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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4839B it is the complementary color #4B7C64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4839B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4839B shade: #B98396, #CA95A9, #DBA7BC, #ECB9CF and #FDCBE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4839B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4839B shade: #B4839B, #A37188, #925F75, #814D62 and #703B4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4839B shade: #B4829B, #B4828D and #B48282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4839B shade: #B4829B, #B482A8, #B282B4, #A582B4 and #9882B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4839B shade matches the following richer shades: #B4829B, #C4729A, #D4629A, #E4529A and #F44299

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4839B shade: #B4829B, #A4929B, #94A29B, #84B29C and #74C39C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4839B shade: #B282B4, #B482A8, #B4829B, #B4828E and #B48482

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4839B shade: #8E5571, #A46886, #B4829B, #C39CAF and #D3B6C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4839B shade: #B4839B, #B4A582 and #82AFB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4839B shade: #B4839B, #9BB482 and #829BB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4839B shade: #B4839B, #B4A582, #82B49B and #8291B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4839B shade: #B4839B, #B4B482, #82B49B and #8282B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 14 / 29

HEX #B4839B

RGB 180 131 155

HSL 330.61, 0.25%, 0.61%

LAB 60.16, 22.63, -5.35

 

Complementary color

CMYK 40 / 0 / 19 / 51

HEX #4B7C64

RGB 75 124 100

HSL 150.61, 0.25%, 0.39%

LAB 48.05, -22.41, 7.94

 

CMYK 0 / 29 / 19 / 27

HEX #B98396

RGB 185 131 150

HSL 338.89, 0.28%, 0.62%

LAB 60.56, 23.64, -1.84

 

CMYK 0 / 26 / 16 / 21

HEX #CA95A9

RGB 202 149 169

HSL 337.36, 0.33%, 0.69%

LAB 67.21, 22.96, -2.62

 

CMYK 0 / 24 / 14 / 14

HEX #DBA7BC

RGB 219 167 188

HSL 335.77, 0.42%, 0.76%

LAB 73.76, 22.34, -3.33

 

CMYK 0 / 22 / 12 / 7

HEX #ECB9CF

RGB 236 185 207

HSL 334.12, 0.57%, 0.83%

LAB 80.2, 21.77, -4

 

CMYK 0 / 20 / 11 / 1

HEX #FDCBE2

RGB 253 203 226

HSL 332.4, 0.93%, 0.89%

LAB 86.55, 21.24, -4.64

 

CMYK 0 / 27 / 14 / 29

HEX #B4839B

RGB 180 131 155

HSL 330.61, 0.25%, 0.61%

LAB 60.16, 22.63, -5.35

 

CMYK 0 / 31 / 17 / 36

HEX #A37188

RGB 163 113 136

HSL 332.4, 0.21%, 0.54%

LAB 53.36, 23.33, -4.62

 

CMYK 0 / 35 / 20 / 43

HEX #925F75

RGB 146 95 117

HSL 334.12, 0.21%, 0.47%

LAB 46.42, 24.11, -3.8

 

CMYK 0 / 40 / 24 / 49

HEX #814D62

RGB 129 77 98

HSL 335.77, 0.25%, 0.4%

LAB 39.34, 24.98, -2.86

 

CMYK 0 / 47 / 29 / 56

HEX #703B4F

RGB 112 59 79

HSL 337.36, 0.31%, 0.34%

LAB 32.12, 25.91, -1.72

 

CMYK 0 / 28 / 14 / 29

HEX #B4829B

RGB 180 130 155

HSL 330, 0.25%, 0.61%

LAB 59.92, 23.19, -5.71

 

CMYK 0 / 28 / 22 / 29

HEX #B4828D

RGB 180 130 141

HSL 346.8, 0.25%, 0.61%

LAB 59.52, 20.92, 1.73

 

CMYK 0 / 28 / 28 / 29

HEX #B48282

RGB 180 130 130

HSL 0, 0.25%, 0.61%

LAB 59.23, 19.28, 7.64

 

