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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7FB64 it is the complementary color #48049B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7FB64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7FB64 shade: #BCFB5F, #CDFF72, #DEFF85, #EFFF98 and #FFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7FB64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7FB64 shade: #B7FB64, #A6E951, #95D73E, #84C52B and #73B318

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7FB64 shade: #B7FB64, #DFFB64, #FBED64, #FBC564 and #FB9C64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7FB64 shade: #B7FB64, #8EFB64, #66FB64, #64FB8B and #64FBB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7FB64 shade matches the following richer shades: #B7FB64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7FB64 shade: #B7FB64, #B6EE71, #B4E17E, #B3D48B and #B2C798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7FB64 shade: #FBEE64, #DFFB64, #B7FB64, #8FFB64 and #67FB64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7FB64 shade: #92F814, #A4FA3C, #B7FB64, #CAFC8D and #DCFDB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7FB64 shade: #B7FB64, #64FBC6 and #FB64F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7FB64 shade: #B7FB64, #64B7FB and #FB64B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7FB64 shade: #B7FB64, #64FBC6, #A864FB and #FB6499

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7FB64 shade: #B7FB64, #64FBF3, #A864FB and #FB646C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

Complementary color

CMYK 54 / 97 / 0 / 39

HEX #48049B

RGB 72 4 155

HSL 267.02, 0.95%, 0.31%

LAB 23.11, 56.19, -64.57

 

CMYK 25 / 0 / 62 / 2

HEX #BCFB5F

RGB 188 251 95

HSL 84.23, 0.95%, 0.68%

LAB 91.91, -42.76, 66.35

 

CMYK 20 / 0 / 55 / 0

HEX #CDFF72

RGB 205 255 114

HSL 81.28, 1%, 0.72%

LAB 94.19, -36.77, 61.17

 

CMYK 13 / 0 / 48 / 0

HEX #DEFF85

RGB 222 255 133

HSL 76.23, 1%, 0.76%

LAB 95.47, -28.7, 54.38

 

CMYK 6 / 0 / 40 / 0

HEX #EFFF98

RGB 239 255 152

HSL 69.32, 1%, 0.8%

LAB 96.88, -20.38, 47.39

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 29 / 0 / 65 / 9

HEX #A6E951

RGB 166 233 81

HSL 86.45, 0.78%, 0.62%

LAB 85.49, -43.91, 64.68

 

CMYK 31 / 0 / 71 / 16

HEX #95D73E

RGB 149 215 62

HSL 85.88, 0.66%, 0.54%

LAB 79.24, -43.57, 65.07

 

CMYK 33 / 0 / 78 / 23

HEX #84C52B

RGB 132 197 43

HSL 85.32, 0.64%, 0.47%

LAB 72.9, -43.07, 64.89

 

CMYK 36 / 0 / 87 / 30

HEX #73B318

RGB 115 179 24

HSL 84.77, 0.76%, 0.4%

LAB 66.48, -42.35, 63.76

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 11 / 0 / 60 / 2

HEX #DFFB64

RGB 223 251 100

HSL 71.13, 0.95%, 0.69%

LAB 94.14, -29.26, 67.37

 

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

CMYK 0 / 22 / 60 / 2

HEX #FBC564

RGB 251 197 100

HSL 38.54, 0.95%, 0.69%

LAB 82.57, 8.87, 55.08

 

CMYK 0 / 38 / 60 / 2

HEX #FB9C64

RGB 251 156 100

HSL 22.25, 0.95%, 0.69%

LAB 73.03, 30.31, 43.86

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 43 / 0 / 60 / 2

HEX #8EFB64

RGB 142 251 100

HSL 103.31, 0.95%, 0.69%

LAB 89.7, -57.58, 61.21

 

CMYK 59 / 0 / 60 / 2

HEX #66FB64

RGB 102 251 100

HSL 119.21, 0.95%, 0.69%

LAB 88.32, -68, 59.28

 

CMYK 60 / 0 / 45 / 2

HEX #64FB8B

RGB 100 251 139

HSL 135.5, 0.95%, 0.69%

LAB 88.72, -63.37, 41.89

 

CMYK 60 / 0 / 28 / 2

HEX #64FBB4

RGB 100 251 180

HSL 151.79, 0.95%, 0.69%

LAB 89.39, -56.13, 22.31

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 24 / 0 / 53 / 7

HEX #B6EE71

RGB 182 238 113

HSL 86.88, 0.79%, 0.69%

LAB 88.11, -37.59, 54.17

 

