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Color name
HEX #B476C3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B476C3 it is the complementary color #4B893C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B476C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B476C3 shade: #B976BE, #CA88D1, #DB9AE4, #ECACF7 and #FDBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B476C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B476C3 shade: #B476C3, #A364B0, #92529D, #81408A and #702E77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B476C3 shade: #B374C2, #C274BC, #C274A7, #C27492 and #C2747D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B476C3 shade: #B374C2, #9E74C2, #8974C2 and #7474C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B476C3 shade matches the following richer shades: #B374C2, #BD64D2, #C654E2 and #D044F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B476C3 shade: #B374C2, #A984B2, #9F94A2, #95A592 and #8BB581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B476C3 shade: #8974C2, #9E74C2, #B274C2, #C274BD and #C274A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B476C3 shade: #8D459E, #A358B5, #B374C2, #C291CE and #D2AEDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B476C3 shade: #B476C3, #C27474 and #74C293

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B476C3 shade: #B476C3, #C2B274 and #74C2B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B476C3 shade: #B476C3, #C27474, #84C274 and #74C2C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B476C3 shade: #B476C3, #C28C74, #84C274 and #74ABC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 39 / 0 / 24

HEX #B476C3

RGB 180 118 195

HSL 288.31, 0.39%, 0.61%

LAB 58.6, 37.33, -30.57

 

Complementary color

CMYK 45 / 0 / 56 / 46

HEX #4B893C

RGB 75 137 60

HSL 108.31, 0.39%, 0.39%

LAB 51.51, -35.63, 34.73

 

CMYK 3 / 38 / 0 / 25

HEX #B976BE

RGB 185 118 190

HSL 295.83, 0.36%, 0.6%

LAB 58.96, 37.91, -27.12

 

CMYK 3 / 35 / 0 / 18

HEX #CA88D1

RGB 202 136 209

HSL 294.25, 0.44%, 0.68%

LAB 65.57, 37.16, -27.49

 

CMYK 4 / 32 / 0 / 11

HEX #DB9AE4

RGB 219 154 228

HSL 292.7, 0.58%, 0.75%

LAB 72.08, 36.44, -27.83

 

CMYK 4 / 30 / 0 / 3

HEX #ECACF7

RGB 236 172 247

HSL 291.2, 0.82%, 0.82%

LAB 78.49, 35.76, -28.15

 

CMYK 1 / 25 / 0 / 0

HEX #FDBEFF

RGB 253 190 255

HSL 298.15, 1%, 0.87%

LAB 84.45, 33.09, -23.2

 

CMYK 8 / 39 / 0 / 24

HEX #B476C3

RGB 180 118 195

HSL 288.31, 0.39%, 0.61%

LAB 58.6, 37.33, -30.57

 

CMYK 7 / 43 / 0 / 31

HEX #A364B0

RGB 163 100 176

HSL 289.74, 0.32%, 0.54%

LAB 51.88, 38.12, -30.26

 

CMYK 7 / 48 / 0 / 38

HEX #92529D

RGB 146 82 157

HSL 291.2, 0.31%, 0.47%

LAB 45.05, 38.9, -29.9

 

CMYK 7 / 54 / 0 / 46

HEX #81408A

RGB 129 64 138

HSL 292.7, 0.37%, 0.4%

LAB 38.14, 39.64, -29.43

 

CMYK 6 / 61 / 0 / 53

HEX #702E77

RGB 112 46 119

HSL 294.25, 0.44%, 0.32%

LAB 31.19, 40.19, -28.76

 

CMYK 8 / 40 / 0 / 24

HEX #B374C2

RGB 179 116 194

HSL 288.46, 0.39%, 0.61%

LAB 58.01, 37.92, -30.93

 

CMYK 0 / 40 / 3 / 24

HEX #C274BC

RGB 194 116 188

HSL 304.62, 0.39%, 0.61%

LAB 59.52, 41.44, -25.04

 

