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Color name
HEX #B4526A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4526A it is the complementary color #4BAD95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4526A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4526A shade: #B95265, #CA6478, #DB768B, #EC889E and #FD9AB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4526A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4526A shade: #B4526A, #A34057, #922E44, #811C31 and #700A1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4526A shade: #B45068 and #B45050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4526A shade: #B45068, #B45083, #B4509E, #AE50B4 and #9350B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4526A shade matches the following richer shades: #B45068, #C83B5E, #DC2753 and #F01349

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4526A shade: #B45068, #9F6472, #8B787D, #778C87 and #63A091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4526A shade: #B4509E, #B45083, #B45069, #B45150 and #B46C50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4526A shade: #7C3546, #994157, #B45068, #C06C81 and #CC899A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4526A shade: #B4526A, #B4AF50 and #5091B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4526A shade: #B4526A, #69B450 and #5069B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4526A shade: #B4526A, #B4AF50, #50B49B and #5055B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4526A shade: #B4526A, #9BB450, #50B49B and #6950B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 41 / 29

HEX #B4526A

RGB 180 82 106

HSL 345.31, 0.4%, 0.51%

LAB 47.98, 42.18, 5.69

 

Complementary color

CMYK 57 / 0 / 14 / 32

HEX #4BAD95

RGB 75 173 149

HSL 165.31, 0.4%, 0.49%

LAB 64.61, -34.65, 3.71

 

CMYK 0 / 56 / 45 / 27

HEX #B95265

RGB 185 82 101

HSL 348.93, 0.42%, 0.52%

LAB 48.62, 43.41, 9.73

 

CMYK 0 / 50 / 41 / 21

HEX #CA6478

RGB 202 100 120

HSL 348.24, 0.49%, 0.59%

LAB 55.1, 42.47, 7.94

 

CMYK 0 / 46 / 37 / 14

HEX #DB768B

RGB 219 118 139

HSL 347.52, 0.58%, 0.66%

LAB 61.55, 41.52, 6.43

 

CMYK 0 / 42 / 33 / 7

HEX #EC889E

RGB 236 136 158

HSL 346.8, 0.72%, 0.73%

LAB 67.95, 40.59, 5.12

 

CMYK 0 / 39 / 30 / 1

HEX #FD9AB1

RGB 253 154 177

HSL 346.06, 0.96%, 0.8%

LAB 74.3, 39.7, 3.96

 

CMYK 0 / 54 / 41 / 29

HEX #B4526A

RGB 180 82 106

HSL 345.31, 0.4%, 0.51%

LAB 47.98, 42.18, 5.69

 

CMYK 0 / 61 / 47 / 36

HEX #A34057

RGB 163 64 87

HSL 346.06, 0.44%, 0.45%

LAB 41.44, 43, 7.68

 

CMYK 0 / 68 / 53 / 43

HEX #922E44

RGB 146 46 68

HSL 346.8, 0.52%, 0.38%

LAB 34.97, 43.58, 10.22

 

CMYK 0 / 78 / 62 / 49

HEX #811C31

RGB 129 28 49

HSL 347.52, 0.64%, 0.31%

LAB 28.69, 43.58, 13.58

 

CMYK 0 / 91 / 73 / 56

HEX #700A1E

RGB 112 10 30

HSL 348.24, 0.84%, 0.24%

LAB 22.85, 42.39, 18.16

 

CMYK 0 / 56 / 42 / 29

HEX #B45068

RGB 180 80 104

HSL 345.6, 0.4%, 0.51%

LAB 47.55, 42.95, 6.28

 

CMYK 0 / 56 / 56 / 29

HEX #B45050

RGB 180 80 80

HSL 0, 0.4%, 0.51%

LAB 47, 40.65, 20.03

 

CMYK 0 / 56 / 42 / 29

HEX #B45068

RGB 180 80 104

HSL 345.6, 0.4%, 0.51%

LAB 47.55, 42.95, 6.28

 

CMYK 0 / 56 / 27 / 29

HEX #B45083

RGB 180 80 131

HSL 329.4, 0.4%, 0.51%

LAB 48.36, 46.28, -8.85

 

CMYK 0 / 56 / 12 / 29

HEX #B4509E

RGB 180 80 158

HSL 313.2, 0.4%, 0.51%

LAB 49.39, 50.31, -23.4

 

CMYK 3 / 56 / 0 / 29

HEX #AE50B4

RGB 174 80 180

HSL 296.4, 0.4%, 0.51%

LAB 49.53, 52.43, -36.16

 

CMYK 18 / 56 / 0 / 29

HEX #9350B4

RGB 147 80 180

HSL 280.2, 0.4%, 0.51%

LAB 45.96, 45.16, -42.05

 

CMYK 0 / 56 / 42 / 29

HEX #B45068

RGB 180 80 104

HSL 345.6, 0.4%, 0.51%

LAB 47.55, 42.95, 6.28

 

CMYK 0 / 71 / 53 / 22

HEX #C83B5E

RGB 200 59 94

HSL 345.11, 0.56%, 0.51%

LAB 47.26, 57.66, 12.44

 

CMYK 0 / 82 / 62 / 14

HEX #DC2753

RGB 220 39 83

HSL 345.41, 0.72%, 0.51%

LAB 48.62, 68.56, 21.66

 

CMYK 0 / 92 / 70 / 6

HEX #F01349

RGB 240 19 73

HSL 345.34, 0.88%, 0.51%

LAB 51.23, 76.49, 31.83

 

CMYK 0 / 56 / 42 / 29

HEX #B45068

RGB 180 80 104

HSL 345.6, 0.4%, 0.51%

LAB 47.55, 42.95, 6.28

 

