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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B46A6C it is the complementary color #4B9593. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B46A6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B46A6C shade: #B96A67, #CA7C7A, #DB8E8D, #ECA0A0 and #FDB2B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B46A6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B46A6C shade: #B46A6C, #A35859, #924646, #813433 and #702220

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B46A6C shade: #B3696B and #B36969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B46A6C shade: #B3696B, #B3697F, #B36993, #B369A7 and #AC69B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B46A6C shade matches the following richer shades: #B3696B, #C5575A, #D84549, #EA3338 and #FC2127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B46A6C shade: #B3696B, #A17B7C, #8F8E8E, #7DA09F and #6BB2B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B46A6C shade: #B36993, #B3697F, #B3696C, #B37B69 and #B38E69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B46A6C shade: #874445, #A25154, #B3696B, #C18586 and #CFA0A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B46A6C shade: #B46A6C, #A7B369 and #6989B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B46A6C shade: #B46A6C, #6CB369 and #696CB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B46A6C shade: #B46A6C, #A7B369, #69B3B1 and #7669B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B46A6C shade: #B46A6C, #91B369, #69B3B1 and #8C69B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 40 / 29

HEX #B46A6C

RGB 180 106 108

HSL 358.38, 0.33%, 0.56%

LAB 53.05, 29.75, 11.67

 

Complementary color

CMYK 50 / 0 / 1 / 42

HEX #4B9593

RGB 75 149 147

HSL 178.38, 0.33%, 0.44%

LAB 57.17, -23.47, -6.05

 

CMYK 0 / 43 / 44 / 27

HEX #B96A67

RGB 185 106 103

HSL 2.2, 0.37%, 0.56%

LAB 53.6, 31.13, 15.47

 

CMYK 0 / 39 / 40 / 21

HEX #CA7C7A

RGB 202 124 122

HSL 1.5, 0.43%, 0.64%

LAB 60.23, 30.08, 14

 

CMYK 0 / 35 / 36 / 14

HEX #DB8E8D

RGB 219 142 141

HSL 0.77, 0.52%, 0.71%

LAB 66.77, 29.12, 12.7

 

CMYK 0 / 32 / 32 / 7

HEX #ECA0A0

RGB 236 160 160

HSL 0, 0.67%, 0.78%

LAB 73.23, 28.25, 11.54

 

CMYK 0 / 30 / 29 / 1

HEX #FDB2B3

RGB 253 178 179

HSL 359.2, 0.95%, 0.85%

LAB 79.6, 27.46, 10.48

 

CMYK 0 / 41 / 40 / 29

HEX #B46A6C

RGB 180 106 108

HSL 358.38, 0.33%, 0.56%

LAB 53.05, 29.75, 11.67

 

CMYK 0 / 46 / 45 / 36

HEX #A35859

RGB 163 88 89

HSL 359.2, 0.3%, 0.49%

LAB 46.29, 30.84, 13.24

 

CMYK 0 / 52 / 52 / 43

HEX #924646

RGB 146 70 70

HSL 0, 0.35%, 0.42%

LAB 39.47, 32.01, 15.11

 

CMYK 0 / 60 / 60 / 49

HEX #813433

RGB 129 52 51

HSL 0.77, 0.43%, 0.35%

LAB 32.62, 33.21, 17.45

 

CMYK 0 / 70 / 71 / 56

HEX #702220

RGB 112 34 32

HSL 1.5, 0.56%, 0.28%

LAB 25.84, 34.25, 20.48

 

CMYK 0 / 41 / 40 / 30

HEX #B3696B

RGB 179 105 107

HSL 358.38, 0.33%, 0.56%

LAB 52.67, 29.8, 11.71

 

CMYK 0 / 41 / 41 / 30

HEX #B36969

RGB 179 105 105

HSL 0, 0.33%, 0.56%

LAB 52.63, 29.56, 12.82

 

CMYK 0 / 41 / 40 / 30

HEX #B3696B

RGB 179 105 107

HSL 358.38, 0.33%, 0.56%

LAB 52.67, 29.8, 11.71

 

CMYK 0 / 41 / 29 / 30

HEX #B3697F

RGB 179 105 127

HSL 342.16, 0.33%, 0.56%

LAB 53.19, 32.36, 0.65

 

CMYK 0 / 41 / 18 / 30

HEX #B36993

RGB 179 105 147

HSL 325.95, 0.33%, 0.56%

LAB 53.81, 35.36, -10.2

 

CMYK 0 / 41 / 7 / 30

HEX #B369A7

RGB 179 105 167

HSL 309.73, 0.33%, 0.56%

LAB 54.53, 38.74, -20.78

 

CMYK 4 / 41 / 0 / 30

HEX #AC69B3

RGB 172 105 179

HSL 294.32, 0.33%, 0.56%

LAB 54.16, 38.77, -28.36

 

CMYK 0 / 41 / 40 / 30

HEX #B3696B

RGB 179 105 107

HSL 358.38, 0.33%, 0.56%

LAB 52.67, 29.8, 11.71

 

CMYK 0 / 56 / 54 / 23

HEX #C5575A

RGB 197 87 90

HSL 358.36, 0.49%, 0.56%

LAB 51.18, 44.22, 20.12

 

CMYK 0 / 68 / 66 / 15

HEX #D84549

RGB 216 69 73

HSL 358.37, 0.65%, 0.56%

LAB 51.08, 57.43, 30.62

 

CMYK 0 / 78 / 76 / 8

HEX #EA3338

RGB 234 51 56

HSL 358.36, 0.81%, 0.56%

LAB 52, 68.08, 42.25

 

CMYK 0 / 87 / 85 / 1

HEX #FC2127

RGB 252 33 39

HSL 358.36, 0.97%, 0.56%

LAB 53.95, 76.44, 54.19

 

