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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B49484 it is the complementary color #4B6B7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B49484. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B49484 shade: #B9947F, #CAA692, #DBB8A5, #ECCAB8 and #FDDCCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B49484. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B49484 shade: #B49484, #A38271, #92705E, #815E4B and #704C38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B49484 shade: #B39383, #B38683 and #B38383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B49484 shade: #B39383, #B3A083, #B3AD83, #ACB383 and #9FB383

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B49484 shade matches the following richer shades: #B39383, #C38E73, #D38863, #E38353 and #F37E43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B49484 shade: #B39383, #A39893, #939EA3, #83A3B3 and #73A9C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B49484 shade: #B3838D, #B38683, #B39383, #B3A083 and #B3AD83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B49484 shade: #8D6956, #A37D6A, #B39383, #C3A99D and #D2C0B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B49484 shade: #B49484, #99B383 and #8386B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B49484 shade: #B49484, #83B393 and #9383B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B49484 shade: #B49484, #99B383, #83A3B3 and #9D83B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B49484 shade: #B49484, #8BB383, #83A3B3 and #AB83B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 27 / 29

HEX #B49484

RGB 180 148 132

HSL 20, 0.24%, 0.61%

LAB 63.79, 9.52, 12.95

 

Complementary color

CMYK 39 / 13 / 0 / 52

HEX #4B6B7B

RGB 75 107 123

HSL 200, 0.24%, 0.39%

LAB 43.42, -7.16, -12.58

 

CMYK 0 / 20 / 31 / 27

HEX #B9947F

RGB 185 148 127

HSL 21.72, 0.29%, 0.61%

LAB 64.18, 10.81, 16.37

 

CMYK 0 / 18 / 28 / 21

HEX #CAA692

RGB 202 166 146

HSL 21.43, 0.35%, 0.68%

LAB 70.8, 10.22, 15.31

 

CMYK 0 / 16 / 25 / 14

HEX #DBB8A5

RGB 219 184 165

HSL 21.11, 0.43%, 0.75%

LAB 77.32, 9.7, 14.33

 

CMYK 0 / 14 / 22 / 7

HEX #ECCAB8

RGB 236 202 184

HSL 20.77, 0.58%, 0.82%

LAB 83.72, 9.24, 13.41

 

CMYK 0 / 13 / 20 / 1

HEX #FDDCCB

RGB 253 220 203

HSL 20.4, 0.93%, 0.89%

LAB 90.04, 8.82, 12.55

 

CMYK 0 / 18 / 27 / 29

HEX #B49484

RGB 180 148 132

HSL 20, 0.24%, 0.61%

LAB 63.79, 9.52, 12.95

 

CMYK 0 / 20 / 31 / 36

HEX #A38271

RGB 163 130 113

HSL 20.4, 0.21%, 0.54%

LAB 57.02, 10.11, 14.01

 

CMYK 0 / 23 / 36 / 43

HEX #92705E

RGB 146 112 94

HSL 20.77, 0.22%, 0.47%

LAB 50.11, 10.8, 15.18

 

CMYK 0 / 27 / 42 / 49

HEX #815E4B

RGB 129 94 75

HSL 21.11, 0.26%, 0.4%

LAB 43.03, 11.64, 16.49

 

CMYK 0 / 32 / 50 / 56

HEX #704C38

RGB 112 76 56

HSL 21.43, 0.33%, 0.33%

LAB 35.79, 12.66, 17.99

 

CMYK 0 / 18 / 27 / 30

HEX #B39383

RGB 179 147 131

HSL 20, 0.24%, 0.61%

LAB 63.42, 9.54, 12.97

 

CMYK 0 / 25 / 27 / 30

HEX #B38683

RGB 179 134 131

HSL 3.75, 0.24%, 0.61%

LAB 60.13, 16.79, 8.33

 

