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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B44480 it is the complementary color #4BBB7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B44480. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B44480 shade: #B9447B, #CA568E, #DB68A1, #EC7AB4 and #FD8CC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B44480. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B44480 shade: #B44480, #A3326D, #92205A, #810E47 and #700034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B44480 shade: #B54480, #B54462 and #B54444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B44480 shade: #B54480, #B5449F, #AC44B5, #8E44B5 and #7044B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B44480 shade matches the following richer shades: #B54480, #C93082, #DD1C83 and #F10885

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B44480 shade: #B54480, #A0587F, #8C6D7E, #78817C and #64957B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B44480 shade: #AB44B5, #B544A0, #B54482, #B54464 and #B54446

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B44480 shade: #792E56, #97396B, #B54480, #C26095 and #CE7EA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B44480 shade: #B44480, #B58D44 and #44AFB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B44480 shade: #B44480, #82B544 and #4482B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B44480 shade: #B44480, #B58D44, #44B577 and #446CB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B44480 shade: #B44480, #B5AF44, #44B577 and #444AB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 29 / 29

HEX #B44480

RGB 180 68 128

HSL 327.86, 0.45%, 0.49%

LAB 46.17, 51.46, -10.32

 

Complementary color

CMYK 60 / 0 / 32 / 27

HEX #4BBB7F

RGB 75 187 127

HSL 147.86, 0.45%, 0.51%

LAB 68.44, -45.73, 21.13

 

CMYK 0 / 63 / 34 / 27

HEX #B9447B

RGB 185 68 123

HSL 331.79, 0.46%, 0.5%

LAB 46.81, 52.36, -6.24

 

CMYK 0 / 57 / 30 / 21

HEX #CA568E

RGB 202 86 142

HSL 331.03, 0.52%, 0.56%

LAB 53.13, 51.91, -7.93

 

CMYK 0 / 53 / 26 / 14

HEX #DB68A1

RGB 219 104 161

HSL 330.26, 0.61%, 0.63%

LAB 59.47, 51.27, -9.32

 

CMYK 0 / 48 / 24 / 7

HEX #EC7AB4

RGB 236 122 180

HSL 329.47, 0.75%, 0.7%

LAB 65.79, 50.54, -10.48

 

CMYK 0 / 45 / 21 / 1

HEX #FD8CC7

RGB 253 140 199

HSL 328.67, 0.97%, 0.77%

LAB 72.07, 49.77, -11.49

 

CMYK 0 / 62 / 29 / 29

HEX #B44480

RGB 180 68 128

HSL 327.86, 0.45%, 0.49%

LAB 46.17, 51.46, -10.32

 

CMYK 0 / 69 / 33 / 36

HEX #A3326D

RGB 163 50 109

HSL 328.67, 0.53%, 0.42%

LAB 39.87, 51.57, -8.38

 

CMYK 0 / 78 / 38 / 43

HEX #92205A

RGB 146 32 90

HSL 329.47, 0.64%, 0.35%

LAB 33.74, 51.03, -5.8

 

CMYK 0 / 89 / 45 / 49

HEX #810E47

RGB 129 14 71

HSL 330.26, 0.8%, 0.28%

LAB 27.94, 49.34, -2.26

 

CMYK 0 / 100 / 54 / 56

HEX #700034

RGB 112 0 52

HSL 332.14, 1%, 0.22%

LAB 22.63, 46.05, 2.55

 

CMYK 0 / 62 / 29 / 29

HEX #B54480

RGB 181 68 128

HSL 328.14, 0.45%, 0.49%

LAB 46.33, 51.76, -10.06

 

CMYK 0 / 62 / 46 / 29

HEX #B54462

RGB 181 68 98

HSL 344.07, 0.45%, 0.49%

LAB 45.41, 48.34, 6.93

 

CMYK 0 / 62 / 62 / 29

HEX #B54444

RGB 181 68 68

HSL 0, 0.45%, 0.49%

LAB 44.77, 45.84, 24.36

 

CMYK 0 / 62 / 29 / 29

HEX #B54480

RGB 181 68 128

HSL 328.14, 0.45%, 0.49%

LAB 46.33, 51.76, -10.06

 

CMYK 0 / 62 / 12 / 29

HEX #B5449F

RGB 181 68 159

HSL 311.68, 0.45%, 0.49%

LAB 47.57, 56.2, -26.78

 

CMYK 5 / 62 / 0 / 29

HEX #AC44B5

RGB 172 68 181

HSL 295.22, 0.45%, 0.49%

LAB 47.29, 57.58, -40.3

 

CMYK 22 / 62 / 0 / 29

HEX #8E44B5

RGB 142 68 181

HSL 279.29, 0.45%, 0.49%

LAB 43.09, 50.23, -47.23

 

CMYK 38 / 62 / 0 / 29

HEX #7044B5

RGB 112 68 181

HSL 263.36, 0.45%, 0.49%

LAB 39.44, 43.25, -53.31

 

CMYK 0 / 62 / 29 / 29

HEX #B54480

RGB 181 68 128

HSL 328.14, 0.45%, 0.49%

LAB 46.33, 51.76, -10.06

 

CMYK 0 / 76 / 35 / 21

HEX #C93082

RGB 201 48 130

HSL 327.84, 0.61%, 0.49%

LAB 47.16, 65.03, -9.69

 

CMYK 0 / 87 / 41 / 13

HEX #DD1C83

RGB 221 28 131

HSL 327.98, 0.78%, 0.49%

LAB 49.3, 74.6, -6.7

 

CMYK 0 / 97 / 45 / 5

HEX #F10885

RGB 241 8 133

HSL 327.81, 0.94%, 0.49%

LAB 52.47, 81.4, -2.79

 