CMYK 0 / 40 / 14 / 24

HEX #C274A7

RGB 194 116 167

HSL 320.77, 0.39%, 0.61%

LAB 58.74, 37.81, -14.2

 

CMYK 0 / 40 / 25 / 24

HEX #C27492

RGB 194 116 146

HSL 336.92, 0.39%, 0.61%

LAB 58.07, 34.56, -3.07

 

CMYK 0 / 40 / 36 / 24

HEX #C2747D

RGB 194 116 125

HSL 353.08, 0.39%, 0.61%

LAB 57.5, 31.72, 8.28

 

CMYK 8 / 40 / 0 / 24

HEX #B374C2

RGB 179 116 194

HSL 288.46, 0.39%, 0.61%

LAB 58.01, 37.92, -30.93

 

CMYK 19 / 40 / 0 / 24

HEX #9E74C2

RGB 158 116 194

HSL 272.31, 0.39%, 0.61%

LAB 55.74, 31.52, -34.64

 

CMYK 29 / 40 / 0 / 24

HEX #8974C2

RGB 137 116 194

HSL 256.15, 0.39%, 0.61%

LAB 53.71, 25.33, -37.96

 

CMYK 40 / 40 / 0 / 24

HEX #7474C2

RGB 116 116 194

HSL 240, 0.39%, 0.61%

LAB 51.95, 19.53, -40.86

 

CMYK 8 / 40 / 0 / 24

HEX #B374C2

RGB 179 116 194

HSL 288.46, 0.39%, 0.61%

LAB 58.01, 37.92, -30.93

 

CMYK 10 / 52 / 0 / 18

HEX #BD64D2

RGB 189 100 210

HSL 288.55, 0.55%, 0.61%

LAB 56.67, 52.43, -42.03

 

CMYK 12 / 63 / 0 / 11

HEX #C654E2

RGB 198 84 226

HSL 288.17, 0.71%, 0.61%

LAB 55.92, 65.26, -52.18

 

CMYK 14 / 72 / 0 / 5

HEX #D044F2

RGB 208 68 242

HSL 288.28, 0.87%, 0.61%

LAB 56.04, 76.57, -60.88

 

CMYK 8 / 40 / 0 / 24

HEX #B374C2

RGB 179 116 194

HSL 288.46, 0.39%, 0.61%

LAB 58.01, 37.92, -30.93

 

CMYK 5 / 26 / 0 / 30

HEX #A984B2

RGB 169 132 178

HSL 288.26, 0.23%, 0.61%

LAB 60.03, 22.48, -18.81

 

CMYK 2 / 9 / 0 / 36

HEX #9F94A2

RGB 159 148 162

HSL 287.14, 0.07%, 0.61%

LAB 62.64, 6.71, -5.89

 

CMYK 10 / 0 / 12 / 35

HEX #95A592

RGB 149 165 146

HSL 110.53, 0.1%, 0.61%

LAB 66.04, -9.31, 7.94

 

CMYK 23 / 0 / 29 / 29

HEX #8BB581

RGB 139 181 129

HSL 108.46, 0.26%, 0.61%

LAB 69.56, -24.11, 22.06

 

CMYK 29 / 40 / 0 / 24

HEX #8974C2

RGB 137 116 194

HSL 256.15, 0.39%, 0.61%

LAB 53.71, 25.33, -37.96

 

CMYK 19 / 40 / 0 / 24

HEX #9E74C2

RGB 158 116 194

HSL 272.31, 0.39%, 0.61%

LAB 55.74, 31.52, -34.64

 

CMYK 8 / 40 / 0 / 24

HEX #B274C2

RGB 178 116 194

HSL 287.69, 0.39%, 0.61%

LAB 57.9, 37.61, -31.12

 

CMYK 0 / 40 / 3 / 24

HEX #C274BD

RGB 194 116 189

HSL 303.85, 0.39%, 0.61%

LAB 59.56, 41.63, -25.55

 

