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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B47FDD it is the complementary color #4B8022. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B47FDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B47FDD shade: #B97FD8, #CA91EB, #DBA3FE, #ECB5FF and #FDC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B47FDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B47FDD shade: #B47FDD, #A36DCA, #925BB7, #8149A4 and #703791

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B47FDD shade: #B37EDC, #CC7EDC, #DC7ED2, #DC7EB9 and #DC7E9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B47FDD shade: #B37EDC, #997EDC, #807EDC and #7E7EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B47FDD shade matches the following richer shades: #B37EDC, #B570E9 and #B663F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B47FDD shade: #B37EDC, #B18BCF, #B098C2, #AEA5B5 and #ACB2A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B47FDD shade: #7F7EDC, #987EDC, #B27EDC, #CB7EDC and #DC7ED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B47FDD shade: #8D3CCB, #A05DD4, #B37EDC, #C69EE5 and #D9BFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B47FDD shade: #B47FDD, #DC7E95 and #7EDC8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B47FDD shade: #B47FDD, #DCB27E and #7EDCB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B47FDD shade: #B47FDD, #DC7E95, #A8DC7E and #7EDCC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B47FDD shade: #B47FDD, #DC827E, #A8DC7E and #7ED7DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 43 / 0 / 13

HEX #B47FDD

RGB 180 127 221

HSL 273.83, 0.58%, 0.68%

LAB 61.74, 37.91, -40.31

 

Complementary color

CMYK 41 / 0 / 73 / 50

HEX #4B8022

RGB 75 128 34

HSL 93.83, 0.58%, 0.32%

LAB 48.32, -34.26, 43.17

 

CMYK 14 / 41 / 0 / 15

HEX #B97FD8

RGB 185 127 216

HSL 279.1, 0.53%, 0.67%

LAB 62.04, 38.28, -37.01

 

CMYK 14 / 38 / 0 / 8

HEX #CA91EB

RGB 202 145 235

HSL 278, 0.69%, 0.75%

LAB 68.61, 37.52, -37.17

 

CMYK 14 / 36 / 0 / 0

HEX #DBA3FE

RGB 219 163 254

HSL 276.92, 0.98%, 0.82%

LAB 75.08, 36.8, -37.33

 

CMYK 7 / 29 / 0 / 0

HEX #ECB5FF

RGB 236 181 255

HSL 284.59, 1%, 0.85%

LAB 80.79, 32.51, -28.92

 

CMYK 1 / 22 / 0 / 0

HEX #FDC7FF

RGB 253 199 255

HSL 297.86, 1%, 0.89%

LAB 86.48, 28.35, -20.12

 

CMYK 19 / 43 / 0 / 13

HEX #B47FDD

RGB 180 127 221

HSL 273.83, 0.58%, 0.68%

LAB 61.74, 37.91, -40.31

 

CMYK 19 / 46 / 0 / 21

HEX #A36DCA

RGB 163 109 202

HSL 274.84, 0.47%, 0.61%

LAB 55.06, 38.74, -40.23

 

CMYK 20 / 50 / 0 / 28

HEX #925BB7

RGB 146 91 183

HSL 275.87, 0.39%, 0.54%

LAB 48.28, 39.6, -40.13

 

CMYK 21 / 55 / 0 / 36

HEX #8149A4

RGB 129 73 164

HSL 276.92, 0.38%, 0.46%

LAB 41.39, 40.47, -39.98

 

CMYK 23 / 62 / 0 / 43

HEX #703791

RGB 112 55 145

HSL 278, 0.45%, 0.39%

LAB 34.44, 41.25, -39.73

 

CMYK 19 / 43 / 0 / 14

HEX #B37EDC

RGB 179 126 220

HSL 273.83, 0.57%, 0.68%

LAB 61.37, 37.95, -40.35

 

CMYK 7 / 43 / 0 / 14

HEX #CC7EDC

RGB 204 126 220

HSL 289.79, 0.57%, 0.68%

LAB 64.1, 45.24, -35.88

 