CMYK 0 / 28 / 14 / 29

HEX #B4829B

RGB 180 130 155

HSL 330, 0.25%, 0.61%

LAB 59.92, 23.19, -5.71

 

CMYK 0 / 28 / 7 / 29

HEX #B482A8

RGB 180 130 168

HSL 314.4, 0.25%, 0.61%

LAB 60.33, 25.47, -12.53

 

CMYK 1 / 28 / 0 / 29

HEX #B282B4

RGB 178 130 180

HSL 297.6, 0.25%, 0.61%

LAB 60.54, 27.04, -19.08

 

CMYK 8 / 28 / 0 / 29

HEX #A582B4

RGB 165 130 180

HSL 282, 0.25%, 0.61%

LAB 59.21, 22.68, -21.22

 

CMYK 16 / 28 / 0 / 29

HEX #9882B4

RGB 152 130 180

HSL 266.4, 0.25%, 0.61%

LAB 57.98, 18.4, -23.23

 

CMYK 0 / 28 / 14 / 29

HEX #B4829B

RGB 180 130 155

HSL 330, 0.25%, 0.61%

LAB 59.92, 23.19, -5.71

 

CMYK 0 / 42 / 21 / 23

HEX #C4729A

RGB 196 114 154

HSL 330.73, 0.41%, 0.61%

LAB 58.14, 37.52, -7.58

 

CMYK 0 / 54 / 27 / 17

HEX #D4629A

RGB 212 98 154

HSL 330.53, 0.57%, 0.61%

LAB 57.14, 50.98, -8.84

 

CMYK 0 / 64 / 32 / 11

HEX #E4529A

RGB 228 82 154

HSL 330.41, 0.73%, 0.61%

LAB 56.94, 62.92, -8.88

 

CMYK 0 / 73 / 37 / 4

HEX #F44299

RGB 244 66 153

HSL 330.67, 0.89%, 0.61%

LAB 57.49, 72.94, -7.19

 

CMYK 0 / 28 / 14 / 29

HEX #B4829B

RGB 180 130 155

HSL 330, 0.25%, 0.61%

LAB 59.92, 23.19, -5.71

 

CMYK 0 / 11 / 5 / 36

HEX #A4929B

RGB 164 146 155

HSL 330, 0.09%, 0.61%

LAB 62.35, 8.31, -2.3

 

CMYK 9 / 0 / 4 / 36

HEX #94A29B

RGB 148 162 155

HSL 150, 0.07%, 0.61%

LAB 65.36, -6.33, 1.94

 

CMYK 26 / 0 / 12 / 30

HEX #84B29C

RGB 132 178 156

HSL 151.3, 0.23%, 0.61%

LAB 68.86, -19.98, 6.3

 

CMYK 41 / 0 / 20 / 24

HEX #74C39C

RGB 116 195 156

HSL 150.38, 0.4%, 0.61%

LAB 72.99, -33.14, 12.07

 

CMYK 1 / 28 / 0 / 29

HEX #B282B4

RGB 178 130 180

HSL 297.6, 0.25%, 0.61%

LAB 60.54, 27.04, -19.08

 

CMYK 0 / 28 / 7 / 29

HEX #B482A8

RGB 180 130 168

HSL 314.4, 0.25%, 0.61%

LAB 60.33, 25.47, -12.53

 

CMYK 0 / 28 / 14 / 29

HEX #B4829B

RGB 180 130 155

HSL 330, 0.25%, 0.61%

LAB 59.92, 23.19, -5.71

 

CMYK 0 / 28 / 21 / 29

HEX #B4828E

RGB 180 130 142

HSL 345.6, 0.25%, 0.61%

LAB 59.55, 21.07, 1.2

 

CMYK 0 / 27 / 28 / 29

HEX #B48482

RGB 180 132 130

HSL 2.4, 0.25%, 0.61%

LAB 59.72, 18.16, 8.34

 

