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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4387D it is the complementary color #4BC782. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4387D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4387D shade: #B93878, #CA4A8B, #DB5C9E, #EC6EB1 and #FD80C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4387D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4387D shade: #B4387D, #A3266A, #921457, #810244 and #700031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4387D shade: #B3377C, #B3375A, #B33739 and #B33737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4387D shade: #B3377C, #B3379D, #A737B3, #8637B3 and #6437B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4387D shade matches the following richer shades: #B3377C, #C6247E and #D91180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4387D shade: #B3377C, #A04A7A, #8D5D78, #7A7075 and #678373

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4387D shade: #A737B3, #B3379E, #B3377D, #B3375C and #B3373B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4387D shade: #742350, #932D66, #B3377C, #C74B90 and #D16BA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4387D shade: #B4387D, #B38537 and #37AFB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4387D shade: #B4387D, #7DB337 and #377DB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4387D shade: #B4387D, #B38537, #37B36D and #3764B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4387D shade: #B4387D, #B3AB37, #37B36D and #373FB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 31 / 29

HEX #B4387D

RGB 180 56 125

HSL 326.61, 0.53%, 0.46%

LAB 44.25, 56.06, -11.39

 

Complementary color

CMYK 62 / 0 / 35 / 22

HEX #4BC782

RGB 75 199 130

HSL 146.61, 0.53%, 0.54%

LAB 72.2, -50.05, 24.64

 

CMYK 0 / 70 / 35 / 27

HEX #B93878

RGB 185 56 120

HSL 330.23, 0.54%, 0.47%

LAB 44.94, 56.88, -7.2

 

CMYK 0 / 63 / 31 / 21

HEX #CA4A8B

RGB 202 74 139

HSL 329.53, 0.55%, 0.54%

LAB 51.06, 56.85, -9.25

 

CMYK 0 / 58 / 28 / 14

HEX #DB5C9E

RGB 219 92 158

HSL 328.82, 0.64%, 0.61%

LAB 57.25, 56.47, -10.89

 

CMYK 0 / 53 / 25 / 7

HEX #EC6EB1

RGB 236 110 177

HSL 328.1, 0.77%, 0.68%

LAB 63.47, 55.9, -12.24

 

CMYK 0 / 49 / 23 / 1

HEX #FD80C4

RGB 253 128 196

HSL 327.36, 0.97%, 0.75%

LAB 69.69, 55.22, -13.39

 

CMYK 0 / 69 / 31 / 29

HEX #B4387D

RGB 180 56 125

HSL 326.61, 0.53%, 0.46%

LAB 44.25, 56.06, -11.39

 

CMYK 0 / 77 / 35 / 36

HEX #A3266A

RGB 163 38 106

HSL 327.36, 0.62%, 0.39%

LAB 38.22, 55.52, -8.97

 

CMYK 0 / 86 / 40 / 43

HEX #921457

RGB 146 20 87

HSL 328.1, 0.76%, 0.33%

LAB 32.48, 53.99, -5.73

 

CMYK 0 / 98 / 47 / 49

HEX #810244

RGB 129 2 68

HSL 328.82, 0.97%, 0.26%

LAB 27.1, 51.21, -1.49

 

CMYK 0 / 100 / 56 / 56

HEX #700031

RGB 112 0 49

HSL 333.75, 1%, 0.22%

LAB 22.54, 45.81, 4.52

 

CMYK 0 / 69 / 31 / 30

HEX #B3377C

RGB 179 55 124

HSL 326.61, 0.53%, 0.46%

LAB 43.9, 56.04, -11.32

 

CMYK 0 / 69 / 50 / 30

HEX #B3375A

RGB 179 55 90

HSL 343.06, 0.53%, 0.46%

LAB 42.84, 52.43, 8.19

 

CMYK 0 / 69 / 68 / 30

HEX #B33739

RGB 179 55 57

HSL 359.03, 0.53%, 0.46%

LAB 42.17, 50.06, 27.67

 

CMYK 0 / 69 / 69 / 30

HEX #B33737

RGB 179 55 55

HSL 0, 0.53%, 0.46%

LAB 42.14, 49.95, 28.83

 

CMYK 0 / 69 / 31 / 30

HEX #B3377C

RGB 179 55 124

HSL 326.61, 0.53%, 0.46%

LAB 43.9, 56.04, -11.32

 

CMYK 0 / 69 / 12 / 30

HEX #B3379D

RGB 179 55 157

HSL 310.65, 0.53%, 0.46%

LAB 45.29, 60.57, -29.17

 

CMYK 7 / 69 / 0 / 30

HEX #A737B3

RGB 167 55 179

HSL 294.19, 0.53%, 0.46%

LAB 44.52, 61.35, -43.57

 

CMYK 25 / 69 / 0 / 30

HEX #8637B3

RGB 134 55 179

HSL 278.23, 0.53%, 0.46%

LAB 39.67, 54.09, -51.61

 

CMYK 44 / 69 / 0 / 30

HEX #6437B3

RGB 100 55 179

HSL 261.77, 0.53%, 0.46%

LAB 35.39, 47.22, -58.75

 

CMYK 0 / 69 / 31 / 30

HEX #B3377C

RGB 179 55 124

HSL 326.61, 0.53%, 0.46%

LAB 43.9, 56.04, -11.32

 

CMYK 0 / 82 / 36 / 22

HEX #C6247E

RGB 198 36 126

HSL 326.67, 0.69%, 0.46%

LAB 45.32, 67.12, -10.06

 

CMYK 0 / 92 / 41 / 15

HEX #D91180

RGB 217 17 128

HSL 326.7, 0.85%, 0.46%

LAB 47.89, 74.99, -7.06

 

