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Color name
HEX #B48650

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B48650 it is the complementary color #4B79AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B48650. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B48650 shade: #B9864B, #CA985E, #DBAA71, #ECBC84 and #FDCE97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B48650. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B48650 shade: #B48650, #A3743D, #92622A, #815017 and #703E04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B48650 shade: #B48650, #B46B50, #B45050 and #B45050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B48650 shade: #B48650, #B4A150, #ACB450, #91B450 and #76B450

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B48650 shade matches the following richer shades: #B48650, #C8873B, #DC8927 and #F08A13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B48650 shade: #B48650, #9F8464, #8B8278, #77818C and #637FA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B48650 shade: #B45050, #B46A50, #B48550, #B4A050 and #ADB450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B48650 shade: #7C5B35, #997041, #B48650, #C09A6C and #CCAD89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B48650 shade: #B48650, #6AB450 and #5D50B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B48650 shade: #B48650, #50B485 and #8550B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B48650 shade: #B48650, #6AB450, #507EB4 and #9950B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B48650 shade: #B48650, #50B453, #507EB4 and #B450B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 56 / 29

HEX #B48650

RGB 180 134 80

HSL 32.4, 0.4%, 0.51%

LAB 59.28, 11.33, 35.68

 

Complementary color

CMYK 57 / 31 / 0 / 31

HEX #4B79AF

RGB 75 121 175

HSL 212.4, 0.4%, 0.49%

LAB 49.82, 0.63, -33.44

 

CMYK 0 / 28 / 59 / 27

HEX #B9864B

RGB 185 134 75

HSL 32.18, 0.44%, 0.51%

LAB 59.77, 13.08, 39.03

 

CMYK 0 / 25 / 53 / 21

HEX #CA985E

RGB 202 152 94

HSL 32.22, 0.5%, 0.58%

LAB 66.38, 11.96, 37.56

 

CMYK 0 / 22 / 48 / 14

HEX #DBAA71

RGB 219 170 113

HSL 32.26, 0.6%, 0.65%

LAB 72.89, 11.02, 36.16

 

CMYK 0 / 20 / 44 / 7

HEX #ECBC84

RGB 236 188 132

HSL 32.31, 0.73%, 0.72%

LAB 79.31, 10.19, 34.84

 

CMYK 0 / 19 / 40 / 1

HEX #FDCE97

RGB 253 206 151

HSL 32.35, 0.96%, 0.79%

LAB 85.63, 9.47, 33.6

 

CMYK 0 / 26 / 56 / 29

HEX #B48650

RGB 180 134 80

HSL 32.4, 0.4%, 0.51%

LAB 59.28, 11.33, 35.68

 

CMYK 0 / 29 / 63 / 36

HEX #A3743D

RGB 163 116 61

HSL 32.35, 0.46%, 0.44%

LAB 52.52, 12.52, 37.18

 

CMYK 0 / 33 / 71 / 43

HEX #92622A

RGB 146 98 42

HSL 32.31, 0.55%, 0.37%

LAB 45.65, 13.96, 38.66

 

CMYK 0 / 38 / 82 / 49

HEX #815017

RGB 129 80 23

HSL 32.26, 0.7%, 0.3%

LAB 38.67, 15.73, 39.83

 

CMYK 0 / 45 / 96 / 56

HEX #703E04

RGB 112 62 4

HSL 32.22, 0.93%, 0.23%

LAB 31.58, 17.88, 40.11

 

CMYK 0 / 26 / 56 / 29

HEX #B48650

RGB 180 134 80

HSL 32.4, 0.4%, 0.51%

LAB 59.28, 11.33, 35.68

 

CMYK 0 / 41 / 56 / 29

HEX #B46B50

RGB 180 107 80

HSL 16.2, 0.4%, 0.51%

LAB 52.73, 26.36, 27.49

 

CMYK 0 / 56 / 56 / 29

HEX #B45050

RGB 180 80 80

HSL 0, 0.4%, 0.51%

LAB 47, 40.65, 20.03

 

