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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B463D4 it is the complementary color #4B9C2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B463D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B463D4 shade: #B963CF, #CA75E2, #DB87F5, #EC99FF and #FDABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B463D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B463D4 shade: #B463D4, #A351C1, #923FAE, #812D9B and #701B88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B463D4 shade: #B462D4, #D262D4, #D462B7, #D46298 and #D4627A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B463D4 shade: #B462D4, #9562D4, #7662D4 and #6262D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B463D4 shade matches the following richer shades: #B462D4, #BB52E4 and #C242F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B463D4 shade: #B462D4, #AD72C4, #A683B4, #9F93A3 and #98A393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B463D4 shade: #7762D4, #9562D4, #B462D4, #D262D4 and #D462B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B463D4 shade: #8E31B3, #A442CB, #B462D4, #C383DD and #D3A3E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B463D4 shade: #B463D4, #D4626C and #62D486

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B463D4 shade: #B463D4, #D4B462 and #62D4B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B463D4 shade: #B463D4, #D4626C, #82D462 and #62D4CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B463D4 shade: #B463D4, #D47B62, #82D462 and #62BBD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 53 / 0 / 17

HEX #B463D4

RGB 180 99 212

HSL 283.01, 0.57%, 0.61%

LAB 55.46, 50.93, -45.15

 

Complementary color

CMYK 52 / 0 / 72 / 39

HEX #4B9C2B

RGB 75 156 43

HSL 103.01, 0.57%, 0.39%

LAB 57.51, -45.29, 49

 

CMYK 11 / 52 / 0 / 19

HEX #B963CF

RGB 185 99 207

HSL 287.78, 0.53%, 0.6%

LAB 55.83, 51.25, -41.69

 

CMYK 11 / 48 / 0 / 11

HEX #CA75E2

RGB 202 117 226

HSL 286.79, 0.65%, 0.67%

LAB 62.31, 50.54, -42.04

 

CMYK 11 / 45 / 0 / 4

HEX #DB87F5

RGB 219 135 245

HSL 285.82, 0.85%, 0.75%

LAB 68.74, 49.78, -42.32

 

CMYK 7 / 40 / 0 / 0

HEX #EC99FF

RGB 236 153 255

HSL 288.82, 1%, 0.8%

LAB 74.72, 47.28, -38.29

 

CMYK 1 / 33 / 0 / 0

HEX #FDABFF

RGB 253 171 255

HSL 298.57, 1%, 0.84%

LAB 80.31, 43.03, -29.52

 

CMYK 15 / 53 / 0 / 17

HEX #B463D4

RGB 180 99 212

HSL 283.01, 0.57%, 0.61%

LAB 55.46, 50.93, -45.15

 

CMYK 16 / 58 / 0 / 24

HEX #A351C1

RGB 163 81 193

HSL 283.93, 0.47%, 0.54%

LAB 48.91, 51.6, -44.79

 

CMYK 16 / 64 / 0 / 32

HEX #923FAE

RGB 146 63 174

HSL 284.86, 0.47%, 0.46%

LAB 42.34, 52.1, -44.28

 

CMYK 17 / 71 / 0 / 39

HEX #812D9B

RGB 129 45 155

HSL 285.82, 0.55%, 0.39%

LAB 35.81, 52.22, -43.49

 

CMYK 18 / 80 / 0 / 47

HEX #701B88

RGB 112 27 136

HSL 286.79, 0.67%, 0.32%

LAB 29.43, 51.62, -42.23

 

CMYK 15 / 54 / 0 / 17

HEX #B462D4

RGB 180 98 212

HSL 283.16, 0.57%, 0.61%

LAB 55.27, 51.44, -45.45

 

CMYK 1 / 54 / 0 / 17

HEX #D262D4

RGB 210 98 212

HSL 298.95, 0.57%, 0.61%

LAB 59.15, 59.41, -39.07

 