CMYK 0 / 69 / 31 / 30

HEX #B3377C

RGB 179 55 124

HSL 326.61, 0.53%, 0.46%

LAB 43.9, 56.04, -11.32

 

CMYK 0 / 54 / 24 / 37

HEX #A04A7A

RGB 160 74 122

HSL 326.51, 0.37%, 0.46%

LAB 43.91, 41.42, -10.38

 

CMYK 0 / 34 / 15 / 45

HEX #8D5D78

RGB 141 93 120

HSL 326.25, 0.21%, 0.46%

LAB 45.42, 23.9, -7.16

 

CMYK 0 / 8 / 4 / 52

HEX #7A7075

RGB 122 112 117

HSL 330, 0.04%, 0.46%

LAB 48.27, 4.85, -1.37

 

CMYK 21 / 0 / 12 / 49

HEX #678373

RGB 103 131 115

HSL 145.71, 0.12%, 0.46%

LAB 52.24, -13.49, 5.37

 

CMYK 7 / 69 / 0 / 30

HEX #A737B3

RGB 167 55 179

HSL 294.19, 0.53%, 0.46%

LAB 44.52, 61.35, -43.57

 

CMYK 0 / 69 / 12 / 30

HEX #B3379E

RGB 179 55 158

HSL 310.16, 0.53%, 0.46%

LAB 45.34, 60.72, -29.7

 

CMYK 0 / 69 / 30 / 30

HEX #B3377D

RGB 179 55 125

HSL 326.13, 0.53%, 0.46%

LAB 43.94, 56.16, -11.87

 

CMYK 0 / 69 / 49 / 30

HEX #B3375C

RGB 179 55 92

HSL 342.1, 0.53%, 0.46%

LAB 42.9, 52.61, 7.01

 

CMYK 0 / 69 / 67 / 30

HEX #B3373B

RGB 179 55 59

HSL 358.06, 0.53%, 0.46%

LAB 42.2, 50.17, 26.5

 

CMYK 0 / 70 / 31 / 55

HEX #742350

RGB 116 35 80

HSL 326.67, 0.54%, 0.3%

LAB 28.1, 39.92, -8.3

 

CMYK 0 / 69 / 31 / 42

HEX #932D66

RGB 147 45 102

HSL 326.47, 0.53%, 0.38%

LAB 36.06, 48.01, -9.98

 

CMYK 0 / 69 / 31 / 30

HEX #B3377C

RGB 179 55 124

HSL 326.61, 0.53%, 0.46%

LAB 43.9, 56.04, -11.32

 

CMYK 0 / 62 / 28 / 22

HEX #C74B90

RGB 199 75 144

HSL 326.61, 0.53%, 0.54%

LAB 50.91, 56.17, -12.5

 

CMYK 0 / 49 / 22 / 18

HEX #D16BA4

RGB 209 107 164

HSL 326.47, 0.53%, 0.62%

LAB 58.74, 46.99, -12.28

 

CMYK 0 / 69 / 31 / 29

HEX #B4387D

RGB 180 56 125

HSL 326.61, 0.53%, 0.46%

LAB 44.25, 56.06, -11.39

 

CMYK 0 / 26 / 69 / 30

HEX #B38537

RGB 179 133 55

HSL 37.74, 0.53%, 0.46%

LAB 58.63, 9.67, 47.44

 

CMYK 69 / 2 / 0 / 30

HEX #37AFB3

RGB 55 175 179

HSL 181.94, 0.53%, 0.46%

LAB 65.54, -30.91, -11.67

 

CMYK 0 / 69 / 31 / 29

HEX #B4387D

RGB 180 56 125

HSL 326.61, 0.53%, 0.46%

LAB 44.25, 56.06, -11.39

 

CMYK 30 / 0 / 69 / 30

HEX #7DB337

RGB 125 179 55

HSL 86.13, 0.53%, 0.46%

LAB 67.18, -37.06, 55.03

 

CMYK 69 / 30 / 0 / 30

HEX #377DB3

RGB 55 125 179

HSL 206.13, 0.53%, 0.46%

LAB 50.37, -4.13, -34.94

 

CMYK 0 / 69 / 31 / 29

HEX #B4387D

RGB 180 56 125

HSL 326.61, 0.53%, 0.46%

LAB 44.25, 56.06, -11.39

 

CMYK 0 / 26 / 69 / 30

HEX #B38537

RGB 179 133 55

HSL 37.74, 0.53%, 0.46%

LAB 58.63, 9.67, 47.44

 

CMYK 69 / 0 / 39 / 30

HEX #37B36D

RGB 55 179 109

HSL 146.13, 0.53%, 0.46%

LAB 65.09, -49.87, 26.15

 

CMYK 69 / 44 / 0 / 30

HEX #3764B3

RGB 55 100 179

HSL 218.23, 0.53%, 0.46%

LAB 43.04, 11.28, -46.57

 

CMYK 0 / 69 / 31 / 29

HEX #B4387D

RGB 180 56 125

HSL 326.61, 0.53%, 0.46%

LAB 44.25, 56.06, -11.39

 

CMYK 0 / 4 / 69 / 30

HEX #B3AB37

RGB 179 171 55

HSL 56.13, 0.53%, 0.46%

LAB 68.74, -10.87, 57.85

 

CMYK 69 / 0 / 39 / 30

HEX #37B36D

RGB 55 179 109

HSL 146.13, 0.53%, 0.46%

LAB 65.09, -49.87, 26.15

 

CMYK 69 / 65 / 0 / 30

HEX #373FB3

RGB 55 63 179

HSL 236.13, 0.53%, 0.46%

LAB 33.18, 35.23, -62.52

 

Description

Color code: HEX #B4387D | qconv.com Color code: HEX #B4387D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 56 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 56 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 31 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 31% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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