CMYK 0 / 56 / 56 / 29

HEX #B45050

RGB 180 80 80

HSL 0, 0.4%, 0.51%

LAB 47, 40.65, 20.03

 

CMYK 0 / 26 / 56 / 29

HEX #B48650

RGB 180 134 80

HSL 32.4, 0.4%, 0.51%

LAB 59.28, 11.33, 35.68

 

CMYK 0 / 11 / 56 / 29

HEX #B4A150

RGB 180 161 80

HSL 48.6, 0.4%, 0.51%

LAB 66.35, -3.46, 44.12

 

CMYK 4 / 0 / 56 / 29

HEX #ACB450

RGB 172 180 80

HSL 64.8, 0.4%, 0.51%

LAB 70.87, -16.78, 49.16

 

CMYK 19 / 0 / 56 / 29

HEX #91B450

RGB 145 180 80

HSL 81, 0.4%, 0.51%

LAB 68.93, -27.73, 46.42

 

CMYK 34 / 0 / 56 / 29

HEX #76B450

RGB 118 180 80

HSL 97.2, 0.4%, 0.51%

LAB 67.33, -37.81, 44.16

 

CMYK 0 / 26 / 56 / 29

HEX #B48650

RGB 180 134 80

HSL 32.4, 0.4%, 0.51%

LAB 59.28, 11.33, 35.68

 

CMYK 0 / 33 / 71 / 22

HEX #C8873B

RGB 200 135 59

HSL 32.34, 0.56%, 0.51%

LAB 61.59, 17.96, 49.45

 

CMYK 0 / 38 / 82 / 14

HEX #DC8927

RGB 220 137 39

HSL 32.49, 0.72%, 0.51%

LAB 64.37, 24.59, 61.24

 

CMYK 0 / 43 / 92 / 6

HEX #F08A13

RGB 240 138 19

HSL 32.31, 0.88%, 0.51%

LAB 67.09, 31.97, 70.09

 

CMYK 0 / 26 / 56 / 29

HEX #B48650

RGB 180 134 80

HSL 32.4, 0.4%, 0.51%

LAB 59.28, 11.33, 35.68

 

CMYK 0 / 17 / 37 / 38

HEX #9F8464

RGB 159 132 100

HSL 32.54, 0.24%, 0.51%

LAB 56.87, 5.6, 21.14

 

CMYK 0 / 6 / 14 / 45

HEX #8B8278

RGB 139 130 120

HSL 31.58, 0.08%, 0.51%

LAB 54.88, 1.59, 6.63

 

CMYK 15 / 8 / 0 / 45

HEX #77818C

RGB 119 129 140

HSL 211.43, 0.08%, 0.51%

LAB 53.51, -1.27, -7.19

 

CMYK 38 / 21 / 0 / 37

HEX #637FA0

RGB 99 127 160

HSL 212.46, 0.24%, 0.51%

LAB 52.25, -1.43, -20.85

 

CMYK 0 / 56 / 56 / 29

HEX #B45050

RGB 180 80 80

HSL 0, 0.4%, 0.51%

LAB 47, 40.65, 20.03

 

CMYK 0 / 41 / 56 / 29

HEX #B46A50

RGB 180 106 80

HSL 15.6, 0.4%, 0.51%

LAB 52.5, 26.91, 27.2

 

CMYK 0 / 26 / 56 / 29

HEX #B48550

RGB 180 133 80

HSL 31.8, 0.4%, 0.51%

LAB 59.03, 11.88, 35.37

 

CMYK 0 / 11 / 56 / 29

HEX #B4A050

RGB 180 160 80

HSL 48, 0.4%, 0.51%

LAB 66.08, -2.93, 43.8

 

CMYK 4 / 0 / 56 / 29

HEX #ADB450

RGB 173 180 80

HSL 64.2, 0.4%, 0.51%

LAB 70.94, -16.37, 49.27

 

