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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B45967 it is the complementary color #4BA698. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B45967. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B45967 shade: #B95962, #CA6B75, #DB7D88, #EC8F9B and #FDA1AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B45967. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B45967 shade: #B45967, #A34754, #923541, #81232E and #70111B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B45967 shade: #B45967 and #B45959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B45967 shade: #B45967, #B45980, #B45998, #B459B1 and #9F59B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B45967 shade matches the following richer shades: #B45967, #C8465A, #DB324C and #EE1F3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B45967 shade: #B45967, #A16C75, #8D8082, #7A938F and #67A79D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B45967 shade: #B45999, #B45981, #B45968, #B46259 and #B47B59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B45967 shade: #813A45, #9E4754, #B45967, #C17681 and #CE929B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B45967 shade: #B45967, #B1B459 and #598DB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B45967 shade: #B45967, #68B459 and #5968B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B45967 shade: #B45967, #B1B459, #59B4A5 and #5C59B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B45967 shade: #B45967, #96B459, #59B4A5 and #7759B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 43 / 29

HEX #B45967

RGB 180 89 103

HSL 350.77, 0.38%, 0.53%

LAB 49.29, 38.28, 9.35

 

Complementary color

CMYK 55 / 0 / 8 / 35

HEX #4BA698

RGB 75 166 152

HSL 170.77, 0.38%, 0.47%

LAB 62.54, -30.58, -0.97

 

CMYK 0 / 52 / 47 / 27

HEX #B95962

RGB 185 89 98

HSL 354.38, 0.41%, 0.54%

LAB 49.91, 39.59, 13.32

 

CMYK 0 / 47 / 42 / 21

HEX #CA6B75

RGB 202 107 117

HSL 353.68, 0.47%, 0.61%

LAB 56.44, 38.55, 11.59

 

CMYK 0 / 43 / 38 / 14

HEX #DB7D88

RGB 219 125 136

HSL 352.98, 0.57%, 0.67%

LAB 62.93, 37.54, 10.11

 

CMYK 0 / 39 / 34 / 7

HEX #EC8F9B

RGB 236 143 155

HSL 352.26, 0.71%, 0.74%

LAB 69.36, 36.59, 8.81

 

CMYK 0 / 36 / 31 / 1

HEX #FDA1AE

RGB 253 161 174

HSL 351.52, 0.96%, 0.81%

LAB 75.72, 35.7, 7.65

 

CMYK 0 / 51 / 43 / 29

HEX #B45967

RGB 180 89 103

HSL 350.77, 0.38%, 0.53%

LAB 49.29, 38.28, 9.35

 

CMYK 0 / 56 / 48 / 36

HEX #A34754

RGB 163 71 84

HSL 351.52, 0.39%, 0.46%

LAB 42.66, 39.28, 11.25

 

CMYK 0 / 64 / 55 / 43

HEX #923541

RGB 146 53 65

HSL 352.26, 0.47%, 0.39%

LAB 36.06, 40.18, 13.63

 

CMYK 0 / 73 / 64 / 49

HEX #81232E

RGB 129 35 46

HSL 352.98, 0.57%, 0.32%

LAB 29.58, 40.73, 16.73

 

CMYK 0 / 85 / 76 / 56

HEX #70111B

RGB 112 17 27

HSL 353.68, 0.74%, 0.25%

LAB 23.42, 40.46, 20.88

 

CMYK 0 / 51 / 43 / 29

HEX #B45967

RGB 180 89 103

HSL 350.77, 0.38%, 0.53%

LAB 49.29, 38.28, 9.35

 

CMYK 0 / 51 / 51 / 29

HEX #B45959

RGB 180 89 89

HSL 0, 0.38%, 0.53%

LAB 48.97, 36.85, 17.29

 

CMYK 0 / 51 / 43 / 29

HEX #B45967

RGB 180 89 103

HSL 350.77, 0.38%, 0.53%

LAB 49.29, 38.28, 9.35

 

CMYK 0 / 51 / 29 / 29

HEX #B45980

RGB 180 89 128

HSL 334.29, 0.38%, 0.53%

LAB 49.99, 41.36, -4.63

 

CMYK 0 / 51 / 16 / 29

HEX #B45998

RGB 180 89 152

HSL 318.46, 0.38%, 0.53%

LAB 50.82, 44.92, -17.65

 

CMYK 0 / 51 / 2 / 29

HEX #B459B1

RGB 180 89 177

HSL 301.98, 0.38%, 0.53%

LAB 51.86, 49.17, -30.7

 

CMYK 12 / 51 / 0 / 29

HEX #9F59B4

RGB 159 89 180

HSL 286.15, 0.38%, 0.53%

LAB 49.27, 43.71, -36.71

 

CMYK 0 / 51 / 43 / 29

HEX #B45967

RGB 180 89 103

HSL 350.77, 0.38%, 0.53%

LAB 49.29, 38.28, 9.35

 

CMYK 0 / 65 / 55 / 22

HEX #C8465A

RGB 200 70 90

HSL 350.77, 0.54%, 0.53%

LAB 48.76, 52.99, 16.94

 

CMYK 0 / 77 / 65 / 14

HEX #DB324C

RGB 219 50 76

HSL 350.77, 0.7%, 0.53%

LAB 49.33, 65, 26.77

 

CMYK 0 / 87 / 74 / 7

HEX #EE1F3F

RGB 238 31 63

HSL 350.72, 0.86%, 0.53%

LAB 51.29, 73.89, 37.69

 

CMYK 0 / 51 / 43 / 29

HEX #B45967

RGB 180 89 103

HSL 350.77, 0.38%, 0.53%

LAB 49.29, 38.28, 9.35

 

