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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B46FC7 it is the complementary color #4B9038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B46FC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B46FC7 shade: #B96FC2, #CA81D5, #DB93E8, #ECA5FB and #FDB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B46FC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B46FC7 shade: #B46FC7, #A35DB4, #924BA1, #81398E and #70277B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B46FC7 shade: #B46FC7, #C76FC2, #C76FAA, #C76F93 and #C76F7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B46FC7 shade: #B46FC7, #9C6FC7, #856FC7 and #6F6FC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B46FC7 shade matches the following richer shades: #B46FC7, #BD5FD7, #C64FE7 and #CF3FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B46FC7 shade: #B46FC7, #AB7FB7, #A28FA7, #98A097 and #8FB086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B46FC7 shade: #856FC7, #9D6FC7, #B46FC7, #C76FC2 and #C76FAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B46FC7 shade: #8E40A4, #A452BB, #B46FC7, #C38DD2 and #D3ABDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B46FC7 shade: #B46FC7, #C76F71 and #6FC791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B46FC7 shade: #B46FC7, #C7B46F and #6FC7B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B46FC7 shade: #B46FC7, #C76F71, #82C76F and #6FC7C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B46FC7 shade: #B46FC7, #C7886F, #82C76F and #6FAEC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 44 / 0 / 22

HEX #B46FC7

RGB 180 111 199

HSL 287.05, 0.44%, 0.61%

LAB 57.27, 41.95, -34.93

 

Complementary color

CMYK 48 / 0 / 61 / 44

HEX #4B9038

RGB 75 144 56

HSL 107.05, 0.44%, 0.39%

LAB 53.74, -39.14, 39.29

 

CMYK 5 / 43 / 0 / 24

HEX #B96FC2

RGB 185 111 194

HSL 293.49, 0.4%, 0.6%

LAB 57.63, 42.45, -31.46

 

CMYK 5 / 39 / 0 / 16

HEX #CA81D5

RGB 202 129 213

HSL 292.14, 0.5%, 0.67%

LAB 64.21, 41.69, -31.82

 

CMYK 6 / 37 / 0 / 9

HEX #DB93E8

RGB 219 147 232

HSL 290.82, 0.65%, 0.74%

LAB 70.7, 40.95, -32.14

 

CMYK 6 / 34 / 0 / 2

HEX #ECA5FB

RGB 236 165 251

HSL 289.53, 0.91%, 0.82%

LAB 77.11, 40.23, -32.44

 

CMYK 1 / 28 / 0 / 0

HEX #FDB7FF

RGB 253 183 255

HSL 298.33, 1%, 0.86%

LAB 82.9, 36.76, -25.56

 

CMYK 10 / 44 / 0 / 22

HEX #B46FC7

RGB 180 111 199

HSL 287.05, 0.44%, 0.61%

LAB 57.27, 41.95, -34.93

 

CMYK 9 / 48 / 0 / 29

HEX #A35DB4

RGB 163 93 180

HSL 288.28, 0.37%, 0.54%

LAB 50.58, 42.73, -34.61

 

CMYK 9 / 53 / 0 / 37

HEX #924BA1

RGB 146 75 161

HSL 289.53, 0.36%, 0.46%

LAB 43.82, 43.46, -34.21

 

CMYK 9 / 60 / 0 / 44

HEX #81398E

RGB 129 57 142

HSL 290.82, 0.43%, 0.39%

LAB 37.02, 44.06, -33.66

 

CMYK 9 / 68 / 0 / 52

HEX #70277B

RGB 112 39 123

HSL 292.14, 0.52%, 0.32%

LAB 30.22, 44.31, -32.81

 

CMYK 10 / 44 / 0 / 22

HEX #B46FC7

RGB 180 111 199

HSL 287.05, 0.44%, 0.61%

LAB 57.27, 41.95, -34.93

 

CMYK 0 / 44 / 3 / 22

HEX #C76FC2

RGB 199 111 194

HSL 303.41, 0.44%, 0.61%

LAB 59.35, 46.69, -28.67

 