CMYK 0 / 27 / 27 / 30

HEX #B38383

RGB 179 131 131

HSL 0, 0.24%, 0.61%

LAB 59.39, 18.47, 7.28

 

CMYK 0 / 18 / 27 / 30

HEX #B39383

RGB 179 147 131

HSL 20, 0.24%, 0.61%

LAB 63.42, 9.54, 12.97

 

CMYK 0 / 11 / 27 / 30

HEX #B3A083

RGB 179 160 131

HSL 36.25, 0.24%, 0.61%

LAB 66.8, 2.38, 17.67

 

CMYK 0 / 3 / 27 / 30

HEX #B3AD83

RGB 179 173 131

HSL 52.5, 0.24%, 0.61%

LAB 70.25, -4.63, 22.41

 

CMYK 4 / 0 / 27 / 30

HEX #ACB383

RGB 172 179 131

HSL 68.75, 0.24%, 0.61%

LAB 71.32, -10.53, 23.75

 

CMYK 11 / 0 / 27 / 30

HEX #9FB383

RGB 159 179 131

HSL 85, 0.24%, 0.61%

LAB 70.35, -15.48, 22.28

 

CMYK 0 / 18 / 27 / 30

HEX #B39383

RGB 179 147 131

HSL 20, 0.24%, 0.61%

LAB 63.42, 9.54, 12.97

 

CMYK 0 / 27 / 41 / 24

HEX #C38E73

RGB 195 142 115

HSL 20.25, 0.4%, 0.61%

LAB 63.5, 16.66, 22.3

 

CMYK 0 / 36 / 53 / 17

HEX #D38863

RGB 211 136 99

HSL 19.82, 0.56%, 0.61%

LAB 63.64, 24.82, 31.65

 

CMYK 0 / 42 / 63 / 11

HEX #E38353

RGB 227 131 83

HSL 20, 0.72%, 0.61%

LAB 64.31, 32.71, 41.5

 

CMYK 0 / 48 / 72 / 5

HEX #F37E43

RGB 243 126 67

HSL 20.11, 0.88%, 0.61%

LAB 65.26, 40.68, 51.24

 

CMYK 0 / 18 / 27 / 30

HEX #B39383

RGB 179 147 131

HSL 20, 0.24%, 0.61%

LAB 63.42, 9.54, 12.97

 

CMYK 0 / 7 / 10 / 36

HEX #A39893

RGB 163 152 147

HSL 18.75, 0.08%, 0.61%

LAB 63.63, 3.14, 4.07

 

CMYK 10 / 3 / 0 / 36

HEX #939EA3

RGB 147 158 163

HSL 198.75, 0.08%, 0.61%

LAB 64.4, -2.88, -3.95

 

CMYK 27 / 9 / 0 / 30

HEX #83A3B3

RGB 131 163 179

HSL 200, 0.24%, 0.61%

LAB 65.18, -7.25, -11.88

 

CMYK 41 / 14 / 0 / 23

HEX #73A9C4

RGB 115 169 196

HSL 200, 0.41%, 0.61%

LAB 66.52, -10.72, -19.4

 

CMYK 0 / 27 / 21 / 30

HEX #B3838D

RGB 179 131 141

HSL 347.5, 0.24%, 0.61%

LAB 59.65, 19.98, 1.92

 

CMYK 0 / 25 / 27 / 30

HEX #B38683

RGB 179 134 131

HSL 3.75, 0.24%, 0.61%

LAB 60.13, 16.79, 8.33

 

CMYK 0 / 18 / 27 / 30

HEX #B39383

RGB 179 147 131

HSL 20, 0.24%, 0.61%

LAB 63.42, 9.54, 12.97

 

CMYK 0 / 11 / 27 / 30

HEX #B3A083

RGB 179 160 131

HSL 36.25, 0.24%, 0.61%

LAB 66.8, 2.38, 17.67

 

CMYK 0 / 3 / 27 / 30

HEX #B3AD83

RGB 179 173 131

HSL 52.5, 0.24%, 0.61%

LAB 70.25, -4.63, 22.41

 

