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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B46759 it is the complementary color #4B98A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B46759. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B46759 shade: #B96754, #CA7967, #DB8B7A, #EC9D8D and #FDAFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B46759. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B46759 shade: #B46759, #A35546, #924333, #813120 and #701F0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B46759 shade: #B46759 and #B45959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B46759 shade: #B46759, #B48059, #B49859, #B4B159 and #9FB459

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B46759 shade matches the following richer shades: #B46759, #C85A46, #DB4C32 and #EE3F1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B46759 shade: #B46759, #A1756C, #8D8280, #7A8F93 and #679DA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B46759 shade: #B4597C, #B45964, #B46759, #B47F59 and #B49759

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B46759 shade: #81453A, #9E5447, #B46759, #C18176 and #CE9B92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B46759 shade: #B46759, #94B459 and #5970B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B46759 shade: #B46759, #59B467 and #6759B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B46759 shade: #B46759, #94B459, #59A7B4 and #7959B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B46759 shade: #B46759, #79B459, #59A7B4 and #9459B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

Complementary color

CMYK 55 / 8 / 0 / 35

HEX #4B98A6

RGB 75 152 166

HSL 189.23, 0.38%, 0.47%

LAB 58.7, -19.65, -14.59

 

CMYK 0 / 44 / 55 / 27

HEX #B96754

RGB 185 103 84

HSL 11.29, 0.42%, 0.53%

LAB 52.57, 30.91, 25.13

 

CMYK 0 / 40 / 49 / 21

HEX #CA7967

RGB 202 121 103

HSL 10.91, 0.48%, 0.6%

LAB 59.17, 29.69, 23.38

 

CMYK 0 / 37 / 44 / 14

HEX #DB8B7A

RGB 219 139 122

HSL 10.52, 0.57%, 0.67%

LAB 65.69, 28.58, 21.84

 

CMYK 0 / 33 / 40 / 7

HEX #EC9D8D

RGB 236 157 141

HSL 10.11, 0.71%, 0.74%

LAB 72.14, 27.59, 20.46

 

CMYK 0 / 31 / 37 / 1

HEX #FDAFA0

RGB 253 175 160

HSL 9.68, 0.96%, 0.81%

LAB 78.51, 26.69, 19.21

 

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

CMYK 0 / 48 / 57 / 36

HEX #A35546

RGB 163 85 70

HSL 9.68, 0.4%, 0.46%

LAB 45.26, 30.65, 23.23

 

CMYK 0 / 54 / 65 / 43

HEX #924333

RGB 146 67 51

HSL 10.11, 0.48%, 0.39%

LAB 38.49, 32.05, 25.47

 

CMYK 0 / 62 / 75 / 49

HEX #813120

RGB 129 49 32

HSL 10.52, 0.6%, 0.32%

LAB 31.73, 33.49, 28.14

 

CMYK 0 / 72 / 88 / 56

HEX #701F0D

RGB 112 31 13

HSL 10.91, 0.79%, 0.25%

LAB 25.12, 34.76, 31.03

 

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

CMYK 0 / 51 / 51 / 29

HEX #B45959

RGB 180 89 89

HSL 0, 0.38%, 0.53%

LAB 48.97, 36.85, 17.29

 

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

CMYK 0 / 29 / 51 / 29

HEX #B48059

RGB 180 128 89

HSL 25.71, 0.38%, 0.53%

LAB 57.91, 15.49, 29.07

 

CMYK 0 / 16 / 51 / 29

HEX #B49859

RGB 180 152 89

HSL 41.54, 0.38%, 0.53%

LAB 64.06, 2.2, 36.81

 

CMYK 0 / 2 / 51 / 29

HEX #B4B159

RGB 180 177 89

HSL 58.02, 0.38%, 0.53%

LAB 70.78, -11.13, 44.93

 

CMYK 12 / 0 / 51 / 29

HEX #9FB459

RGB 159 180 89

HSL 73.85, 0.38%, 0.53%

LAB 69.99, -21.29, 43.59

 

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

CMYK 0 / 55 / 65 / 22

HEX #C85A46

RGB 200 90 70

HSL 9.23, 0.54%, 0.53%

LAB 51.88, 42.41, 32.72

 

CMYK 0 / 65 / 77 / 14

HEX #DB4C32

RGB 219 76 50

HSL 9.23, 0.7%, 0.53%

LAB 52.35, 54.56, 45.01

 

CMYK 0 / 74 / 87 / 7

HEX #EE3F1F

RGB 238 63 31

HSL 9.28, 0.86%, 0.53%

LAB 53.85, 64.95, 56.56

 

