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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4589D it is the complementary color #4BA762. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4589D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4589D shade: #B95898, #CA6AAB, #DB7CBE, #EC8ED1 and #FDA0E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4589D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4589D shade: #B4589D, #A3468A, #923477, #812264 and #701051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4589D shade: #B4599D, #B45985, #B4596C and #B45959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4589D shade: #B4599D, #B259B4, #9A59B4, #8159B4 and #6959B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4589D shade matches the following richer shades: #B4599D, #C846A7, #DB32B1 and #EE1FBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4589D shade: #B4599D, #A16C94, #8D808A, #7A9380 and #67A777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4589D shade: #9A59B4, #B359B4, #B4599D, #B45985 and #B4596D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4589D shade: #813A6F, #9E4788, #B4599D, #C176AE and #CE92BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4589D shade: #B4589D, #B48259 and #59B4A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4589D shade: #B4589D, #9DB459 and #599DB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4589D shade: #B4589D, #B48259, #59B470 and #598BB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4589D shade: #B4589D, #B49D59, #59B470 and #5970B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 13 / 29

HEX #B4589D

RGB 180 88 157

HSL 315, 0.38%, 0.53%

LAB 50.82, 46.23, -20.59

 

Complementary color

CMYK 55 / 0 / 41 / 35

HEX #4BA762

RGB 75 167 98

HSL 135, 0.38%, 0.47%

LAB 61.67, -42.8, 27.6

 

CMYK 0 / 52 / 18 / 27

HEX #B95898

RGB 185 88 152

HSL 320.41, 0.41%, 0.54%

LAB 51.34, 47, -16.8

 

CMYK 0 / 48 / 15 / 21

HEX #CA6AAB

RGB 202 106 171

HSL 319.38, 0.48%, 0.6%

LAB 57.85, 46.3, -17.76

 

CMYK 0 / 43 / 13 / 14

HEX #DB7CBE

RGB 219 124 190

HSL 318.32, 0.57%, 0.67%

LAB 64.32, 45.56, -18.56

 

CMYK 0 / 40 / 11 / 7

HEX #EC8ED1

RGB 236 142 209

HSL 317.23, 0.71%, 0.74%

LAB 70.72, 44.81, -19.27

 

CMYK 0 / 37 / 10 / 1

HEX #FDA0E4

RGB 253 160 228

HSL 316.13, 0.96%, 0.81%

LAB 77.06, 44.07, -19.9

 

CMYK 0 / 51 / 13 / 29

HEX #B4589D

RGB 180 88 157

HSL 315, 0.38%, 0.53%

LAB 50.82, 46.23, -20.59

 

CMYK 0 / 57 / 15 / 36

HEX #A3468A

RGB 163 70 138

HSL 316.13, 0.4%, 0.46%

LAB 44.24, 46.81, -19.58

 

CMYK 0 / 64 / 18 / 43

HEX #923477

RGB 146 52 119

HSL 317.23, 0.47%, 0.39%

LAB 37.66, 47.13, -18.25

 

CMYK 0 / 74 / 22 / 49

HEX #812264

RGB 129 34 100

HSL 318.32, 0.58%, 0.32%

LAB 31.19, 46.92, -16.43

 

CMYK 0 / 86 / 28 / 56

HEX #701051

RGB 112 16 81

HSL 319.38, 0.75%, 0.25%

LAB 24.98, 45.65, -13.79

 

CMYK 0 / 51 / 13 / 29

HEX #B4599D

RGB 180 89 157

HSL 315.16, 0.38%, 0.53%

LAB 51.02, 45.72, -20.3

 

CMYK 0 / 51 / 26 / 29

HEX #B45985

RGB 180 89 133

HSL 330.99, 0.38%, 0.53%

LAB 50.15, 42.06, -7.38

 

CMYK 0 / 51 / 40 / 29

HEX #B4596C

RGB 180 89 108

HSL 347.47, 0.38%, 0.53%

LAB 49.41, 38.84, 6.53

 

