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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B49E31 it is the complementary color #4B61CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B49E31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B49E31 shade: #B99E2C, #CAB03F, #DBC252, #ECD465 and #FDE678

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B49E31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B49E31 shade: #B49E31, #A38C1E, #927A0B, #816800 and #705600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B49E31 shade: #B49E31, #B47A31, #B45731, #B43431 and #B43131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B49E31 shade: #B49E31, #A6B431, #83B431, #60B431 and #3DB431

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B49E31 shade matches the following richer shades: #B49E31, #C6AA1E and #D9B60C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B49E31 shade: #B49E31, #A19143, #8F8556, #7C7969 and #696C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B49E31 shade: #B45631, #B47931, #B49C31, #A9B431 and #86B431

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B49E31 shade: #73651F, #938128, #B49E31, #CBB443 and #D4C163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B49E31 shade: #B49E31, #31B433 and #6731B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B49E31 shade: #B49E31, #31B49C and #9C31B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B49E31 shade: #B49E31, #31B433, #3149B4 and #B431B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B49E31 shade: #B49E31, #31B45A, #3149B4 and #B4318A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 73 / 29

HEX #B49E31

RGB 180 158 49

HSL 49.92, 0.57%, 0.45%

LAB 65.26, -3.87, 56.78

 

Complementary color

CMYK 64 / 53 / 0 / 19

HEX #4B61CE

RGB 75 97 206

HSL 229.92, 0.57%, 0.55%

LAB 44.94, 26.12, -59.1

 

CMYK 0 / 15 / 76 / 27

HEX #B99E2C

RGB 185 158 44

HSL 48.51, 0.62%, 0.45%

LAB 65.71, -1.88, 59.24

 

CMYK 0 / 13 / 69 / 21

HEX #CAB03F

RGB 202 176 63

HSL 48.78, 0.57%, 0.52%

LAB 72.21, -3.08, 58.82

 

CMYK 0 / 11 / 63 / 14

HEX #DBC252

RGB 219 194 82

HSL 49.05, 0.66%, 0.59%

LAB 78.61, -4.09, 57.98

 

CMYK 0 / 10 / 57 / 7

HEX #ECD465

RGB 236 212 101

HSL 49.33, 0.78%, 0.66%

LAB 84.92, -4.95, 56.94

 

CMYK 0 / 9 / 53 / 1

HEX #FDE678

RGB 253 230 120

HSL 49.62, 0.97%, 0.73%

LAB 91.16, -5.69, 55.81

 

CMYK 0 / 12 / 73 / 29

HEX #B49E31

RGB 180 158 49

HSL 49.92, 0.57%, 0.45%

LAB 65.26, -3.87, 56.78

 

CMYK 0 / 14 / 82 / 36

HEX #A38C1E

RGB 163 140 30

HSL 49.62, 0.69%, 0.38%

LAB 58.64, -2.56, 56.75

 

CMYK 0 / 16 / 92 / 43

HEX #927A0B

RGB 146 122 11

HSL 49.33, 0.86%, 0.31%

LAB 51.9, -0.96, 55.39

 

CMYK 0 / 19 / 100 / 49

HEX #816800

RGB 129 104 0

HSL 48.37, 1%, 0.25%

LAB 45.04, 0.99, 51.82

 

CMYK 0 / 23 / 100 / 56

HEX #705600

RGB 112 86 0

HSL 46.07, 1%, 0.22%

LAB 38.02, 3.27, 46.04

 

CMYK 0 / 12 / 73 / 29

HEX #B49E31

RGB 180 158 49

HSL 49.92, 0.57%, 0.45%

LAB 65.26, -3.87, 56.78

 

CMYK 0 / 32 / 73 / 29

HEX #B47A31

RGB 180 122 49

HSL 33.44, 0.57%, 0.45%

LAB 55.93, 15.92, 47.41

 

