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Color name
HEX #B48289

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B48289 it is the complementary color #4B7D76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B48289. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B48289 shade: #B98284, #CA9497, #DBA6AA, #ECB8BD and #FDCAD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B48289. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B48289 shade: #B48289, #A37076, #925E63, #814C50 and #703A3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B48289 shade: #B48289 and #B48282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B48289 shade: #B48289, #B48297, #B482A4, #B482B1 and #A982B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B48289 shade matches the following richer shades: #B48289, #C4727E, #D46272, #E45266 and #F4425B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B48289 shade: #B48289, #A49295, #94A2A0, #84B2AC and #74C3B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B48289 shade: #B482A4, #B48297, #B4828A, #B48882 and #B49582

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B48289 shade: #8E555D, #A46871, #B48289, #C39CA1 and #D3B6BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B48289 shade: #B48289, #B1B482 and #829EB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B48289 shade: #B48289, #8AB482 and #828AB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B48289 shade: #B48289, #B1B482, #82B4AC and #8582B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B48289 shade: #B48289, #A3B482, #82B4AC and #9482B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 24 / 29

HEX #B48289

RGB 180 130 137

HSL 351.6, 0.25%, 0.61%

LAB 59.41, 20.31, 3.88

 

Complementary color

CMYK 40 / 0 / 6 / 51

HEX #4B7D76

RGB 75 125 118

HSL 171.6, 0.25%, 0.39%

LAB 48.85, -18.61, -1.5

 

CMYK 0 / 30 / 29 / 27

HEX #B98284

RGB 185 130 132

HSL 357.82, 0.28%, 0.62%

LAB 59.84, 21.5, 7.43

 

CMYK 0 / 27 / 25 / 21

HEX #CA9497

RGB 202 148 151

HSL 356.67, 0.34%, 0.69%

LAB 66.5, 20.76, 6.44

 

CMYK 0 / 24 / 22 / 14

HEX #DBA6AA

RGB 219 166 170

HSL 355.47, 0.42%, 0.75%

LAB 73.05, 20.09, 5.53

 

CMYK 0 / 22 / 20 / 7

HEX #ECB8BD

RGB 236 184 189

HSL 354.23, 0.58%, 0.82%

LAB 79.49, 19.49, 4.69

 

CMYK 0 / 20 / 18 / 1

HEX #FDCAD0

RGB 253 202 208

HSL 352.94, 0.93%, 0.89%

LAB 85.85, 18.94, 3.9

 

CMYK 0 / 28 / 24 / 29

HEX #B48289

RGB 180 130 137

HSL 351.6, 0.25%, 0.61%

LAB 59.41, 20.31, 3.88

 

CMYK 0 / 31 / 28 / 36

HEX #A37076

RGB 163 112 118

HSL 352.94, 0.22%, 0.54%

LAB 52.6, 21.07, 4.86

 

CMYK 0 / 36 / 32 / 43

HEX #925E63

RGB 146 94 99

HSL 354.23, 0.22%, 0.47%

LAB 45.66, 21.94, 5.97

 

CMYK 0 / 41 / 38 / 49

HEX #814C50

RGB 129 76 80

HSL 355.47, 0.26%, 0.4%

LAB 38.58, 22.93, 7.27

 

CMYK 0 / 48 / 46 / 56

HEX #703A3D

RGB 112 58 61

HSL 356.67, 0.32%, 0.33%

LAB 31.37, 24.05, 8.86

 

CMYK 0 / 28 / 24 / 29

HEX #B48289

RGB 180 130 137

HSL 351.6, 0.25%, 0.61%

LAB 59.41, 20.31, 3.88

 

CMYK 0 / 28 / 28 / 29

HEX #B48282

RGB 180 130 130

HSL 0, 0.25%, 0.61%

LAB 59.23, 19.28, 7.64

 

CMYK 0 / 28 / 24 / 29

HEX #B48289

RGB 180 130 137

HSL 351.6, 0.25%, 0.61%

LAB 59.41, 20.31, 3.88

 

CMYK 0 / 28 / 16 / 29

HEX #B48297

RGB 180 130 151

HSL 334.8, 0.25%, 0.61%

LAB 59.8, 22.52, -3.59

 

CMYK 0 / 28 / 9 / 29

HEX #B482A4

RGB 180 130 164

HSL 319.2, 0.25%, 0.61%

LAB 60.2, 24.75, -10.44

 

CMYK 0 / 28 / 2 / 29

HEX #B482B1

RGB 180 130 177

HSL 303.6, 0.25%, 0.61%

LAB 60.64, 27.14, -17.2

 

CMYK 6 / 28 / 0 / 29

HEX #A982B4

RGB 169 130 180

HSL 286.8, 0.25%, 0.61%

LAB 59.61, 24.02, -20.58

 

CMYK 0 / 28 / 24 / 29

HEX #B48289

RGB 180 130 137

HSL 351.6, 0.25%, 0.61%

LAB 59.41, 20.31, 3.88

 

CMYK 0 / 42 / 36 / 23

HEX #C4727E

RGB 196 114 126

HSL 351.22, 0.41%, 0.61%

LAB 57.34, 33.67, 7.51

 

CMYK 0 / 54 / 46 / 17

HEX #D46272

RGB 212 98 114

HSL 351.58, 0.57%, 0.61%

LAB 56.04, 46.37, 12.99

 

CMYK 0 / 64 / 55 / 11

HEX #E45266

RGB 228 82 102

HSL 351.78, 0.73%, 0.61%

LAB 55.57, 57.93, 19.8

 

CMYK 0 / 73 / 63 / 4

HEX #F4425B

RGB 244 66 91

HSL 351.57, 0.89%, 0.61%

LAB 55.97, 68.01, 27.31

 