CMYK 0 / 43 / 5 / 14

HEX #DC7ED2

RGB 220 126 210

HSL 306.38, 0.57%, 0.68%

LAB 65.59, 48.19, -27.85

 

CMYK 0 / 43 / 16 / 14

HEX #DC7EB9

RGB 220 126 185

HSL 322.34, 0.57%, 0.68%

LAB 64.68, 44.06, -15.19

 

CMYK 0 / 43 / 28 / 14

HEX #DC7E9F

RGB 220 126 159

HSL 338.94, 0.57%, 0.68%

LAB 63.87, 40.27, -1.64

 

CMYK 19 / 43 / 0 / 14

HEX #B37EDC

RGB 179 126 220

HSL 273.83, 0.57%, 0.68%

LAB 61.37, 37.95, -40.35

 

CMYK 30 / 43 / 0 / 14

HEX #997EDC

RGB 153 126 220

HSL 257.23, 0.57%, 0.68%

LAB 58.85, 30.63, -44.49

 

CMYK 42 / 43 / 0 / 14

HEX #807EDC

RGB 128 126 220

HSL 241.28, 0.57%, 0.68%

LAB 56.76, 24.07, -47.93

 

CMYK 43 / 43 / 0 / 14

HEX #7E7EDC

RGB 126 126 220

HSL 240, 0.57%, 0.68%

LAB 56.61, 23.57, -48.18

 

CMYK 19 / 43 / 0 / 14

HEX #B37EDC

RGB 179 126 220

HSL 273.83, 0.57%, 0.68%

LAB 61.37, 37.95, -40.35

 

CMYK 22 / 52 / 0 / 9

HEX #B570E9

RGB 181 112 233

HSL 274.21, 0.73%, 0.68%

LAB 59.25, 48.97, -50.94

 

CMYK 26 / 60 / 0 / 3

HEX #B663F7

RGB 182 99 247

HSL 273.65, 0.9%, 0.68%

LAB 57.64, 58.96, -61.28

 

CMYK 19 / 43 / 0 / 14

HEX #B37EDC

RGB 179 126 220

HSL 273.83, 0.57%, 0.68%

LAB 61.37, 37.95, -40.35

 

CMYK 14 / 33 / 0 / 19

HEX #B18BCF

RGB 177 139 207

HSL 273.53, 0.41%, 0.68%

LAB 63.6, 27.23, -29.61

 

CMYK 9 / 22 / 0 / 24

HEX #B098C2

RGB 176 152 194

HSL 274.29, 0.26%, 0.68%

LAB 66.2, 16.83, -18.38

 

CMYK 4 / 9 / 0 / 29

HEX #AEA5B5

RGB 174 165 181

HSL 273.75, 0.1%, 0.68%

LAB 68.93, 6.27, -7.07

 

CMYK 3 / 0 / 6 / 30

HEX #ACB2A7

RGB 172 178 167

HSL 92.73, 0.07%, 0.68%

LAB 71.83, -4.15, 4.88

 

CMYK 42 / 43 / 0 / 14

HEX #7F7EDC

RGB 127 126 220

HSL 240.64, 0.57%, 0.68%

LAB 56.68, 23.82, -48.05

 

CMYK 31 / 43 / 0 / 14

HEX #987EDC

RGB 152 126 220

HSL 256.6, 0.57%, 0.68%

LAB 58.76, 30.36, -44.64

 

CMYK 19 / 43 / 0 / 14

HEX #B27EDC

RGB 178 126 220

HSL 273.19, 0.57%, 0.68%

LAB 61.27, 37.67, -40.52

 

CMYK 8 / 43 / 0 / 14

HEX #CB7EDC

RGB 203 126 220

HSL 289.15, 0.57%, 0.68%

LAB 63.99, 44.95, -36.06

 

CMYK 0 / 43 / 4 / 14

HEX #DC7ED4

RGB 220 126 212

HSL 305.11, 0.57%, 0.68%

LAB 65.66, 48.54, -28.84

 

