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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B46831 it is the complementary color #4B97CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B46831. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B46831 shade: #B9682C, #CA7A3F, #DB8C52, #EC9E65 and #FDB078

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B46831. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B46831 shade: #B46831, #A3561E, #92440B, #813200 and #702000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B46831 shade: #B46831, #B44431 and #B43131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B46831 shade: #B46831, #B48B31, #B4AE31, #96B431 and #72B431

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B46831 shade matches the following richer shades: #B46831, #C6651E and #D9620C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B46831 shade: #B46831, #A16B43, #8F6E56, #7C7169 and #69747B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B46831 shade: #B43140, #B44431, #B46731, #B48A31 and #B4AD31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B46831 shade: #73421F, #935528, #B46831, #CB7C43 and #D49263

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B46831 shade: #B46831, #63B431 and #3331B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B46831 shade: #B46831, #31B467 and #6731B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B46831 shade: #B46831, #63B431, #317DB4 and #8231B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B46831 shade: #B46831, #3CB431, #317DB4 and #A931B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 73 / 29

HEX #B46831

RGB 180 104 49

HSL 25.19, 0.57%, 0.45%

LAB 51.64, 25.91, 42.91

 

Complementary color

CMYK 64 / 27 / 0 / 19

HEX #4B97CE

RGB 75 151 206

HSL 205.19, 0.57%, 0.55%

LAB 59.97, -6.62, -35.23

 

CMYK 0 / 44 / 76 / 27

HEX #B9682C

RGB 185 104 44

HSL 25.53, 0.62%, 0.45%

LAB 52.28, 27.79, 46.2

 

CMYK 0 / 40 / 69 / 21

HEX #CA7A3F

RGB 202 122 63

HSL 25.47, 0.57%, 0.52%

LAB 58.82, 26.11, 44.6

 

CMYK 0 / 36 / 63 / 14

HEX #DB8C52

RGB 219 140 82

HSL 25.4, 0.66%, 0.59%

LAB 65.3, 24.63, 42.93

 

CMYK 0 / 33 / 57 / 7

HEX #EC9E65

RGB 236 158 101

HSL 25.33, 0.78%, 0.66%

LAB 71.71, 23.32, 41.33

 

CMYK 0 / 30 / 53 / 1

HEX #FDB078

RGB 253 176 120

HSL 25.26, 0.97%, 0.73%

LAB 78.05, 22.17, 39.8

 

CMYK 0 / 42 / 73 / 29

HEX #B46831

RGB 180 104 49

HSL 25.19, 0.57%, 0.45%

LAB 51.64, 25.91, 42.91

 

CMYK 0 / 47 / 82 / 36

HEX #A3561E

RGB 163 86 30

HSL 25.26, 0.69%, 0.38%

LAB 44.99, 27.74, 44.42

 

CMYK 0 / 53 / 92 / 43

HEX #92440B

RGB 146 68 11

HSL 25.33, 0.86%, 0.31%

LAB 38.32, 29.8, 45.06

 

CMYK 0 / 61 / 100 / 49

HEX #813200

RGB 129 50 0

HSL 23.26, 1%, 0.25%

LAB 31.69, 32, 43.14

 

CMYK 0 / 71 / 100 / 56

HEX #702000

RGB 112 32 0

HSL 17.14, 1%, 0.22%

LAB 25.19, 34, 36.5

 

CMYK 0 / 42 / 73 / 29

HEX #B46831

RGB 180 104 49

HSL 25.19, 0.57%, 0.45%

LAB 51.64, 25.91, 42.91

 

CMYK 0 / 62 / 73 / 29

HEX #B44431

RGB 180 68 49

HSL 8.7, 0.57%, 0.45%

LAB 44.32, 44.4, 34.9

 

CMYK 0 / 73 / 73 / 29

HEX #B43131

RGB 180 49 49

HSL 0, 0.57%, 0.45%

LAB 41.41, 52.28, 31.59

 

CMYK 0 / 42 / 73 / 29

HEX #B46831

RGB 180 104 49

HSL 25.19, 0.57%, 0.45%

LAB 51.64, 25.91, 42.91

 

CMYK 0 / 23 / 73 / 29

HEX #B48B31

RGB 180 139 49

HSL 41.22, 0.57%, 0.45%

LAB 60.24, 6.47, 51.8

 

CMYK 0 / 3 / 73 / 29

HEX #B4AE31

RGB 180 174 49

HSL 57.25, 0.57%, 0.45%

LAB 69.61, -12.3, 60.98

 

CMYK 17 / 0 / 73 / 29

HEX #96B431

RGB 150 180 49

HSL 73.74, 0.57%, 0.45%

LAB 69, -28.04, 59.6

 

CMYK 37 / 0 / 73 / 29

HEX #72B431

RGB 114 180 49

HSL 90.23, 0.57%, 0.45%

LAB 66.86, -41.92, 56.76

 

CMYK 0 / 42 / 73 / 29

HEX #B46831

RGB 180 104 49

HSL 25.19, 0.57%, 0.45%

LAB 51.64, 25.91, 42.91

 

CMYK 0 / 49 / 85 / 22

HEX #C6651E

RGB 198 101 30

HSL 25.36, 0.74%, 0.45%

LAB 53.39, 34.29, 53.85

 

CMYK 0 / 55 / 94 / 15

HEX #D9620C

RGB 217 98 12

HSL 25.17, 0.9%, 0.45%

LAB 55.6, 42.99, 62.08

 

CMYK 0 / 42 / 73 / 29

HEX #B46831

RGB 180 104 49

HSL 25.19, 0.57%, 0.45%

LAB 51.64, 25.91, 42.91

 

