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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4225F it is the complementary color #4BDDA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4225F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4225F shade: #B9225A, #CA346D, #DB4680, #EC5893 and #FD6AA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4225F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4225F shade: #B4225F, #A3104C, #920039, #810026 and #700013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4225F shade: #B3225F, #B32237 and #B32222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4225F shade: #B3225F, #B32286, #B322AD, #9222B3 and #6B22B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4225F shade matches the following richer shades: #B3225F and #C5105C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4225F shade: #B3225F, #A23361, #914464, #7F5667 and #6E676A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4225F shade: #B322AF, #B32288, #B32261, #B3223A and #B33022

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4225F shade: #6E153A, #911B4C, #B3225F, #D62971 and #DC4B88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4225F shade: #B4225F, #B39122 and #229BB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4225F shade: #B4225F, #61B322 and #2261B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4225F shade: #B4225F, #B39122, #22B374 and #2244B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4225F shade: #B4225F, #AAB322, #22B374 and #2B22B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 47 / 29

HEX #B4225F

RGB 180 34 95

HSL 334.93, 0.68%, 0.42%

LAB 40.69, 60.1, 1.99

 

Complementary color

CMYK 66 / 0 / 28 / 13

HEX #4BDDA0

RGB 75 221 160

HSL 154.93, 0.68%, 0.58%

LAB 79.47, -52.77, 18.82

 

CMYK 0 / 82 / 51 / 27

HEX #B9225A

RGB 185 34 90

HSL 337.75, 0.69%, 0.43%

LAB 41.53, 61, 6.48

 

CMYK 0 / 74 / 46 / 21

HEX #CA346D

RGB 202 52 109

HSL 337.2, 0.59%, 0.5%

LAB 47.13, 61.96, 3.11

 

CMYK 0 / 68 / 42 / 14

HEX #DB4680

RGB 219 70 128

HSL 336.64, 0.67%, 0.57%

LAB 52.95, 62.21, 0.43

 

CMYK 0 / 63 / 38 / 7

HEX #EC5893

RGB 236 88 147

HSL 336.08, 0.8%, 0.64%

LAB 58.9, 62.03, -1.75

 

CMYK 0 / 58 / 34 / 1

HEX #FD6AA6

RGB 253 106 166

HSL 335.51, 0.97%, 0.7%

LAB 64.92, 61.58, -3.56

 

CMYK 0 / 81 / 47 / 29

HEX #B4225F

RGB 180 34 95

HSL 334.93, 0.68%, 0.42%

LAB 40.69, 60.1, 1.99

 

CMYK 0 / 90 / 53 / 36

HEX #A3104C

RGB 163 16 76

HSL 335.51, 0.82%, 0.35%

LAB 35.36, 58.08, 6.07

 

CMYK 0 / 100 / 61 / 43

HEX #920039

RGB 146 0 57

HSL 336.58, 1%, 0.29%

LAB 30.42, 54.83, 11.17

 

CMYK 0 / 100 / 71 / 49

HEX #810026

RGB 129 0 38

HSL 342.33, 1%, 0.25%

LAB 26.18, 49.45, 17.71

 

CMYK 0 / 100 / 83 / 56

HEX #700013

RGB 112 0 19

HSL 349.82, 1%, 0.22%

LAB 21.91, 44.14, 24.46

 

CMYK 0 / 81 / 47 / 30

HEX #B3225F

RGB 179 34 95

HSL 334.76, 0.68%, 0.42%

LAB 40.5, 59.83, 1.69

 

CMYK 0 / 81 / 69 / 30

HEX #B32237

RGB 179 34 55

HSL 351.31, 0.68%, 0.42%

LAB 39.59, 57.06, 25.72

 

CMYK 0 / 81 / 81 / 30

HEX #B32222

RGB 179 34 34

HSL 0, 0.68%, 0.42%

LAB 39.32, 56.22, 37.92

 

CMYK 0 / 81 / 47 / 30

HEX #B3225F

RGB 179 34 95

HSL 334.76, 0.68%, 0.42%

LAB 40.5, 59.83, 1.69

 

CMYK 0 / 81 / 25 / 30

HEX #B32286

RGB 179 34 134

HSL 318.62, 0.68%, 0.42%

LAB 41.92, 64.01, -20.48

 

CMYK 0 / 81 / 3 / 30

HEX #B322AD

RGB 179 34 173

HSL 302.48, 0.68%, 0.42%

LAB 43.86, 69.45, -40.95

 

CMYK 18 / 81 / 0 / 30

HEX #9222B3

RGB 146 34 179

HSL 286.34, 0.68%, 0.42%

LAB 38.74, 64.2, -53.02

 

CMYK 40 / 81 / 0 / 30

HEX #6B22B3

RGB 107 34 179

HSL 270.21, 0.68%, 0.42%

LAB 32.97, 57.74, -62.66

 

CMYK 0 / 81 / 47 / 30

HEX #B3225F

RGB 179 34 95

HSL 334.76, 0.68%, 0.42%

LAB 40.5, 59.83, 1.69

 

CMYK 0 / 92 / 53 / 23

HEX #C5105C

RGB 197 16 92

HSL 334.81, 0.85%, 0.42%

LAB 42.78, 67.59, 7.33

 

CMYK 0 / 81 / 47 / 30

HEX #B3225F

RGB 179 34 95

HSL 334.76, 0.68%, 0.42%

LAB 40.5, 59.83, 1.69

 