CMYK 0 / 54 / 14 / 17

HEX #D462B7

RGB 212 98 183

HSL 315.26, 0.57%, 0.61%

LAB 58.18, 55.16, -24.04

 

CMYK 0 / 54 / 28 / 17

HEX #D46298

RGB 212 98 152

HSL 331.58, 0.57%, 0.61%

LAB 57.07, 50.72, -7.77

 

CMYK 0 / 54 / 42 / 17

HEX #D4627A

RGB 212 98 122

HSL 347.37, 0.57%, 0.61%

LAB 56.23, 47.18, 8.56

 

CMYK 15 / 54 / 0 / 17

HEX #B462D4

RGB 180 98 212

HSL 283.16, 0.57%, 0.61%

LAB 55.27, 51.44, -45.45

 

CMYK 30 / 54 / 0 / 17

HEX #9562D4

RGB 149 98 212

HSL 266.84, 0.57%, 0.61%

LAB 51.7, 43.42, -51.35

 

CMYK 44 / 54 / 0 / 17

HEX #7662D4

RGB 118 98 212

HSL 250.53, 0.57%, 0.61%

LAB 48.69, 35.99, -56.34

 

CMYK 54 / 54 / 0 / 17

HEX #6262D4

RGB 98 98 212

HSL 240, 0.57%, 0.61%

LAB 47.09, 31.72, -59

 

CMYK 15 / 54 / 0 / 17

HEX #B462D4

RGB 180 98 212

HSL 283.16, 0.57%, 0.61%

LAB 55.27, 51.44, -45.45

 

CMYK 18 / 64 / 0 / 11

HEX #BB52E4

RGB 187 82 228

HSL 283.15, 0.73%, 0.61%

LAB 54.24, 64.01, -56.08

 

CMYK 20 / 73 / 0 / 4

HEX #C242F4

RGB 194 66 244

HSL 283.15, 0.89%, 0.61%

LAB 53.92, 74.96, -65.52

 

CMYK 15 / 54 / 0 / 17

HEX #B462D4

RGB 180 98 212

HSL 283.16, 0.57%, 0.61%

LAB 55.27, 51.44, -45.45

 

CMYK 12 / 42 / 0 / 23

HEX #AD72C4

RGB 173 114 196

HSL 283.17, 0.41%, 0.61%

LAB 56.98, 37.6, -33.72

 

CMYK 8 / 27 / 0 / 29

HEX #A683B4

RGB 166 131 180

HSL 282.86, 0.25%, 0.61%

LAB 59.56, 22.45, -20.69

 

CMYK 2 / 10 / 0 / 36

HEX #9F93A3

RGB 159 147 163

HSL 285, 0.08%, 0.61%

LAB 62.41, 7.47, -6.8

 

CMYK 7 / 0 / 10 / 36

HEX #98A393

RGB 152 163 147

HSL 101.25, 0.08%, 0.61%

LAB 65.73, -6.96, 6.97

 

CMYK 44 / 54 / 0 / 17

HEX #7762D4

RGB 119 98 212

HSL 251.05, 0.57%, 0.61%

LAB 48.77, 36.21, -56.2

 

CMYK 30 / 54 / 0 / 17

HEX #9562D4

RGB 149 98 212

HSL 266.84, 0.57%, 0.61%

LAB 51.7, 43.42, -51.35

 

CMYK 15 / 54 / 0 / 17

HEX #B462D4

RGB 180 98 212

HSL 283.16, 0.57%, 0.61%

LAB 55.27, 51.44, -45.45

 

CMYK 1 / 54 / 0 / 17

HEX #D262D4

RGB 210 98 212

HSL 298.95, 0.57%, 0.61%

LAB 59.15, 59.41, -39.07

 

CMYK 0 / 54 / 14 / 17

HEX #D462B7

RGB 212 98 183

HSL 315.26, 0.57%, 0.61%

LAB 58.18, 55.16, -24.04

 

