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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B46A69 it is the complementary color #4B9596. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B46A69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B46A69 shade: #B96A64, #CA7C77, #DB8E8A, #ECA09D and #FDB2B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B46A69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B46A69 shade: #B46A69, #A35856, #924643, #813430 and #70221D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B46A69 shade: #B36A69 and #B36969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B46A69 shade: #B36A69, #B37E69, #B39269, #B3A669 and #ADB369

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B46A69 shade matches the following richer shades: #B36A69, #C55957, #D84745, #EA3533 and #FC2421

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B46A69 shade: #B36A69, #A17C7B, #8F8E8E, #7D9FA0 and #6BB1B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B46A69 shade: #B36991, #B3697D, #B36969, #B37D69 and #B39169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B46A69 shade: #874444, #A25251, #B36A69, #C18685 and #CFA1A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B46A69 shade: #B46A69, #A5B369 and #6987B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B46A69 shade: #B46A69, #69B369 and #6969B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B46A69 shade: #B46A69, #A5B369, #69B3B3 and #7869B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B46A69 shade: #B46A69, #8EB369, #69B3B3 and #8E69B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 42 / 29

HEX #B46A69

RGB 180 106 105

HSL 0.8, 0.33%, 0.56%

LAB 52.98, 29.41, 13.34

 

Complementary color

CMYK 50 / 1 / 0 / 41

HEX #4B9596

RGB 75 149 150

HSL 180.8, 0.33%, 0.44%

LAB 57.26, -22.65, -7.63

 

CMYK 0 / 43 / 46 / 27

HEX #B96A64

RGB 185 106 100

HSL 4.24, 0.38%, 0.56%

LAB 53.54, 30.81, 17.14

 

CMYK 0 / 39 / 41 / 21

HEX #CA7C77

RGB 202 124 119

HSL 3.61, 0.44%, 0.63%

LAB 60.16, 29.74, 15.62

 

CMYK 0 / 35 / 37 / 14

HEX #DB8E8A

RGB 219 142 138

HSL 2.96, 0.53%, 0.7%

LAB 66.7, 28.76, 14.29

 

CMYK 0 / 32 / 33 / 7

HEX #ECA09D

RGB 236 160 157

HSL 2.28, 0.68%, 0.77%

LAB 73.16, 27.87, 13.09

 

CMYK 0 / 30 / 30 / 1

HEX #FDB2B0

RGB 253 178 176

HSL 1.56, 0.95%, 0.84%

LAB 79.53, 27.07, 12

 

CMYK 0 / 41 / 42 / 29

HEX #B46A69

RGB 180 106 105

HSL 0.8, 0.33%, 0.56%

LAB 52.98, 29.41, 13.34

 

CMYK 0 / 46 / 47 / 36

HEX #A35856

RGB 163 88 86

HSL 1.56, 0.31%, 0.49%

LAB 46.23, 30.52, 14.95

 

CMYK 0 / 52 / 54 / 43

HEX #924643

RGB 146 70 67

HSL 2.28, 0.37%, 0.42%

LAB 39.41, 31.73, 16.88

 

CMYK 0 / 60 / 63 / 49

HEX #813430

RGB 129 52 48

HSL 2.96, 0.46%, 0.35%

LAB 32.56, 32.97, 19.28

 

CMYK 0 / 70 / 74 / 56

HEX #70221D

RGB 112 34 29

HSL 3.61, 0.59%, 0.28%

LAB 25.8, 34.08, 22.36

 

CMYK 0 / 41 / 41 / 30

HEX #B36A69

RGB 179 106 105

HSL 0.81, 0.33%, 0.56%

LAB 52.85, 29.02, 13.14

 

CMYK 0 / 41 / 41 / 30

HEX #B36969

RGB 179 105 105

HSL 0, 0.33%, 0.56%

LAB 52.63, 29.56, 12.82

 

CMYK 0 / 41 / 41 / 30

HEX #B36A69

RGB 179 106 105

HSL 0.81, 0.33%, 0.56%

LAB 52.85, 29.02, 13.14

 

CMYK 0 / 30 / 41 / 30

HEX #B37E69

RGB 179 126 105

HSL 17.03, 0.33%, 0.56%

LAB 57.58, 17.89, 19.63

 

CMYK 0 / 18 / 41 / 30

HEX #B39269

RGB 179 146 105

HSL 33.24, 0.33%, 0.56%

LAB 62.64, 6.74, 26.39

 

CMYK 0 / 7 / 41 / 30

HEX #B3A669

RGB 179 166 105

HSL 49.46, 0.33%, 0.56%

LAB 67.93, -4.15, 33.25

 

CMYK 3 / 0 / 41 / 30

HEX #ADB369

RGB 173 179 105

HSL 64.86, 0.33%, 0.56%

LAB 70.97, -13.43, 37.01

 

CMYK 0 / 41 / 41 / 30

HEX #B36A69

RGB 179 106 105

HSL 0.81, 0.33%, 0.56%

LAB 52.85, 29.02, 13.14

 

CMYK 0 / 55 / 56 / 23

HEX #C55957

RGB 197 89 87

HSL 1.09, 0.49%, 0.56%

LAB 51.5, 43, 22.32

 

CMYK 0 / 67 / 68 / 15

HEX #D84745

RGB 216 71 69

HSL 0.82, 0.65%, 0.56%

LAB 51.31, 56.43, 33.22

 

CMYK 0 / 77 / 78 / 8

HEX #EA3533

RGB 234 53 51

HSL 0.66, 0.81%, 0.56%

LAB 52.15, 67.35, 45.13

 