CMYK 0 / 41 / 40 / 30

HEX #B3696B

RGB 179 105 107

HSL 358.38, 0.33%, 0.56%

LAB 52.67, 29.8, 11.71

 

CMYK 0 / 24 / 23 / 37

HEX #A17B7C

RGB 161 123 124

HSL 358.42, 0.17%, 0.56%

LAB 55.28, 14.92, 5.16

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8E

RGB 143 142 142

HSL 0, 0%, 0.56%

LAB 59.1, 0.37, 0.12

 

CMYK 22 / 0 / 1 / 37

HEX #7DA09F

RGB 125 160 159

HSL 178.29, 0.16%, 0.56%

LAB 63.35, -12.17, -3.44

 

CMYK 40 / 0 / 1 / 30

HEX #6BB2B0

RGB 107 178 176

HSL 178.31, 0.32%, 0.56%

LAB 68.1, -22.73, -6.01

 

CMYK 0 / 41 / 18 / 30

HEX #B36993

RGB 179 105 147

HSL 325.95, 0.33%, 0.56%

LAB 53.81, 35.36, -10.2

 

CMYK 0 / 41 / 29 / 30

HEX #B3697F

RGB 179 105 127

HSL 342.16, 0.33%, 0.56%

LAB 53.19, 32.36, 0.65

 

CMYK 0 / 41 / 40 / 30

HEX #B3696C

RGB 179 105 108

HSL 357.57, 0.33%, 0.56%

LAB 52.7, 29.91, 11.16

 

CMYK 0 / 31 / 41 / 30

HEX #B37B69

RGB 179 123 105

HSL 14.59, 0.33%, 0.56%

LAB 56.85, 19.56, 18.64

 

CMYK 0 / 21 / 41 / 30

HEX #B38E69

RGB 179 142 105

HSL 30, 0.33%, 0.56%

LAB 61.61, 8.95, 25.03

 

CMYK 0 / 50 / 49 / 47

HEX #874445

RGB 135 68 69

HSL 359.1, 0.33%, 0.4%

LAB 37.33, 28.64, 12.54

 

CMYK 0 / 50 / 48 / 36

HEX #A25154

RGB 162 81 84

HSL 357.78, 0.33%, 0.48%

LAB 44.53, 33.71, 13.81

 

CMYK 0 / 41 / 40 / 30

HEX #B3696B

RGB 179 105 107

HSL 358.38, 0.33%, 0.56%

LAB 52.67, 29.8, 11.71

 

CMYK 0 / 31 / 31 / 24

HEX #C18586

RGB 193 133 134

HSL 359, 0.33%, 0.64%

LAB 61.51, 23.2, 8.79

 

CMYK 0 / 23 / 22 / 19

HEX #CFA0A1

RGB 207 160 161

HSL 358.72, 0.33%, 0.72%

LAB 70.16, 17.55, 6.19

 

CMYK 0 / 41 / 40 / 29

HEX #B46A6C

RGB 180 106 108

HSL 358.38, 0.33%, 0.56%

LAB 53.05, 29.75, 11.67

 

CMYK 7 / 0 / 41 / 30

HEX #A7B369

RGB 167 179 105

HSL 69.73, 0.33%, 0.56%

LAB 70.51, -15.85, 36.33

 

CMYK 41 / 23 / 0 / 30

HEX #6989B3

RGB 105 137 179

HSL 214.05, 0.33%, 0.56%

LAB 56.24, -0.2, -25.63

 

CMYK 0 / 41 / 40 / 29

HEX #B46A6C

RGB 180 106 108

HSL 358.38, 0.33%, 0.56%

LAB 53.05, 29.75, 11.67

 

CMYK 40 / 0 / 41 / 30

HEX #6CB369

RGB 108 179 105

HSL 117.57, 0.33%, 0.56%

LAB 66.86, -37.42, 30.93

 

CMYK 41 / 40 / 0 / 30

HEX #696CB3

RGB 105 108 179

HSL 237.57, 0.33%, 0.56%

LAB 48.24, 17.12, -38.12

 

CMYK 0 / 41 / 40 / 29

HEX #B46A6C

RGB 180 106 108

HSL 358.38, 0.33%, 0.56%

LAB 53.05, 29.75, 11.67

 

CMYK 7 / 0 / 41 / 30

HEX #A7B369

RGB 167 179 105

HSL 69.73, 0.33%, 0.56%

LAB 70.51, -15.85, 36.33

 

CMYK 41 / 0 / 1 / 30

HEX #69B3B1

RGB 105 179 177

HSL 178.38, 0.33%, 0.56%

LAB 68.33, -23.5, -6.22

 

CMYK 34 / 41 / 0 / 30

HEX #7669B3

RGB 118 105 179

HSL 250.54, 0.33%, 0.56%

LAB 48.52, 22.51, -37.6

 

CMYK 0 / 41 / 40 / 29

HEX #B46A6C

RGB 180 106 108

HSL 358.38, 0.33%, 0.56%

LAB 53.05, 29.75, 11.67

 

CMYK 19 / 0 / 41 / 30

HEX #91B369

RGB 145 179 105

HSL 87.57, 0.33%, 0.56%

LAB 68.95, -24.44, 34.03

 

CMYK 41 / 0 / 1 / 30

HEX #69B3B1

RGB 105 179 177

HSL 178.38, 0.33%, 0.56%

LAB 68.33, -23.5, -6.22

 

CMYK 22 / 41 / 0 / 30

HEX #8C69B3

RGB 140 105 179

HSL 268.38, 0.33%, 0.56%

LAB 50.61, 28.94, -34.17

 

Description

Color code: HEX #B46A6C | qconv.com Color code: HEX #B46A6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 106 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 106 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 40 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 40% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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