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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B43D63 it is the complementary color #4BC29C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B43D63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B43D63 shade: #B93D5E, #CA4F71, #DB6184, #EC7397 and #FD85AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B43D63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B43D63 shade: #B43D63, #A32B50, #92193D, #81072A and #700017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B43D63 shade: #B23D62, #B23D42 and #B23D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B43D63 shade: #B23D62, #B23D82, #B23DA1, #A33DB2 and #833DB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B43D63 shade matches the following richer shades: #B23D62, #C5295B, #D91654 and #EC024D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B43D63 shade: #B23D62, #9F5069, #8B6370, #787777 and #658A7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B43D63 shade: #B23DA2, #B23D83, #B23D64, #B23D44 and #B2543D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B43D63 shade: #752840, #933251, #B23D62, #C45478 and #CF7390

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B43D63 shade: #B43D63, #B2A23D and #3D93B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B43D63 shade: #B43D63, #64B23D and #3D64B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B43D63 shade: #B43D63, #B2A23D, #3DB28B and #3D4CB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B43D63 shade: #B43D63, #9FB23D, #3DB28B and #503DB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 45 / 29

HEX #B43D63

RGB 180 61 99

HSL 340.84, 0.49%, 0.47%

LAB 44.15, 51.15, 4.48

 

Complementary color

CMYK 61 / 0 / 20 / 24

HEX #4BC29C

RGB 75 194 156

HSL 160.84, 0.49%, 0.53%

LAB 71.2, -42.4, 9.33

 

CMYK 0 / 67 / 49 / 27

HEX #B93D5E

RGB 185 61 94

HSL 344.03, 0.5%, 0.48%

LAB 44.89, 52.26, 8.74

 

CMYK 0 / 61 / 44 / 21

HEX #CA4F71

RGB 202 79 113

HSL 343.41, 0.54%, 0.55%

LAB 51.08, 51.78, 6.37

 

CMYK 0 / 56 / 40 / 14

HEX #DB6184

RGB 219 97 132

HSL 342.79, 0.63%, 0.62%

LAB 57.34, 51.09, 4.44

 

CMYK 0 / 51 / 36 / 7

HEX #EC7397

RGB 236 115 151

HSL 342.15, 0.76%, 0.69%

LAB 63.61, 50.28, 2.82

 

CMYK 0 / 47 / 33 / 1

HEX #FD85AA

RGB 253 133 170

HSL 341.5, 0.97%, 0.76%

LAB 69.87, 49.43, 1.43

 

CMYK 0 / 66 / 45 / 29

HEX #B43D63

RGB 180 61 99

HSL 340.84, 0.49%, 0.47%

LAB 44.15, 51.15, 4.48

 

CMYK 0 / 74 / 51 / 36

HEX #A32B50

RGB 163 43 80

HSL 341.5, 0.58%, 0.4%

LAB 38.01, 51.19, 7.24

 

CMYK 0 / 83 / 58 / 43

HEX #92193D

RGB 146 25 61

HSL 342.15, 0.71%, 0.34%

LAB 32.13, 50.45, 10.86

 

CMYK 0 / 95 / 67 / 49

HEX #81072A

RGB 129 7 42

HSL 342.79, 0.9%, 0.27%

LAB 26.7, 48.39, 15.66

 

CMYK 0 / 100 / 79 / 56

HEX #700017

RGB 112 0 23

HSL 347.68, 1%, 0.22%

LAB 21.97, 44.28, 21.87

 

CMYK 0 / 66 / 45 / 30

HEX #B23D62

RGB 178 61 98

HSL 341.03, 0.49%, 0.47%

LAB 43.78, 50.42, 4.52

 

CMYK 0 / 66 / 63 / 30

HEX #B23D42

RGB 178 61 66

HSL 357.44, 0.49%, 0.47%

LAB 43.06, 47.77, 23.28

 

