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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4805E it is the complementary color #4B7FA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4805E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4805E shade: #B98059, #CA926C, #DBA47F, #ECB692 and #FDC8A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4805E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4805E shade: #B4805E, #A36E4B, #925C38, #814A25 and #703812

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4805E shade: #B3805F, #B36A5F and #B35F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4805E shade: #B3805F, #B3975F, #B3AE5F, #A2B35F and #8BB35F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4805E shade matches the following richer shades: #B3805F, #C67C4C, #D97839 and #EC7426

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4805E shade: #B3805F, #A08472, #8D8885, #7A8C98 and #6890AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4805E shade: #B35F6C, #B3695F, #B37F5F, #B3965F and #B3AC5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4805E shade: #83593D, #9F6C4A, #B3805F, #C1977B and #CEAD97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4805E shade: #B4805E, #82B35F and #5F60B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4805E shade: #B4805E, #5FB37F and #7F5FB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4805E shade: #B4805E, #82B35F, #5F93B3 and #905FB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4805E shade: #B4805E, #69B35F, #5F93B3 and #AA5FB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 48 / 29

HEX #B4805E

RGB 180 128 94

HSL 23.72, 0.36%, 0.54%

LAB 57.99, 15.98, 26.4

 

Complementary color

CMYK 53 / 21 / 0 / 37

HEX #4B7FA1

RGB 75 127 161

HSL 203.72, 0.36%, 0.46%

LAB 50.98, -7.4, -23.51

 

CMYK 0 / 31 / 52 / 27

HEX #B98059

RGB 185 128 89

HSL 24.38, 0.41%, 0.54%

LAB 58.48, 17.59, 29.93

 

CMYK 0 / 28 / 47 / 21

HEX #CA926C

RGB 202 146 108

HSL 24.26, 0.47%, 0.61%

LAB 65.12, 16.56, 28.45

 

CMYK 0 / 25 / 42 / 14

HEX #DBA47F

RGB 219 164 127

HSL 24.13, 0.56%, 0.68%

LAB 71.65, 15.66, 27.1

 

CMYK 0 / 23 / 38 / 7

HEX #ECB692

RGB 236 182 146

HSL 24, 0.7%, 0.75%

LAB 78.09, 14.87, 25.85

 

CMYK 0 / 21 / 35 / 1

HEX #FDC8A5

RGB 253 200 165

HSL 23.86, 0.96%, 0.82%

LAB 84.44, 14.18, 24.7

 

CMYK 0 / 29 / 48 / 29

HEX #B4805E

RGB 180 128 94

HSL 23.72, 0.36%, 0.54%

LAB 57.99, 15.98, 26.4

 

CMYK 0 / 33 / 54 / 36

HEX #A36E4B

RGB 163 110 75

HSL 23.86, 0.37%, 0.47%

LAB 51.21, 17.08, 27.94

 

CMYK 0 / 37 / 62 / 43

HEX #925C38

RGB 146 92 56

HSL 24, 0.45%, 0.4%

LAB 44.31, 18.39, 29.65

 

CMYK 0 / 43 / 71 / 49

HEX #814A25

RGB 129 74 37

HSL 24.13, 0.55%, 0.33%

LAB 37.3, 19.96, 31.49

 

CMYK 0 / 50 / 84 / 56

HEX #703812

RGB 112 56 18

HSL 24.26, 0.72%, 0.25%

LAB 30.2, 21.85, 33.26

 

CMYK 0 / 28 / 47 / 30

HEX #B3805F

RGB 179 128 95

HSL 23.57, 0.36%, 0.54%

LAB 57.89, 15.67, 25.69

 

CMYK 0 / 41 / 47 / 30

HEX #B36A5F

RGB 179 106 95

HSL 7.86, 0.36%, 0.54%

LAB 52.64, 27.92, 18.7

 

CMYK 0 / 47 / 47 / 30

HEX #B35F5F

RGB 179 95 95

HSL 0, 0.36%, 0.54%

LAB 50.21, 33.9, 15.39

 

CMYK 0 / 28 / 47 / 30

HEX #B3805F

RGB 179 128 95

HSL 23.57, 0.36%, 0.54%

LAB 57.89, 15.67, 25.69

 

CMYK 0 / 16 / 47 / 30

HEX #B3975F

RGB 179 151 95

HSL 40, 0.36%, 0.54%

LAB 63.79, 2.91, 33.28

 

CMYK 0 / 3 / 47 / 30

HEX #B3AE5F

RGB 179 174 95

HSL 56.43, 0.36%, 0.54%

LAB 69.95, -9.42, 40.94

 

CMYK 9 / 0 / 47 / 30

HEX #A2B35F

RGB 162 179 95

HSL 72.14, 0.36%, 0.54%

LAB 70, -18.96, 40.69

 

CMYK 22 / 0 / 47 / 30

HEX #8BB35F

RGB 139 179 95

HSL 88.57, 0.36%, 0.54%

LAB 68.43, -27.95, 38.4

 

CMYK 0 / 28 / 47 / 30

HEX #B3805F

RGB 179 128 95

HSL 23.57, 0.36%, 0.54%

LAB 57.89, 15.67, 25.69

 

CMYK 0 / 37 / 62 / 22

HEX #C67C4C

RGB 198 124 76

HSL 23.61, 0.52%, 0.54%

LAB 58.92, 24.18, 37.86

 

CMYK 0 / 45 / 74 / 15

HEX #D97839

RGB 217 120 57

HSL 23.63, 0.68%, 0.54%

LAB 60.32, 33.03, 49.72

 

CMYK 0 / 51 / 84 / 7

HEX #EC7426

RGB 236 116 38

HSL 23.64, 0.84%, 0.54%

LAB 62.05, 41.93, 60.45

 