CMYK 0 / 69 / 40 / 36

HEX #A23361

RGB 162 51 97

HSL 335.14, 0.52%, 0.42%

LAB 39.43, 49.48, -1.51

 

CMYK 0 / 53 / 31 / 43

HEX #914464

RGB 145 68 100

HSL 335.06, 0.36%, 0.42%

LAB 39.7, 36.22, -3.31

 

CMYK 0 / 32 / 19 / 50

HEX #7F5667

RGB 127 86 103

HSL 335.12, 0.19%, 0.42%

LAB 41.45, 19.72, -2.87

 

CMYK 0 / 6 / 4 / 57

HEX #6E676A

RGB 110 103 106

HSL 334.29, 0.03%, 0.42%

LAB 44.31, 3.34, -0.7

 

CMYK 0 / 81 / 2 / 30

HEX #B322AF

RGB 179 34 175

HSL 301.66, 0.68%, 0.42%

LAB 43.98, 69.75, -41.96

 

CMYK 0 / 81 / 24 / 30

HEX #B32288

RGB 179 34 136

HSL 317.79, 0.68%, 0.42%

LAB 42.01, 64.26, -21.57

 

CMYK 0 / 81 / 46 / 30

HEX #B32261

RGB 179 34 97

HSL 333.93, 0.68%, 0.42%

LAB 40.56, 60.01, 0.51

 

CMYK 0 / 81 / 68 / 30

HEX #B3223A

RGB 179 34 58

HSL 350.07, 0.68%, 0.42%

LAB 39.64, 57.22, 23.91

 

CMYK 0 / 73 / 81 / 30

HEX #B33022

RGB 179 48 34

HSL 5.79, 0.68%, 0.42%

LAB 40.92, 51.74, 39.51

 

CMYK 0 / 81 / 47 / 57

HEX #6E153A

RGB 110 21 58

HSL 335.06, 0.68%, 0.26%

LAB 24.18, 40.9, 0.59

 

CMYK 0 / 81 / 48 / 43

HEX #911B4C

RGB 145 27 76

HSL 335.08, 0.69%, 0.34%

LAB 32.54, 50.85, 1.53

 

CMYK 0 / 81 / 47 / 30

HEX #B3225F

RGB 179 34 95

HSL 334.76, 0.68%, 0.42%

LAB 40.5, 59.83, 1.69

 

CMYK 0 / 81 / 47 / 16

HEX #D62971

RGB 214 41 113

HSL 335.03, 0.68%, 0.5%

LAB 48.35, 68.65, 2.72

 

CMYK 0 / 66 / 38 / 14

HEX #DC4B88

RGB 220 75 136

HSL 334.76, 0.67%, 0.58%

LAB 54.05, 61.39, -2.69

 

CMYK 0 / 81 / 47 / 29

HEX #B4225F

RGB 180 34 95

HSL 334.93, 0.68%, 0.42%

LAB 40.69, 60.1, 1.99

 

CMYK 0 / 19 / 81 / 30

HEX #B39122

RGB 179 145 34

HSL 45.93, 0.68%, 0.42%

LAB 61.61, 2.09, 58.71

 

CMYK 81 / 13 / 0 / 30

HEX #229BB3

RGB 34 155 179

HSL 189.93, 0.68%, 0.42%

LAB 59.01, -23.38, -21.59

 

CMYK 0 / 81 / 47 / 29

HEX #B4225F

RGB 180 34 95

HSL 334.93, 0.68%, 0.42%

LAB 40.69, 60.1, 1.99

 

CMYK 46 / 0 / 81 / 30

HEX #61B322

RGB 97 179 34

HSL 93.93, 0.68%, 0.42%

LAB 65.67, -48.13, 60.22

 

CMYK 81 / 46 / 0 / 30

HEX #2261B3

RGB 34 97 179

HSL 213.93, 0.68%, 0.42%

LAB 41.44, 10.48, -49.16

 

CMYK 0 / 81 / 47 / 29

HEX #B4225F

RGB 180 34 95

HSL 334.93, 0.68%, 0.42%

LAB 40.69, 60.1, 1.99

 

CMYK 0 / 19 / 81 / 30

HEX #B39122

RGB 179 145 34

HSL 45.93, 0.68%, 0.42%

LAB 61.61, 2.09, 58.71

 

CMYK 81 / 0 / 35 / 30

HEX #22B374

RGB 34 179 116

HSL 153.93, 0.68%, 0.42%

LAB 64.84, -51.37, 22.01

 

CMYK 81 / 62 / 0 / 30

HEX #2244B3

RGB 34 68 179

HSL 225.93, 0.68%, 0.42%

LAB 33.41, 29.67, -62.18

 

CMYK 0 / 81 / 47 / 29

HEX #B4225F

RGB 180 34 95

HSL 334.93, 0.68%, 0.42%

LAB 40.69, 60.1, 1.99

 

CMYK 5 / 0 / 81 / 30

HEX #AAB322

RGB 170 179 34

HSL 63.72, 0.68%, 0.42%

LAB 70.11, -19.78, 65.86

 

CMYK 81 / 0 / 35 / 30

HEX #22B374

RGB 34 179 116

HSL 153.93, 0.68%, 0.42%

LAB 64.84, -51.37, 22.01

 

CMYK 76 / 81 / 0 / 30

HEX #2B22B3

RGB 43 34 179

HSL 243.72, 0.68%, 0.42%

LAB 26.48, 50.58, -73.58

 

Description

Color code: HEX #B4225F | qconv.com Color code: HEX #B4225F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 34 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 34 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 47 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 47% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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