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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B466CB it is the complementary color #4B9934. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B466CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B466CB shade: #B966C6, #CA78D9, #DB8AEC, #EC9CFF and #FDAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B466CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B466CB shade: #B466CB, #A354B8, #9242A5, #813092 and #701E7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B466CB shade: #B467CA, #CA67C6, #CA67AB, #CA6790 and #CA6775

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B466CB shade: #B467CA, #9967CA, #7E67CA and #6767CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B466CB shade matches the following richer shades: #B467CA, #BD56DB, #C646EB and #CF35FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B466CB shade: #B467CA, #AB77BA, #A288A9, #999899 and #90A988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B466CB shade: #7E67CA, #9967CA, #B367CA, #CA67C7 and #CA67AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B466CB shade: #8D38A6, #A548C0, #B467CA, #C385D5 and #D2A4E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B466CB shade: #B466CB, #CA676A and #67CA8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B466CB shade: #B466CB, #CAB367 and #67CAB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B466CB shade: #B466CB, #CA676A, #7ECA67 and #67CAC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B466CB shade: #B466CB, #CA8167, #7ECA67 and #67B0CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 50 / 0 / 20

HEX #B466CB

RGB 180 102 203

HSL 286.34, 0.49%, 0.6%

LAB 55.6, 47.53, -39.81

 

Complementary color

CMYK 51 / 0 / 66 / 40

HEX #4B9934

RGB 75 153 52

HSL 106.34, 0.49%, 0.4%

LAB 56.61, -43.3, 44.33

 

CMYK 7 / 48 / 0 / 22

HEX #B966C6

RGB 185 102 198

HSL 291.88, 0.46%, 0.59%

LAB 55.98, 47.95, -36.32

 

CMYK 7 / 45 / 0 / 15

HEX #CA78D9

RGB 202 120 217

HSL 290.72, 0.56%, 0.66%

LAB 62.51, 47.22, -36.71

 

CMYK 7 / 42 / 0 / 7

HEX #DB8AEC

RGB 219 138 236

HSL 289.59, 0.72%, 0.73%

LAB 68.96, 46.46, -37.03

 

CMYK 7 / 39 / 0 / 0

HEX #EC9CFF

RGB 236 156 255

HSL 288.48, 1%, 0.81%

LAB 75.35, 45.72, -37.32

 

CMYK 1 / 32 / 0 / 0

HEX #FDAEFF

RGB 253 174 255

HSL 298.52, 1%, 0.84%

LAB 80.95, 41.47, -28.54

 

CMYK 11 / 50 / 0 / 20

HEX #B466CB

RGB 180 102 203

HSL 286.34, 0.49%, 0.6%

LAB 55.6, 47.53, -39.81

 

CMYK 11 / 54 / 0 / 28

HEX #A354B8

RGB 163 84 184

HSL 287.4, 0.41%, 0.53%

LAB 48.99, 48.25, -39.44

 

CMYK 12 / 60 / 0 / 35

HEX #9242A5

RGB 146 66 165

HSL 288.48, 0.43%, 0.45%

LAB 42.34, 48.83, -38.93

 

CMYK 12 / 67 / 0 / 43

HEX #813092

RGB 129 48 146

HSL 289.59, 0.51%, 0.38%

LAB 35.71, 49.11, -38.18

 

CMYK 12 / 76 / 0 / 50

HEX #701E7F

RGB 112 30 127

HSL 290.72, 0.62%, 0.31%

LAB 29.17, 48.78, -37

 

CMYK 11 / 49 / 0 / 21

HEX #B467CA

RGB 180 103 202

HSL 286.67, 0.48%, 0.6%

LAB 55.75, 46.81, -39

 

CMYK 0 / 49 / 2 / 21

HEX #CA67C6

RGB 202 103 198

HSL 302.42, 0.48%, 0.6%

LAB 58.35, 52.33, -32.46

 