CMYK 0 / 51 / 51 / 29

HEX #B45959

RGB 180 89 89

HSL 0, 0.38%, 0.53%

LAB 48.97, 36.85, 17.29

 

CMYK 0 / 51 / 13 / 29

HEX #B4599D

RGB 180 89 157

HSL 315.16, 0.38%, 0.53%

LAB 51.02, 45.72, -20.3

 

CMYK 1 / 51 / 0 / 29

HEX #B259B4

RGB 178 89 180

HSL 298.68, 0.38%, 0.53%

LAB 51.73, 49.14, -32.68

 

CMYK 14 / 51 / 0 / 29

HEX #9A59B4

RGB 154 89 180

HSL 282.86, 0.38%, 0.53%

LAB 48.65, 42.29, -37.73

 

CMYK 28 / 51 / 0 / 29

HEX #8159B4

RGB 129 89 180

HSL 266.37, 0.38%, 0.53%

LAB 45.78, 35.32, -42.45

 

CMYK 42 / 51 / 0 / 29

HEX #6959B4

RGB 105 89 180

HSL 250.55, 0.38%, 0.53%

LAB 43.42, 29.05, -46.35

 

CMYK 0 / 51 / 13 / 29

HEX #B4599D

RGB 180 89 157

HSL 315.16, 0.38%, 0.53%

LAB 51.02, 45.72, -20.3

 

CMYK 0 / 65 / 17 / 22

HEX #C846A7

RGB 200 70 167

HSL 315.23, 0.54%, 0.53%

LAB 51.21, 61.67, -25.64

 

CMYK 0 / 77 / 19 / 14

HEX #DB32B1

RGB 219 50 177

HSL 314.91, 0.7%, 0.53%

LAB 52.42, 74.38, -29.39

 

CMYK 0 / 87 / 21 / 7

HEX #EE1FBB

RGB 238 31 187

HSL 314.78, 0.86%, 0.53%

LAB 54.81, 83.68, -31.23

 

CMYK 0 / 51 / 13 / 29

HEX #B4599D

RGB 180 89 157

HSL 315.16, 0.38%, 0.53%

LAB 51.02, 45.72, -20.3

 

CMYK 0 / 33 / 8 / 37

HEX #A16C94

RGB 161 108 148

HSL 314.72, 0.22%, 0.53%

LAB 52.33, 27.55, -13.22

 

CMYK 0 / 9 / 2 / 45

HEX #8D808A

RGB 141 128 138

HSL 313.85, 0.05%, 0.53%

LAB 55.01, 6.82, -3.6

 

CMYK 17 / 0 / 13 / 42

HEX #7A9380

RGB 122 147 128

HSL 134.4, 0.1%, 0.53%

LAB 58.57, -12.77, 7.13

 

CMYK 38 / 0 / 29 / 35

HEX #67A777

RGB 103 167 119

HSL 135, 0.27%, 0.53%

LAB 63.22, -31.06, 18.52

 

CMYK 14 / 51 / 0 / 29

HEX #9A59B4

RGB 154 89 180

HSL 282.86, 0.38%, 0.53%

LAB 48.65, 42.29, -37.73

 

CMYK 1 / 51 / 0 / 29

HEX #B359B4

RGB 179 89 180

HSL 299.34, 0.38%, 0.53%

LAB 51.86, 49.43, -32.46

 

CMYK 0 / 51 / 13 / 29

HEX #B4599D

RGB 180 89 157

HSL 315.16, 0.38%, 0.53%

LAB 51.02, 45.72, -20.3

 

CMYK 0 / 51 / 26 / 29

HEX #B45985

RGB 180 89 133

HSL 330.99, 0.38%, 0.53%

LAB 50.15, 42.06, -7.38

 

CMYK 0 / 51 / 39 / 29

HEX #B4596D

RGB 180 89 109

HSL 346.81, 0.38%, 0.53%

LAB 49.44, 38.96, 5.97

 

