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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B42998 it is the complementary color #4BD667. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B42998. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B42998 shade: #B92993, #CA3BA6, #DB4DB9, #EC5FCC and #FD71DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B42998. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B42998 shade: #B42998, #A31785, #920572, #81005F and #70004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B42998 shade: #B22896, #B22871, #B2284C and #B22828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B42998 shade: #B22896, #A928B2, #8428B2, #5E28B2 and #3928B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B42998 shade matches the following richer shades: #B22896, #C416A1 and #D605AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B42998 shade: #B22896, #A03A8C, #8F4C81, #7D5D77 and #6B6F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B42998 shade: #8428B2, #A928B2, #B22897, #B22872 and #B2284D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B42998 shade: #6F195E, #91207A, #B22896, #D033B1 and #D855BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B42998 shade: #B42998, #B25F28 and #28B297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B42998 shade: #B42998, #97B228 and #2897B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B42998 shade: #B42998, #B25F28, #28B244 and #287BB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B42998 shade: #B42998, #B28928, #28B244 and #2852B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 16 / 29

HEX #B42998

RGB 180 41 152

HSL 312.09, 0.63%, 0.43%

LAB 43.59, 64.71, -28.82

 

Complementary color

CMYK 65 / 0 / 52 / 16

HEX #4BD667

RGB 75 214 103

HSL 132.09, 0.63%, 0.57%

LAB 76.42, -60.21, 43.71

 

CMYK 0 / 78 / 21 / 27

HEX #B92993

RGB 185 41 147

HSL 315.83, 0.64%, 0.44%

LAB 44.24, 65.19, -24.71

 

CMYK 0 / 71 / 18 / 21

HEX #CA3BA6

RGB 202 59 166

HSL 315.1, 0.57%, 0.51%

LAB 50.02, 66.14, -26.86

 

CMYK 0 / 65 / 16 / 14

HEX #DB4DB9

RGB 219 77 185

HSL 314.37, 0.66%, 0.58%

LAB 55.96, 66.47, -28.53

 

CMYK 0 / 60 / 14 / 7

HEX #EC5FCC

RGB 236 95 204

HSL 313.62, 0.79%, 0.65%

LAB 61.98, 66.39, -29.87

 

CMYK 0 / 55 / 12 / 1

HEX #FD71DF

RGB 253 113 223

HSL 312.86, 0.97%, 0.72%

LAB 68.04, 66.06, -30.95

 

CMYK 0 / 77 / 16 / 29

HEX #B42998

RGB 180 41 152

HSL 312.09, 0.63%, 0.43%

LAB 43.59, 64.71, -28.82

 

CMYK 0 / 86 / 18 / 36

HEX #A31785

RGB 163 23 133

HSL 312.86, 0.75%, 0.36%

LAB 38.01, 62.83, -26.17

 

CMYK 0 / 97 / 22 / 43

HEX #920572

RGB 146 5 114

HSL 313.62, 0.93%, 0.3%

LAB 32.78, 59.63, -22.68

 

CMYK 0 / 100 / 26 / 49

HEX #81005F

RGB 129 0 95

HSL 315.81, 1%, 0.25%

LAB 28.1, 54.47, -17.96

 

CMYK 0 / 100 / 32 / 56

HEX #70004C

RGB 112 0 76

HSL 319.29, 1%, 0.22%

LAB 23.56, 48.48, -12.6

 

CMYK 0 / 78 / 16 / 30

HEX #B22896

RGB 178 40 150

HSL 312.17, 0.63%, 0.43%

LAB 43.04, 64.26, -28.49

 

CMYK 0 / 78 / 37 / 30

HEX #B22871

RGB 178 40 113

HSL 328.26, 0.63%, 0.43%

LAB 41.49, 59.64, -8.16

 

CMYK 0 / 78 / 57 / 30

HEX #B2284C

RGB 178 40 76

HSL 344.35, 0.63%, 0.43%

LAB 40.42, 56.3, 13.57

 

CMYK 0 / 78 / 78 / 30

HEX #B22828

RGB 178 40 40

HSL 0, 0.63%, 0.43%

LAB 39.81, 54.35, 34.96

 

CMYK 0 / 78 / 16 / 30

HEX #B22896

RGB 178 40 150

HSL 312.17, 0.63%, 0.43%

LAB 43.04, 64.26, -28.49

 

CMYK 5 / 78 / 0 / 30

HEX #A928B2

RGB 169 40 178

HSL 296.09, 0.63%, 0.43%

LAB 43.01, 66.66, -45.37

 

CMYK 26 / 78 / 0 / 30

HEX #8428B2

RGB 132 40 178

HSL 280, 0.63%, 0.43%

LAB 37.18, 59.53, -55.06

 

CMYK 47 / 78 / 0 / 30

HEX #5E28B2

RGB 94 40 178

HSL 263.48, 0.63%, 0.43%

LAB 32.06, 53.15, -63.63

 

CMYK 68 / 78 / 0 / 30

HEX #3928B2

RGB 57 40 178

HSL 247.39, 0.63%, 0.43%

LAB 28.38, 48.46, -69.81

 

CMYK 0 / 78 / 16 / 30

HEX #B22896

RGB 178 40 150

HSL 312.17, 0.63%, 0.43%

LAB 43.04, 64.26, -28.49

 

CMYK 0 / 89 / 18 / 23

HEX #C416A1

RGB 196 22 161

HSL 312.07, 0.8%, 0.43%

LAB 45.47, 73.5, -31.06

 

CMYK 0 / 98 / 20 / 16

HEX #D605AC

RGB 214 5 172

HSL 312.06, 0.95%, 0.43%

LAB 48.74, 80.12, -32.25

 

