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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B42BAD it is the complementary color #4BD452. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B42BAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B42BAD shade: #B92BA8, #CA3DBB, #DB4FCE, #EC61E1 and #FD73F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B42BAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B42BAD shade: #B42BAD, #A3199A, #920787, #810074 and #700061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B42BAD shade: #B42BAD, #B42B88, #B42B63, #B42B3E and #B42B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B42BAD shade: #B42BAD, #962BB4, #712BB4, #4C2BB4 and #2B2BB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B42BAD shade matches the following richer shades: #B42BAD, #C619BD and #D807CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B42BAD shade: #B42BAD, #A23D9D, #90508D, #7E627C and #6C746C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B42BAD shade: #722BB4, #962BB4, #B42BAD, #B42B89 and #B42B64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B42BAD shade: #721B6D, #93238D, #B42BAD, #CF3AC7 and #D75BD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B42BAD shade: #B42BAD, #B44D2B and #2BB484

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B42BAD shade: #B42BAD, #ADB42B and #2BADB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B42BAD shade: #B42BAD, #B44D2B, #2BB432 and #2B92B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B42BAD shade: #B42BAD, #B4772B, #2BB432 and #2B69B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 4 / 29

HEX #B42BAD

RGB 180 43 173

HSL 303.07, 0.61%, 0.44%

LAB 44.87, 67.24, -39.35

 

Complementary color

CMYK 65 / 0 / 61 / 17

HEX #4BD452

RGB 75 212 82

HSL 123.07, 0.61%, 0.56%

LAB 75.57, -62.13, 52.33

 

CMYK 0 / 77 / 9 / 27

HEX #B92BA8

RGB 185 43 168

HSL 307.18, 0.62%, 0.45%

LAB 45.45, 67.56, -35.4

 

CMYK 0 / 70 / 7 / 21

HEX #CA3DBB

RGB 202 61 187

HSL 306.38, 0.57%, 0.52%

LAB 51.25, 68.51, -37.25

 

CMYK 0 / 64 / 6 / 14

HEX #DB4FCE

RGB 219 79 206

HSL 305.57, 0.66%, 0.58%

LAB 57.18, 68.85, -38.67

 

CMYK 0 / 59 / 5 / 7

HEX #EC61E1

RGB 236 97 225

HSL 304.75, 0.79%, 0.65%

LAB 63.19, 68.79, -39.78

 

CMYK 0 / 55 / 4 / 1

HEX #FD73F4

RGB 253 115 244

HSL 303.91, 0.97%, 0.72%

LAB 69.24, 68.47, -40.68

 

CMYK 0 / 76 / 4 / 29

HEX #B42BAD

RGB 180 43 173

HSL 303.07, 0.61%, 0.44%

LAB 44.87, 67.24, -39.35

 

CMYK 0 / 85 / 6 / 36

HEX #A3199A

RGB 163 25 154

HSL 303.91, 0.73%, 0.37%

LAB 39.27, 65.41, -37.04

 

CMYK 0 / 95 / 8 / 43

HEX #920787

RGB 146 7 135

HSL 304.75, 0.91%, 0.3%

LAB 34.01, 62.26, -33.93

 

CMYK 0 / 100 / 10 / 49

HEX #810074

RGB 129 0 116

HSL 306.05, 1%, 0.25%

LAB 29.23, 57.3, -29.76

 

CMYK 0 / 100 / 13 / 56

HEX #700061

RGB 112 0 97

HSL 308.04, 1%, 0.22%

LAB 24.66, 51.26, -24.9

 

CMYK 0 / 76 / 4 / 29

HEX #B42BAD

RGB 180 43 173

HSL 303.07, 0.61%, 0.44%

LAB 44.87, 67.24, -39.35

 

CMYK 0 / 76 / 24 / 29

HEX #B42B88

RGB 180 43 136

HSL 319.27, 0.61%, 0.44%

LAB 43.08, 61.96, -19.91

 

