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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B41DDB it is the complementary color #4BE224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B41DDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B41DDB shade: #B91DD6, #CA2FE9, #DB41FC, #EC53FF and #FD65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B41DDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B41DDB shade: #B41DDB, #A30BC8, #9200B5, #8100A2 and #70008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B41DDB shade: #B51CDD, #DD1CD0, #DD1C9C, #DD1C69 and #DD1C35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B41DDB shade: #B51CDD, #811CDD, #4D1CDD and #1C1CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B41DDB shade matches the following richer shades: #B51CDD and #C108F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B41DDB shade: #B51CDD, #A930C8, #9D45B4, #9159A0 and #856D8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B41DDB shade: #4C1CDD, #801CDD, #B31CDD, #DD1CD3 and #DD1CA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B41DDB shade: #791394, #9717B8, #B51CDD, #C33DE5 and #CE61EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B41DDB shade: #B41DDB, #DD1C1F and #1CDD66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B41DDB shade: #B41DDB, #DDB31C and #1CDDB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B41DDB shade: #B41DDB, #DD1C1F, #46DD1C and #1CDDD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B41DDB shade: #B41DDB, #DD531C, #46DD1C and #1CA6DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 87 / 0 / 14

HEX #B41DDB

RGB 180 29 219

HSL 287.68, 0.77%, 0.49%

LAB 46.57, 78.29, -63.37

 

Complementary color

CMYK 67 / 0 / 84 / 11

HEX #4BE224

RGB 75 226 36

HSL 107.68, 0.77%, 0.51%

LAB 79.62, -70.17, 72.06

 

CMYK 14 / 86 / 0 / 16

HEX #B91DD6

RGB 185 29 214

HSL 290.59, 0.76%, 0.48%

LAB 47.04, 78.23, -59.72

 

CMYK 13 / 80 / 0 / 9

HEX #CA2FE9

RGB 202 47 233

HSL 290, 0.81%, 0.55%

LAB 52.37, 80.26, -61.79

 

CMYK 13 / 74 / 0 / 1

HEX #DB41FC

RGB 219 65 252

HSL 289.41, 0.97%, 0.62%

LAB 57.91, 81.44, -63.36

 

CMYK 7 / 67 / 0 / 0

HEX #EC53FF

RGB 236 83 255

HSL 293.37, 1%, 0.66%

LAB 62.71, 79.24, -57.2

 

CMYK 1 / 60 / 0 / 0

HEX #FD65FF

RGB 253 101 255

HSL 299.22, 1%, 0.7%

LAB 67.58, 76.16, -49.32

 

CMYK 18 / 87 / 0 / 14

HEX #B41DDB

RGB 180 29 219

HSL 287.68, 0.77%, 0.49%

LAB 46.57, 78.29, -63.37

 

CMYK 19 / 95 / 0 / 22

HEX #A30BC8

RGB 163 11 200

HSL 288.25, 0.9%, 0.41%

LAB 41.53, 75.15, -60.72

 

CMYK 19 / 100 / 0 / 29

HEX #9200B5

RGB 146 0 181

HSL 288.4, 1%, 0.35%

LAB 36.83, 70.63, -57.31

 

CMYK 20 / 100 / 0 / 36

HEX #8100A2

RGB 129 0 162

HSL 287.78, 1%, 0.32%

LAB 32.43, 64.87, -53.2

 

CMYK 22 / 100 / 0 / 44

HEX #70008F

RGB 112 0 143

HSL 286.99, 1%, 0.28%

LAB 27.92, 58.99, -49.02

 

CMYK 18 / 87 / 0 / 13

HEX #B51CDD

RGB 181 28 221

HSL 287.56, 0.78%, 0.49%

LAB 46.81, 78.99, -64.12

 

CMYK 0 / 87 / 6 / 13

HEX #DD1CD0

RGB 221 28 208

HSL 304.04, 0.78%, 0.49%

LAB 52.68, 83.64, -46.89

 

