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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4085A it is the complementary color #4BF7A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4085A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4085A shade: #B90855, #CA1A68, #DB2C7B, #EC3E8E and #FD50A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4085A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4085A shade: #B4085A, #A30047, #920034, #810021 and #70000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4085A shade: #B4085A, #B4082C and #B40808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4085A shade: #B4085A, #B40888, #B108B4, #8308B4 and #5408B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4085A shade matches the following richer shades: #B4085A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4085A shade: #B4085A, #A4175B, #95275B, #86365C and #77455D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4085A shade: #B108B4, #B40889, #B4085B, #B4082D and #B41108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4085A shade: #650432, #8C0646, #B4085A, #DB0A6E and #F41A82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4085A shade: #B4085A, #B48308 and #08A0B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4085A shade: #B4085A, #5BB408 and #085BB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4085A shade: #B4085A, #B48308, #08B461 and #0839B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4085A shade: #B4085A, #B1B408, #08B461 and #0B08B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 50 / 29

HEX #B4085A

RGB 180 8 90

HSL 331.4, 0.91%, 0.37%

LAB 38.92, 64.35, 2.61

 

Complementary color

CMYK 70 / 0 / 33 / 3

HEX #4BF7A5

RGB 75 247 165

HSL 151.4, 0.91%, 0.63%

LAB 87.36, -61.8, 27.06

 

CMYK 0 / 96 / 54 / 27

HEX #B90855

RGB 185 8 85

HSL 333.9, 0.92%, 0.38%

LAB 39.82, 65.14, 7.23

 

CMYK 0 / 87 / 49 / 21

HEX #CA1A68

RGB 202 26 104

HSL 333.41, 0.77%, 0.45%

LAB 44.65, 68.16, 2.63

 

CMYK 0 / 80 / 44 / 14

HEX #DB2C7B

RGB 219 44 123

HSL 332.91, 0.71%, 0.52%

LAB 49.85, 70.02, -1.09

 

CMYK 0 / 74 / 40 / 7

HEX #EC3E8E

RGB 236 62 142

HSL 332.41, 0.82%, 0.58%

LAB 55.31, 71.03, -4.09

 

CMYK 0 / 68 / 36 / 1

HEX #FD50A1

RGB 253 80 161

HSL 331.91, 0.98%, 0.65%

LAB 60.95, 71.43, -6.55

 

CMYK 0 / 96 / 50 / 29

HEX #B4085A

RGB 180 8 90

HSL 331.4, 0.91%, 0.37%

LAB 38.92, 64.35, 2.61

 

CMYK 0 / 100 / 56 / 36

HEX #A30047

RGB 163 0 71

HSL 333.87, 1%, 0.32%

LAB 34.48, 59.87, 8.09

 

CMYK 0 / 100 / 64 / 43

HEX #920034

RGB 146 0 52

HSL 338.63, 1%, 0.29%

LAB 30.3, 54.52, 14.36

 

CMYK 0 / 100 / 74 / 49

HEX #810021

RGB 129 0 33

HSL 344.65, 1%, 0.25%

LAB 26.09, 49.21, 20.97

 

CMYK 0 / 100 / 88 / 56

HEX #70000E

RGB 112 0 14

HSL 352.5, 1%, 0.22%

LAB 21.86, 43.99, 27.24

 

CMYK 0 / 96 / 50 / 29

HEX #B4085A

RGB 180 8 90

HSL 331.4, 0.91%, 0.37%

LAB 38.92, 64.35, 2.61

 

CMYK 0 / 96 / 76 / 29

HEX #B4082C

RGB 180 8 44

HSL 347.44, 0.91%, 0.37%

LAB 37.95, 61.67, 30.63

 

CMYK 0 / 96 / 96 / 29

HEX #B40808

RGB 180 8 8

HSL 0, 0.91%, 0.37%

LAB 37.65, 60.85, 48.74

 

CMYK 0 / 96 / 50 / 29

HEX #B4085A

RGB 180 8 90

HSL 331.4, 0.91%, 0.37%

LAB 38.92, 64.35, 2.61

 

CMYK 0 / 96 / 24 / 29

HEX #B40888

RGB 180 8 136

HSL 315.35, 0.91%, 0.37%

LAB 40.66, 68.93, -23.64

 

CMYK 2 / 96 / 0 / 29

HEX #B108B4

RGB 177 8 180

HSL 298.95, 0.91%, 0.37%

LAB 42.48, 74.37, -47.32

 

CMYK 27 / 96 / 0 / 29

HEX #8308B4

RGB 131 8 180

HSL 282.91, 0.91%, 0.37%

LAB 34.59, 67.39, -60.47

 

CMYK 53 / 96 / 0 / 29

HEX #5408B4

RGB 84 8 180

HSL 266.51, 0.91%, 0.37%

LAB 27.72, 62.25, -72.01

 

CMYK 0 / 96 / 50 / 29

HEX #B4085A

RGB 180 8 90

HSL 331.4, 0.91%, 0.37%

LAB 38.92, 64.35, 2.61

 

CMYK 0 / 96 / 50 / 29

HEX #B4085A

RGB 180 8 90

HSL 331.4, 0.91%, 0.37%

LAB 38.92, 64.35, 2.61

 

CMYK 0 / 86 / 45 / 36

HEX #A4175B

RGB 164 23 91

HSL 331.06, 0.75%, 0.37%

LAB 36.48, 58.26, -1.99

 

