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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7D7E1 it is the complementary color #48281E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7D7E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7D7E1 shade: #BCD7DC, #CDE9EF, #DEFBFF and #EFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7D7E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7D7E1 shade: #B7D7E1, #A6C5CE, #95B3BB, #84A1A8 and #738F95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7D7E1 shade: #B7D6E0, #B7CBE0, #B7C0E0, #B9B7E0 and #C4B7E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7D7E1 shade: #B7D6E0, #B7CBE0, #B7C0E0 and #B7B7E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7D7E1 shade matches the following richer shades: #B7D6E0, #AEDBE9, #A6DFF1 and #9EE3F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7D7E1 shade: #B7D6E0, #BFD2D8, #C7CED0, #CFC9C8 and #D8C5BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7D7E1 shade: #B7E0D4, #B7E0DF, #B7D7E0, #B7CCE0 and #B7C0E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7D7E1 shade: #7CB6C8, #9AC6D4, #B7D6E0, #D4E7ED and #F1F7F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7D7E1 shade: #B7D7E1, #C9B7E0 and #E0D9B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7D7E1 shade: #B7D7E1, #E0B7D7 and #D7E0B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7D7E1 shade: #B7D7E1, #C9B7E0, #E0C0B7 and #CEE0B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7D7E1 shade: #B7D7E1, #D5B7E0, #E0C0B7 and #C2E0B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 4 / 0 / 12

HEX #B7D7E1

RGB 183 215 225

HSL 194.29, 0.41%, 0.8%

LAB 84.02, -8.44, -8.46

 

Complementary color

CMYK 0 / 44 / 58 / 72

HEX #48281E

RGB 72 40 30

HSL 14.29, 0.41%, 0.2%

LAB 20, 13.76, 12.96

 

CMYK 15 / 2 / 0 / 14

HEX #BCD7DC

RGB 188 215 220

HSL 189.38, 0.31%, 0.8%

LAB 84.2, -7.92, -5.49

 

CMYK 14 / 3 / 0 / 6

HEX #CDE9EF

RGB 205 233 239

HSL 190.59, 0.52%, 0.87%

LAB 90.55, -7.94, -6.01

 

CMYK 13 / 2 / 0 / 0

HEX #DEFBFF

RGB 222 251 255

HSL 187.27, 1%, 0.94%

LAB 96.72, -8.56, -5.1

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 19 / 4 / 0 / 12

HEX #B7D7E1

RGB 183 215 225

HSL 194.29, 0.41%, 0.8%

LAB 84.02, -8.44, -8.46

 

CMYK 19 / 4 / 0 / 19

HEX #A6C5CE

RGB 166 197 206

HSL 193.5, 0.29%, 0.73%

LAB 77.58, -8.43, -7.97

 

CMYK 20 / 4 / 0 / 27

HEX #95B3BB

RGB 149 179 187

HSL 192.63, 0.22%, 0.66%

LAB 71.02, -8.42, -7.48

 

CMYK 21 / 4 / 0 / 34

HEX #84A1A8

RGB 132 161 168

HSL 191.67, 0.17%, 0.59%

LAB 64.34, -8.42, -6.97

 

CMYK 23 / 4 / 0 / 42

HEX #738F95

RGB 115 143 149

HSL 190.59, 0.14%, 0.52%

LAB 57.52, -8.43, -6.45

 

CMYK 18 / 4 / 0 / 12

HEX #B7D6E0

RGB 183 214 224

HSL 194.63, 0.4%, 0.8%

LAB 83.73, -8.14, -8.36

 

CMYK 18 / 9 / 0 / 12

HEX #B7CBE0

RGB 183 203 224

HSL 210.73, 0.4%, 0.8%

LAB 80.83, -2.38, -12.68

 

CMYK 18 / 14 / 0 / 12

HEX #B7C0E0

RGB 183 192 224

HSL 226.83, 0.4%, 0.8%

LAB 77.96, 3.49, -16.99

 