CMYK 0 / 37 / 28 / 38

HEX #9F6472

RGB 159 100 114

HSL 345.76, 0.24%, 0.51%

LAB 49.13, 25.76, 2.16

 

CMYK 0 / 14 / 10 / 45

HEX #8B787D

RGB 139 120 125

HSL 344.21, 0.08%, 0.51%

LAB 52.29, 8.24, -0.03

 

CMYK 15 / 0 / 4 / 45

HEX #778C87

RGB 119 140 135

HSL 165.71, 0.08%, 0.51%

LAB 56.51, -8.57, 0.14

 

CMYK 38 / 0 / 9 / 37

HEX #63A091

RGB 99 160 145

HSL 165.25, 0.24%, 0.51%

LAB 61.51, -23.32, 1.59

 

CMYK 0 / 56 / 12 / 29

HEX #B4509E

RGB 180 80 158

HSL 313.2, 0.4%, 0.51%

LAB 49.39, 50.31, -23.4

 

CMYK 0 / 56 / 27 / 29

HEX #B45083

RGB 180 80 131

HSL 329.4, 0.4%, 0.51%

LAB 48.36, 46.28, -8.85

 

CMYK 0 / 56 / 42 / 29

HEX #B45069

RGB 180 80 105

HSL 345, 0.4%, 0.51%

LAB 47.57, 43.06, 5.71

 

CMYK 0 / 55 / 56 / 29

HEX #B45150

RGB 180 81 80

HSL 0.6, 0.4%, 0.51%

LAB 47.19, 40.15, 20.29

 

CMYK 0 / 40 / 56 / 29

HEX #B46C50

RGB 180 108 80

HSL 16.8, 0.4%, 0.51%

LAB 52.96, 25.81, 27.78

 

CMYK 0 / 57 / 44 / 51

HEX #7C3546

RGB 124 53 70

HSL 345.63, 0.4%, 0.35%

LAB 32.42, 32.64, 4.78

 

CMYK 0 / 58 / 43 / 40

HEX #994157

RGB 153 65 87

HSL 345, 0.4%, 0.43%

LAB 39.98, 39, 5.38

 

CMYK 0 / 56 / 42 / 29

HEX #B45068

RGB 180 80 104

HSL 345.6, 0.4%, 0.51%

LAB 47.55, 42.95, 6.28

 

CMYK 0 / 44 / 33 / 25

HEX #C06C81

RGB 192 108 129

HSL 345, 0.4%, 0.59%

LAB 55.6, 35.78, 3.19

 

CMYK 0 / 33 / 25 / 20

HEX #CC899A

RGB 204 137 154

HSL 344.78, 0.4%, 0.67%

LAB 64.21, 27.96, 1.47

 

CMYK 0 / 54 / 41 / 29

HEX #B4526A

RGB 180 82 106

HSL 345.31, 0.4%, 0.51%

LAB 47.98, 42.18, 5.69

 

CMYK 0 / 3 / 56 / 29

HEX #B4AF50

RGB 180 175 80

HSL 57, 0.4%, 0.51%

LAB 70.14, -10.85, 48.5

 

CMYK 56 / 19 / 0 / 29

HEX #5091B4

RGB 80 145 180

HSL 201, 0.4%, 0.51%

LAB 57.32, -10.57, -24.64

 

CMYK 0 / 54 / 41 / 29

HEX #B4526A

RGB 180 82 106

HSL 345.31, 0.4%, 0.51%

LAB 47.98, 42.18, 5.69

 

CMYK 42 / 0 / 56 / 29

HEX #69B450

RGB 105 180 80

HSL 105, 0.4%, 0.51%

LAB 66.69, -42.19, 43.24

 

CMYK 56 / 42 / 0 / 29

HEX #5069B4

RGB 80 105 180

HSL 225, 0.4%, 0.51%

LAB 45.78, 13.2, -42.71

 

CMYK 0 / 54 / 41 / 29

HEX #B4526A

RGB 180 82 106

HSL 345.31, 0.4%, 0.51%

LAB 47.98, 42.18, 5.69

 

CMYK 0 / 3 / 56 / 29

HEX #B4AF50

RGB 180 175 80

HSL 57, 0.4%, 0.51%

LAB 70.14, -10.85, 48.5

 

CMYK 56 / 0 / 14 / 29

HEX #50B49B

RGB 80 180 155

HSL 165, 0.4%, 0.51%

LAB 67.06, -35.35, 3.96

 

CMYK 56 / 53 / 0 / 29

HEX #5055B4

RGB 80 85 180

HSL 237, 0.4%, 0.51%

LAB 40.41, 25.83, -51.3

 

CMYK 0 / 54 / 41 / 29

HEX #B4526A

RGB 180 82 106

HSL 345.31, 0.4%, 0.51%

LAB 47.98, 42.18, 5.69

 

CMYK 14 / 0 / 56 / 29

HEX #9BB450

RGB 155 180 80

HSL 75, 0.4%, 0.51%

LAB 69.6, -23.75, 47.38

 

CMYK 56 / 0 / 14 / 29

HEX #50B49B

RGB 80 180 155

HSL 165, 0.4%, 0.51%

LAB 67.06, -35.35, 3.96

 

CMYK 42 / 56 / 0 / 29

HEX #6950B4

RGB 105 80 180

HSL 255, 0.4%, 0.51%

LAB 41.27, 34.47, -49.8

 

Description

Color code: HEX #B4526A | qconv.com Color code: HEX #B4526A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 82 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 82 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 41 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 41% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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