CMYK 0 / 28 / 24 / 29

HEX #B48289

RGB 180 130 137

HSL 351.6, 0.25%, 0.61%

LAB 59.41, 20.31, 3.88

 

CMYK 0 / 11 / 9 / 36

HEX #A49295

RGB 164 146 149

HSL 350, 0.09%, 0.61%

LAB 62.19, 7.22, 0.86

 

CMYK 9 / 0 / 1 / 36

HEX #94A2A0

RGB 148 162 160

HSL 171.43, 0.07%, 0.61%

LAB 65.49, -5.34, -0.66

 

CMYK 26 / 0 / 3 / 30

HEX #84B2AC

RGB 132 178 172

HSL 172.17, 0.23%, 0.61%

LAB 69.27, -16.55, -1.91

 

CMYK 41 / 0 / 6 / 24

HEX #74C3B7

RGB 116 195 183

HSL 170.89, 0.4%, 0.61%

LAB 73.65, -27.14, -1.61

 

CMYK 0 / 28 / 9 / 29

HEX #B482A4

RGB 180 130 164

HSL 319.2, 0.25%, 0.61%

LAB 60.2, 24.75, -10.44

 

CMYK 0 / 28 / 16 / 29

HEX #B48297

RGB 180 130 151

HSL 334.8, 0.25%, 0.61%

LAB 59.8, 22.52, -3.59

 

CMYK 0 / 28 / 23 / 29

HEX #B4828A

RGB 180 130 138

HSL 350.4, 0.25%, 0.61%

LAB 59.44, 20.46, 3.34

 

CMYK 0 / 24 / 28 / 29

HEX #B48882

RGB 180 136 130

HSL 7.2, 0.25%, 0.61%

LAB 60.71, 15.92, 9.74

 

CMYK 0 / 17 / 28 / 29

HEX #B49582

RGB 180 149 130

HSL 22.8, 0.25%, 0.61%

LAB 64.01, 8.68, 14.37

 

CMYK 0 / 40 / 35 / 44

HEX #8E555D

RGB 142 85 93

HSL 351.58, 0.25%, 0.45%

LAB 42.82, 24.71, 5.5

 

CMYK 0 / 37 / 31 / 36

HEX #A46871

RGB 164 104 113

HSL 351, 0.25%, 0.53%

LAB 50.67, 25.29, 5.06

 

CMYK 0 / 28 / 24 / 29

HEX #B48289

RGB 180 130 137

HSL 351.6, 0.25%, 0.61%

LAB 59.41, 20.31, 3.88

 

CMYK 0 / 20 / 17 / 24

HEX #C39CA1

RGB 195 156 161

HSL 352.31, 0.25%, 0.69%

LAB 67.99, 15.25, 2.9

 

CMYK 0 / 14 / 12 / 17

HEX #D3B6BA

RGB 211 182 186

HSL 351.72, 0.25%, 0.77%

LAB 76.59, 11.04, 1.81

 

CMYK 0 / 28 / 24 / 29

HEX #B48289

RGB 180 130 137

HSL 351.6, 0.25%, 0.61%

LAB 59.41, 20.31, 3.88

 

CMYK 2 / 0 / 28 / 29

HEX #B1B482

RGB 177 180 130

HSL 63.6, 0.25%, 0.61%

LAB 71.96, -9.25, 25.23

 

CMYK 28 / 12 / 0 / 29

HEX #829EB4

RGB 130 158 180

HSL 206.4, 0.25%, 0.61%

LAB 63.75, -4.57, -14.6

 

CMYK 0 / 28 / 24 / 29

HEX #B48289

RGB 180 130 137

HSL 351.6, 0.25%, 0.61%

LAB 59.41, 20.31, 3.88

 

CMYK 23 / 0 / 28 / 29

HEX #8AB482

RGB 138 180 130

HSL 110.4, 0.25%, 0.61%

LAB 69.22, -23.8, 21.06

 

CMYK 28 / 23 / 0 / 29

HEX #828AB4

RGB 130 138 180

HSL 230.4, 0.25%, 0.61%

LAB 58.24, 6.76, -22.98

 

CMYK 0 / 28 / 24 / 29

HEX #B48289

RGB 180 130 137

HSL 351.6, 0.25%, 0.61%

LAB 59.41, 20.31, 3.88

 

CMYK 2 / 0 / 28 / 29

HEX #B1B482

RGB 177 180 130

HSL 63.6, 0.25%, 0.61%

LAB 71.96, -9.25, 25.23

 

CMYK 28 / 0 / 4 / 29

HEX #82B4AC

RGB 130 180 172

HSL 170.4, 0.25%, 0.61%

LAB 69.73, -18.2, -1.26

 

CMYK 26 / 28 / 0 / 29

HEX #8582B4

RGB 133 130 180

HSL 243.6, 0.25%, 0.61%

LAB 56.33, 12.35, -25.89

 

CMYK 0 / 28 / 24 / 29

HEX #B48289

RGB 180 130 137

HSL 351.6, 0.25%, 0.61%

LAB 59.41, 20.31, 3.88

 

CMYK 9 / 0 / 28 / 29

HEX #A3B482

RGB 163 180 130

HSL 80.4, 0.25%, 0.61%

LAB 70.9, -14.64, 23.61

 

CMYK 28 / 0 / 4 / 29

HEX #82B4AC

RGB 130 180 172

HSL 170.4, 0.25%, 0.61%

LAB 69.73, -18.2, -1.26

 

CMYK 18 / 28 / 0 / 29

HEX #9482B4

RGB 148 130 180

HSL 261.6, 0.25%, 0.61%

LAB 57.61, 17.1, -23.82

 

Description

Color code: HEX #B48289 | qconv.com Color code: HEX #B48289 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 130 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 130 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 24 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 24% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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