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Color name
HEX #B47236

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B47236 it is the complementary color #4B8DC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B47236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B47236 shade: #B97231, #CA8444, #DB9657, #ECA86A and #FDBA7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B47236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B47236 shade: #B47236, #A36023, #924E10, #813C00 and #702A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B47236 shade: #B47235, #B45035 and #B43535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B47236 shade: #B47235, #B49435, #B2B435, #90B435 and #6EB435

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B47236 shade matches the following richer shades: #B47235, #C77122 and #DA700F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B47236 shade: #B47235, #A17348, #8E745B, #7B746E and #687581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B47236 shade: #B4353E, #B44F35, #B47135, #B49235 and #B4B435

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B47236 shade: #754A22, #945E2C, #B47235, #C9864A and #D29C6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B47236 shade: #B47236, #60B435 and #3E35B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B47236 shade: #B47236, #35B471 and #7135B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B47236 shade: #B47236, #60B435, #3579B4 and #8A35B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B47236 shade: #B47236, #3AB435, #3579B4 and #B035B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 70 / 29

HEX #B47236

RGB 180 114 54

HSL 28.57, 0.54%, 0.46%

LAB 54.03, 20.64, 43.01

 

Complementary color

CMYK 63 / 30 / 0 / 21

HEX #4B8DC9

RGB 75 141 201

HSL 208.57, 0.54%, 0.54%

LAB 56.84, -2.54, -37.3

 

CMYK 0 / 38 / 74 / 27

HEX #B97231

RGB 185 114 49

HSL 28.68, 0.58%, 0.46%

LAB 54.63, 22.54, 46.25

 

CMYK 0 / 35 / 66 / 21

HEX #CA8444

RGB 202 132 68

HSL 28.66, 0.56%, 0.53%

LAB 61.2, 20.96, 44.76

 

CMYK 0 / 32 / 60 / 14

HEX #DB9657

RGB 219 150 87

HSL 28.64, 0.65%, 0.6%

LAB 67.7, 19.6, 43.21

 

CMYK 0 / 29 / 55 / 7

HEX #ECA86A

RGB 236 168 106

HSL 28.62, 0.77%, 0.67%

LAB 74.11, 18.41, 41.7

 

CMYK 0 / 26 / 51 / 1

HEX #FDBA7D

RGB 253 186 125

HSL 28.59, 0.97%, 0.74%

LAB 80.45, 17.36, 40.27

 

CMYK 0 / 37 / 70 / 29

HEX #B47236

RGB 180 114 54

HSL 28.57, 0.54%, 0.46%

LAB 54.03, 20.64, 43.01

 

CMYK 0 / 41 / 79 / 36

HEX #A36023

RGB 163 96 35

HSL 28.59, 0.65%, 0.39%

LAB 47.33, 22.37, 44.42

 

CMYK 0 / 47 / 89 / 43

HEX #924E10

RGB 146 78 16

HSL 28.62, 0.8%, 0.32%

LAB 40.57, 24.39, 45.16

 

CMYK 0 / 53 / 100 / 49

HEX #813C00

RGB 129 60 0

HSL 27.91, 1%, 0.25%

LAB 33.77, 26.66, 44.46

 

CMYK 0 / 63 / 100 / 56

HEX #702A00

RGB 112 42 0

HSL 22.5, 1%, 0.22%

LAB 27.02, 29.13, 38.17

 

CMYK 0 / 37 / 71 / 29

HEX #B47235

RGB 180 114 53

HSL 28.82, 0.55%, 0.46%

LAB 54.02, 20.59, 43.49

 

CMYK 0 / 56 / 71 / 29

HEX #B45035

RGB 180 80 53

HSL 12.76, 0.55%, 0.46%

LAB 46.58, 38.82, 35.23

 

CMYK 0 / 71 / 71 / 29

HEX #B43535

RGB 180 53 53

HSL 0, 0.55%, 0.46%

LAB 42.01, 50.97, 29.91

 

CMYK 0 / 37 / 71 / 29

HEX #B47235

RGB 180 114 53

HSL 28.82, 0.55%, 0.46%

LAB 54.02, 20.59, 43.49

 

CMYK 0 / 18 / 71 / 29

HEX #B49435

RGB 180 148 53

HSL 44.88, 0.55%, 0.46%

LAB 62.63, 1.74, 52.52

 

CMYK 1 / 0 / 71 / 29

HEX #B2B435

RGB 178 180 53

HSL 60.94, 0.55%, 0.46%

LAB 71.12, -16.04, 60.94

 

CMYK 20 / 0 / 71 / 29

HEX #90B435

RGB 144 180 53

HSL 77.01, 0.55%, 0.46%

LAB 68.63, -30.25, 57.63

 

CMYK 39 / 0 / 71 / 29

HEX #6EB435

RGB 110 180 53

HSL 93.07, 0.55%, 0.46%

LAB 66.68, -43.05, 55.03

 

CMYK 0 / 37 / 71 / 29

HEX #B47235

RGB 180 114 53

HSL 28.82, 0.55%, 0.46%

LAB 54.02, 20.59, 43.49

 

CMYK 0 / 43 / 83 / 22

HEX #C77122

RGB 199 113 34

HSL 28.73, 0.71%, 0.46%

LAB 56.16, 28.46, 54.79

 

CMYK 0 / 49 / 93 / 15

HEX #DA700F

RGB 218 112 15

HSL 28.67, 0.87%, 0.46%

LAB 58.54, 36.41, 63.5

 

CMYK 0 / 37 / 71 / 29

HEX #B47235

RGB 180 114 53

HSL 28.82, 0.55%, 0.46%

LAB 54.02, 20.59, 43.49

 

