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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B445A2 it is the complementary color #4BBA5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B445A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B445A2 shade: #B9459D, #CA57B0, #DB69C3, #EC7BD6 and #FD8DE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B445A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B445A2 shade: #B445A2, #A3338F, #92217C, #810F69 and #700056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B445A2 shade: #B544A2, #B54484, #B54466, #B54447 and #B54444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B445A2 shade: #B544A2, #A944B5, #8A44B5, #6C44B5 and #4E44B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B445A2 shade matches the following richer shades: #B544A2, #C930B0, #DD1CBE and #F108CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B445A2 shade: #B544A2, #A05895, #8C6D87, #788179 and #64956C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B445A2 shade: #8A44B5, #A844B5, #B544A4, #B54486 and #B54468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B445A2 shade: #792E6D, #973988, #B544A2, #C260B2 and #CE7EC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B445A2 shade: #B445A2, #B56C44 and #44B599

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B445A2 shade: #B445A2, #A4B544 and #44A4B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B445A2 shade: #B445A2, #B56C44, #44B555 and #448DB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B445A2 shade: #B445A2, #B58D44, #44B555 and #446CB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 10 / 29

HEX #B445A2

RGB 180 69 162

HSL 309.73, 0.45%, 0.49%

LAB 47.71, 55.97, -28.36

 

Complementary color

CMYK 60 / 0 / 50 / 27

HEX #4BBA5D

RGB 75 186 93

HSL 129.73, 0.45%, 0.51%

LAB 67.58, -51.24, 37.7

 

CMYK 0 / 63 / 15 / 27

HEX #B9459D

RGB 185 69 157

HSL 314.48, 0.46%, 0.5%

LAB 48.27, 56.56, -24.47

 

CMYK 0 / 57 / 13 / 21

HEX #CA57B0

RGB 202 87 176

HSL 313.57, 0.52%, 0.57%

LAB 54.56, 56.28, -25.69

 

CMYK 0 / 52 / 11 / 14

HEX #DB69C3

RGB 219 105 195

HSL 312.63, 0.61%, 0.64%

LAB 60.87, 55.78, -26.67

 

CMYK 0 / 48 / 9 / 7

HEX #EC7BD6

RGB 236 123 214

HSL 311.68, 0.75%, 0.7%

LAB 67.17, 55.16, -27.47

 

CMYK 0 / 44 / 8 / 1

HEX #FD8DE9

RGB 253 141 233

HSL 310.71, 0.97%, 0.77%

LAB 73.43, 54.47, -28.17

 

CMYK 0 / 62 / 10 / 29

HEX #B445A2

RGB 180 69 162

HSL 309.73, 0.45%, 0.49%

LAB 47.71, 55.97, -28.36

 

CMYK 0 / 69 / 12 / 36

HEX #A3338F

RGB 163 51 143

HSL 310.71, 0.52%, 0.42%

LAB 41.43, 55.89, -26.95

 

CMYK 0 / 77 / 15 / 43

HEX #92217C

RGB 146 33 124

HSL 311.68, 0.63%, 0.35%

LAB 35.31, 55.12, -25.02

 

CMYK 0 / 88 / 19 / 49

HEX #810F69

RGB 129 15 105

HSL 312.63, 0.79%, 0.28%

LAB 29.48, 53.19, -22.3

 

CMYK 0 / 100 / 23 / 56

HEX #700056

RGB 112 0 86

HSL 313.93, 1%, 0.22%

LAB 24.05, 49.73, -18.57

 

CMYK 0 / 62 / 10 / 29

HEX #B544A2

RGB 181 68 162

HSL 310.09, 0.45%, 0.49%

LAB 47.71, 56.67, -28.35

 

CMYK 0 / 62 / 27 / 29

HEX #B54484

RGB 181 68 132

HSL 326.02, 0.45%, 0.49%

LAB 46.48, 52.29, -12.27

 

CMYK 0 / 62 / 44 / 29

HEX #B54466

RGB 181 68 102

HSL 341.95, 0.45%, 0.49%

LAB 45.52, 48.74, 4.62

 