CMYK 0 / 49 / 15 / 21

HEX #CA67AB

RGB 202 103 171

HSL 318.79, 0.48%, 0.6%

LAB 57.27, 47.82, -18.64

 

CMYK 0 / 49 / 29 / 21

HEX #CA6790

RGB 202 103 144

HSL 335.15, 0.48%, 0.6%

LAB 56.36, 43.89, -4.32

 

CMYK 0 / 49 / 42 / 21

HEX #CA6775

RGB 202 103 117

HSL 351.52, 0.48%, 0.6%

LAB 55.63, 40.61, 10.44

 

CMYK 11 / 49 / 0 / 21

HEX #B467CA

RGB 180 103 202

HSL 286.67, 0.48%, 0.6%

LAB 55.75, 46.81, -39

 

CMYK 24 / 49 / 0 / 21

HEX #9967CA

RGB 153 103 202

HSL 270.3, 0.48%, 0.6%

LAB 52.66, 39.29, -44.09

 

CMYK 38 / 49 / 0 / 21

HEX #7E67CA

RGB 126 103 202

HSL 253.94, 0.48%, 0.6%

LAB 49.98, 32.15, -48.52

 

CMYK 49 / 49 / 0 / 21

HEX #6767CA

RGB 103 103 202

HSL 240, 0.48%, 0.6%

LAB 48.07, 26.61, -51.68

 

CMYK 11 / 49 / 0 / 21

HEX #B467CA

RGB 180 103 202

HSL 286.67, 0.48%, 0.6%

LAB 55.75, 46.81, -39

 

CMYK 14 / 61 / 0 / 14

HEX #BD56DB

RGB 189 86 219

HSL 286.47, 0.65%, 0.6%

LAB 54.65, 60.9, -50.33

 

CMYK 16 / 70 / 0 / 8

HEX #C646EB

RGB 198 70 235

HSL 286.55, 0.8%, 0.6%

LAB 54.43, 72.58, -59.62

 

CMYK 18 / 79 / 0 / 1

HEX #CF35FC

RGB 207 53 252

HSL 286.43, 0.97%, 0.6%

LAB 54.91, 82.84, -68.29

 

CMYK 11 / 49 / 0 / 21

HEX #B467CA

RGB 180 103 202

HSL 286.67, 0.48%, 0.6%

LAB 55.75, 46.81, -39

 

CMYK 8 / 36 / 0 / 27

HEX #AB77BA

RGB 171 119 186

HSL 286.57, 0.33%, 0.6%

LAB 57.46, 32.12, -27.29

 

CMYK 4 / 20 / 0 / 34

HEX #A288A9

RGB 162 136 169

HSL 287.27, 0.16%, 0.6%

LAB 60.03, 15.97, -13.74

 

CMYK 0 / 1 / 0 / 40

HEX #999899

RGB 153 152 153

HSL 300, 0%, 0.6%

LAB 62.95, 0.56, -0.4

 

CMYK 15 / 0 / 20 / 34

HEX #90A988

RGB 144 169 136

HSL 105.45, 0.16%, 0.6%

LAB 66.58, -15.03, 14.2

 

CMYK 38 / 49 / 0 / 21

HEX #7E67CA

RGB 126 103 202

HSL 253.94, 0.48%, 0.6%

LAB 49.98, 32.15, -48.52

 

CMYK 24 / 49 / 0 / 21

HEX #9967CA

RGB 153 103 202

HSL 270.3, 0.48%, 0.6%

LAB 52.66, 39.29, -44.09

 

CMYK 11 / 49 / 0 / 21

HEX #B367CA

RGB 179 103 202

HSL 286.06, 0.48%, 0.6%

LAB 55.63, 46.53, -39.2

 

CMYK 0 / 49 / 1 / 21

HEX #CA67C7

RGB 202 103 199

HSL 301.82, 0.48%, 0.6%

LAB 58.4, 52.5, -32.96

 

CMYK 0 / 49 / 15 / 21

HEX #CA67AC

RGB 202 103 172

HSL 318.18, 0.48%, 0.6%

LAB 57.3, 47.97, -19.17

 