CMYK 17 / 18 / 0 / 12

HEX #B9B7E0

RGB 185 183 224

HSL 242.93, 0.4%, 0.8%

LAB 75.8, 9, -20.24

 

CMYK 13 / 18 / 0 / 12

HEX #C4B7E0

RGB 196 183 224

HSL 259.02, 0.4%, 0.8%

LAB 76.67, 12.5, -18.84

 

CMYK 18 / 4 / 0 / 12

HEX #B7D6E0

RGB 183 214 224

HSL 194.63, 0.4%, 0.8%

LAB 83.73, -8.14, -8.36

 

CMYK 18 / 9 / 0 / 12

HEX #B7CBE0

RGB 183 203 224

HSL 210.73, 0.4%, 0.8%

LAB 80.83, -2.38, -12.68

 

CMYK 18 / 14 / 0 / 12

HEX #B7C0E0

RGB 183 192 224

HSL 226.83, 0.4%, 0.8%

LAB 77.96, 3.49, -16.99

 

CMYK 18 / 18 / 0 / 12

HEX #B7B7E0

RGB 183 183 224

HSL 240, 0.4%, 0.8%

LAB 75.65, 8.37, -20.49

 

CMYK 18 / 4 / 0 / 12

HEX #B7D6E0

RGB 183 214 224

HSL 194.63, 0.4%, 0.8%

LAB 83.73, -8.14, -8.36

 

CMYK 25 / 6 / 0 / 9

HEX #AEDBE9

RGB 174 219 233

HSL 194.24, 0.57%, 0.8%

LAB 84.76, -11.46, -11.65

 

CMYK 31 / 7 / 0 / 5

HEX #A6DFF1

RGB 166 223 241

HSL 194.4, 0.73%, 0.8%

LAB 85.62, -13.95, -14.65

 

CMYK 37 / 9 / 0 / 2

HEX #9EE3F9

RGB 158 227 249

HSL 194.51, 0.88%, 0.8%

LAB 86.53, -16.21, -17.54

 

CMYK 18 / 4 / 0 / 12

HEX #B7D6E0

RGB 183 214 224

HSL 194.63, 0.4%, 0.8%

LAB 83.73, -8.14, -8.36

 

CMYK 12 / 3 / 0 / 15

HEX #BFD2D8

RGB 191 210 216

HSL 194.4, 0.24%, 0.8%

LAB 82.98, -5.18, -5.15

 

CMYK 4 / 1 / 0 / 18

HEX #C7CED0

RGB 199 206 208

HSL 193.33, 0.09%, 0.8%

LAB 82.29, -2, -1.83

 

CMYK 0 / 3 / 3 / 19

HEX #CFC9C8

RGB 207 201 200

HSL 8.57, 0.07%, 0.8%

LAB 81.41, 1.9, 1.23

HEX #CFC9C8

CMYK 0 / 9 / 12 / 15

HEX #D8C5BF

RGB 216 197 191

HSL 14.4, 0.24%, 0.8%

LAB 80.9, 5.66, 5.41

HEX #D8C5BF

CMYK 18 / 0 / 5 / 12

HEX #B7E0D4

RGB 183 224 212

HSL 162.44, 0.4%, 0.8%

LAB 86.07, -15.7, 1.44

 

CMYK 18 / 0 / 0 / 12

HEX #B7E0DF

RGB 183 224 223

HSL 178.54, 0.4%, 0.8%

LAB 86.36, -13.47, -3.94

 

CMYK 18 / 4 / 0 / 12

HEX #B7D7E0

RGB 183 215 224

HSL 193.17, 0.4%, 0.8%

LAB 83.99, -8.65, -7.97

 

CMYK 18 / 9 / 0 / 12

HEX #B7CCE0

RGB 183 204 224

HSL 209.27, 0.4%, 0.8%

LAB 81.09, -2.91, -12.29

 

CMYK 18 / 14 / 0 / 12

HEX #B7C0E0

RGB 183 192 224

HSL 226.83, 0.4%, 0.8%

LAB 77.96, 3.49, -16.99

 