CMYK 0 / 26 / 39 / 45

HEX #8D6956

RGB 141 105 86

HSL 20.73, 0.24%, 0.45%

LAB 47.54, 11.72, 16.29

 

CMYK 0 / 23 / 35 / 36

HEX #A37D6A

RGB 163 125 106

HSL 20, 0.24%, 0.53%

LAB 55.58, 12, 16.03

 

CMYK 0 / 18 / 27 / 30

HEX #B39383

RGB 179 147 131

HSL 20, 0.24%, 0.61%

LAB 63.42, 9.54, 12.97

 

CMYK 0 / 13 / 19 / 24

HEX #C3A99D

RGB 195 169 157

HSL 18.95, 0.24%, 0.69%

LAB 71.15, 7.51, 9.66

 

CMYK 0 / 9 / 13 / 18

HEX #D2C0B6

RGB 210 192 182

HSL 21.43, 0.24%, 0.77%

LAB 78.91, 4.68, 7.32

 

CMYK 0 / 18 / 27 / 29

HEX #B49484

RGB 180 148 132

HSL 20, 0.24%, 0.61%

LAB 63.79, 9.52, 12.95

 

CMYK 15 / 0 / 27 / 30

HEX #99B383

RGB 153 179 131

HSL 92.5, 0.24%, 0.61%

LAB 69.93, -17.72, 21.64

 

CMYK 27 / 25 / 0 / 30

HEX #8386B3

RGB 131 134 179

HSL 236.25, 0.24%, 0.61%

LAB 57.2, 9.14, -24

 

CMYK 0 / 18 / 27 / 29

HEX #B49484

RGB 180 148 132

HSL 20, 0.24%, 0.61%

LAB 63.79, 9.52, 12.95

 

CMYK 27 / 0 / 18 / 30

HEX #83B393

RGB 131 179 147

HSL 140, 0.24%, 0.61%

LAB 68.88, -22.61, 11.26

 

CMYK 18 / 27 / 0 / 30

HEX #9383B3

RGB 147 131 179

HSL 260, 0.24%, 0.61%

LAB 57.74, 15.97, -23.06

 

CMYK 0 / 18 / 27 / 29

HEX #B49484

RGB 180 148 132

HSL 20, 0.24%, 0.61%

LAB 63.79, 9.52, 12.95

 

CMYK 15 / 0 / 27 / 30

HEX #99B383

RGB 153 179 131

HSL 92.5, 0.24%, 0.61%

LAB 69.93, -17.72, 21.64

 

CMYK 27 / 9 / 0 / 30

HEX #83A3B3

RGB 131 163 179

HSL 200, 0.24%, 0.61%

LAB 65.18, -7.25, -11.88

 

CMYK 12 / 27 / 0 / 30

HEX #9D83B3

RGB 157 131 179

HSL 272.5, 0.24%, 0.61%

LAB 58.65, 19.24, -21.58

 

CMYK 0 / 18 / 27 / 29

HEX #B49484

RGB 180 148 132

HSL 20, 0.24%, 0.61%

LAB 63.79, 9.52, 12.95

 

CMYK 22 / 0 / 27 / 30

HEX #8BB383

RGB 139 179 131

HSL 110, 0.24%, 0.61%

LAB 69.02, -22.78, 20.24

 

CMYK 27 / 9 / 0 / 30

HEX #83A3B3

RGB 131 163 179

HSL 200, 0.24%, 0.61%

LAB 65.18, -7.25, -11.88

 

CMYK 4 / 27 / 0 / 30

HEX #AB83B3

RGB 171 131 179

HSL 290, 0.24%, 0.61%

LAB 60.02, 23.92, -19.37

 

Description

Color code: HEX #B49484 | qconv.com Color code: HEX #B49484 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 148 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 148 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 27 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 27% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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