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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7EA60 it is the complementary color #48159F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7EA60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7EA60 shade: #BCEA5B, #CDFC6E, #DEFF81, #EFFF94 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7EA60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7EA60 shade: #B7EA60, #A6D84D, #95C63A, #84B427 and #73A214

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7EA60 shade: #B7EA61, #DCEA61, #EAD361, #EAAE61 and #EA8961

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7EA60 shade: #B7EA61, #92EA61, #6DEA61, #61EA79 and #61EA9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7EA60 shade matches the following richer shades: #B7EA61 and #BBF852

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7EA60 shade: #B7EA61, #B3DC6F, #B0CD7D, #ACBF8C and #A8B09A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7EA60 shade: #EAD361, #DCEA61, #B8EA61, #93EA61 and #6EEA61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7EA60 shade: #95DC1C, #A7E53C, #B7EA61, #C8EF85 and #D8F3AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7EA60 shade: #B7EA60, #61EAAE and #E561EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7EA60 shade: #B7EA60, #61B8EA and #EA61B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7EA60 shade: #B7EA60, #61EAAE, #9361EA and #EA619C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7EA60 shade: #B7EA60, #61EAD8, #9361EA and #EA6173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 59 / 8

HEX #B7EA60

RGB 183 234 96

HSL 82.17, 0.77%, 0.65%

LAB 86.88, -36.97, 60.3

 

Complementary color

CMYK 55 / 87 / 0 / 38

HEX #48159F

RGB 72 21 159

HSL 262.17, 0.77%, 0.35%

LAB 25.01, 52.81, -63.87

 

CMYK 20 / 0 / 61 / 8

HEX #BCEA5B

RGB 188 234 91

HSL 79.3, 0.77%, 0.64%

LAB 87.14, -35.5, 62.79

 

CMYK 19 / 0 / 56 / 1

HEX #CDFC6E

RGB 205 252 110

HSL 79.86, 0.96%, 0.71%

LAB 93.33, -35.76, 61.92

 

CMYK 13 / 0 / 49 / 0

HEX #DEFF81

RGB 222 255 129

HSL 75.71, 1%, 0.75%

LAB 95.43, -29.09, 56.17

 

CMYK 6 / 0 / 42 / 0

HEX #EFFF94

RGB 239 255 148

HSL 68.97, 1%, 0.79%

LAB 96.82, -20.8, 49.24

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 22 / 0 / 59 / 8

HEX #B7EA60

RGB 183 234 96

HSL 82.17, 0.77%, 0.65%

LAB 86.88, -36.97, 60.3

 

CMYK 23 / 0 / 64 / 15

HEX #A6D84D

RGB 166 216 77

HSL 81.58, 0.64%, 0.57%

LAB 80.6, -36.7, 61.07

 

CMYK 25 / 0 / 71 / 22

HEX #95C63A

RGB 149 198 58

HSL 81, 0.55%, 0.5%

LAB 74.24, -36.31, 61.51

 

CMYK 27 / 0 / 78 / 29

HEX #84B427

RGB 132 180 39

HSL 80.43, 0.64%, 0.43%

LAB 67.79, -35.77, 61.36

 

CMYK 29 / 0 / 88 / 36

HEX #73A214

RGB 115 162 20

HSL 79.86, 0.78%, 0.36%

LAB 61.25, -35.01, 60.16

 

CMYK 22 / 0 / 59 / 8

HEX #B7EA61

RGB 183 234 97

HSL 82.34, 0.77%, 0.65%

LAB 86.89, -36.89, 59.88

 

CMYK 6 / 0 / 59 / 8

HEX #DCEA61

RGB 220 234 97

HSL 66.13, 0.77%, 0.65%

LAB 89.36, -22.61, 63.32

 

CMYK 0 / 10 / 59 / 8

HEX #EAD361

RGB 234 211 97

HSL 49.93, 0.77%, 0.65%

LAB 84.45, -5.55, 58.17

 