CMYK 0 / 28 / 47 / 30

HEX #B3805F

RGB 179 128 95

HSL 23.57, 0.36%, 0.54%

LAB 57.89, 15.67, 25.69

 

CMYK 0 / 18 / 29 / 37

HEX #A08472

RGB 160 132 114

HSL 23.48, 0.19%, 0.54%

LAB 57.26, 7.9, 13.73

 

CMYK 0 / 4 / 6 / 45

HEX #8D8885

RGB 141 136 133

HSL 22.5, 0.03%, 0.54%

LAB 57.04, 1.3, 2.26

 

CMYK 20 / 8 / 0 / 40

HEX #7A8C98

RGB 122 140 152

HSL 204, 0.13%, 0.54%

LAB 57.23, -3.75, -8.55

 

CMYK 39 / 16 / 0 / 33

HEX #6890AB

RGB 104 144 171

HSL 204.18, 0.29%, 0.54%

LAB 57.88, -6.7, -18.56

 

CMYK 0 / 47 / 40 / 30

HEX #B35F6C

RGB 179 95 108

HSL 350.71, 0.36%, 0.54%

LAB 50.51, 35.32, 8.07

 

CMYK 0 / 41 / 47 / 30

HEX #B3695F

RGB 179 105 95

HSL 7.14, 0.36%, 0.54%

LAB 52.41, 28.47, 18.39

 

CMYK 0 / 29 / 47 / 30

HEX #B37F5F

RGB 179 127 95

HSL 22.86, 0.36%, 0.54%

LAB 57.64, 16.23, 25.37

 

CMYK 0 / 16 / 47 / 30

HEX #B3965F

RGB 179 150 95

HSL 39.29, 0.36%, 0.54%

LAB 63.53, 3.46, 32.95

 

CMYK 0 / 4 / 47 / 30

HEX #B3AC5F

RGB 179 172 95

HSL 55, 0.36%, 0.54%

LAB 69.41, -8.37, 40.28

 

CMYK 0 / 32 / 53 / 49

HEX #83593D

RGB 131 89 61

HSL 24, 0.36%, 0.38%

LAB 41.7, 13.93, 23.1

 

CMYK 0 / 32 / 53 / 38

HEX #9F6C4A

RGB 159 108 74

HSL 24, 0.36%, 0.46%

LAB 50.2, 16.41, 27.14

 

CMYK 0 / 28 / 47 / 30

HEX #B3805F

RGB 179 128 95

HSL 23.57, 0.36%, 0.54%

LAB 57.89, 15.67, 25.69

 

CMYK 0 / 22 / 36 / 24

HEX #C1977B

RGB 193 151 123

HSL 24, 0.36%, 0.62%

LAB 65.67, 11.84, 20.77

 

CMYK 0 / 16 / 27 / 19

HEX #CEAD97

RGB 206 173 151

HSL 24, 0.36%, 0.7%

LAB 73.05, 8.67, 15.77

 

CMYK 0 / 29 / 48 / 29

HEX #B4805E

RGB 180 128 94

HSL 23.72, 0.36%, 0.54%

LAB 57.99, 15.98, 26.4

 

CMYK 27 / 0 / 47 / 30

HEX #82B35F

RGB 130 179 95

HSL 95, 0.36%, 0.54%

LAB 67.88, -31.3, 37.61

 

CMYK 47 / 46 / 0 / 30

HEX #5F60B3

RGB 95 96 179

HSL 239.29, 0.36%, 0.54%

LAB 44.31, 21.97, -44.4

 

CMYK 0 / 29 / 48 / 29

HEX #B4805E

RGB 180 128 94

HSL 23.72, 0.36%, 0.54%

LAB 57.99, 15.98, 26.4

 

CMYK 47 / 0 / 29 / 30

HEX #5FB37F

RGB 95 179 127

HSL 142.86, 0.36%, 0.54%

LAB 66.68, -37.42, 18.84

 

CMYK 29 / 47 / 0 / 30

HEX #7F5FB3

RGB 127 95 179

HSL 262.86, 0.36%, 0.54%

LAB 46.91, 31.02, -40.09

 

CMYK 0 / 29 / 48 / 29

HEX #B4805E

RGB 180 128 94

HSL 23.72, 0.36%, 0.54%

LAB 57.99, 15.98, 26.4

 

CMYK 27 / 0 / 47 / 30

HEX #82B35F

RGB 130 179 95

HSL 95, 0.36%, 0.54%

LAB 67.88, -31.3, 37.61

 

CMYK 47 / 18 / 0 / 30

HEX #5F93B3

RGB 95 147 179

HSL 202.86, 0.36%, 0.54%

LAB 58.56, -8.5, -22.11

 

CMYK 20 / 47 / 0 / 30

HEX #905FB3

RGB 144 95 179

HSL 275, 0.36%, 0.54%

LAB 48.72, 35.87, -37.11

 

CMYK 0 / 29 / 48 / 29

HEX #B4805E

RGB 180 128 94

HSL 23.72, 0.36%, 0.54%

LAB 57.99, 15.98, 26.4

 

CMYK 41 / 0 / 47 / 30

HEX #69B35F

RGB 105 179 95

HSL 112.86, 0.36%, 0.54%

LAB 66.57, -39.84, 35.69

 

CMYK 47 / 18 / 0 / 30

HEX #5F93B3

RGB 95 147 179

HSL 202.86, 0.36%, 0.54%

LAB 58.56, -8.5, -22.11

 

CMYK 5 / 47 / 0 / 30

HEX #AA5FB3

RGB 170 95 179

HSL 293.57, 0.36%, 0.54%

LAB 51.82, 43.53, -32.03

 

Description

Color code: HEX #B4805E | qconv.com Color code: HEX #B4805E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 128 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 128 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 48 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 48% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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