CMYK 0 / 33 / 27 / 37

HEX #A16C75

RGB 161 108 117

HSL 349.81, 0.22%, 0.53%

LAB 51.37, 22.43, 3.64

 

CMYK 0 / 9 / 8 / 45

HEX #8D8082

RGB 141 128 130

HSL 350.77, 0.05%, 0.53%

LAB 54.78, 5.3, 0.7

 

CMYK 17 / 0 / 3 / 42

HEX #7A938F

RGB 122 147 143

HSL 170.4, 0.1%, 0.53%

LAB 58.96, -9.67, -0.84

 

CMYK 38 / 0 / 6 / 35

HEX #67A79D

RGB 103 167 157

HSL 170.63, 0.27%, 0.53%

LAB 64.12, -22.89, -1.31

 

CMYK 0 / 51 / 15 / 29

HEX #B45999

RGB 180 89 153

HSL 317.8, 0.38%, 0.53%

LAB 50.86, 45.08, -18.18

 

CMYK 0 / 51 / 28 / 29

HEX #B45981

RGB 180 89 129

HSL 333.63, 0.38%, 0.53%

LAB 50.02, 41.5, -5.18

 

CMYK 0 / 51 / 42 / 29

HEX #B45968

RGB 180 89 104

HSL 350.11, 0.38%, 0.53%

LAB 49.31, 38.39, 8.79

 

CMYK 0 / 46 / 51 / 29

HEX #B46259

RGB 180 98 89

HSL 5.93, 0.38%, 0.53%

LAB 50.87, 32.08, 19.86

 

CMYK 0 / 32 / 51 / 29

HEX #B47B59

RGB 180 123 89

HSL 22.42, 0.38%, 0.53%

LAB 56.67, 18.28, 27.49

 

CMYK 0 / 55 / 47 / 49

HEX #813A45

RGB 129 58 69

HSL 350.7, 0.38%, 0.37%

LAB 34.24, 31.76, 8.11

 

CMYK 0 / 55 / 47 / 38

HEX #9E4754

RGB 158 71 84

HSL 351.03, 0.38%, 0.45%

LAB 41.87, 37.45, 10.03

 

CMYK 0 / 51 / 43 / 29

HEX #B45967

RGB 180 89 103

HSL 350.77, 0.38%, 0.53%

LAB 49.29, 38.28, 9.35

 

CMYK 0 / 39 / 33 / 24

HEX #C17681

RGB 193 118 129

HSL 351.2, 0.38%, 0.61%

LAB 57.92, 30.77, 6.55

 

CMYK 0 / 29 / 25 / 19

HEX #CE929B

RGB 206 146 155

HSL 351, 0.38%, 0.69%

LAB 66.56, 23.93, 4.33

 

CMYK 0 / 51 / 43 / 29

HEX #B45967

RGB 180 89 103

HSL 350.77, 0.38%, 0.53%

LAB 49.29, 38.28, 9.35

 

CMYK 2 / 0 / 51 / 29

HEX #B1B459

RGB 177 180 89

HSL 61.98, 0.38%, 0.53%

LAB 71.36, -13.93, 45.55

 

CMYK 51 / 22 / 0 / 29

HEX #598DB4

RGB 89 141 180

HSL 205.71, 0.38%, 0.53%

LAB 56.55, -6.28, -25.79

 

CMYK 0 / 51 / 43 / 29

HEX #B45967

RGB 180 89 103

HSL 350.77, 0.38%, 0.53%

LAB 49.29, 38.28, 9.35

 

CMYK 42 / 0 / 51 / 29

HEX #68B459

RGB 104 180 89

HSL 110.11, 0.38%, 0.53%

LAB 66.75, -41.4, 38.92

 

CMYK 51 / 42 / 0 / 29

HEX #5968B4

RGB 89 104 180

HSL 230.11, 0.38%, 0.53%

LAB 46.07, 15.87, -42.21

 

CMYK 0 / 51 / 43 / 29

HEX #B45967

RGB 180 89 103

HSL 350.77, 0.38%, 0.53%

LAB 49.29, 38.28, 9.35

 

CMYK 2 / 0 / 51 / 29

HEX #B1B459

RGB 177 180 89

HSL 61.98, 0.38%, 0.53%

LAB 71.36, -13.93, 45.55

 

CMYK 51 / 0 / 8 / 29

HEX #59B4A5

RGB 89 180 165

HSL 170.11, 0.38%, 0.53%

LAB 67.64, -30.88, -0.68

 

CMYK 49 / 51 / 0 / 29

HEX #5C59B4

RGB 92 89 180

HSL 241.98, 0.38%, 0.53%

LAB 42.33, 25.93, -48.16

 

CMYK 0 / 51 / 43 / 29

HEX #B45967

RGB 180 89 103

HSL 350.77, 0.38%, 0.53%

LAB 49.29, 38.28, 9.35

 

CMYK 17 / 0 / 51 / 29

HEX #96B459

RGB 150 180 89

HSL 79.78, 0.38%, 0.53%

LAB 69.36, -24.87, 42.69

 

CMYK 51 / 0 / 8 / 29

HEX #59B4A5

RGB 89 180 165

HSL 170.11, 0.38%, 0.53%

LAB 67.64, -30.88, -0.68

 

CMYK 34 / 51 / 0 / 29

HEX #7759B4

RGB 119 89 180

HSL 259.78, 0.38%, 0.53%

LAB 44.75, 32.64, -44.16

 

Description

Color code: HEX #B45967 | qconv.com Color code: HEX #B45967 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 89 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 89 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 43 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 43% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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