CMYK 0 / 29 / 55 / 37

HEX #A17348

RGB 161 115 72

HSL 28.99, 0.38%, 0.46%

LAB 52.18, 13.1, 30.79

 

CMYK 0 / 18 / 36 / 44

HEX #8E745B

RGB 142 116 91

HSL 29.41, 0.22%, 0.46%

LAB 50.68, 6.4, 17.65

 

CMYK 0 / 6 / 11 / 52

HEX #7B746E

RGB 123 116 110

HSL 27.69, 0.06%, 0.46%

LAB 49.29, 1.56, 4.27

 

CMYK 19 / 9 / 0 / 49

HEX #687581

RGB 104 117 129

HSL 208.8, 0.11%, 0.46%

LAB 48.57, -2.07, -8.21

 

CMYK 0 / 71 / 66 / 29

HEX #B4353E

RGB 180 53 62

HSL 355.75, 0.55%, 0.46%

LAB 42.15, 51.46, 24.65

 

CMYK 0 / 56 / 71 / 29

HEX #B44F35

RGB 180 79 53

HSL 12.28, 0.55%, 0.46%

LAB 46.38, 39.32, 35.01

 

CMYK 0 / 37 / 71 / 29

HEX #B47135

RGB 180 113 53

HSL 28.35, 0.55%, 0.46%

LAB 53.78, 21.14, 43.23

 

CMYK 0 / 19 / 71 / 29

HEX #B49235

RGB 180 146 53

HSL 43.94, 0.55%, 0.46%

LAB 62.1, 2.83, 51.98

 

CMYK 0 / 0 / 71 / 29

HEX #B4B435

RGB 180 180 53

HSL 60, 0.55%, 0.46%

LAB 71.28, -15.18, 61.15

 

CMYK 0 / 37 / 71 / 54

HEX #754A22

RGB 117 74 34

HSL 28.92, 0.55%, 0.3%

LAB 35.59, 14.27, 30.76

 

CMYK 0 / 36 / 70 / 42

HEX #945E2C

RGB 148 94 44

HSL 28.85, 0.54%, 0.38%

LAB 44.92, 17.3, 36.92

 

CMYK 0 / 37 / 71 / 29

HEX #B47235

RGB 180 114 53

HSL 28.82, 0.55%, 0.46%

LAB 54.02, 20.59, 43.49

 

CMYK 0 / 33 / 63 / 21

HEX #C9864A

RGB 201 134 74

HSL 28.35, 0.54%, 0.54%

LAB 61.62, 19.83, 42.18

 

CMYK 0 / 26 / 50 / 18

HEX #D29C6A

RGB 210 156 106

HSL 28.85, 0.54%, 0.62%

LAB 68.4, 14.2, 33.94

 

CMYK 0 / 37 / 70 / 29

HEX #B47236

RGB 180 114 54

HSL 28.57, 0.54%, 0.46%

LAB 54.03, 20.64, 43.01

 

CMYK 47 / 0 / 71 / 29

HEX #60B435

RGB 96 180 53

HSL 99.69, 0.55%, 0.46%

LAB 66.05, -47.65, 54.18

 

CMYK 66 / 71 / 0 / 29

HEX #3E35B4

RGB 62 53 180

HSL 244.25, 0.55%, 0.46%

LAB 31.5, 42.55, -65.86

 

CMYK 0 / 37 / 70 / 29

HEX #B47236

RGB 180 114 54

HSL 28.57, 0.54%, 0.46%

LAB 54.03, 20.64, 43.01

 

CMYK 71 / 0 / 37 / 29

HEX #35B471

RGB 53 180 113

HSL 148.35, 0.55%, 0.46%

LAB 65.43, -49.83, 24.47

 

CMYK 37 / 71 / 0 / 29

HEX #7135B4

RGB 113 53 180

HSL 268.35, 0.55%, 0.46%

LAB 36.65, 50.96, -57.22

 

CMYK 0 / 37 / 70 / 29

HEX #B47236

RGB 180 114 54

HSL 28.57, 0.54%, 0.46%

LAB 54.03, 20.64, 43.01

 

CMYK 47 / 0 / 71 / 29

HEX #60B435

RGB 96 180 53

HSL 99.69, 0.55%, 0.46%

LAB 66.05, -47.65, 54.18

 

CMYK 71 / 33 / 0 / 29

HEX #3579B4

RGB 53 121 180

HSL 207.87, 0.55%, 0.46%

LAB 49.16, -1.71, -37.43

 

CMYK 23 / 71 / 0 / 29

HEX #8A35B4

RGB 138 53 180

HSL 280.16, 0.55%, 0.46%

LAB 39.99, 56.02, -51.66

 

CMYK 0 / 37 / 70 / 29

HEX #B47236

RGB 180 114 54

HSL 28.57, 0.54%, 0.46%

LAB 54.03, 20.64, 43.01

 

CMYK 68 / 0 / 71 / 29

HEX #3AB435

RGB 58 180 53

HSL 117.64, 0.55%, 0.46%

LAB 64.8, -57.44, 52.5

 

CMYK 71 / 33 / 0 / 29

HEX #3579B4

RGB 53 121 180

HSL 207.87, 0.55%, 0.46%

LAB 49.16, -1.71, -37.43

 

CMYK 2 / 71 / 0 / 29

HEX #B035B4

RGB 176 53 180

HSL 298.11, 0.55%, 0.46%

LAB 45.73, 64.28, -42.15

 

Description

Color code: HEX #B47236 | qconv.com Color code: HEX #B47236 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 114 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 114 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 70 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 70% 29% C M Y K

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Provide designers and agencies with accurate color values.

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