CMYK 0 / 87 / 29 / 13

HEX #DD1C9C

RGB 221 28 156

HSL 320.21, 0.78%, 0.49%

LAB 50.22, 77.12, -20.35

 

CMYK 0 / 87 / 52 / 13

HEX #DD1C69

RGB 221 28 105

HSL 336.06, 0.78%, 0.49%

LAB 48.54, 72.47, 8.07

 

CMYK 0 / 87 / 76 / 13

HEX #DD1C35

RGB 221 28 53

HSL 352.23, 0.78%, 0.49%

LAB 47.57, 69.7, 38.38

 

CMYK 18 / 87 / 0 / 13

HEX #B51CDD

RGB 181 28 221

HSL 287.56, 0.78%, 0.49%

LAB 46.81, 78.99, -64.12

 

CMYK 42 / 87 / 0 / 13

HEX #811CDD

RGB 129 28 221

HSL 271.4, 0.78%, 0.49%

LAB 39.1, 71.89, -77.02

 

CMYK 65 / 87 / 0 / 13

HEX #4D1CDD

RGB 77 28 221

HSL 255.23, 0.78%, 0.49%

LAB 33.2, 67.02, -86.97

 

CMYK 87 / 87 / 0 / 13

HEX #1C1CDD

RGB 28 28 221

HSL 240, 0.78%, 0.49%

LAB 30.15, 64.78, -92.12

 

CMYK 18 / 87 / 0 / 13

HEX #B51CDD

RGB 181 28 221

HSL 287.56, 0.78%, 0.49%

LAB 46.81, 78.99, -64.12

 

CMYK 20 / 97 / 0 / 5

HEX #C108F1

RGB 193 8 241

HSL 287.64, 0.94%, 0.49%

LAB 49.33, 86.61, -71.28

 

CMYK 18 / 87 / 0 / 13

HEX #B51CDD

RGB 181 28 221

HSL 287.56, 0.78%, 0.49%

LAB 46.81, 78.99, -64.12

 

CMYK 16 / 76 / 0 / 22

HEX #A930C8

RGB 169 48 200

HSL 287.76, 0.61%, 0.49%

LAB 45.25, 68.08, -54.66

 

CMYK 13 / 62 / 0 / 29

HEX #9D45B4

RGB 157 69 180

HSL 287.57, 0.45%, 0.49%

LAB 45.25, 53.22, -43.09

 

CMYK 9 / 44 / 0 / 37

HEX #9159A0

RGB 145 89 160

HSL 287.32, 0.29%, 0.49%

LAB 46.58, 35.35, -29.3

 

CMYK 5 / 22 / 0 / 45

HEX #856D8C

RGB 133 109 140

HSL 286.45, 0.12%, 0.49%

LAB 49.27, 15.42, -13.42

 

CMYK 66 / 87 / 0 / 13

HEX #4C1CDD

RGB 76 28 221

HSL 254.92, 0.78%, 0.49%

LAB 33.11, 66.95, -87.12

 

CMYK 42 / 87 / 0 / 13

HEX #801CDD

RGB 128 28 221

HSL 271.09, 0.78%, 0.49%

LAB 38.97, 71.77, -77.25

 

CMYK 19 / 87 / 0 / 13

HEX #B31CDD

RGB 179 28 221

HSL 286.94, 0.78%, 0.49%

LAB 46.49, 78.68, -64.65

 

CMYK 0 / 87 / 5 / 13

HEX #DD1CD3

RGB 221 28 211

HSL 303.11, 0.78%, 0.49%

LAB 52.85, 84.06, -48.35

 

CMYK 0 / 87 / 28 / 13

HEX #DD1CA0

RGB 221 28 160

HSL 318.96, 0.78%, 0.49%

LAB 50.38, 77.56, -22.48

 