CMYK 0 / 34 / 58 / 37

HEX #A16B43

RGB 161 107 67

HSL 25.53, 0.41%, 0.45%

LAB 50.09, 17.23, 30.98

 

CMYK 0 / 23 / 40 / 44

HEX #8F6E56

RGB 143 110 86

HSL 25.26, 0.25%, 0.45%

LAB 49.09, 9.66, 18.41

 

CMYK 0 / 9 / 15 / 51

HEX #7C7169

RGB 124 113 105

HSL 25.26, 0.08%, 0.45%

LAB 48.4, 2.81, 5.98

 

CMYK 15 / 6 / 0 / 52

HEX #69747B

RGB 105 116 123

HSL 203.33, 0.08%, 0.45%

LAB 48.16, -2.54, -5.26

 

CMYK 0 / 73 / 64 / 29

HEX #B43140

RGB 180 49 64

HSL 353.13, 0.57%, 0.45%

LAB 41.64, 53.07, 22.77

 

CMYK 0 / 62 / 73 / 29

HEX #B44431

RGB 180 68 49

HSL 8.7, 0.57%, 0.45%

LAB 44.32, 44.4, 34.9

 

CMYK 0 / 43 / 73 / 29

HEX #B46731

RGB 180 103 49

HSL 24.73, 0.57%, 0.45%

LAB 51.41, 26.46, 42.67

 

CMYK 0 / 23 / 73 / 29

HEX #B48A31

RGB 180 138 49

HSL 40.76, 0.57%, 0.45%

LAB 59.98, 7.02, 51.54

 

CMYK 0 / 4 / 73 / 29

HEX #B4AD31

RGB 180 173 49

HSL 56.79, 0.57%, 0.45%

LAB 69.34, -11.78, 60.72

 

CMYK 0 / 43 / 73 / 55

HEX #73421F

RGB 115 66 31

HSL 25, 0.58%, 0.29%

LAB 33.22, 17.95, 29.72

 

CMYK 0 / 42 / 73 / 42

HEX #935528

RGB 147 85 40

HSL 25.23, 0.57%, 0.37%

LAB 42.54, 21.8, 36.37

 

CMYK 0 / 42 / 73 / 29

HEX #B46831

RGB 180 104 49

HSL 25.19, 0.57%, 0.45%

LAB 51.64, 25.91, 42.91

 

CMYK 0 / 39 / 67 / 20

HEX #CB7C43

RGB 203 124 67

HSL 25.15, 0.57%, 0.53%

LAB 59.45, 25.67, 43.32

 

CMYK 0 / 31 / 53 / 17

HEX #D49263

RGB 212 146 99

HSL 24.96, 0.57%, 0.61%

LAB 66.1, 19.81, 34.81

 

CMYK 0 / 42 / 73 / 29

HEX #B46831

RGB 180 104 49

HSL 25.19, 0.57%, 0.45%

LAB 51.64, 25.91, 42.91

 

CMYK 45 / 0 / 73 / 29

HEX #63B431

RGB 99 180 49

HSL 97.1, 0.57%, 0.45%

LAB 66.15, -47, 55.82

 

CMYK 72 / 73 / 0 / 29

HEX #3331B4

RGB 51 49 180

HSL 240.92, 0.57%, 0.45%

LAB 29.9, 43.59, -68.51

 

CMYK 0 / 42 / 73 / 29

HEX #B46831

RGB 180 104 49

HSL 25.19, 0.57%, 0.45%

LAB 51.64, 25.91, 42.91

 

CMYK 73 / 0 / 43 / 29

HEX #31B467

RGB 49 180 103

HSL 144.73, 0.57%, 0.45%

LAB 65.18, -52.34, 29.41

 

CMYK 43 / 73 / 0 / 29

HEX #6731B4

RGB 103 49 180

HSL 264.73, 0.57%, 0.45%

LAB 34.75, 51.02, -60.37

 

CMYK 0 / 42 / 73 / 29

HEX #B46831

RGB 180 104 49

HSL 25.19, 0.57%, 0.45%

LAB 51.64, 25.91, 42.91

 

CMYK 45 / 0 / 73 / 29

HEX #63B431

RGB 99 180 49

HSL 97.1, 0.57%, 0.45%

LAB 66.15, -47, 55.82

 

CMYK 73 / 31 / 0 / 29

HEX #317DB4

RGB 49 125 180

HSL 205.19, 0.57%, 0.45%

LAB 50.23, -4.67, -35.75

 

CMYK 28 / 73 / 0 / 29

HEX #8231B4

RGB 130 49 180

HSL 277.1, 0.57%, 0.45%

LAB 38.27, 56.08, -54.5

 

CMYK 0 / 42 / 73 / 29

HEX #B46831

RGB 180 104 49

HSL 25.19, 0.57%, 0.45%

LAB 51.64, 25.91, 42.91

 

CMYK 67 / 0 / 73 / 29

HEX #3CB431

RGB 60 180 49

HSL 114.96, 0.57%, 0.45%

LAB 64.82, -57.37, 54.05

 

CMYK 73 / 31 / 0 / 29

HEX #317DB4

RGB 49 125 180

HSL 205.19, 0.57%, 0.45%

LAB 50.23, -4.67, -35.75

 

CMYK 6 / 73 / 0 / 29

HEX #A931B4

RGB 169 49 180

HSL 294.96, 0.57%, 0.45%

LAB 44.13, 64.14, -44.77

 

Description

Color code: HEX #B46831 | qconv.com Color code: HEX #B46831 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 104 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 104 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 73 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 73% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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