CMYK 0 / 55 / 14 / 49

HEX #813A6F

RGB 129 58 111

HSL 315.21, 0.38%, 0.37%

LAB 35.68, 37.72, -16.52

 

CMYK 0 / 55 / 14 / 38

HEX #9E4788

RGB 158 71 136

HSL 315.17, 0.38%, 0.45%

LAB 43.59, 44.47, -19.43

 

CMYK 0 / 51 / 13 / 29

HEX #B4599D

RGB 180 89 157

HSL 315.16, 0.38%, 0.53%

LAB 51.02, 45.72, -20.3

 

CMYK 0 / 39 / 10 / 24

HEX #C176AE

RGB 193 118 174

HSL 315.2, 0.38%, 0.61%

LAB 59.3, 37.58, -17.39

 

CMYK 0 / 29 / 7 / 19

HEX #CE92BF

RGB 206 146 191

HSL 315, 0.38%, 0.69%

LAB 67.61, 29.72, -14.3

 

CMYK 0 / 51 / 13 / 29

HEX #B4589D

RGB 180 88 157

HSL 315, 0.38%, 0.53%

LAB 50.82, 46.23, -20.59

 

CMYK 0 / 28 / 51 / 29

HEX #B48259

RGB 180 130 89

HSL 27.03, 0.38%, 0.53%

LAB 58.41, 14.37, 29.71

 

CMYK 51 / 0 / 7 / 29

HEX #59B4A7

RGB 89 180 167

HSL 171.43, 0.38%, 0.53%

LAB 67.69, -30.38, -1.71

 

CMYK 0 / 51 / 13 / 29

HEX #B4589D

RGB 180 88 157

HSL 315, 0.38%, 0.53%

LAB 50.82, 46.23, -20.59

 

CMYK 13 / 0 / 51 / 29

HEX #9DB459

RGB 157 180 89

HSL 75.16, 0.38%, 0.53%

LAB 69.85, -22.09, 43.39

 

CMYK 51 / 13 / 0 / 29

HEX #599DB4

RGB 89 157 180

HSL 195.16, 0.38%, 0.53%

LAB 61.25, -15.13, -18.6

 

CMYK 0 / 51 / 13 / 29

HEX #B4589D

RGB 180 88 157

HSL 315, 0.38%, 0.53%

LAB 50.82, 46.23, -20.59

 

CMYK 0 / 28 / 51 / 29

HEX #B48259

RGB 180 130 89

HSL 27.03, 0.38%, 0.53%

LAB 58.41, 14.37, 29.71

 

CMYK 51 / 0 / 38 / 29

HEX #59B470

RGB 89 180 112

HSL 135.16, 0.38%, 0.53%

LAB 66.47, -42.26, 26.58

 

CMYK 51 / 23 / 0 / 29

HEX #598BB4

RGB 89 139 180

HSL 207.03, 0.38%, 0.53%

LAB 55.97, -5.14, -26.69

 

CMYK 0 / 51 / 13 / 29

HEX #B4589D

RGB 180 88 157

HSL 315, 0.38%, 0.53%

LAB 50.82, 46.23, -20.59

 

CMYK 0 / 13 / 51 / 29

HEX #B49D59

RGB 180 157 89

HSL 44.84, 0.38%, 0.53%

LAB 65.39, -0.52, 38.44

 

CMYK 51 / 0 / 38 / 29

HEX #59B470

RGB 89 180 112

HSL 135.16, 0.38%, 0.53%

LAB 66.47, -42.26, 26.58

 

CMYK 51 / 38 / 0 / 29

HEX #5970B4

RGB 89 112 180

HSL 224.84, 0.38%, 0.53%

LAB 48.27, 10.92, -38.72

 

Description

Color code: HEX #B4589D | qconv.com Color code: HEX #B4589D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 88 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 88 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 13 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 13% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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