CMYK 15 / 66 / 0 / 35

HEX #8D38A6

RGB 141 56 166

HSL 286.36, 0.5%, 0.44%

LAB 39.99, 52.46, -43.32

 

CMYK 14 / 63 / 0 / 25

HEX #A548C0

RGB 165 72 192

HSL 286.5, 0.49%, 0.52%

LAB 47.55, 56.19, -46.37

 

CMYK 11 / 49 / 0 / 21

HEX #B467CA

RGB 180 103 202

HSL 286.67, 0.48%, 0.6%

LAB 55.75, 46.81, -39

 

CMYK 8 / 38 / 0 / 16

HEX #C385D5

RGB 195 133 213

HSL 286.5, 0.49%, 0.68%

LAB 64.31, 37.4, -31.73

 

CMYK 6 / 27 / 0 / 12

HEX #D2A4E0

RGB 210 164 224

HSL 286, 0.49%, 0.76%

LAB 73.31, 27.39, -23.84

 

CMYK 11 / 50 / 0 / 20

HEX #B466CB

RGB 180 102 203

HSL 286.34, 0.49%, 0.6%

LAB 55.6, 47.53, -39.81

 

CMYK 0 / 49 / 48 / 21

HEX #CA676A

RGB 202 103 106

HSL 358.18, 0.48%, 0.6%

LAB 55.38, 39.48, 16.53

 

CMYK 49 / 0 / 31 / 21

HEX #67CA8B

RGB 103 202 139

HSL 141.82, 0.48%, 0.6%

LAB 74.18, -43.16, 22.73

 

CMYK 11 / 50 / 0 / 20

HEX #B466CB

RGB 180 102 203

HSL 286.34, 0.49%, 0.6%

LAB 55.6, 47.53, -39.81

 

CMYK 0 / 11 / 49 / 21

HEX #CAB367

RGB 202 179 103

HSL 46.06, 0.48%, 0.6%

LAB 73.4, -1.73, 41.59

 

CMYK 49 / 0 / 11 / 21

HEX #67CAB3

RGB 103 202 179

HSL 166.06, 0.48%, 0.6%

LAB 75.06, -34.64, 2.55

 

CMYK 11 / 50 / 0 / 20

HEX #B466CB

RGB 180 102 203

HSL 286.34, 0.49%, 0.6%

LAB 55.6, 47.53, -39.81

 

CMYK 0 / 49 / 48 / 21

HEX #CA676A

RGB 202 103 106

HSL 358.18, 0.48%, 0.6%

LAB 55.38, 39.48, 16.53

 

CMYK 38 / 0 / 49 / 21

HEX #7ECA67

RGB 126 202 103

HSL 106.06, 0.48%, 0.6%

LAB 74.61, -42.09, 41.9

 

CMYK 49 / 0 / 1 / 21

HEX #67CAC7

RGB 103 202 199

HSL 178.18, 0.48%, 0.6%

LAB 75.61, -29.69, -7.46

 

CMYK 11 / 50 / 0 / 20

HEX #B466CB

RGB 180 102 203

HSL 286.34, 0.49%, 0.6%

LAB 55.6, 47.53, -39.81

 

CMYK 0 / 36 / 49 / 21

HEX #CA8167

RGB 202 129 103

HSL 15.76, 0.48%, 0.6%

LAB 60.99, 25.35, 25.79

 

CMYK 38 / 0 / 49 / 21

HEX #7ECA67

RGB 126 202 103

HSL 106.06, 0.48%, 0.6%

LAB 74.61, -42.09, 41.9

 

CMYK 49 / 13 / 0 / 21

HEX #67B0CA

RGB 103 176 202

HSL 195.76, 0.48%, 0.6%

LAB 68.17, -15.75, -20.28

 

Description

Color code: HEX #B466CB | qconv.com Color code: HEX #B466CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 102 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 102 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 50 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 50% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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