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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B44E12 it is the complementary color #4BB1ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B44E12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B44E12 shade: #B94E0D, #CA6020, #DB7233, #EC8446 and #FD9659

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B44E12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B44E12 shade: #B44E12, #A33C00, #922A00, #811800 and #700600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B44E12 shade: #B44E11, #B42211 and #B41111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B44E12 shade: #B44E11, #B47A11, #B4A611, #97B411 and #6BB411

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B44E12 shade matches the following richer shades: #B44E11 and #C54A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B44E12 shade: #B44E11, #A45221, #945632, #845A42 and #745E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B44E12 shade: #B4112D, #B42211, #B44D11, #B47911 and #B4A411

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B44E12 shade: #692D0A, #8F3E0E, #B44E11, #DA5E15 and #EA742E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B44E12 shade: #B44E12, #58B411 and #1117B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B44E12 shade: #B44E12, #11B44D and #4D11B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B44E12 shade: #B44E12, #58B411, #1179B4 and #6E11B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B44E12 shade: #B44E12, #27B411, #1179B4 and #9F11B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 90 / 29

HEX #B44E12

RGB 180 78 18

HSL 22.22, 0.82%, 0.39%

LAB 45.9, 38.57, 50.93

 

Complementary color

CMYK 68 / 25 / 0 / 7

HEX #4BB1ED

RGB 75 177 237

HSL 202.22, 0.82%, 0.61%

LAB 68.79, -10.86, -38.59

 

CMYK 0 / 58 / 93 / 27

HEX #B94E0D

RGB 185 78 13

HSL 22.67, 0.87%, 0.39%

LAB 46.7, 40.43, 53.41

 

CMYK 0 / 52 / 84 / 21

HEX #CA6020

RGB 202 96 32

HSL 22.59, 0.73%, 0.46%

LAB 52.98, 38.51, 52.96

 

CMYK 0 / 48 / 77 / 14

HEX #DB7233

RGB 219 114 51

HSL 22.5, 0.7%, 0.53%

LAB 59.28, 36.7, 51.55

 

CMYK 0 / 44 / 70 / 7

HEX #EC8446

RGB 236 132 70

HSL 22.41, 0.81%, 0.6%

LAB 65.58, 35.02, 49.84

 

CMYK 0 / 41 / 65 / 1

HEX #FD9659

RGB 253 150 89

HSL 22.32, 0.98%, 0.67%

LAB 71.84, 33.5, 48.09

 

CMYK 0 / 57 / 90 / 29

HEX #B44E12

RGB 180 78 18

HSL 22.22, 0.82%, 0.39%

LAB 45.9, 38.57, 50.93

 

CMYK 0 / 63 / 100 / 36

HEX #A33C00

RGB 163 60 0

HSL 22.09, 1%, 0.32%

LAB 39.61, 40.45, 50.82

 

CMYK 0 / 71 / 100 / 43

HEX #922A00

RGB 146 42 0

HSL 17.26, 1%, 0.29%

LAB 33.49, 42.17, 45.86

 

CMYK 0 / 81 / 100 / 49

HEX #811800

RGB 129 24 0

HSL 11.16, 1%, 0.25%

LAB 27.63, 43, 40.02

 

CMYK 0 / 95 / 100 / 56

HEX #700600

RGB 112 6 0

HSL 3.21, 1%, 0.22%

LAB 22.21, 42.32, 33.52

 

CMYK 0 / 57 / 91 / 29

HEX #B44E11

RGB 180 78 17

HSL 22.45, 0.83%, 0.39%

LAB 45.9, 38.55, 51.26

 

CMYK 0 / 81 / 91 / 29

HEX #B42211

RGB 180 34 17

HSL 6.26, 0.83%, 0.39%

LAB 39.39, 56.12, 46.47

 

CMYK 0 / 91 / 91 / 29

HEX #B41111

RGB 180 17 17

HSL 0, 0.83%, 0.39%

LAB 38.1, 59.8, 45.54

 

CMYK 0 / 57 / 91 / 29

HEX #B44E11

RGB 180 78 17

HSL 22.45, 0.83%, 0.39%

LAB 45.9, 38.55, 51.26

 

CMYK 0 / 32 / 91 / 29

HEX #B47A11

RGB 180 122 17

HSL 38.65, 0.83%, 0.39%

LAB 55.75, 14.83, 58.73

 

CMYK 0 / 8 / 91 / 29

HEX #B4A611

RGB 180 166 17

HSL 54.85, 0.83%, 0.39%

LAB 67.29, -9.15, 67.67

 

CMYK 16 / 0 / 91 / 29

HEX #97B411

RGB 151 180 17

HSL 70.67, 0.83%, 0.39%

LAB 68.94, -28.8, 68

 

CMYK 41 / 0 / 91 / 29

HEX #6BB411

RGB 107 180 17

HSL 86.87, 0.83%, 0.39%

LAB 66.37, -45.82, 64.84

 

CMYK 0 / 57 / 91 / 29

HEX #B44E11

RGB 180 78 17

HSL 22.45, 0.83%, 0.39%

LAB 45.9, 38.55, 51.26

 

CMYK 0 / 62 / 99 / 23

HEX #C54A01

RGB 197 74 1

HSL 22.35, 0.99%, 0.39%

LAB 47.97, 46.67, 58.21

 

CMYK 0 / 57 / 91 / 29

HEX #B44E11

RGB 180 78 17

HSL 22.45, 0.83%, 0.39%

LAB 45.9, 38.55, 51.26

 