CMYK 21 / 73 / 0 / 30

HEX #8E31B3

RGB 142 49 179

HSL 282.92, 0.57%, 0.45%

LAB 39.92, 58.29, -51.15

 

CMYK 19 / 67 / 0 / 20

HEX #A442CB

RGB 164 66 203

HSL 282.92, 0.57%, 0.53%

LAB 47.11, 60.83, -53.44

 

CMYK 15 / 54 / 0 / 17

HEX #B462D4

RGB 180 98 212

HSL 283.16, 0.57%, 0.61%

LAB 55.27, 51.44, -45.45

 

CMYK 12 / 41 / 0 / 13

HEX #C383DD

RGB 195 131 221

HSL 282.67, 0.57%, 0.69%

LAB 64.21, 40.12, -36.35

 

CMYK 8 / 29 / 0 / 10

HEX #D3A3E5

RGB 211 163 229

HSL 283.64, 0.56%, 0.77%

LAB 73.35, 29.25, -26.49

 

CMYK 15 / 53 / 0 / 17

HEX #B463D4

RGB 180 99 212

HSL 283.01, 0.57%, 0.61%

LAB 55.46, 50.93, -45.15

 

CMYK 0 / 54 / 49 / 17

HEX #D4626C

RGB 212 98 108

HSL 354.74, 0.57%, 0.61%

LAB 55.9, 45.8, 16.32

 

CMYK 54 / 0 / 37 / 17

HEX #62D486

RGB 98 212 134

HSL 138.95, 0.57%, 0.61%

LAB 76.92, -49.52, 29.01

 

CMYK 15 / 53 / 0 / 17

HEX #B463D4

RGB 180 99 212

HSL 283.01, 0.57%, 0.61%

LAB 55.46, 50.93, -45.15

 

CMYK 0 / 15 / 54 / 17

HEX #D4B462

RGB 212 180 98

HSL 43.16, 0.57%, 0.61%

LAB 74.52, 1.46, 45.66

 

CMYK 54 / 0 / 15 / 17

HEX #62D4B4

RGB 98 212 180

HSL 163.16, 0.57%, 0.61%

LAB 77.86, -40.09, 6.04

 

CMYK 15 / 53 / 0 / 17

HEX #B463D4

RGB 180 99 212

HSL 283.01, 0.57%, 0.61%

LAB 55.46, 50.93, -45.15

 

CMYK 0 / 54 / 49 / 17

HEX #D4626C

RGB 212 98 108

HSL 354.74, 0.57%, 0.61%

LAB 55.9, 45.8, 16.32

 

CMYK 39 / 0 / 54 / 17

HEX #82D462

RGB 130 212 98

HSL 103.16, 0.57%, 0.61%

LAB 77.71, -45.68, 48.09

 

CMYK 54 / 0 / 5 / 17

HEX #62D4CA

RGB 98 212 202

HSL 174.74, 0.57%, 0.61%

LAB 78.43, -34.72, -4.91

 

CMYK 15 / 53 / 0 / 17

HEX #B463D4

RGB 180 99 212

HSL 283.01, 0.57%, 0.61%

LAB 55.46, 50.93, -45.15

 

CMYK 0 / 42 / 54 / 17

HEX #D47B62

RGB 212 123 98

HSL 13.16, 0.57%, 0.61%

LAB 60.82, 32.1, 28.61

 

CMYK 39 / 0 / 54 / 17

HEX #82D462

RGB 130 212 98

HSL 103.16, 0.57%, 0.61%

LAB 77.71, -45.68, 48.09

 

CMYK 54 / 12 / 0 / 17

HEX #62BBD4

RGB 98 187 212

HSL 193.16, 0.57%, 0.61%

LAB 71.48, -19.75, -20.74

 

Description

Color code: HEX #B463D4 | qconv.com Color code: HEX #B463D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 99 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 99 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 53 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 53% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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