CMYK 0 / 78 / 16 / 30

HEX #B22896

RGB 178 40 150

HSL 312.17, 0.63%, 0.43%

LAB 43.04, 64.26, -28.49

 

CMYK 0 / 64 / 13 / 37

HEX #A03A8C

RGB 160 58 140

HSL 311.76, 0.47%, 0.43%

LAB 41.83, 51.75, -24.54

 

CMYK 0 / 47 / 10 / 44

HEX #8F4C81

RGB 143 76 129

HSL 312.54, 0.31%, 0.43%

LAB 42.14, 35.84, -17.57

 

CMYK 0 / 26 / 5 / 51

HEX #7D5D77

RGB 125 93 119

HSL 311.25, 0.15%, 0.43%

LAB 43.54, 17.72, -9.57

 

CMYK 4 / 0 / 3 / 56

HEX #6B6F6C

RGB 107 111 108

HSL 135, 0.02%, 0.43%

LAB 46.42, -2.14, 1.13

 

CMYK 26 / 78 / 0 / 30

HEX #8428B2

RGB 132 40 178

HSL 280, 0.63%, 0.43%

LAB 37.18, 59.53, -55.06

 

CMYK 5 / 78 / 0 / 30

HEX #A928B2

RGB 169 40 178

HSL 296.09, 0.63%, 0.43%

LAB 43.01, 66.66, -45.37

 

CMYK 0 / 78 / 15 / 30

HEX #B22897

RGB 178 40 151

HSL 311.74, 0.63%, 0.43%

LAB 43.09, 64.4, -29.02

 

CMYK 0 / 78 / 36 / 30

HEX #B22872

RGB 178 40 114

HSL 327.83, 0.63%, 0.43%

LAB 41.53, 59.75, -8.73

 

CMYK 0 / 78 / 57 / 30

HEX #B2284D

RGB 178 40 77

HSL 343.91, 0.63%, 0.43%

LAB 40.44, 56.37, 12.97

 

CMYK 0 / 77 / 15 / 56

HEX #6F195E

RGB 111 25 94

HSL 311.86, 0.63%, 0.27%

LAB 26.4, 44.5, -20.22

 

CMYK 0 / 78 / 16 / 43

HEX #91207A

RGB 145 32 122

HSL 312.21, 0.64%, 0.35%

LAB 34.92, 54.9, -24.39

 

CMYK 0 / 78 / 16 / 30

HEX #B22896

RGB 178 40 150

HSL 312.17, 0.63%, 0.43%

LAB 43.04, 64.26, -28.49

 

CMYK 0 / 75 / 15 / 18

HEX #D033B1

RGB 208 51 177

HSL 311.85, 0.63%, 0.51%

LAB 50.63, 71.63, -32.31

 

CMYK 0 / 61 / 12 / 15

HEX #D855BE

RGB 216 85 190

HSL 311.91, 0.63%, 0.59%

LAB 56.89, 63.17, -30

 

CMYK 0 / 77 / 16 / 29

HEX #B42998

RGB 180 41 152

HSL 312.09, 0.63%, 0.43%

LAB 43.59, 64.71, -28.82

 

CMYK 0 / 47 / 78 / 30

HEX #B25F28

RGB 178 95 40

HSL 23.91, 0.63%, 0.43%

LAB 49.26, 29.56, 44.72

 

CMYK 78 / 0 / 15 / 30

HEX #28B297

RGB 40 178 151

HSL 168.26, 0.63%, 0.43%

LAB 65.38, -42.01, 3.61

 

CMYK 0 / 77 / 16 / 29

HEX #B42998

RGB 180 41 152

HSL 312.09, 0.63%, 0.43%

LAB 43.59, 64.71, -28.82

 

CMYK 15 / 0 / 78 / 30

HEX #97B228

RGB 151 178 40

HSL 71.74, 0.63%, 0.43%

LAB 68.44, -27.11, 62.1

 

CMYK 78 / 15 / 0 / 30

HEX #2897B2

RGB 40 151 178

HSL 191.74, 0.63%, 0.43%

LAB 57.85, -21.02, -22.8

 

CMYK 0 / 77 / 16 / 29

HEX #B42998

RGB 180 41 152

HSL 312.09, 0.63%, 0.43%

LAB 43.59, 64.71, -28.82

 

CMYK 0 / 47 / 78 / 30

HEX #B25F28

RGB 178 95 40

HSL 23.91, 0.63%, 0.43%

LAB 49.26, 29.56, 44.72

 

CMYK 78 / 0 / 62 / 30

HEX #28B244

RGB 40 178 68

HSL 132.17, 0.63%, 0.43%

LAB 63.92, -58.23, 45.1

 

CMYK 78 / 31 / 0 / 30

HEX #287BB2

RGB 40 123 178

HSL 203.91, 0.63%, 0.43%

LAB 49.29, -5.38, -36.09

 

CMYK 0 / 77 / 16 / 29

HEX #B42998

RGB 180 41 152

HSL 312.09, 0.63%, 0.43%

LAB 43.59, 64.71, -28.82

 

CMYK 0 / 23 / 78 / 30

HEX #B28928

RGB 178 137 40

HSL 42.17, 0.63%, 0.43%

LAB 59.44, 6.27, 54.57

 

CMYK 78 / 0 / 62 / 30

HEX #28B244

RGB 40 178 68

HSL 132.17, 0.63%, 0.43%

LAB 63.92, -58.23, 45.1

 

CMYK 78 / 54 / 0 / 30

HEX #2852B2

RGB 40 82 178

HSL 221.74, 0.63%, 0.43%

LAB 37.3, 20.6, -55.25

 

Description

Color code: HEX #B42998 | qconv.com Color code: HEX #B42998 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 41 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 41 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 16 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 16% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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