CMYK 0 / 50 / 80 / 36

HEX #A45221

RGB 164 82 33

HSL 22.44, 0.66%, 0.39%

LAB 44.29, 30.44, 42.43

 

CMYK 0 / 42 / 66 / 42

HEX #945632

RGB 148 86 50

HSL 22.04, 0.49%, 0.39%

LAB 43.04, 22.28, 31.57

 

CMYK 0 / 32 / 50 / 48

HEX #845A42

RGB 132 90 66

HSL 21.82, 0.33%, 0.39%

LAB 42.17, 14.29, 20.78

 

CMYK 0 / 19 / 29 / 55

HEX #745E52

RGB 116 94 82

HSL 21.18, 0.17%, 0.39%

LAB 41.73, 6.96, 10.24

 

CMYK 0 / 91 / 75 / 29

HEX #B4112D

RGB 180 17 45

HSL 349.69, 0.83%, 0.39%

LAB 38.36, 60.55, 30.49

 

CMYK 0 / 81 / 91 / 29

HEX #B42211

RGB 180 34 17

HSL 6.26, 0.83%, 0.39%

LAB 39.39, 56.12, 46.47

 

CMYK 0 / 57 / 91 / 29

HEX #B44D11

RGB 180 77 17

HSL 22.09, 0.83%, 0.39%

LAB 45.7, 39.05, 51.11

 

CMYK 0 / 33 / 91 / 29

HEX #B47911

RGB 180 121 17

HSL 38.28, 0.83%, 0.39%

LAB 55.5, 15.38, 58.54

 

CMYK 0 / 9 / 91 / 29

HEX #B4A411

RGB 180 164 17

HSL 54.11, 0.83%, 0.39%

LAB 66.74, -8.1, 67.24

 

CMYK 0 / 57 / 90 / 59

HEX #692D0A

RGB 105 45 10

HSL 22.11, 0.83%, 0.23%

LAB 26.45, 24.77, 33.11

 

CMYK 0 / 57 / 90 / 44

HEX #8F3E0E

RGB 143 62 14

HSL 22.33, 0.82%, 0.31%

LAB 36.59, 31.8, 42.49

 

CMYK 0 / 57 / 91 / 29

HEX #B44E11

RGB 180 78 17

HSL 22.45, 0.83%, 0.39%

LAB 45.9, 38.55, 51.26

 

CMYK 0 / 57 / 90 / 15

HEX #DA5E15

RGB 218 94 21

HSL 22.23, 0.82%, 0.47%

LAB 55.04, 45.41, 59.5

 

CMYK 0 / 50 / 80 / 8

HEX #EA742E

RGB 234 116 46

HSL 22.34, 0.82%, 0.55%

LAB 61.81, 41.39, 56.94

 

CMYK 0 / 57 / 90 / 29

HEX #B44E12

RGB 180 78 18

HSL 22.22, 0.82%, 0.39%

LAB 45.9, 38.57, 50.93

 

CMYK 51 / 0 / 91 / 29

HEX #58B411

RGB 88 180 17

HSL 93.87, 0.83%, 0.39%

LAB 65.56, -51.96, 63.84

 

CMYK 91 / 87 / 0 / 29

HEX #1117B4

RGB 17 23 180

HSL 237.79, 0.83%, 0.39%

LAB 23.76, 54.6, -78.74

 

CMYK 0 / 57 / 90 / 29

HEX #B44E12

RGB 180 78 18

HSL 22.22, 0.82%, 0.39%

LAB 45.9, 38.57, 50.93

 

CMYK 91 / 0 / 57 / 29

HEX #11B44D

RGB 17 180 77

HSL 142.09, 0.83%, 0.39%

LAB 64.4, -60, 41.41

 

CMYK 57 / 91 / 0 / 29

HEX #4D11B4

RGB 77 17 180

HSL 262.09, 0.83%, 0.39%

LAB 27.5, 59.79, -72.4

 

CMYK 0 / 57 / 90 / 29

HEX #B44E12

RGB 180 78 18

HSL 22.22, 0.82%, 0.39%

LAB 45.9, 38.57, 50.93

 

CMYK 51 / 0 / 91 / 29

HEX #58B411

RGB 88 180 17

HSL 93.87, 0.83%, 0.39%

LAB 65.56, -51.96, 63.84

 

CMYK 91 / 33 / 0 / 29

HEX #1179B4

RGB 17 121 180

HSL 201.72, 0.83%, 0.39%

LAB 48.37, -5.44, -38.73

 

CMYK 39 / 91 / 0 / 29

HEX #6E11B4

RGB 110 17 180

HSL 274.23, 0.83%, 0.39%

LAB 31.83, 63.24, -65.11

 

CMYK 0 / 57 / 90 / 29

HEX #B44E12

RGB 180 78 18

HSL 22.22, 0.82%, 0.39%

LAB 45.9, 38.57, 50.93

 

CMYK 78 / 0 / 91 / 29

HEX #27B411

RGB 39 180 17

HSL 111.9, 0.83%, 0.39%

LAB 64.25, -62.78, 62.21

 

CMYK 91 / 33 / 0 / 29

HEX #1179B4

RGB 17 121 180

HSL 201.72, 0.83%, 0.39%

LAB 48.37, -5.44, -38.73

 

CMYK 12 / 91 / 0 / 29

HEX #9F11B4

RGB 159 17 180

HSL 292.27, 0.83%, 0.39%

LAB 39.69, 70.33, -51.97

 

Description

Color code: HEX #B44E12 | qconv.com Color code: HEX #B44E12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 78 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 78 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 90 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 90% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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