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Color name
HEX #B48C50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B48C50 it is the complementary color #4B73AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B48C50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B48C50 shade: #B98C4B, #CA9E5E, #DBB071, #ECC284 and #FDD497

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B48C50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B48C50 shade: #B48C50, #A37A3D, #92682A, #815617 and #704404

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B48C50 shade: #B48C50, #B47150, #B45650 and #B45050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B48C50 shade: #B48C50, #B4A750, #A6B450, #8BB450 and #70B450

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B48C50 shade matches the following richer shades: #B48C50, #C8903B, #DC9427 and #F09813

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B48C50 shade: #B48C50, #9F8864, #8B8378, #777F8C and #637BA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B48C50 shade: #B45650, #B47150, #B48C50, #B4A650 and #A6B450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B48C50 shade: #7C5F35, #997641, #B48C50, #C09F6C and #CCB289

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B48C50 shade: #B48C50, #64B450 and #6450B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B48C50 shade: #B48C50, #50B48C and #8C50B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B48C50 shade: #B48C50, #64B450, #5078B4 and #A050B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B48C50 shade: #B48C50, #50B45A, #5078B4 and #B450AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

Complementary color

CMYK 57 / 34 / 0 / 31

HEX #4B73AF

RGB 75 115 175

HSL 216, 0.4%, 0.49%

LAB 48.07, 4.26, -36.18

 

CMYK 0 / 24 / 59 / 27

HEX #B98C4B

RGB 185 140 75

HSL 35.45, 0.44%, 0.51%

LAB 61.29, 9.75, 40.82

 

CMYK 0 / 22 / 53 / 21

HEX #CA9E5E

RGB 202 158 94

HSL 35.56, 0.5%, 0.58%

LAB 67.89, 8.7, 39.41

 

CMYK 0 / 20 / 48 / 14

HEX #DBB071

RGB 219 176 113

HSL 35.66, 0.6%, 0.65%

LAB 74.38, 7.81, 38.05

 

CMYK 0 / 18 / 44 / 7

HEX #ECC284

RGB 236 194 132

HSL 35.77, 0.73%, 0.72%

LAB 80.78, 7.04, 36.76

 

CMYK 0 / 16 / 40 / 1

HEX #FDD497

RGB 253 212 151

HSL 35.88, 0.96%, 0.79%

LAB 87.1, 6.37, 35.52

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 0 / 25 / 63 / 36

HEX #A37A3D

RGB 163 122 61

HSL 35.88, 0.46%, 0.44%

LAB 54.07, 9.12, 38.97

 

CMYK 0 / 29 / 71 / 43

HEX #92682A

RGB 146 104 42

HSL 35.77, 0.55%, 0.37%

LAB 47.21, 10.49, 40.32

 

CMYK 0 / 33 / 82 / 49

HEX #815617

RGB 129 86 23

HSL 35.66, 0.7%, 0.3%

LAB 40.22, 12.18, 41.27

 

CMYK 0 / 39 / 96 / 56

HEX #704404

RGB 112 68 4

HSL 35.56, 0.93%, 0.23%

LAB 33.11, 14.27, 41.21

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 0 / 37 / 56 / 29

HEX #B47150

RGB 180 113 80

HSL 19.8, 0.4%, 0.51%

LAB 54.13, 23.04, 29.27

 

CMYK 0 / 52 / 56 / 29

HEX #B45650

RGB 180 86 80

HSL 3.6, 0.4%, 0.51%

LAB 48.18, 37.61, 21.6

 

CMYK 0 / 56 / 56 / 29

HEX #B45050

RGB 180 80 80

HSL 0, 0.4%, 0.51%

LAB 47, 40.65, 20.03

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 0 / 7 / 56 / 29

HEX #B4A750

RGB 180 167 80

HSL 52.2, 0.4%, 0.51%

LAB 67.96, -6.66, 46

 

CMYK 8 / 0 / 56 / 29

HEX #A6B450

RGB 166 180 80

HSL 68.4, 0.4%, 0.51%

LAB 70.41, -19.27, 48.51

 

CMYK 23 / 0 / 56 / 29

HEX #8BB450

RGB 139 180 80

HSL 84.6, 0.4%, 0.51%

LAB 68.54, -30.07, 45.88

 

CMYK 38 / 0 / 56 / 29

HEX #70B450

RGB 112 180 80

HSL 100.8, 0.4%, 0.51%

LAB 67.03, -39.87, 43.72

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 0 / 28 / 71 / 22

HEX #C8903B

RGB 200 144 59

HSL 36.17, 0.56%, 0.51%

LAB 63.79, 13.04, 51.77

 

