.53

 

CMYK 53 / 0 / 32 / 20

HEX #60CC8B

RGB 96 204 139

HSL 143.89, 0.51%, 0.59%

LAB 74.53, -45.76, 23.17

 

CMYK 43 / 53 / 0 / 20

HEX #7560CC

RGB 117 96 204

HSL 251.67, 0.51%, 0.59%

LAB 47.63, 34.65, -53.46

 

CMYK 0 / 53 / 21 / 20

HEX #CC60A1

RGB 204 96 161

HSL 323.89, 0.51%, 0.59%

LAB 55.86, 50.39, -14.95

 

CMYK 11 / 0 / 54 / 20

HEX #B7CD5F

RGB 183 205 95

HSL 72, 0.52%, 0.59%

LAB 78.78, -23.46, 51.53

 

CMYK 53 / 0 / 16 / 20

HEX #60CCAC

RGB 96 204 172

HSL 162.22, 0.51%, 0.59%

LAB 75.23, -38.79, 6.54

 

CMYK 43 / 53 / 0 / 20

HEX #7560CC

RGB 117 96 204

HSL 251.67, 0.51%, 0.59%

LAB 47.63, 34.65, -53.46

 

CMYK 0 / 53 / 37 / 20

HEX #CC6080

RGB 204 96 128

HSL 342.22, 0.51%, 0.59%

LAB 54.83, 46.07, 2.87

 

Description

Color code: HEX #B7CD5F | qconv.com Color code: HEX #B7CD5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 205 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 205 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 54 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 54% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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