CMYK 0 / 62 / 29 / 29

HEX #B54480

RGB 181 68 128

HSL 328.14, 0.45%, 0.49%

LAB 46.33, 51.76, -10.06

 

CMYK 0 / 45 / 21 / 37

HEX #A0587F

RGB 160 88 127

HSL 327.5, 0.29%, 0.49%

LAB 46.96, 34.79, -8.84

 

CMYK 0 / 22 / 10 / 45

HEX #8C6D7E

RGB 140 109 126

HSL 327.1, 0.12%, 0.49%

LAB 49.52, 15.23, -4.68

 

CMYK 7 / 0 / 4 / 49

HEX #78817C

RGB 120 129 124

HSL 146.67, 0.04%, 0.49%

LAB 53.11, -4.35, 1.56

 

CMYK 33 / 0 / 17 / 42

HEX #64957B

RGB 100 149 123

HSL 148.16, 0.2%, 0.49%

LAB 57.69, -22.33, 8.54

 

CMYK 6 / 62 / 0 / 29

HEX #AB44B5

RGB 171 68 181

HSL 294.69, 0.45%, 0.49%

LAB 47.14, 57.34, -40.54

 

CMYK 0 / 62 / 12 / 29

HEX #B544A0

RGB 181 68 160

HSL 311.15, 0.45%, 0.49%

LAB 47.62, 56.35, -27.31

 

CMYK 0 / 62 / 28 / 29

HEX #B54482

RGB 181 68 130

HSL 327.08, 0.45%, 0.49%

LAB 46.4, 52.02, -11.17

 

CMYK 0 / 62 / 45 / 29

HEX #B54464

RGB 181 68 100

HSL 343.01, 0.45%, 0.49%

LAB 45.47, 48.54, 5.77

 

CMYK 0 / 62 / 61 / 29

HEX #B54446

RGB 181 68 70

HSL 358.94, 0.45%, 0.49%

LAB 44.8, 45.98, 23.2

 

CMYK 0 / 62 / 29 / 53

HEX #792E56

RGB 121 46 86

HSL 328, 0.45%, 0.33%

LAB 31.09, 37.25, -7.64

 

CMYK 0 / 62 / 29 / 41

HEX #97396B

RGB 151 57 107

HSL 328.09, 0.45%, 0.41%

LAB 38.84, 44.66, -8.88

 

CMYK 0 / 62 / 29 / 29

HEX #B54480

RGB 181 68 128

HSL 328.14, 0.45%, 0.49%

LAB 46.33, 51.76, -10.06

 

CMYK 0 / 51 / 23 / 24

HEX #C26095

RGB 194 96 149

HSL 327.55, 0.45%, 0.57%

LAB 54.03, 45.45, -10.83

 

CMYK 0 / 39 / 18 / 19

HEX #CE7EA9

RGB 206 126 169

HSL 327.75, 0.45%, 0.65%

LAB 62.43, 36.87, -9.66

 

CMYK 0 / 62 / 29 / 29

HEX #B44480

RGB 180 68 128

HSL 327.86, 0.45%, 0.49%

LAB 46.17, 51.46, -10.32

 

CMYK 0 / 22 / 62 / 29

HEX #B58D44

RGB 181 141 68

HSL 38.76, 0.45%, 0.49%

LAB 61.04, 6.95, 43.93

 

CMYK 62 / 3 / 0 / 29

HEX #44AFB5

RGB 68 175 181

HSL 183.19, 0.45%, 0.49%

LAB 65.92, -28.32, -12.17

 

CMYK 0 / 62 / 29 / 29

HEX #B44480

RGB 180 68 128

HSL 327.86, 0.45%, 0.49%

LAB 46.17, 51.46, -10.32

 

CMYK 28 / 0 / 62 / 29

HEX #82B544

RGB 130 181 68

HSL 87.08, 0.45%, 0.49%

LAB 68.18, -35.07, 50.78

 

CMYK 62 / 28 / 0 / 29

HEX #4482B5

RGB 68 130 181

HSL 207.08, 0.45%, 0.49%

LAB 52.43, -4.12, -32.83

 

CMYK 0 / 62 / 29 / 29

HEX #B44480

RGB 180 68 128

HSL 327.86, 0.45%, 0.49%

LAB 46.17, 51.46, -10.32

 

CMYK 0 / 22 / 62 / 29

HEX #B58D44

RGB 181 141 68

HSL 38.76, 0.45%, 0.49%

LAB 61.04, 6.95, 43.93

 

CMYK 62 / 0 / 34 / 29

HEX #44B577

RGB 68 181 119

HSL 147.08, 0.45%, 0.49%

LAB 66.22, -46.3, 22.38

 

CMYK 62 / 40 / 0 / 29

HEX #446CB5

RGB 68 108 181

HSL 218.76, 0.45%, 0.49%

LAB 46.03, 9.21, -42.93

 

CMYK 0 / 62 / 29 / 29

HEX #B44480

RGB 180 68 128

HSL 327.86, 0.45%, 0.49%

LAB 46.17, 51.46, -10.32

 

CMYK 0 / 3 / 62 / 29

HEX #B5AF44

RGB 181 175 68

HSL 56.81, 0.45%, 0.49%

LAB 70.11, -11.31, 53.93

 

CMYK 62 / 0 / 34 / 29

HEX #44B577

RGB 68 181 119

HSL 147.08, 0.45%, 0.49%

LAB 66.22, -46.3, 22.38

 

CMYK 62 / 59 / 0 / 29

HEX #444AB5

RGB 68 74 181

HSL 236.81, 0.45%, 0.49%

LAB 36.86, 30.91, -57.67

 

Description

Color code: HEX #B44480 | qconv.com Color code: HEX #B44480 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 68 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 68 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 29 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 29% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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