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

CMYK 0 / 27 / 33 / 37

HEX #A1756C

RGB 161 117 108

HSL 10.19, 0.22%, 0.53%

LAB 53.37, 16.01, 11.77

 

CMYK 0 / 8 / 9 / 45

HEX #8D8280

RGB 141 130 128

HSL 9.23, 0.05%, 0.53%

LAB 55.26, 3.79, 2.57

 

CMYK 17 / 3 / 0 / 42

HEX #7A8F93

RGB 122 143 147

HSL 189.6, 0.1%, 0.53%

LAB 57.93, -6.57, -4.64

 

CMYK 38 / 6 / 0 / 35

HEX #679DA7

RGB 103 157 167

HSL 189.38, 0.27%, 0.53%

LAB 61.47, -15.17, -10.87

 

CMYK 0 / 51 / 31 / 29

HEX #B4597C

RGB 180 89 124

HSL 336.92, 0.38%, 0.53%

LAB 49.86, 40.82, -2.42

 

CMYK 0 / 51 / 44 / 29

HEX #B45964

RGB 180 89 100

HSL 352.75, 0.38%, 0.53%

LAB 49.21, 37.96, 11.05

 

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

CMYK 0 / 29 / 51 / 29

HEX #B47F59

RGB 180 127 89

HSL 25.05, 0.38%, 0.53%

LAB 57.66, 16.05, 28.75

 

CMYK 0 / 16 / 51 / 29

HEX #B49759

RGB 180 151 89

HSL 40.88, 0.38%, 0.53%

LAB 63.8, 2.75, 36.49

 

CMYK 0 / 47 / 55 / 49

HEX #81453A

RGB 129 69 58

HSL 9.3, 0.38%, 0.37%

LAB 36.42, 24.5, 18.03

 

CMYK 0 / 47 / 55 / 38

HEX #9E5447

RGB 158 84 71

HSL 8.97, 0.38%, 0.45%

LAB 44.33, 29.26, 21.28

 

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

CMYK 0 / 33 / 39 / 24

HEX #C18176

RGB 193 129 118

HSL 8.8, 0.38%, 0.61%

LAB 60.2, 23.37, 16.07

 

CMYK 0 / 25 / 29 / 19

HEX #CE9B92

RGB 206 155 146

HSL 9, 0.38%, 0.69%

LAB 68.49, 17.75, 12.12

 

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

CMYK 18 / 0 / 51 / 29

HEX #94B459

RGB 148 180 89

HSL 81.1, 0.38%, 0.53%

LAB 69.23, -25.65, 42.5

 

CMYK 51 / 38 / 0 / 29

HEX #5970B4

RGB 89 112 180

HSL 224.84, 0.38%, 0.53%

LAB 48.27, 10.92, -38.72

 

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

CMYK 51 / 0 / 43 / 29

HEX #59B467

RGB 89 180 103

HSL 129.23, 0.38%, 0.53%

LAB 66.33, -43.77, 31.12

 

CMYK 43 / 51 / 0 / 29

HEX #6759B4

RGB 103 89 180

HSL 249.23, 0.38%, 0.53%

LAB 43.25, 28.55, -46.64

 

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

CMYK 18 / 0 / 51 / 29

HEX #94B459

RGB 148 180 89

HSL 81.1, 0.38%, 0.53%

LAB 69.23, -25.65, 42.5

 

CMYK 51 / 7 / 0 / 29

HEX #59A7B4

RGB 89 167 180

HSL 188.57, 0.38%, 0.53%

LAB 64.21, -20.41, -14.12

 

CMYK 33 / 51 / 0 / 29

HEX #7959B4

RGB 121 89 180

HSL 261.1, 0.38%, 0.53%

LAB 44.95, 33.17, -43.83

 

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

CMYK 33 / 0 / 51 / 29

HEX #79B459

RGB 121 180 89

HSL 98.9, 0.38%, 0.53%

LAB 67.6, -35.72, 40.14

 

CMYK 51 / 7 / 0 / 29

HEX #59A7B4

RGB 89 167 180

HSL 188.57, 0.38%, 0.53%

LAB 64.21, -20.41, -14.12

 

CMYK 18 / 51 / 0 / 29

HEX #9459B4

RGB 148 89 180

HSL 278.9, 0.38%, 0.53%

LAB 47.93, 40.59, -38.92

 

Description

Color code: HEX #B46759 | qconv.com Color code: HEX #B46759 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 103 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 103 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 51 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 51% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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