CMYK 20 / 0 / 44 / 12

HEX #B4E17E

RGB 180 225 126

HSL 87.27, 0.62%, 0.69%

LAB 84.51, -30.94, 43.61

 

CMYK 16 / 0 / 34 / 17

HEX #B3D48B

RGB 179 212 139

HSL 87.12, 0.46%, 0.69%

LAB 81.04, -23.45, 32.61

 

CMYK 11 / 0 / 24 / 22

HEX #B2C798

RGB 178 199 152

HSL 86.81, 0.3%, 0.69%

LAB 77.63, -15.45, 21.22

 

CMYK 0 / 5 / 60 / 2

HEX #FBEE64

RGB 251 238 100

HSL 54.83, 0.95%, 0.69%

LAB 92.83, -11.91, 66.55

 

CMYK 11 / 0 / 60 / 2

HEX #DFFB64

RGB 223 251 100

HSL 71.13, 0.95%, 0.69%

LAB 94.14, -29.26, 67.37

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 43 / 0 / 60 / 2

HEX #8FFB64

RGB 143 251 100

HSL 102.91, 0.95%, 0.69%

LAB 89.75, -57.28, 61.27

 

CMYK 59 / 0 / 60 / 2

HEX #67FB64

RGB 103 251 100

HSL 118.81, 0.95%, 0.69%

LAB 88.35, -67.77, 59.32

 

CMYK 41 / 0 / 92 / 3

HEX #92F814

RGB 146 248 20

HSL 86.84, 0.94%, 0.53%

LAB 88.59, -59.54, 83.36

 

CMYK 34 / 0 / 76 / 2

HEX #A4FA3C

RGB 164 250 60

HSL 87.16, 0.95%, 0.61%

LAB 90.13, -53.01, 76.56

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 20 / 0 / 44 / 1

HEX #CAFC8D

RGB 202 252 141

HSL 87.03, 0.95%, 0.77%

LAB 93.49, -33.77, 47.9

 

CMYK 13 / 0 / 28 / 1

HEX #DCFDB5

RGB 220 253 181

HSL 87.5, 0.95%, 0.85%

LAB 95.5, -22.74, 31.04

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 60 / 0 / 21 / 2

HEX #64FBC6

RGB 100 251 198

HSL 158.94, 0.95%, 0.69%

LAB 89.76, -52.37, 13.58

 

CMYK 0 / 60 / 3 / 2

HEX #FB64F3

RGB 251 100 243

HSL 303.18, 0.95%, 0.69%

LAB 66.59, 74.15, -44.3

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 60 / 27 / 0 / 2

HEX #64B7FB

RGB 100 183 251

HSL 207.02, 0.95%, 0.69%

LAB 71.92, -5.52, -41.24

 

CMYK 0 / 60 / 27 / 2

HEX #FB64B7

RGB 251 100 183

HSL 327.02, 0.95%, 0.69%

LAB 64.2, 65.58, -14.36

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 60 / 0 / 21 / 2

HEX #64FBC6

RGB 100 251 198

HSL 158.94, 0.95%, 0.69%

LAB 89.76, -52.37, 13.58

 

CMYK 33 / 60 / 0 / 2

HEX #A864FB

RGB 168 100 251

HSL 267.02, 0.95%, 0.69%

LAB 56.49, 56.27, -65.43

 

CMYK 0 / 60 / 39 / 2

HEX #FB6499

RGB 251 100 153

HSL 338.94, 0.95%, 0.69%

LAB 63.28, 62.15, 1.46

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 60 / 0 / 3 / 2

HEX #64FBF3

RGB 100 251 243

HSL 176.82, 0.95%, 0.69%

LAB 90.86, -41.61, -8.16

 

CMYK 33 / 60 / 0 / 2

HEX #A864FB

RGB 168 100 251

HSL 267.02, 0.95%, 0.69%

LAB 56.49, 56.27, -65.43

 

CMYK 0 / 60 / 57 / 2

HEX #FB646C

RGB 251 100 108

HSL 356.82, 0.95%, 0.69%

LAB 62.26, 58.2, 25.91

 

Description

Color code: HEX #B7FB64 | qconv.com Color code: HEX #B7FB64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 251 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 251 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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