CMYK 0 / 27 / 57 / 51

HEX #7C5B35

RGB 124 91 53

HSL 32.11, 0.4%, 0.35%

LAB 41.25, 8.8, 27

 

CMYK 0 / 27 / 58 / 40

HEX #997041

RGB 153 112 65

HSL 32.05, 0.4%, 0.43%

LAB 50.38, 10.69, 32.22

 

CMYK 0 / 26 / 56 / 29

HEX #B48650

RGB 180 134 80

HSL 32.4, 0.4%, 0.51%

LAB 59.28, 11.33, 35.68

 

CMYK 0 / 20 / 44 / 25

HEX #C09A6C

RGB 192 154 108

HSL 32.86, 0.4%, 0.59%

LAB 66.06, 8.06, 29.48

 

CMYK 0 / 15 / 33 / 20

HEX #CCAD89

RGB 204 173 137

HSL 32.24, 0.4%, 0.67%

LAB 72.58, 6.03, 22.7

 

CMYK 0 / 26 / 56 / 29

HEX #B48650

RGB 180 134 80

HSL 32.4, 0.4%, 0.51%

LAB 59.28, 11.33, 35.68

 

CMYK 41 / 0 / 56 / 29

HEX #6AB450

RGB 106 180 80

HSL 104.4, 0.4%, 0.51%

LAB 66.74, -41.86, 43.31

 

CMYK 48 / 56 / 0 / 29

HEX #5D50B4

RGB 93 80 180

HSL 247.8, 0.4%, 0.51%

LAB 40.18, 31.73, -51.61

 

CMYK 0 / 26 / 56 / 29

HEX #B48650

RGB 180 134 80

HSL 32.4, 0.4%, 0.51%

LAB 59.28, 11.33, 35.68

 

CMYK 56 / 0 / 26 / 29

HEX #50B485

RGB 80 180 133

HSL 151.8, 0.4%, 0.51%

LAB 66.55, -40.4, 15.32

 

CMYK 26 / 56 / 0 / 29

HEX #8550B4

RGB 133 80 180

HSL 271.8, 0.4%, 0.51%

LAB 44.26, 41.47, -44.85

 

CMYK 0 / 26 / 56 / 29

HEX #B48650

RGB 180 134 80

HSL 32.4, 0.4%, 0.51%

LAB 59.28, 11.33, 35.68

 

CMYK 41 / 0 / 56 / 29

HEX #6AB450

RGB 106 180 80

HSL 104.4, 0.4%, 0.51%

LAB 66.74, -41.86, 43.31

 

CMYK 56 / 30 / 0 / 29

HEX #507EB4

RGB 80 126 180

HSL 212.4, 0.4%, 0.51%

LAB 51.75, 0.37, -33.29

 

CMYK 15 / 56 / 0 / 29

HEX #9950B4

RGB 153 80 180

HSL 283.8, 0.4%, 0.51%

LAB 46.72, 46.76, -40.79

 

CMYK 0 / 26 / 56 / 29

HEX #B48650

RGB 180 134 80

HSL 32.4, 0.4%, 0.51%

LAB 59.28, 11.33, 35.68

 

CMYK 56 / 0 / 54 / 29

HEX #50B453

RGB 80 180 83

HSL 121.8, 0.4%, 0.51%

LAB 65.73, -49.09, 40.41

 

CMYK 56 / 30 / 0 / 29

HEX #507EB4

RGB 80 126 180

HSL 212.4, 0.4%, 0.51%

LAB 51.75, 0.37, -33.29

 

CMYK 0 / 56 / 2 / 29

HEX #B450B0

RGB 180 80 176

HSL 302.4, 0.4%, 0.51%

LAB 50.19, 53.35, -32.74

 

Description

Color code: HEX #B48650 | qconv.com Color code: HEX #B48650 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 134 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 134 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 56 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 56% 29% C M Y K

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Provide designers and agencies with accurate color values.

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