CMYK 0 / 76 / 45 / 29

HEX #B42B63

RGB 180 43 99

HSL 335.47, 0.61%, 0.44%

LAB 41.74, 57.83, 1

 

CMYK 0 / 76 / 66 / 29

HEX #B42B3E

RGB 180 43 62

HSL 351.68, 0.61%, 0.44%

LAB 40.86, 55.03, 23.01

 

CMYK 0 / 76 / 76 / 29

HEX #B42B2B

RGB 180 43 43

HSL 0, 0.61%, 0.44%

LAB 40.58, 54.11, 34.18

 

CMYK 0 / 76 / 4 / 29

HEX #B42BAD

RGB 180 43 173

HSL 303.07, 0.61%, 0.44%

LAB 44.87, 67.24, -39.35

 

CMYK 17 / 76 / 0 / 29

HEX #962BB4

RGB 150 43 180

HSL 286.86, 0.61%, 0.44%

LAB 40.42, 62.3, -50.87

 

CMYK 37 / 76 / 0 / 29

HEX #712BB4

RGB 113 43 180

HSL 270.66, 0.61%, 0.44%

LAB 35.07, 55.44, -59.8

 

CMYK 58 / 76 / 0 / 29

HEX #4C2BB4

RGB 76 43 180

HSL 254.45, 0.61%, 0.44%

LAB 30.78, 49.76, -66.99

 

CMYK 76 / 76 / 0 / 29

HEX #2B2BB4

RGB 43 43 180

HSL 240, 0.61%, 0.44%

LAB 28.21, 46.25, -71.32

 

CMYK 0 / 76 / 4 / 29

HEX #B42BAD

RGB 180 43 173

HSL 303.07, 0.61%, 0.44%

LAB 44.87, 67.24, -39.35

 

CMYK 0 / 87 / 5 / 22

HEX #C619BD

RGB 198 25 189

HSL 303.12, 0.78%, 0.44%

LAB 47.46, 77.24, -44.44

 

CMYK 0 / 97 / 5 / 15

HEX #D807CE

RGB 216 7 206

HSL 302.87, 0.94%, 0.44%

LAB 50.93, 84.75, -48.59

 

CMYK 0 / 76 / 4 / 29

HEX #B42BAD

RGB 180 43 173

HSL 303.07, 0.61%, 0.44%

LAB 44.87, 67.24, -39.35

 

CMYK 0 / 62 / 3 / 36

HEX #A23D9D

RGB 162 61 157

HSL 302.97, 0.45%, 0.44%

LAB 43.44, 53.81, -32.27

 

CMYK 0 / 44 / 2 / 44

HEX #90508D

RGB 144 80 141

HSL 302.81, 0.29%, 0.44%

LAB 43.64, 36.2, -22.53

 

CMYK 0 / 22 / 2 / 51

HEX #7E627C

RGB 126 98 124

HSL 304.29, 0.13%, 0.44%

LAB 45.12, 16.1, -10.21

 

CMYK 7 / 0 / 7 / 55

HEX #6C746C

RGB 108 116 108

HSL 120, 0.04%, 0.44%

LAB 47.96, -4.66, 3.38

 

CMYK 37 / 76 / 0 / 29

HEX #722BB4

RGB 114 43 180

HSL 271.09, 0.61%, 0.44%

LAB 35.2, 55.61, -59.58

 

CMYK 17 / 76 / 0 / 29

HEX #962BB4

RGB 150 43 180

HSL 286.86, 0.61%, 0.44%

LAB 40.42, 62.3, -50.87

 

CMYK 0 / 76 / 4 / 29

HEX #B42BAD

RGB 180 43 173

HSL 303.07, 0.61%, 0.44%

LAB 44.87, 67.24, -39.35

 

CMYK 0 / 76 / 24 / 29

HEX #B42B89

RGB 180 43 137

HSL 318.83, 0.61%, 0.44%

LAB 43.12, 62.09, -20.45

 

CMYK 0 / 76 / 44 / 29

HEX #B42B64

RGB 180 43 100

HSL 335.04, 0.61%, 0.44%

LAB 41.77, 57.93, 0.41

 