CMYK 0 / 62 / 61 / 29

HEX #B54447

RGB 181 68 71

HSL 358.41, 0.45%, 0.49%

LAB 44.82, 46.05, 22.62

 

CMYK 0 / 62 / 62 / 29

HEX #B54444

RGB 181 68 68

HSL 0, 0.45%, 0.49%

LAB 44.77, 45.84, 24.36

 

CMYK 0 / 62 / 10 / 29

HEX #B544A2

RGB 181 68 162

HSL 310.09, 0.45%, 0.49%

LAB 47.71, 56.67, -28.35

 

CMYK 7 / 62 / 0 / 29

HEX #A944B5

RGB 169 68 181

HSL 293.63, 0.45%, 0.49%

LAB 46.85, 56.84, -41.03

 

CMYK 24 / 62 / 0 / 29

HEX #8A44B5

RGB 138 68 181

HSL 277.17, 0.45%, 0.49%

LAB 42.57, 49.27, -48.1

 

CMYK 40 / 62 / 0 / 29

HEX #6C44B5

RGB 108 68 181

HSL 261.24, 0.45%, 0.49%

LAB 39, 42.37, -54.04

 

CMYK 57 / 62 / 0 / 29

HEX #4E44B5

RGB 78 68 181

HSL 245.31, 0.45%, 0.49%

LAB 36.16, 36.38, -58.78

 

CMYK 0 / 62 / 10 / 29

HEX #B544A2

RGB 181 68 162

HSL 310.09, 0.45%, 0.49%

LAB 47.71, 56.67, -28.35

 

CMYK 0 / 76 / 12 / 21

HEX #C930B0

RGB 201 48 176

HSL 309.8, 0.61%, 0.49%

LAB 49.09, 70.8, -34.22

 

CMYK 0 / 87 / 14 / 13

HEX #DD1CBE

RGB 221 28 190

HSL 309.64, 0.78%, 0.49%

LAB 51.75, 81.2, -37.98

 

CMYK 0 / 97 / 16 / 5

HEX #F108CB

RGB 241 8 203

HSL 309.79, 0.94%, 0.49%

LAB 55.26, 88.61, -39.71

 

CMYK 0 / 62 / 10 / 29

HEX #B544A2

RGB 181 68 162

HSL 310.09, 0.45%, 0.49%

LAB 47.71, 56.67, -28.35

 

CMYK 0 / 45 / 7 / 37

HEX #A05895

RGB 160 88 149

HSL 309.17, 0.29%, 0.49%

LAB 47.78, 38.51, -20.76

 

CMYK 0 / 22 / 4 / 45

HEX #8C6D87

RGB 140 109 135

HSL 309.68, 0.12%, 0.49%

LAB 49.81, 16.94, -9.58

 

CMYK 7 / 0 / 6 / 49

HEX #788179

RGB 120 129 121

HSL 126.67, 0.04%, 0.49%

LAB 53.03, -4.95, 3.18

 

CMYK 33 / 0 / 28 / 42

HEX #64956C

RGB 100 149 108

HSL 129.8, 0.2%, 0.49%

LAB 57.35, -25.32, 16.54

 

CMYK 24 / 62 / 0 / 29

HEX #8A44B5

RGB 138 68 181

HSL 277.17, 0.45%, 0.49%

LAB 42.57, 49.27, -48.1

 

CMYK 7 / 62 / 0 / 29

HEX #A844B5

RGB 168 68 181

HSL 293.1, 0.45%, 0.49%

LAB 46.7, 56.59, -41.27

 

CMYK 0 / 62 / 9 / 29

HEX #B544A4

RGB 181 68 164

HSL 309.03, 0.45%, 0.49%

LAB 47.8, 56.99, -29.4

 

CMYK 0 / 62 / 26 / 29

HEX #B54486

RGB 181 68 134

HSL 324.96, 0.45%, 0.49%

LAB 46.55, 52.55, -13.37

 