CMYK 0 / 26 / 59 / 8

HEX #EAAE61

RGB 234 174 97

HSL 33.72, 0.77%, 0.65%

LAB 75.22, 13.71, 47.52

 

CMYK 0 / 41 / 59 / 8

HEX #EA8961

RGB 234 137 97

HSL 17.52, 0.77%, 0.65%

LAB 66.71, 33.3, 37.21

 

CMYK 22 / 0 / 59 / 8

HEX #B7EA61

RGB 183 234 97

HSL 82.34, 0.77%, 0.65%

LAB 86.89, -36.89, 59.88

 

CMYK 38 / 0 / 59 / 8

HEX #92EA61

RGB 146 234 97

HSL 98.54, 0.77%, 0.65%

LAB 84.9, -49.81, 57.11

 

CMYK 53 / 0 / 59 / 8

HEX #6DEA61

RGB 109 234 97

HSL 114.74, 0.77%, 0.65%

LAB 83.42, -60.56, 55.02

 

CMYK 59 / 0 / 48 / 8

HEX #61EA79

RGB 97 234 121

HSL 130.51, 0.77%, 0.65%

LAB 83.32, -60.4, 43.74

 

CMYK 59 / 0 / 32 / 8

HEX #61EA9E

RGB 97 234 158

HSL 146.72, 0.77%, 0.65%

LAB 83.89, -54.24, 26.02

 

CMYK 22 / 0 / 59 / 8

HEX #B7EA61

RGB 183 234 97

HSL 82.34, 0.77%, 0.65%

LAB 86.89, -36.89, 59.88

 

CMYK 25 / 0 / 67 / 3

HEX #BBF852

RGB 187 248 82

HSL 82.05, 0.92%, 0.65%

LAB 90.92, -42.74, 70.34

 

CMYK 22 / 0 / 59 / 8

HEX #B7EA61

RGB 183 234 97

HSL 82.34, 0.77%, 0.65%

LAB 86.89, -36.89, 59.88

 

CMYK 19 / 0 / 50 / 14

HEX #B3DC6F

RGB 179 220 111

HSL 82.57, 0.61%, 0.65%

LAB 82.87, -30.63, 48.8

 

CMYK 14 / 0 / 39 / 20

HEX #B0CD7D

RGB 176 205 125

HSL 81.75, 0.44%, 0.65%

LAB 78.68, -22.96, 36.65

 

CMYK 10 / 0 / 27 / 25

HEX #ACBF8C

RGB 172 191 140

HSL 82.35, 0.28%, 0.65%

LAB 74.78, -15.41, 23.63

 

CMYK 5 / 0 / 13 / 31

HEX #A8B09A

RGB 168 176 154

HSL 81.82, 0.12%, 0.65%

LAB 70.67, -6.83, 10.31

 

CMYK 0 / 10 / 59 / 8

HEX #EAD361

RGB 234 211 97

HSL 49.93, 0.77%, 0.65%

LAB 84.45, -5.55, 58.17

 

CMYK 6 / 0 / 59 / 8

HEX #DCEA61

RGB 220 234 97

HSL 66.13, 0.77%, 0.65%

LAB 89.36, -22.61, 63.32

 

CMYK 21 / 0 / 59 / 8

HEX #B8EA61

RGB 184 234 97

HSL 81.9, 0.77%, 0.65%

LAB 86.95, -36.52, 59.97

 

CMYK 37 / 0 / 59 / 8

HEX #93EA61

RGB 147 234 97

HSL 98.1, 0.77%, 0.65%

LAB 84.95, -49.48, 57.17

 

CMYK 53 / 0 / 59 / 8

HEX #6EEA61

RGB 110 234 97

HSL 114.31, 0.77%, 0.65%

LAB 83.45, -60.31, 55.06

 