CMYK 0 / 76 / 4 / 55

HEX #721B6D

RGB 114 27 109

HSL 303.45, 0.62%, 0.28%

LAB 28.02, 47.01, -27.37

 

CMYK 0 / 76 / 4 / 42

HEX #93238D

RGB 147 35 141

HSL 303.21, 0.62%, 0.36%

LAB 36.61, 57.37, -33.5

 

CMYK 0 / 76 / 4 / 29

HEX #B42BAD

RGB 180 43 173

HSL 303.07, 0.61%, 0.44%

LAB 44.87, 67.24, -39.35

 

CMYK 0 / 72 / 4 / 19

HEX #CF3AC7

RGB 207 58 199

HSL 303.22, 0.61%, 0.52%

LAB 52.3, 72.49, -42.47

 

CMYK 0 / 58 / 3 / 16

HEX #D75BD1

RGB 215 91 209

HSL 302.9, 0.61%, 0.6%

LAB 58.54, 63.36, -38.28

 

CMYK 0 / 76 / 4 / 29

HEX #B42BAD

RGB 180 43 173

HSL 303.07, 0.61%, 0.44%

LAB 44.87, 67.24, -39.35

 

CMYK 0 / 57 / 76 / 29

HEX #B44D2B

RGB 180 77 43

HSL 14.89, 0.61%, 0.44%

LAB 45.89, 39.83, 39.88

 

CMYK 76 / 0 / 27 / 29

HEX #2BB484

RGB 43 180 132

HSL 158.98, 0.61%, 0.44%

LAB 65.61, -47.2, 14.41

 

CMYK 0 / 76 / 4 / 29

HEX #B42BAD

RGB 180 43 173

HSL 303.07, 0.61%, 0.44%

LAB 44.87, 67.24, -39.35

 

CMYK 4 / 0 / 76 / 29

HEX #ADB42B

RGB 173 180 43

HSL 63.07, 0.61%, 0.44%

LAB 70.66, -18.65, 63.8

 

CMYK 76 / 4 / 0 / 29

HEX #2BADB4

RGB 43 173 180

HSL 183.07, 0.61%, 0.44%

LAB 64.72, -31.12, -13.47

 

CMYK 0 / 76 / 4 / 29

HEX #B42BAD

RGB 180 43 173

HSL 303.07, 0.61%, 0.44%

LAB 44.87, 67.24, -39.35

 

CMYK 0 / 57 / 76 / 29

HEX #B44D2B

RGB 180 77 43

HSL 14.89, 0.61%, 0.44%

LAB 45.89, 39.83, 39.88

 

CMYK 76 / 0 / 72 / 29

HEX #2BB432

RGB 43 180 50

HSL 123.07, 0.61%, 0.44%

LAB 64.47, -60.3, 53.21

 

CMYK 76 / 19 / 0 / 29

HEX #2B92B4

RGB 43 146 180

HSL 194.89, 0.61%, 0.44%

LAB 56.45, -17.33, -26.08

 

CMYK 0 / 76 / 4 / 29

HEX #B42BAD

RGB 180 43 173

HSL 303.07, 0.61%, 0.44%

LAB 44.87, 67.24, -39.35

 

CMYK 0 / 34 / 76 / 29

HEX #B4772B

RGB 180 119 43

HSL 33.28, 0.61%, 0.44%

LAB 55.15, 17.31, 49.29

 

CMYK 76 / 0 / 72 / 29

HEX #2BB432

RGB 43 180 50

HSL 123.07, 0.61%, 0.44%

LAB 64.47, -60.3, 53.21

 

CMYK 76 / 42 / 0 / 29

HEX #2B69B4

RGB 43 105 180

HSL 212.85, 0.61%, 0.44%

LAB 44.11, 6.76, -45.47

 

Description

Color code: HEX #B42BAD | qconv.com Color code: HEX #B42BAD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 43 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 43 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 4 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 4% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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