CMYK 0 / 44 / 15 / 22

HEX #C76FAA

RGB 199 111 170

HSL 319.77, 0.44%, 0.61%

LAB 58.43, 42.6, -16.34

 

CMYK 0 / 44 / 26 / 22

HEX #C76F93

RGB 199 111 147

HSL 335.45, 0.44%, 0.61%

LAB 57.67, 39.13, -4.17

 

CMYK 0 / 44 / 38 / 22

HEX #C76F7B

RGB 199 111 123

HSL 351.82, 0.44%, 0.61%

LAB 57.02, 36.02, 8.85

 

CMYK 10 / 44 / 0 / 22

HEX #B46FC7

RGB 180 111 199

HSL 287.05, 0.44%, 0.61%

LAB 57.27, 41.95, -34.93

 

CMYK 22 / 44 / 0 / 22

HEX #9C6FC7

RGB 156 111 199

HSL 270.68, 0.44%, 0.61%

LAB 54.62, 34.93, -39.27

 

CMYK 33 / 44 / 0 / 22

HEX #856FC7

RGB 133 111 199

HSL 255, 0.44%, 0.61%

LAB 52.37, 28.46, -42.96

 

CMYK 44 / 44 / 0 / 22

HEX #6F6FC7

RGB 111 111 199

HSL 240, 0.44%, 0.61%

LAB 50.54, 22.73, -45.98

 

CMYK 10 / 44 / 0 / 22

HEX #B46FC7

RGB 180 111 199

HSL 287.05, 0.44%, 0.61%

LAB 57.27, 41.95, -34.93

 

CMYK 12 / 56 / 0 / 16

HEX #BD5FD7

RGB 189 95 215

HSL 287, 0.6%, 0.61%

LAB 56, 55.88, -45.93

 

CMYK 14 / 66 / 0 / 9

HEX #C64FE7

RGB 198 79 231

HSL 286.97, 0.76%, 0.61%

LAB 55.45, 68.31, -55.75

 

CMYK 16 / 74 / 0 / 3

HEX #CF3FF7

RGB 207 63 247

HSL 286.96, 0.92%, 0.61%

LAB 55.62, 78.95, -64.36

 

CMYK 10 / 44 / 0 / 22

HEX #B46FC7

RGB 180 111 199

HSL 287.05, 0.44%, 0.61%

LAB 57.27, 41.95, -34.93

 

CMYK 7 / 31 / 0 / 28

HEX #AB7FB7

RGB 171 127 183

HSL 287.14, 0.28%, 0.61%

LAB 59.21, 27, -22.88

 

CMYK 3 / 14 / 0 / 35

HEX #A28FA7

RGB 162 143 167

HSL 287.5, 0.12%, 0.61%

LAB 61.75, 11.59, -10.01

 

CMYK 5 / 0 / 6 / 37

HEX #98A097

RGB 152 160 151

HSL 113.33, 0.05%, 0.61%

LAB 65, -4.59, 3.69

 

CMYK 19 / 0 / 24 / 31

HEX #8FB086

RGB 143 176 134

HSL 107.14, 0.21%, 0.61%

LAB 68.47, -19.34, 17.9

 

CMYK 33 / 44 / 0 / 22

HEX #856FC7

RGB 133 111 199

HSL 255, 0.44%, 0.61%

LAB 52.37, 28.46, -42.96

 

CMYK 21 / 44 / 0 / 22

HEX #9D6FC7

RGB 157 111 199

HSL 271.36, 0.44%, 0.61%

LAB 54.72, 35.21, -39.1

 

CMYK 10 / 44 / 0 / 22

HEX #B46FC7

RGB 180 111 199

HSL 287.05, 0.44%, 0.61%

LAB 57.27, 41.95, -34.93

 

CMYK 0 / 44 / 3 / 22

HEX #C76FC2

RGB 199 111 194

HSL 303.41, 0.44%, 0.61%

LAB 59.35, 46.69, -28.67

 