CMYK 0 / 86 / 87 / 1

HEX #FC2421

RGB 252 36 33

HSL 0.82, 0.97%, 0.56%

LAB 54.1, 75.8, 57.06

 

CMYK 0 / 41 / 41 / 30

HEX #B36A69

RGB 179 106 105

HSL 0.81, 0.33%, 0.56%

LAB 52.85, 29.02, 13.14

 

CMYK 0 / 23 / 24 / 37

HEX #A17C7B

RGB 161 124 123

HSL 1.58, 0.17%, 0.56%

LAB 55.5, 14.19, 6.07

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8E

RGB 143 142 142

HSL 0, 0%, 0.56%

LAB 59.1, 0.37, 0.12

 

CMYK 22 / 1 / 0 / 37

HEX #7D9FA0

RGB 125 159 160

HSL 181.71, 0.16%, 0.56%

LAB 63.09, -11.41, -4.38

 

CMYK 40 / 1 / 0 / 30

HEX #6BB1B2

RGB 107 177 178

HSL 180.85, 0.32%, 0.56%

LAB 67.86, -21.72, -7.46

 

CMYK 0 / 41 / 19 / 30

HEX #B36991

RGB 179 105 145

HSL 327.57, 0.33%, 0.56%

LAB 53.74, 35.04, -9.12

 

CMYK 0 / 41 / 30 / 30

HEX #B3697D

RGB 179 105 125

HSL 343.78, 0.33%, 0.56%

LAB 53.13, 32.09, 1.75

 

CMYK 0 / 41 / 41 / 30

HEX #B36969

RGB 179 105 105

HSL 0, 0.33%, 0.56%

LAB 52.63, 29.56, 12.82

 

CMYK 0 / 30 / 41 / 30

HEX #B37D69

RGB 179 125 105

HSL 16.22, 0.33%, 0.56%

LAB 57.34, 18.45, 19.3

 

CMYK 0 / 19 / 41 / 30

HEX #B39169

RGB 179 145 105

HSL 32.43, 0.33%, 0.56%

LAB 62.38, 7.29, 26.05

 

CMYK 0 / 50 / 50 / 47

HEX #874444

RGB 135 68 68

HSL 0, 0.33%, 0.4%

LAB 37.3, 28.53, 13.14

 

CMYK 0 / 49 / 50 / 36

HEX #A25251

RGB 162 82 81

HSL 0.74, 0.33%, 0.48%

LAB 44.67, 32.88, 15.83

 

CMYK 0 / 41 / 41 / 30

HEX #B36A69

RGB 179 106 105

HSL 0.81, 0.33%, 0.56%

LAB 52.85, 29.02, 13.14

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 0 / 22 / 23 / 19

HEX #CFA1A0

RGB 207 161 160

HSL 1.28, 0.33%, 0.72%

LAB 70.38, 16.85, 7.06

 

CMYK 0 / 41 / 42 / 29

HEX #B46A69

RGB 180 106 105

HSL 0.8, 0.33%, 0.56%

LAB 52.98, 29.41, 13.34

 

CMYK 8 / 0 / 41 / 30

HEX #A5B369

RGB 165 179 105

HSL 71.35, 0.33%, 0.56%

LAB 70.36, -16.64, 36.11

 

CMYK 41 / 25 / 0 / 30

HEX #6987B3

RGB 105 135 179

HSL 215.68, 0.33%, 0.56%

LAB 55.67, 0.96, -26.51

 

CMYK 0 / 41 / 42 / 29

HEX #B46A69

RGB 180 106 105

HSL 0.8, 0.33%, 0.56%

LAB 52.98, 29.41, 13.34

 

CMYK 41 / 0 / 41 / 30

HEX #69B369

RGB 105 179 105

HSL 120, 0.33%, 0.56%

LAB 66.72, -38.36, 30.72

 

CMYK 41 / 41 / 0 / 30

HEX #6969B3

RGB 105 105 179

HSL 240, 0.33%, 0.56%

LAB 47.44, 18.96, -39.37

 

CMYK 0 / 41 / 42 / 29

HEX #B46A69

RGB 180 106 105

HSL 0.8, 0.33%, 0.56%

LAB 52.98, 29.41, 13.34

 

CMYK 8 / 0 / 41 / 30

HEX #A5B369

RGB 165 179 105

HSL 71.35, 0.33%, 0.56%

LAB 70.36, -16.64, 36.11

 

CMYK 41 / 0 / 0 / 30

HEX #69B3B3

RGB 105 179 179

HSL 180, 0.33%, 0.56%

LAB 68.39, -22.99, -7.24

 

CMYK 33 / 41 / 0 / 30

HEX #7869B3

RGB 120 105 179

HSL 252.16, 0.33%, 0.56%

LAB 48.7, 23.08, -37.31

 

CMYK 0 / 41 / 42 / 29

HEX #B46A69

RGB 180 106 105

HSL 0.8, 0.33%, 0.56%

LAB 52.98, 29.41, 13.34

 

CMYK 21 / 0 / 41 / 30

HEX #8EB369

RGB 142 179 105

HSL 90, 0.33%, 0.56%

LAB 68.76, -25.57, 33.75

 

CMYK 41 / 0 / 0 / 30

HEX #69B3B3

RGB 105 179 179

HSL 180, 0.33%, 0.56%

LAB 68.39, -22.99, -7.24

 

CMYK 21 / 41 / 0 / 30

HEX #8E69B3

RGB 142 105 179

HSL 270, 0.33%, 0.56%

LAB 50.81, 29.54, -33.84

 

Description

Color code: HEX #B46A69 | qconv.com Color code: HEX #B46A69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 106 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 106 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 42 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 42% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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