CMYK 0 / 74 / 39 / 42

HEX #95275B

RGB 149 39 91

HSL 331.64, 0.59%, 0.37%

LAB 35.19, 49.59, -4.22

 

CMYK 0 / 60 / 31 / 47

HEX #86365C

RGB 134 54 92

HSL 331.5, 0.43%, 0.37%

LAB 34.96, 38.5, -5.49

 

CMYK 0 / 42 / 22 / 53

HEX #77455D

RGB 119 69 93

HSL 331.2, 0.27%, 0.37%

LAB 35.92, 25, -4.93

 

CMYK 2 / 96 / 0 / 29

HEX #B108B4

RGB 177 8 180

HSL 298.95, 0.91%, 0.37%

LAB 42.48, 74.37, -47.32

 

CMYK 0 / 96 / 24 / 29

HEX #B40889

RGB 180 8 137

HSL 315, 0.91%, 0.37%

LAB 40.71, 69.05, -24.18

 

CMYK 0 / 96 / 49 / 29

HEX #B4085B

RGB 180 8 91

HSL 331.05, 0.91%, 0.37%

LAB 38.95, 64.43, 2.02

 

CMYK 0 / 96 / 75 / 29

HEX #B4082D

RGB 180 8 45

HSL 347.09, 0.91%, 0.37%

LAB 37.96, 61.71, 30.03

 

CMYK 0 / 91 / 96 / 29

HEX #B41108

RGB 180 17 8

HSL 3.14, 0.91%, 0.37%

LAB 38.06, 59.68, 48.97

 

CMYK 0 / 96 / 50 / 60

HEX #650432

RGB 101 4 50

HSL 331.55, 0.92%, 0.21%

LAB 20.38, 42.14, 0.38

 

CMYK 0 / 96 / 50 / 45

HEX #8C0646

RGB 140 6 70

HSL 331.34, 0.92%, 0.29%

LAB 29.78, 53.4, 1.38

 

CMYK 0 / 96 / 50 / 29

HEX #B4085A

RGB 180 8 90

HSL 331.4, 0.91%, 0.37%

LAB 38.92, 64.35, 2.61

 

CMYK 0 / 95 / 50 / 14

HEX #DB0A6E

RGB 219 10 110

HSL 331.29, 0.91%, 0.45%

LAB 47.5, 74.63, 3.45

 

CMYK 0 / 89 / 47 / 4

HEX #F41A82

RGB 244 26 130

HSL 331.38, 0.91%, 0.53%

LAB 53.58, 80.03, 0.71

 

CMYK 0 / 96 / 50 / 29

HEX #B4085A

RGB 180 8 90

HSL 331.4, 0.91%, 0.37%

LAB 38.92, 64.35, 2.61

 

CMYK 0 / 27 / 96 / 29

HEX #B48308

RGB 180 131 8

HSL 42.91, 0.91%, 0.37%

LAB 57.99, 9.68, 62.12

 

CMYK 96 / 11 / 0 / 29

HEX #08A0B4

RGB 8 160 180

HSL 186.98, 0.91%, 0.37%

LAB 60.33, -27.16, -20.17

 

CMYK 0 / 96 / 50 / 29

HEX #B4085A

RGB 180 8 90

HSL 331.4, 0.91%, 0.37%

LAB 38.92, 64.35, 2.61

 

CMYK 49 / 0 / 96 / 29

HEX #5BB408

RGB 91 180 8

HSL 91.05, 0.91%, 0.37%

LAB 65.66, -51.25, 65.22

 

CMYK 96 / 49 / 0 / 29

HEX #085BB4

RGB 8 91 180

HSL 211.05, 0.91%, 0.37%

LAB 39.29, 13.06, -53.24

 

CMYK 0 / 96 / 50 / 29

HEX #B4085A

RGB 180 8 90

HSL 331.4, 0.91%, 0.37%

LAB 38.92, 64.35, 2.61

 

CMYK 0 / 27 / 96 / 29

HEX #B48308

RGB 180 131 8

HSL 42.91, 0.91%, 0.37%

LAB 57.99, 9.68, 62.12

 

CMYK 96 / 0 / 46 / 29

HEX #08B461

RGB 8 180 97

HSL 151.05, 0.91%, 0.37%

LAB 64.61, -57.28, 31.7

 

CMYK 96 / 68 / 0 / 29

HEX #0839B4

RGB 8 57 180

HSL 222.91, 0.91%, 0.37%

LAB 30.09, 35.8, -68.25

 

CMYK 0 / 96 / 50 / 29

HEX #B4085A

RGB 180 8 90

HSL 331.4, 0.91%, 0.37%

LAB 38.92, 64.35, 2.61

 

CMYK 2 / 0 / 96 / 29

HEX #B1B408

RGB 177 180 8

HSL 61.05, 0.91%, 0.37%

LAB 70.88, -17.81, 71.54

 

CMYK 96 / 0 / 46 / 29

HEX #08B461

RGB 8 180 97

HSL 151.05, 0.91%, 0.37%

LAB 64.61, -57.28, 31.7

 

CMYK 94 / 96 / 0 / 29

HEX #0B08B4

RGB 11 8 180

HSL 241.05, 0.91%, 0.37%

LAB 22.09, 59.1, -81.54

 

Description

Color code: HEX #B4085A | qconv.com Color code: HEX #B4085A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 8 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 8 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 50 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 50% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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