CMYK 0 / 44 / 14 / 22

HEX #C76FAB

RGB 199 111 171

HSL 319.09, 0.44%, 0.61%

LAB 58.46, 42.76, -16.86

 

CMYK 13 / 61 / 0 / 36

HEX #8E40A4

RGB 142 64 164

HSL 286.8, 0.44%, 0.45%

LAB 41.37, 48.56, -39.92

 

CMYK 12 / 56 / 0 / 27

HEX #A452BB

RGB 164 82 187

HSL 286.86, 0.44%, 0.53%

LAB 48.9, 50.13, -41.32

 

CMYK 10 / 44 / 0 / 22

HEX #B46FC7

RGB 180 111 199

HSL 287.05, 0.44%, 0.61%

LAB 57.27, 41.95, -34.93

 

CMYK 7 / 33 / 0 / 18

HEX #C38DD2

RGB 195 141 210

HSL 286.96, 0.43%, 0.69%

LAB 65.99, 32.42, -27.47

 

CMYK 5 / 23 / 0 / 13

HEX #D3ABDE

RGB 211 171 222

HSL 287.06, 0.44%, 0.77%

LAB 74.98, 23.51, -20.19

 

CMYK 10 / 44 / 0 / 22

HEX #B46FC7

RGB 180 111 199

HSL 287.05, 0.44%, 0.61%

LAB 57.27, 41.95, -34.93

 

CMYK 0 / 44 / 43 / 22

HEX #C76F71

RGB 199 111 113

HSL 358.64, 0.44%, 0.61%

LAB 56.79, 34.9, 14.33

 

CMYK 44 / 0 / 27 / 22

HEX #6FC791

RGB 111 199 145

HSL 143.18, 0.44%, 0.61%

LAB 73.72, -38.57, 18.97

 

CMYK 10 / 44 / 0 / 22

HEX #B46FC7

RGB 180 111 199

HSL 287.05, 0.44%, 0.61%

LAB 57.27, 41.95, -34.93

 

CMYK 0 / 10 / 44 / 22

HEX #C7B46F

RGB 199 180 111

HSL 47.05, 0.44%, 0.61%

LAB 73.5, -2.71, 37.58

 

CMYK 44 / 0 / 10 / 22

HEX #6FC7B4

RGB 111 199 180

HSL 167.05, 0.44%, 0.61%

LAB 74.52, -31.06, 1.26

 

CMYK 10 / 44 / 0 / 22

HEX #B46FC7

RGB 180 111 199

HSL 287.05, 0.44%, 0.61%

LAB 57.27, 41.95, -34.93

 

CMYK 0 / 44 / 43 / 22

HEX #C76F71

RGB 199 111 113

HSL 358.64, 0.44%, 0.61%

LAB 56.79, 34.9, 14.33

 

CMYK 35 / 0 / 44 / 22

HEX #82C76F

RGB 130 199 111

HSL 107.05, 0.44%, 0.61%

LAB 74.02, -38.4, 37.24

 

CMYK 44 / 0 / 1 / 22

HEX #6FC7C5

RGB 111 199 197

HSL 178.64, 0.44%, 0.61%

LAB 74.99, -26.92, -7.26

 

CMYK 10 / 44 / 0 / 22

HEX #B46FC7

RGB 180 111 199

HSL 287.05, 0.44%, 0.61%

LAB 57.27, 41.95, -34.93

 

CMYK 0 / 32 / 44 / 22

HEX #C7886F

RGB 199 136 111

HSL 17.05, 0.44%, 0.61%

LAB 62.42, 21.13, 23.16

 

CMYK 35 / 0 / 44 / 22

HEX #82C76F

RGB 130 199 111

HSL 107.05, 0.44%, 0.61%

LAB 74.02, -38.4, 37.24

 

CMYK 44 / 13 / 0 / 22

HEX #6FAEC7

RGB 111 174 199

HSL 197.05, 0.44%, 0.61%

LAB 67.85, -13.61, -19.06

 

Description

Color code: HEX #B46FC7 | qconv.com Color code: HEX #B46FC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 111 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 111 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 44 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 44% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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