CMYK 0 / 33 / 82 / 14

HEX #DC9427

RGB 220 148 39

HSL 36.13, 0.72%, 0.51%

LAB 66.93, 18.7, 63.48

 

CMYK 0 / 37 / 92 / 6

HEX #F09813

RGB 240 152 19

HSL 36.11, 0.88%, 0.51%

LAB 70.2, 24.64, 72.32

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 0 / 14 / 37 / 38

HEX #9F8864

RGB 159 136 100

HSL 36.61, 0.24%, 0.51%

LAB 57.94, 3.36, 22.57

 

CMYK 0 / 6 / 14 / 45

HEX #8B8378

RGB 139 131 120

HSL 34.74, 0.08%, 0.51%

LAB 55.15, 1.02, 7.02

 

CMYK 15 / 9 / 0 / 45

HEX #777F8C

RGB 119 127 140

HSL 217.14, 0.08%, 0.51%

LAB 52.94, -0.12, -8.03

 

CMYK 38 / 23 / 0 / 37

HEX #637BA0

RGB 99 123 160

HSL 216.39, 0.24%, 0.51%

LAB 51.1, 0.92, -22.62

 

CMYK 0 / 52 / 56 / 29

HEX #B45650

RGB 180 86 80

HSL 3.6, 0.4%, 0.51%

LAB 48.18, 37.61, 21.6

 

CMYK 0 / 37 / 56 / 29

HEX #B47150

RGB 180 113 80

HSL 19.8, 0.4%, 0.51%

LAB 54.13, 23.04, 29.27

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 0 / 8 / 56 / 29

HEX #B4A650

RGB 180 166 80

HSL 51.6, 0.4%, 0.51%

LAB 67.69, -6.13, 45.68

 

CMYK 8 / 0 / 56 / 29

HEX #A6B450

RGB 166 180 80

HSL 68.4, 0.4%, 0.51%

LAB 70.41, -19.27, 48.51

 

CMYK 0 / 23 / 57 / 51

HEX #7C5F35

RGB 124 95 53

HSL 35.49, 0.4%, 0.35%

LAB 42.35, 6.42, 28.33

 

CMYK 0 / 23 / 58 / 40

HEX #997641

RGB 153 118 65

HSL 36.14, 0.4%, 0.43%

LAB 51.96, 7.25, 34.12

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 0 / 17 / 44 / 25

HEX #C09F6C

RGB 192 159 108

HSL 36.43, 0.4%, 0.59%

LAB 67.34, 5.34, 31.14

 

CMYK 0 / 13 / 33 / 20

HEX #CCB289

RGB 204 178 137

HSL 36.72, 0.4%, 0.67%

LAB 73.86, 3.35, 24.43

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 44 / 0 / 56 / 29

HEX #64B450

RGB 100 180 80

HSL 108, 0.4%, 0.51%

LAB 66.47, -43.77, 42.92

 

CMYK 44 / 56 / 0 / 29

HEX #6450B4

RGB 100 80 180

HSL 252, 0.4%, 0.51%

LAB 40.8, 33.31, -50.58

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 56 / 0 / 22 / 29

HEX #50B48C

RGB 80 180 140

HSL 156, 0.4%, 0.51%

LAB 66.7, -38.87, 11.7

 

CMYK 22 / 56 / 0 / 29

HEX #8C50B4

RGB 140 80 180

HSL 276, 0.4%, 0.51%

LAB 45.09, 43.3, -43.47

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 44 / 0 / 56 / 29

HEX #64B450

RGB 100 180 80

HSL 108, 0.4%, 0.51%

LAB 66.47, -43.77, 42.92

 

CMYK 56 / 33 / 0 / 29

HEX #5078B4

RGB 80 120 180

HSL 216, 0.4%, 0.51%

LAB 50.02, 3.96, -36

 

CMYK 11 / 56 / 0 / 29

HEX #A050B4

RGB 160 80 180

HSL 288, 0.4%, 0.51%

LAB 47.63, 48.64, -39.28

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 56 / 0 / 50 / 29

HEX #50B45A

RGB 80 180 90

HSL 126, 0.4%, 0.51%

LAB 65.82, -48.12, 37.05

 

CMYK 56 / 33 / 0 / 29

HEX #5078B4

RGB 80 120 180

HSL 216, 0.4%, 0.51%

LAB 50.02, 3.96, -36

 

CMYK 0 / 56 / 6 / 29

HEX #B450AA

RGB 180 80 170

HSL 306, 0.4%, 0.51%

LAB 49.91, 52.31, -29.66

 

Description

Color code: HEX #B48C50 | qconv.com Color code: HEX #B48C50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 140 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 140 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 56 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 56% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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