CMYK 0 / 62 / 43 / 29

HEX #B54468

RGB 181 68 104

HSL 340.88, 0.45%, 0.49%

LAB 45.58, 48.95, 3.47

 

CMYK 0 / 62 / 10 / 53

HEX #792E6D

RGB 121 46 109

HSL 309.6, 0.45%, 0.33%

LAB 32.09, 40.91, -20.91

 

CMYK 0 / 62 / 10 / 41

HEX #973988

RGB 151 57 136

HSL 309.57, 0.45%, 0.41%

LAB 40.05, 49.04, -24.98

 

CMYK 0 / 62 / 10 / 29

HEX #B544A2

RGB 181 68 162

HSL 310.09, 0.45%, 0.49%

LAB 47.71, 56.67, -28.35

 

CMYK 0 / 51 / 8 / 24

HEX #C260B2

RGB 194 96 178

HSL 309.8, 0.45%, 0.57%

LAB 55.12, 49.99, -26.07

 

CMYK 0 / 39 / 6 / 19

HEX #CE7EC1

RGB 206 126 193

HSL 309.75, 0.45%, 0.65%

LAB 63.25, 40.85, -22.02

 

CMYK 0 / 62 / 10 / 29

HEX #B445A2

RGB 180 69 162

HSL 309.73, 0.45%, 0.49%

LAB 47.71, 55.97, -28.36

 

CMYK 0 / 40 / 62 / 29

HEX #B56C44

RGB 181 108 68

HSL 21.24, 0.45%, 0.49%

LAB 52.91, 25.28, 34.45

 

CMYK 62 / 0 / 15 / 29

HEX #44B599

RGB 68 181 153

HSL 165.13, 0.45%, 0.49%

LAB 66.96, -38.69, 4.87

 

CMYK 0 / 62 / 10 / 29

HEX #B445A2

RGB 180 69 162

HSL 309.73, 0.45%, 0.49%

LAB 47.71, 55.97, -28.36

 

CMYK 9 / 0 / 62 / 29

HEX #A4B544

RGB 164 181 68

HSL 69.03, 0.45%, 0.49%

LAB 70.43, -21.54, 53.88

 

CMYK 62 / 9 / 0 / 29

HEX #44A4B5

RGB 68 164 181

HSL 189.03, 0.45%, 0.49%

LAB 62.61, -22.79, -17.17

 

CMYK 0 / 62 / 10 / 29

HEX #B445A2

RGB 180 69 162

HSL 309.73, 0.45%, 0.49%

LAB 47.71, 55.97, -28.36

 

CMYK 0 / 40 / 62 / 29

HEX #B56C44

RGB 181 108 68

HSL 21.24, 0.45%, 0.49%

LAB 52.91, 25.28, 34.45

 

CMYK 62 / 0 / 53 / 29

HEX #44B555

RGB 68 181 85

HSL 129.03, 0.45%, 0.49%

LAB 65.7, -52.05, 39.3

 

CMYK 62 / 22 / 0 / 29

HEX #448DB5

RGB 68 141 181

HSL 201.24, 0.45%, 0.49%

LAB 55.7, -10.43, -27.75

 

CMYK 0 / 62 / 10 / 29

HEX #B445A2

RGB 180 69 162

HSL 309.73, 0.45%, 0.49%

LAB 47.71, 55.97, -28.36

 

CMYK 0 / 22 / 62 / 29

HEX #B58D44

RGB 181 141 68

HSL 38.76, 0.45%, 0.49%

LAB 61.04, 6.95, 43.93

 

CMYK 62 / 0 / 53 / 29

HEX #44B555

RGB 68 181 85

HSL 129.03, 0.45%, 0.49%

LAB 65.7, -52.05, 39.3

 

CMYK 62 / 40 / 0 / 29

HEX #446CB5

RGB 68 108 181

HSL 218.76, 0.45%, 0.49%

LAB 46.03, 9.21, -42.93

 

Description

Color code: HEX #B445A2 | qconv.com Color code: HEX #B445A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 69 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 69 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 10 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 10% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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