CMYK 0 / 40 / 20 / 44

HEX #8E5571

RGB 142 85 113

HSL 330.53, 0.25%, 0.45%

LAB 43.42, 27.7, -5.88

 

CMYK 0 / 37 / 18 / 36

HEX #A46886

RGB 164 104 134

HSL 330, 0.25%, 0.53%

LAB 51.28, 28.47, -6.5

 

CMYK 0 / 28 / 14 / 29

HEX #B4829B

RGB 180 130 155

HSL 330, 0.25%, 0.61%

LAB 59.92, 23.19, -5.71

 

CMYK 0 / 20 / 10 / 24

HEX #C39CAF

RGB 195 156 175

HSL 330.77, 0.25%, 0.69%

LAB 68.37, 17.58, -4.35

 

CMYK 0 / 14 / 7 / 17

HEX #D3B6C4

RGB 211 182 196

HSL 331.03, 0.25%, 0.77%

LAB 76.85, 12.74, -3.24

 

CMYK 0 / 27 / 14 / 29

HEX #B4839B

RGB 180 131 155

HSL 330.61, 0.25%, 0.61%

LAB 60.16, 22.63, -5.35

 

CMYK 0 / 8 / 28 / 29

HEX #B4A582

RGB 180 165 130

HSL 42, 0.25%, 0.61%

LAB 68.19, -0.08, 20.15

 

CMYK 28 / 3 / 0 / 29

HEX #82AFB4

RGB 130 175 180

HSL 186, 0.25%, 0.61%

LAB 68.53, -13.75, -7.44

 

CMYK 0 / 27 / 14 / 29

HEX #B4839B

RGB 180 131 155

HSL 330.61, 0.25%, 0.61%

LAB 60.16, 22.63, -5.35

 

CMYK 14 / 0 / 28 / 29

HEX #9BB482

RGB 155 180 130

HSL 90, 0.25%, 0.61%

LAB 70.33, -17.64, 22.75

 

CMYK 28 / 14 / 0 / 29

HEX #829BB4

RGB 130 155 180

HSL 210, 0.25%, 0.61%

LAB 62.91, -2.9, -15.86

 

CMYK 0 / 27 / 14 / 29

HEX #B4839B

RGB 180 131 155

HSL 330.61, 0.25%, 0.61%

LAB 60.16, 22.63, -5.35

 

CMYK 0 / 8 / 28 / 29

HEX #B4A582

RGB 180 165 130

HSL 42, 0.25%, 0.61%

LAB 68.19, -0.08, 20.15

 

CMYK 28 / 0 / 14 / 29

HEX #82B49B

RGB 130 180 155

HSL 150, 0.25%, 0.61%

LAB 69.29, -21.84, 7.46

 

CMYK 28 / 19 / 0 / 29

HEX #8291B4

RGB 130 145 180

HSL 222, 0.25%, 0.61%

LAB 60.15, 2.74, -20.06

 

CMYK 0 / 27 / 14 / 29

HEX #B4839B

RGB 180 131 155

HSL 330.61, 0.25%, 0.61%

LAB 60.16, 22.63, -5.35

 

CMYK 0 / 0 / 28 / 29

HEX #B4B482

RGB 180 180 130

HSL 60, 0.25%, 0.61%

LAB 72.2, -8.08, 25.59

 

CMYK 28 / 0 / 14 / 29

HEX #82B49B

RGB 130 180 155

HSL 150, 0.25%, 0.61%

LAB 69.29, -21.84, 7.46

 

CMYK 28 / 28 / 0 / 29

HEX #8282B4

RGB 130 130 180

HSL 240, 0.25%, 0.61%

LAB 56.09, 11.42, -26.28

 

Description

Color code: HEX #B4839B | qconv.com Color code: HEX #B4839B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 131 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 131 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 14 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 14% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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