CMYK 38 / 9 / 0 / 22

HEX #7CB6C8

RGB 124 182 200

HSL 194.21, 0.41%, 0.64%

LAB 70.81, -14.22, -15.08

 

CMYK 27 / 7 / 0 / 17

HEX #9AC6D4

RGB 154 198 212

HSL 194.48, 0.4%, 0.72%

LAB 77.29, -11.24, -11.72

 

CMYK 18 / 4 / 0 / 12

HEX #B7D6E0

RGB 183 214 224

HSL 194.63, 0.4%, 0.8%

LAB 83.73, -8.14, -8.36

 

CMYK 11 / 3 / 0 / 7

HEX #D4E7ED

RGB 212 231 237

HSL 194.4, 0.41%, 0.88%

LAB 90.44, -5.1, -5.07

 

CMYK 3 / 1 / 0 / 2

HEX #F1F7F9

RGB 241 247 249

HSL 195, 0.4%, 0.96%

LAB 96.85, -1.61, -1.66

HEX #F1F7F9

CMYK 19 / 4 / 0 / 12

HEX #B7D7E1

RGB 183 215 225

HSL 194.29, 0.41%, 0.8%

LAB 84.02, -8.44, -8.46

 

CMYK 10 / 18 / 0 / 12

HEX #C9B7E0

RGB 201 183 224

HSL 266.34, 0.4%, 0.8%

LAB 77.08, 14.12, -18.18

 

CMYK 0 / 3 / 18 / 12

HEX #E0D9B7

RGB 224 217 183

HSL 49.76, 0.4%, 0.8%

LAB 86.45, -3.12, 17.63

 

CMYK 19 / 4 / 0 / 12

HEX #B7D7E1

RGB 183 215 225

HSL 194.29, 0.41%, 0.8%

LAB 84.02, -8.44, -8.46

 

CMYK 0 / 18 / 4 / 12

HEX #E0B7D7

RGB 224 183 215

HSL 313.17, 0.4%, 0.8%

LAB 78.82, 20.06, -10.49

 

CMYK 4 / 0 / 18 / 12

HEX #D7E0B7

RGB 215 224 183

HSL 73.17, 0.4%, 0.8%

LAB 87.57, -9.95, 19.09

 

CMYK 19 / 4 / 0 / 12

HEX #B7D7E1

RGB 183 215 225

HSL 194.29, 0.41%, 0.8%

LAB 84.02, -8.44, -8.46

 

CMYK 10 / 18 / 0 / 12

HEX #C9B7E0

RGB 201 183 224

HSL 266.34, 0.4%, 0.8%

LAB 77.08, 14.12, -18.18

 

CMYK 0 / 14 / 18 / 12

HEX #E0C0B7

RGB 224 192 183

HSL 13.17, 0.4%, 0.8%

LAB 80.16, 9.95, 8.73

 

CMYK 8 / 0 / 18 / 12

HEX #CEE0B7

RGB 206 224 183

HSL 86.34, 0.4%, 0.8%

LAB 86.92, -13.16, 18.09

 

CMYK 19 / 4 / 0 / 12

HEX #B7D7E1

RGB 183 215 225

HSL 194.29, 0.41%, 0.8%

LAB 84.02, -8.44, -8.46

 

CMYK 5 / 18 / 0 / 12

HEX #D5B7E0

RGB 213 183 224

HSL 283.9, 0.4%, 0.8%

LAB 78.11, 18.04, -16.53

 

CMYK 0 / 14 / 18 / 12

HEX #E0C0B7

RGB 224 192 183

HSL 13.17, 0.4%, 0.8%

LAB 80.16, 9.95, 8.73

 

CMYK 13 / 0 / 18 / 12

HEX #C2E0B7

RGB 194 224 183

HSL 103.9, 0.4%, 0.8%

LAB 86.11, -17.36, 16.83

 

Description

Color code: HEX #B7D7E1 | qconv.com Color code: HEX #B7D7E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 215 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 215 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 4 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 4% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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