CMYK 0 / 66 / 66 / 30

HEX #B23D3D

RGB 178 61 61

HSL 0, 0.49%, 0.47%

LAB 42.97, 47.46, 26.2

 

CMYK 0 / 66 / 45 / 30

HEX #B23D62

RGB 178 61 98

HSL 341.03, 0.49%, 0.47%

LAB 43.78, 50.42, 4.52

 

CMYK 0 / 66 / 27 / 30

HEX #B23D82

RGB 178 61 130

HSL 324.62, 0.49%, 0.47%

LAB 44.82, 54.12, -13.61

 

CMYK 0 / 66 / 10 / 30

HEX #B23DA1

RGB 178 61 161

HSL 308.72, 0.49%, 0.47%

LAB 46.14, 58.62, -30.24

 

CMYK 8 / 66 / 0 / 30

HEX #A33DB2

RGB 163 61 178

HSL 292.31, 0.49%, 0.47%

LAB 44.71, 57.84, -42.71

 

CMYK 26 / 66 / 0 / 30

HEX #833DB2

RGB 131 61 178

HSL 275.9, 0.49%, 0.47%

LAB 40.21, 50.41, -50.18

 

CMYK 0 / 66 / 45 / 30

HEX #B23D62

RGB 178 61 98

HSL 341.03, 0.49%, 0.47%

LAB 43.78, 50.42, 4.52

 

CMYK 0 / 79 / 54 / 23

HEX #C5295B

RGB 197 41 91

HSL 340.77, 0.66%, 0.47%

LAB 44.53, 62.43, 10.42

 

CMYK 0 / 90 / 61 / 15

HEX #D91654

RGB 217 22 84

HSL 340.92, 0.82%, 0.47%

LAB 46.93, 71.08, 18.68

 

CMYK 0 / 99 / 67 / 7

HEX #EC024D

RGB 236 2 77

HSL 340.77, 0.98%, 0.47%

LAB 49.99, 77.16, 27.7

 

CMYK 0 / 66 / 45 / 30

HEX #B23D62

RGB 178 61 98

HSL 341.03, 0.49%, 0.47%

LAB 43.78, 50.42, 4.52

 

CMYK 0 / 50 / 34 / 38

HEX #9F5069

RGB 159 80 105

HSL 341.01, 0.33%, 0.47%

LAB 44.42, 35.57, 0.75

 

CMYK 0 / 29 / 19 / 45

HEX #8B6370

RGB 139 99 112

HSL 340.5, 0.17%, 0.47%

LAB 46.42, 18.25, -0.88

 

CMYK 0 / 1 / 1 / 53

HEX #787777

RGB 120 119 119

HSL 0, 0%, 0.47%

LAB 50.12, 0.38, 0.13

 

CMYK 27 / 0 / 9 / 46

HEX #658A7E

RGB 101 138 126

HSL 160.54, 0.15%, 0.47%

LAB 54.5, -15.58, 2.25

 

CMYK 0 / 66 / 9 / 30

HEX #B23DA2

RGB 178 61 162

HSL 308.21, 0.49%, 0.47%

LAB 46.19, 58.78, -30.76

 

CMYK 0 / 66 / 26 / 30

HEX #B23D83

RGB 178 61 131

HSL 324.1, 0.49%, 0.47%

LAB 44.86, 54.26, -14.16

 

CMYK 0 / 66 / 44 / 30

HEX #B23D64

RGB 178 61 100

HSL 340, 0.49%, 0.47%

LAB 43.83, 50.62, 3.36

 

CMYK 0 / 66 / 62 / 30

HEX #B23D44

RGB 178 61 68

HSL 356.41, 0.49%, 0.47%

LAB 43.09, 47.91, 22.11

 

CMYK 0 / 53 / 66 / 30

HEX #B2543D

RGB 178 84 61

HSL 11.79, 0.49%, 0.47%

LAB 47.16, 36.47, 31.33

 