CMYK 0 / 52 / 73 / 29

HEX #B45731

RGB 180 87 49

HSL 17.4, 0.57%, 0.45%

LAB 47.93, 35.03, 38.91

 

CMYK 0 / 71 / 73 / 29

HEX #B43431

RGB 180 52 49

HSL 1.37, 0.57%, 0.45%

LAB 41.82, 51.16, 32.05

 

CMYK 0 / 73 / 73 / 29

HEX #B43131

RGB 180 49 49

HSL 0, 0.57%, 0.45%

LAB 41.41, 52.28, 31.59

 

CMYK 0 / 12 / 73 / 29

HEX #B49E31

RGB 180 158 49

HSL 49.92, 0.57%, 0.45%

LAB 65.26, -3.87, 56.78

 

CMYK 8 / 0 / 73 / 29

HEX #A6B431

RGB 166 180 49

HSL 66.41, 0.57%, 0.45%

LAB 70.16, -21.36, 61.12

 

CMYK 27 / 0 / 73 / 29

HEX #83B431

RGB 131 180 49

HSL 82.44, 0.57%, 0.45%

LAB 67.79, -35.62, 58

 

CMYK 47 / 0 / 73 / 29

HEX #60B431

RGB 96 180 49

HSL 98.47, 0.57%, 0.45%

LAB 66.02, -47.95, 55.65

 

CMYK 66 / 0 / 73 / 29

HEX #3DB431

RGB 61 180 49

HSL 114.5, 0.57%, 0.45%

LAB 64.85, -57.16, 54.09

 

CMYK 0 / 12 / 73 / 29

HEX #B49E31

RGB 180 158 49

HSL 49.92, 0.57%, 0.45%

LAB 65.26, -3.87, 56.78

 

CMYK 0 / 14 / 85 / 22

HEX #C6AA1E

RGB 198 170 30

HSL 50, 0.74%, 0.45%

LAB 70.07, -2.98, 67.84

 

CMYK 0 / 16 / 94 / 15

HEX #D9B60C

RGB 217 182 12

HSL 49.76, 0.9%, 0.45%

LAB 74.97, -1.25, 75.73

 

CMYK 0 / 12 / 73 / 29

HEX #B49E31

RGB 180 158 49

HSL 49.92, 0.57%, 0.45%

LAB 65.26, -3.87, 56.78

 

CMYK 0 / 10 / 58 / 37

HEX #A19143

RGB 161 145 67

HSL 49.79, 0.41%, 0.45%

LAB 60.1, -4.12, 42.82

 

CMYK 0 / 7 / 40 / 44

HEX #8F8556

RGB 143 133 86

HSL 49.47, 0.25%, 0.45%

LAB 55.37, -3.46, 26.7

 

CMYK 0 / 2 / 15 / 51

HEX #7C7969

RGB 124 121 105

HSL 50.53, 0.08%, 0.45%

LAB 50.66, -1.82, 9.19

 

CMYK 15 / 12 / 0 / 52

HEX #696C7B

RGB 105 108 123

HSL 230, 0.08%, 0.45%

LAB 45.85, 2.18, -8.71

 

CMYK 0 / 52 / 73 / 29

HEX #B45631

RGB 180 86 49

HSL 16.95, 0.57%, 0.45%

LAB 47.73, 35.55, 38.69

 

CMYK 0 / 33 / 73 / 29

HEX #B47931

RGB 180 121 49

HSL 32.98, 0.57%, 0.45%

LAB 55.68, 16.48, 47.15

 

CMYK 0 / 13 / 73 / 29

HEX #B49C31

RGB 180 156 49

HSL 49.01, 0.57%, 0.45%

LAB 64.73, -2.8, 56.25

 

CMYK 6 / 0 / 73 / 29

HEX #A9B431

RGB 169 180 49

HSL 65.04, 0.57%, 0.45%

LAB 70.39, -20.09, 61.42

 

CMYK 26 / 0 / 73 / 29

HEX #86B431

RGB 134 180 49

HSL 81.07, 0.57%, 0.45%

LAB 67.97, -34.45, 58.24

 