CMYK 31 / 70 / 0 / 20

HEX #8D3CCB

RGB 141 60 203

HSL 273.99, 0.58%, 0.52%

LAB 43.07, 58.66, -60.11

 

CMYK 25 / 56 / 0 / 17

HEX #A05DD4

RGB 160 93 212

HSL 273.78, 0.58%, 0.6%

LAB 51.9, 48.87, -50.95

 

CMYK 19 / 43 / 0 / 14

HEX #B37EDC

RGB 179 126 220

HSL 273.83, 0.57%, 0.68%

LAB 61.37, 37.95, -40.35

 

CMYK 14 / 31 / 0 / 10

HEX #C69EE5

RGB 198 158 229

HSL 273.8, 0.58%, 0.76%

LAB 70.95, 27.92, -30.28

 

CMYK 9 / 20 / 0 / 7

HEX #D9BFEE

RGB 217 191 238

HSL 273.19, 0.58%, 0.84%

LAB 80.84, 17.78, -19.9

 

CMYK 19 / 43 / 0 / 13

HEX #B47FDD

RGB 180 127 221

HSL 273.83, 0.58%, 0.68%

LAB 61.74, 37.91, -40.31

 

CMYK 0 / 43 / 32 / 14

HEX #DC7E95

RGB 220 126 149

HSL 345.32, 0.57%, 0.68%

LAB 63.6, 38.96, 3.66

 

CMYK 43 / 0 / 36 / 14

HEX #7EDC8C

RGB 126 220 140

HSL 128.94, 0.57%, 0.68%

LAB 80.47, -44.49, 30.82

 

CMYK 19 / 43 / 0 / 13

HEX #B47FDD

RGB 180 127 221

HSL 273.83, 0.58%, 0.68%

LAB 61.74, 37.91, -40.31

 

CMYK 0 / 19 / 43 / 14

HEX #DCB27E

RGB 220 178 126

HSL 33.19, 0.57%, 0.68%

LAB 75.18, 8.46, 32.3

 

CMYK 43 / 0 / 19 / 14

HEX #7EDCB2

RGB 126 220 178

HSL 153.19, 0.57%, 0.68%

LAB 81.2, -37.43, 12.01

 

CMYK 19 / 43 / 0 / 13

HEX #B47FDD

RGB 180 127 221

HSL 273.83, 0.58%, 0.68%

LAB 61.74, 37.91, -40.31

 

CMYK 0 / 43 / 32 / 14

HEX #DC7E95

RGB 220 126 149

HSL 345.32, 0.57%, 0.68%

LAB 63.6, 38.96, 3.66

 

CMYK 24 / 0 / 43 / 14

HEX #A8DC7E

RGB 168 220 126

HSL 93.19, 0.57%, 0.68%

LAB 82.39, -32.93, 40.78

 

CMYK 43 / 0 / 10 / 14

HEX #7EDCC5

RGB 126 220 197

HSL 165.32, 0.57%, 0.68%

LAB 81.65, -33.31, 2.59

 

CMYK 19 / 43 / 0 / 13

HEX #B47FDD

RGB 180 127 221

HSL 273.83, 0.58%, 0.68%

LAB 61.74, 37.91, -40.31

 

CMYK 0 / 41 / 43 / 14

HEX #DC827E

RGB 220 130 126

HSL 2.55, 0.57%, 0.68%

LAB 63.91, 34.17, 17.17

 

CMYK 24 / 0 / 43 / 14

HEX #A8DC7E

RGB 168 220 126

HSL 93.19, 0.57%, 0.68%

LAB 82.39, -32.93, 40.78

 

CMYK 43 / 2 / 0 / 14

HEX #7ED7DC

RGB 126 215 220

HSL 183.19, 0.57%, 0.68%

LAB 80.85, -25.41, -10.84

 

Description

Color code: HEX #B47FDD | qconv.com Color code: HEX #B47FDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 127 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 127 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 43 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 43% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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