CMYK 0 / 40 / 13 / 24

HEX #C274A8

RGB 194 116 168

HSL 320, 0.39%, 0.61%

LAB 58.78, 37.97, -14.72

 

CMYK 11 / 56 / 0 / 38

HEX #8D459E

RGB 141 69 158

HSL 288.54, 0.39%, 0.45%

LAB 41.83, 44.56, -35.62

 

CMYK 10 / 51 / 0 / 29

HEX #A358B5

RGB 163 88 181

HSL 288.39, 0.39%, 0.53%

LAB 49.62, 45.57, -36.7

 

CMYK 8 / 40 / 0 / 24

HEX #B374C2

RGB 179 116 194

HSL 288.46, 0.39%, 0.61%

LAB 58.01, 37.92, -30.93

 

CMYK 6 / 30 / 0 / 19

HEX #C291CE

RGB 194 145 206

HSL 288.2, 0.38%, 0.69%

LAB 66.65, 29.09, -24.22

 

CMYK 4 / 21 / 0 / 14

HEX #D2AEDB

RGB 210 174 219

HSL 288, 0.38%, 0.77%

LAB 75.51, 20.97, -17.77

 

CMYK 8 / 39 / 0 / 24

HEX #B476C3

RGB 180 118 195

HSL 288.31, 0.39%, 0.61%

LAB 58.6, 37.33, -30.57

 

CMYK 0 / 40 / 40 / 24

HEX #C27474

RGB 194 116 116

HSL 0, 0.39%, 0.61%

LAB 57.29, 30.64, 13.2

 

CMYK 40 / 0 / 24 / 24

HEX #74C293

RGB 116 194 147

HSL 143.85, 0.39%, 0.61%

LAB 72.5, -34.49, 16.23

 

CMYK 8 / 39 / 0 / 24

HEX #B476C3

RGB 180 118 195

HSL 288.31, 0.39%, 0.61%

LAB 58.6, 37.33, -30.57

 

CMYK 0 / 8 / 40 / 24

HEX #C2B274

RGB 194 178 116

HSL 47.69, 0.39%, 0.61%

LAB 72.61, -3.16, 33.75

 

CMYK 40 / 0 / 8 / 24

HEX #74C2B2

RGB 116 194 178

HSL 167.69, 0.39%, 0.61%

LAB 73.23, -27.83, 0.49

 

CMYK 8 / 39 / 0 / 24

HEX #B476C3

RGB 180 118 195

HSL 288.31, 0.39%, 0.61%

LAB 58.6, 37.33, -30.57

 

CMYK 0 / 40 / 40 / 24

HEX #C27474

RGB 194 116 116

HSL 0, 0.39%, 0.61%

LAB 57.29, 30.64, 13.2

 

CMYK 32 / 0 / 40 / 24

HEX #84C274

RGB 132 194 116

HSL 107.69, 0.39%, 0.61%

LAB 72.73, -34.75, 33.05

 

CMYK 40 / 0 / 0 / 24

HEX #74C2C2

RGB 116 194 194

HSL 180, 0.39%, 0.61%

LAB 73.67, -23.97, -7.57

 

CMYK 8 / 39 / 0 / 24

HEX #B476C3

RGB 180 118 195

HSL 288.31, 0.39%, 0.61%

LAB 58.6, 37.33, -30.57

 

CMYK 0 / 28 / 40 / 24

HEX #C28C74

RGB 194 140 116

HSL 18.46, 0.39%, 0.61%

LAB 62.92, 17.47, 20.94

 

CMYK 32 / 0 / 40 / 24

HEX #84C274

RGB 132 194 116

HSL 107.69, 0.39%, 0.61%

LAB 72.73, -34.75, 33.05

 

CMYK 40 / 12 / 0 / 24

HEX #74ABC2

RGB 116 171 194

HSL 197.69, 0.39%, 0.61%

LAB 67.08, -12.06, -17.45

 

Description

Color code: HEX #B476C3 | qconv.com Color code: HEX #B476C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 118 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 118 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 39 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 39% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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