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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B40AFF it is the complementary color #4BF500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B40AFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B40AFF shade: #B90AFA, #CA1CFF, #DB2EFF, #EC40FF and #FD52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B40AFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B40AFF shade: #B40AFF, #A300EC, #9200D9, #8100C6 and #7000B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B40AFF shade: #B40AFF, #F60AFF, #FF0AC5, #FF0A83 and #FF0A41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B40AFF shade: #B40AFF, #720AFF, #300AFF and #0A0AFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B40AFF shade matches the following richer shades: #B40AFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B40AFF shade: #B40AFF, #AC1EEB, #A431D7, #9D45C3 and #9559AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B40AFF shade: #2E0AFF, #700AFF, #B10AFF, #F20AFF and #FF0AC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B40AFF shade: #7E00B6, #9B00DF, #B40AFF, #C033FF and #CD5CFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B40AFF shade: #B40AFF, #FF0A26 and #0AFF4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B40AFF shade: #B40AFF, #FFB10A and #0AFFB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B40AFF shade: #B40AFF, #FF0A26, #57FF0A and #0AFFE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B40AFF shade: #B40AFF, #FF370A, #57FF0A and #0AD2FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 96 / 0 / 0

HEX #B40AFF

RGB 180 10 255

HSL 281.63, 1%, 0.52%

LAB 48.44, 87.28, -80.66

 

Complementary color

CMYK 69 / 0 / 100 / 4

HEX #4BF500

RGB 75 245 0

HSL 101.63, 1%, 0.48%

LAB 85.4, -76.82, 81.63

 

CMYK 26 / 96 / 0 / 2

HEX #B90AFA

RGB 185 10 250

HSL 283.75, 0.96%, 0.51%

LAB 48.8, 86.98, -77.24

 

CMYK 21 / 89 / 0 / 0

HEX #CA1CFF

RGB 202 28 255

HSL 285.99, 1%, 0.55%

LAB 52.52, 87.98, -73.86

 

CMYK 14 / 82 / 0 / 0

HEX #DB2EFF

RGB 219 46 255

HSL 289.67, 1%, 0.59%

LAB 56.32, 87.11, -67.58

 

CMYK 7 / 75 / 0 / 0

HEX #EC40FF

RGB 236 64 255

HSL 294.03, 1%, 0.63%

LAB 60.53, 85.44, -60.67

 

CMYK 1 / 68 / 0 / 0

HEX #FD52FF

RGB 253 82 255

HSL 299.31, 1%, 0.66%

LAB 65.07, 83.19, -53.29

 

CMYK 29 / 96 / 0 / 0

HEX #B40AFF

RGB 180 10 255

HSL 281.63, 1%, 0.52%

LAB 48.44, 87.28, -80.66

 

CMYK 31 / 100 / 0 / 7

HEX #A300EC

RGB 163 0 236

HSL 281.44, 1%, 0.46%

LAB 44.01, 82.71, -77.34

 

CMYK 33 / 100 / 0 / 15

HEX #9200D9

RGB 146 0 217

HSL 280.37, 1%, 0.43%

LAB 39.78, 77.24, -73.52

 

CMYK 35 / 100 / 0 / 22

HEX #8100C6

RGB 129 0 198

HSL 279.09, 1%, 0.39%

LAB 35.49, 71.68, -69.64

 

CMYK 37 / 100 / 0 / 30

HEX #7000B3

RGB 112 0 179

HSL 277.54, 1%, 0.35%

LAB 31.11, 66.04, -65.69

 

CMYK 29 / 96 / 0 / 0

HEX #B40AFF

RGB 180 10 255

HSL 281.63, 1%, 0.52%

LAB 48.44, 87.28, -80.66

 

CMYK 4 / 96 / 0 / 0

HEX #F60AFF

RGB 246 10 255

HSL 297.8, 1%, 0.52%

LAB 59, 96.29, -63.04

 

CMYK 0 / 96 / 23 / 0

HEX #FF0AC5

RGB 255 10 197

HSL 314.2, 1%, 0.52%

LAB 57.57, 90.33, -32.48

 

CMYK 0 / 96 / 49 / 0

HEX #FF0A83

RGB 255 10 131

HSL 330.37, 1%, 0.52%

LAB 55.19, 84.12, 2.71

 

CMYK 0 / 96 / 75 / 0

HEX #FF0A41

RGB 255 10 65

HSL 346.53, 1%, 0.52%

LAB 53.88, 80.56, 40.39

 

CMYK 29 / 96 / 0 / 0

HEX #B40AFF

RGB 180 10 255

HSL 281.63, 1%, 0.52%

LAB 48.44, 87.28, -80.66

 

CMYK 55 / 96 / 0 / 0

HEX #720AFF

RGB 114 10 255

HSL 265.47, 1%, 0.52%

LAB 39.6, 81.1, -95.52

 

CMYK 81 / 96 / 0 / 0

HEX #300AFF

RGB 48 10 255

HSL 249.31, 1%, 0.52%

LAB 34.12, 78.25, -104.79

 

CMYK 96 / 96 / 0 / 0

HEX #0A0AFF

RGB 10 10 255

HSL 240, 1%, 0.52%

LAB 32.92, 77.76, -106.82

 

CMYK 29 / 96 / 0 / 0

HEX #B40AFF

RGB 180 10 255

HSL 281.63, 1%, 0.52%

LAB 48.44, 87.28, -80.66

 

CMYK 29 / 96 / 0 / 0

HEX #B40AFF

RGB 180 10 255

HSL 281.63, 1%, 0.52%

LAB 48.44, 87.28, -80.66

 