CMYK 0 / 66 / 45 / 54

HEX #752840

RGB 117 40 64

HSL 341.3, 0.49%, 0.31%

LAB 28.56, 35.99, 3.04

 

CMYK 0 / 66 / 45 / 42

HEX #933251

RGB 147 50 81

HSL 340.82, 0.49%, 0.39%

LAB 36.13, 43.42, 3.53

 

CMYK 0 / 66 / 45 / 30

HEX #B23D62

RGB 178 61 98

HSL 341.03, 0.49%, 0.47%

LAB 43.78, 50.42, 4.52

 

CMYK 0 / 57 / 39 / 23

HEX #C45478

RGB 196 84 120

HSL 340.71, 0.49%, 0.55%

LAB 51.19, 48.25, 2.2

 

CMYK 0 / 44 / 30 / 19

HEX #CF7390

RGB 207 115 144

HSL 341.09, 0.49%, 0.63%

LAB 59.47, 39.44, 0.33

 

CMYK 0 / 66 / 45 / 29

HEX #B43D63

RGB 180 61 99

HSL 340.84, 0.49%, 0.47%

LAB 44.15, 51.15, 4.48

 

CMYK 0 / 9 / 66 / 30

HEX #B2A23D

RGB 178 162 61

HSL 51.79, 0.49%, 0.47%

LAB 66.25, -6.23, 52.78

 

CMYK 66 / 17 / 0 / 30

HEX #3D93B2

RGB 61 147 178

HSL 195.9, 0.49%, 0.47%

LAB 57.15, -15.95, -23.83

 

CMYK 0 / 66 / 45 / 29

HEX #B43D63

RGB 180 61 99

HSL 340.84, 0.49%, 0.47%

LAB 44.15, 51.15, 4.48

 

CMYK 44 / 0 / 66 / 30

HEX #64B23D

RGB 100 178 61

HSL 100, 0.49%, 0.47%

LAB 65.66, -44.91, 50.59

 

CMYK 66 / 44 / 0 / 30

HEX #3D64B2

RGB 61 100 178

HSL 220, 0.49%, 0.47%

LAB 43.24, 11.92, -45.64

 

CMYK 0 / 66 / 45 / 29

HEX #B43D63

RGB 180 61 99

HSL 340.84, 0.49%, 0.47%

LAB 44.15, 51.15, 4.48

 

CMYK 0 / 9 / 66 / 30

HEX #B2A23D

RGB 178 162 61

HSL 51.79, 0.49%, 0.47%

LAB 66.25, -6.23, 52.78

 

CMYK 66 / 0 / 22 / 30

HEX #3DB28B

RGB 61 178 139

HSL 160, 0.49%, 0.47%

LAB 65.51, -42.02, 10.49

 

CMYK 66 / 57 / 0 / 30

HEX #3D4CB2

RGB 61 76 178

HSL 232.31, 0.49%, 0.47%

LAB 36.7, 27.43, -56.18

 

CMYK 0 / 66 / 45 / 29

HEX #B43D63

RGB 180 61 99

HSL 340.84, 0.49%, 0.47%

LAB 44.15, 51.15, 4.48

 

CMYK 11 / 0 / 66 / 30

HEX #9FB23D

RGB 159 178 61

HSL 69.74, 0.49%, 0.47%

LAB 69.15, -22.61, 55.35

 

CMYK 66 / 0 / 22 / 30

HEX #3DB28B

RGB 61 178 139

HSL 160, 0.49%, 0.47%

LAB 65.51, -42.02, 10.49

 

CMYK 55 / 66 / 0 / 30

HEX #503DB2

RGB 80 61 178

HSL 249.74, 0.49%, 0.47%

LAB 34.51, 39.97, -59.67

 

Description

Color code: HEX #B43D63 | qconv.com Color code: HEX #B43D63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 61 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 61 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 45 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 45% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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