CMYK 32 / 0 / 87 / 14

HEX #95DC1C

RGB 149 220 28

HSL 82.19, 0.77%, 0.49%

LAB 80.55, -47.18, 75.59

 

CMYK 27 / 0 / 74 / 10

HEX #A7E53C

RGB 167 229 60

HSL 82.01, 0.76%, 0.57%

LAB 84.27, -43.15, 71.02

 

CMYK 22 / 0 / 59 / 8

HEX #B7EA61

RGB 183 234 97

HSL 82.34, 0.77%, 0.65%

LAB 86.89, -36.89, 59.88

 

CMYK 16 / 0 / 44 / 6

HEX #C8EF85

RGB 200 239 133

HSL 82.08, 0.77%, 0.73%

LAB 89.72, -29.37, 47

 

CMYK 11 / 0 / 30 / 5

HEX #D8F3AA

RGB 216 243 170

HSL 82.19, 0.75%, 0.81%

LAB 92.4, -20.87, 32.37

 

CMYK 22 / 0 / 59 / 8

HEX #B7EA60

RGB 183 234 96

HSL 82.17, 0.77%, 0.65%

LAB 86.88, -36.97, 60.3

 

CMYK 59 / 0 / 26 / 8

HEX #61EAAE

RGB 97 234 174

HSL 153.72, 0.77%, 0.65%

LAB 84.2, -51.06, 18.17

 

CMYK 2 / 59 / 0 / 8

HEX #E561EA

RGB 229 97 234

HSL 297.81, 0.77%, 0.65%

LAB 62.63, 68.53, -45.75

 

CMYK 22 / 0 / 59 / 8

HEX #B7EA60

RGB 183 234 96

HSL 82.17, 0.77%, 0.65%

LAB 86.88, -36.97, 60.3

 

CMYK 59 / 21 / 0 / 8

HEX #61B8EA

RGB 97 184 234

HSL 201.9, 0.77%, 0.65%

LAB 71.39, -11.87, -32.86

 

CMYK 0 / 59 / 21 / 8

HEX #EA61B8

RGB 234 97 184

HSL 321.9, 0.77%, 0.65%

LAB 61.22, 62.13, -19.68

 

CMYK 22 / 0 / 59 / 8

HEX #B7EA60

RGB 183 234 96

HSL 82.17, 0.77%, 0.65%

LAB 86.88, -36.97, 60.3

 

CMYK 59 / 0 / 26 / 8

HEX #61EAAE

RGB 97 234 174

HSL 153.72, 0.77%, 0.65%

LAB 84.2, -51.06, 18.17

 

CMYK 37 / 59 / 0 / 8

HEX #9361EA

RGB 147 97 234

HSL 261.9, 0.77%, 0.65%

LAB 52.61, 49.02, -62.32

 

CMYK 0 / 59 / 33 / 8

HEX #EA619C

RGB 234 97 156

HSL 334.16, 0.77%, 0.65%

LAB 60.29, 58.58, -4.97

 

CMYK 22 / 0 / 59 / 8

HEX #B7EA60

RGB 183 234 96

HSL 82.17, 0.77%, 0.65%

LAB 86.88, -36.97, 60.3

 

CMYK 59 / 0 / 8 / 8

HEX #61EAD8

RGB 97 234 216

HSL 172.12, 0.77%, 0.65%

LAB 85.17, -41.41, -2.44

 

CMYK 37 / 59 / 0 / 8

HEX #9361EA

RGB 147 97 234

HSL 261.9, 0.77%, 0.65%

LAB 52.61, 49.02, -62.32

 

CMYK 0 / 59 / 51 / 8

HEX #EA6173

RGB 234 97 115

HSL 352.12, 0.77%, 0.65%

LAB 59.23, 54.44, 17.35

 

Description

Color code: HEX #B7EA60 | qconv.com Color code: HEX #B7EA60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 234 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 234 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 59 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 59% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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