CMYK 27 / 87 / 0 / 8

HEX #AC1EEB

RGB 172 30 235

HSL 281.56, 0.84%, 0.52%

LAB 46.57, 79.82, -72.52

 

CMYK 24 / 77 / 0 / 16

HEX #A431D7

RGB 164 49 215

HSL 281.57, 0.67%, 0.52%

LAB 45.63, 69.7, -62.73

 

CMYK 19 / 65 / 0 / 24

HEX #9D45C3

RGB 157 69 195

HSL 281.9, 0.51%, 0.52%

LAB 46.13, 56.29, -50.44

 

CMYK 15 / 49 / 0 / 31

HEX #9559AF

RGB 149 89 175

HSL 281.86, 0.35%, 0.52%

LAB 47.79, 39.77, -36.2

 

CMYK 82 / 96 / 0 / 0

HEX #2E0AFF

RGB 46 10 255

HSL 248.82, 1%, 0.52%

LAB 34.02, 78.21, -104.96

 

CMYK 56 / 96 / 0 / 0

HEX #700AFF

RGB 112 10 255

HSL 264.98, 1%, 0.52%

LAB 39.38, 80.97, -95.89

 

CMYK 31 / 96 / 0 / 0

HEX #B10AFF

RGB 177 10 255

HSL 280.9, 1%, 0.52%

LAB 47.99, 86.93, -81.41

 

CMYK 5 / 96 / 0 / 0

HEX #F20AFF

RGB 242 10 255

HSL 296.82, 1%, 0.52%

LAB 58.33, 95.69, -64.15

 

CMYK 0 / 96 / 21 / 0

HEX #FF0AC9

RGB 255 10 201

HSL 313.22, 1%, 0.52%

LAB 57.75, 90.78, -34.5

 

CMYK 31 / 100 / 0 / 29

HEX #7E00B6

RGB 126 0 182

HSL 281.54, 1%, 0.36%

LAB 33.59, 68.22, -63.33

 

CMYK 30 / 100 / 0 / 13

HEX #9B00DF

RGB 155 0 223

HSL 281.7, 1%, 0.44%

LAB 41.68, 79.39, -73.79

 

CMYK 29 / 96 / 0 / 0

HEX #B40AFF

RGB 180 10 255

HSL 281.63, 1%, 0.52%

LAB 48.44, 87.28, -80.66

 

CMYK 25 / 80 / 0 / 0

HEX #C033FF

RGB 192 51 255

HSL 281.47, 1%, 0.6%

LAB 52.72, 81.48, -73.6

 

CMYK 20 / 64 / 0 / 0

HEX #CD5CFF

RGB 205 92 255

HSL 281.6, 1%, 0.68%

LAB 59.76, 69, -62.16

 

CMYK 29 / 96 / 0 / 0

HEX #B40AFF

RGB 180 10 255

HSL 281.63, 1%, 0.52%

LAB 48.44, 87.28, -80.66

 

CMYK 0 / 96 / 85 / 0

HEX #FF0A26

RGB 255 10 38

HSL 353.14, 1%, 0.52%

LAB 53.62, 79.85, 54.62

 

CMYK 96 / 0 / 69 / 0

HEX #0AFF4F

RGB 10 255 79

HSL 136.9, 1%, 0.52%

LAB 88.04, -82.39, 66.92

 

CMYK 29 / 96 / 0 / 0

HEX #B40AFF

RGB 180 10 255

HSL 281.63, 1%, 0.52%

LAB 48.44, 87.28, -80.66

 

CMYK 0 / 31 / 96 / 0

HEX #FFB10A

RGB 255 177 10

HSL 40.9, 1%, 0.52%

LAB 77.71, 17.75, 79.74

 

CMYK 96 / 0 / 31 / 0

HEX #0AFFB1

RGB 10 255 177

HSL 160.9, 1%, 0.52%

LAB 89.28, -67.53, 23.49

 

CMYK 29 / 96 / 0 / 0

HEX #B40AFF

RGB 180 10 255

HSL 281.63, 1%, 0.52%

LAB 48.44, 87.28, -80.66

 

CMYK 0 / 96 / 85 / 0

HEX #FF0A26

RGB 255 10 38

HSL 353.14, 1%, 0.52%

LAB 53.62, 79.85, 54.62

 

CMYK 66 / 0 / 96 / 0

HEX #57FF0A

RGB 87 255 10

HSL 101.14, 1%, 0.52%

LAB 88.72, -77.47, 83.62

 

CMYK 96 / 0 / 11 / 0

HEX #0AFFE2

RGB 10 255 226

HSL 172.9, 1%, 0.52%

LAB 90.36, -55.85, -0.21

 

CMYK 29 / 96 / 0 / 0

HEX #B40AFF

RGB 180 10 255

HSL 281.63, 1%, 0.52%

LAB 48.44, 87.28, -80.66

 

CMYK 0 / 78 / 96 / 0

HEX #FF370A

RGB 255 55 10

HSL 11.02, 1%, 0.52%

LAB 56.1, 72.04, 66.18

 

CMYK 66 / 0 / 96 / 0

HEX #57FF0A

RGB 87 255 10

HSL 101.14, 1%, 0.52%

LAB 88.72, -77.47, 83.62

 

CMYK 96 / 18 / 0 / 0

HEX #0AD2FF

RGB 10 210 255

HSL 191.02, 1%, 0.52%

LAB 78.1, -27.12, -33.93

 

Description

Color code: HEX #B40AFF | qconv.com Color code: HEX #B40AFF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 10 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 10 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 96 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 96% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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