CMYK 18 / 87 / 0 / 42

HEX #791394

RGB 121 19 148

HSL 287.44, 0.77%, 0.33%

LAB 31.04, 57.88, -46.97

 

CMYK 18 / 88 / 0 / 28

HEX #9717B8

RGB 151 23 184

HSL 287.7, 0.78%, 0.41%

LAB 38.99, 68.67, -55.54

 

CMYK 18 / 87 / 0 / 13

HEX #B51CDD

RGB 181 28 221

HSL 287.56, 0.78%, 0.49%

LAB 46.81, 78.99, -64.12

 

CMYK 15 / 73 / 0 / 10

HEX #C33DE5

RGB 195 61 229

HSL 287.86, 0.76%, 0.57%

LAB 52.51, 74.08, -59.36

 

CMYK 12 / 59 / 0 / 8

HEX #CE61EA

RGB 206 97 234

HSL 287.74, 0.77%, 0.65%

LAB 59.54, 62.89, -50.85

 

CMYK 18 / 87 / 0 / 14

HEX #B41DDB

RGB 180 29 219

HSL 287.68, 0.77%, 0.49%

LAB 46.57, 78.29, -63.37

 

CMYK 0 / 87 / 86 / 13

HEX #DD1C1F

RGB 221 28 31

HSL 359.07, 0.78%, 0.49%

LAB 47.37, 69.11, 49.97

 

CMYK 87 / 0 / 54 / 13

HEX #1CDD66

RGB 28 221 102

HSL 143.01, 0.78%, 0.49%

LAB 77.83, -68.85, 45.72

 

CMYK 18 / 87 / 0 / 14

HEX #B41DDB

RGB 180 29 219

HSL 287.68, 0.77%, 0.49%

LAB 46.57, 78.29, -63.37

 

CMYK 0 / 19 / 87 / 13

HEX #DDB31C

RGB 221 179 28

HSL 46.94, 0.78%, 0.49%

LAB 74.63, 2.33, 72.94

 

CMYK 87 / 0 / 19 / 13

HEX #1CDDB3

RGB 28 221 179

HSL 166.94, 0.78%, 0.49%

LAB 79.16, -53.62, 8.26

 

CMYK 18 / 87 / 0 / 14

HEX #B41DDB

RGB 180 29 219

HSL 287.68, 0.77%, 0.49%

LAB 46.57, 78.29, -63.37

 

CMYK 0 / 87 / 86 / 13

HEX #DD1C1F

RGB 221 28 31

HSL 359.07, 0.78%, 0.49%

LAB 47.37, 69.11, 49.97

 

CMYK 68 / 0 / 87 / 13

HEX #46DD1C

RGB 70 221 28

HSL 106.94, 0.78%, 0.49%

LAB 77.93, -69.86, 72.2

 

CMYK 87 / 0 / 2 / 13

HEX #1CDDD9

RGB 28 221 217

HSL 178.76, 0.78%, 0.49%

LAB 80.16, -43.39, -10.51

 

CMYK 18 / 87 / 0 / 14

HEX #B41DDB

RGB 180 29 219

HSL 287.68, 0.77%, 0.49%

LAB 46.57, 78.29, -63.37

 

CMYK 0 / 62 / 87 / 13

HEX #DD531C

RGB 221 83 28

HSL 17.1, 0.78%, 0.49%

LAB 53.65, 51.66, 56.3

 

CMYK 68 / 0 / 87 / 13

HEX #46DD1C

RGB 70 221 28

HSL 106.94, 0.78%, 0.49%

LAB 77.93, -69.86, 72.2

 

CMYK 87 / 25 / 0 / 13

HEX #1CA6DD

RGB 28 166 221

HSL 197.1, 0.78%, 0.49%

LAB 63.95, -15.25, -37.44

 

Description

Color code: HEX #B41DDB | qconv.com Color code: HEX #B41DDB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 29 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 29 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 87 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 87% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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