CMYK 0 / 12 / 73 / 55

HEX #73651F

RGB 115 101 31

HSL 50, 0.58%, 0.29%

LAB 42.84, -2.99, 39.83

 

CMYK 0 / 12 / 73 / 42

HEX #938128

RGB 147 129 40

HSL 49.91, 0.57%, 0.37%

LAB 54.09, -3.39, 48.29

 

CMYK 0 / 12 / 73 / 29

HEX #B49E31

RGB 180 158 49

HSL 49.92, 0.57%, 0.45%

LAB 65.26, -3.87, 56.78

 

CMYK 0 / 11 / 67 / 20

HEX #CBB443

RGB 203 180 67

HSL 49.85, 0.57%, 0.53%

LAB 73.38, -4.53, 58.4

 

CMYK 0 / 9 / 53 / 17

HEX #D4C163

RGB 212 193 99

HSL 49.91, 0.57%, 0.61%

LAB 77.9, -5.25, 49.18

 

CMYK 0 / 12 / 73 / 29

HEX #B49E31

RGB 180 158 49

HSL 49.92, 0.57%, 0.45%

LAB 65.26, -3.87, 56.78

 

CMYK 73 / 0 / 72 / 29

HEX #31B433

RGB 49 180 51

HSL 120.92, 0.57%, 0.45%

LAB 64.59, -59.26, 52.99

 

CMYK 43 / 73 / 0 / 29

HEX #6731B4

RGB 103 49 180

HSL 264.73, 0.57%, 0.45%

LAB 34.75, 51.02, -60.37

 

CMYK 0 / 12 / 73 / 29

HEX #B49E31

RGB 180 158 49

HSL 49.92, 0.57%, 0.45%

LAB 65.26, -3.87, 56.78

 

CMYK 73 / 0 / 13 / 29

HEX #31B49C

RGB 49 180 156

HSL 169.01, 0.57%, 0.45%

LAB 66.29, -40.47, 2.18

 

CMYK 13 / 73 / 0 / 29

HEX #9C31B4

RGB 156 49 180

HSL 289.01, 0.57%, 0.45%

LAB 42.09, 61.39, -48.14

 

CMYK 0 / 12 / 73 / 29

HEX #B49E31

RGB 180 158 49

HSL 49.92, 0.57%, 0.45%

LAB 65.26, -3.87, 56.78

 

CMYK 73 / 0 / 72 / 29

HEX #31B433

RGB 49 180 51

HSL 120.92, 0.57%, 0.45%

LAB 64.59, -59.26, 52.99

 

CMYK 73 / 59 / 0 / 29

HEX #3149B4

RGB 49 73 180

HSL 229.01, 0.57%, 0.45%

LAB 35.43, 28.38, -59.46

 

CMYK 0 / 73 / 2 / 29

HEX #B431B1

RGB 180 49 177

HSL 301.37, 0.57%, 0.45%

LAB 45.74, 66.02, -40.34

 

CMYK 0 / 12 / 73 / 29

HEX #B49E31

RGB 180 158 49

HSL 49.92, 0.57%, 0.45%

LAB 65.26, -3.87, 56.78

 

CMYK 73 / 0 / 50 / 29

HEX #31B45A

RGB 49 180 90

HSL 138.78, 0.57%, 0.45%

LAB 64.99, -54.53, 35.85

 

CMYK 73 / 59 / 0 / 29

HEX #3149B4

RGB 49 73 180

HSL 229.01, 0.57%, 0.45%

LAB 35.43, 28.38, -59.46

 

CMYK 0 / 73 / 23 / 29

HEX #B4318A

RGB 180 49 138

HSL 319.24, 0.57%, 0.45%

LAB 43.85, 60.27, -19.93

 

Description

Color code: HEX #B49E31 | qconv.com Color code: HEX #B49E31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 158 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 158 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 73 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 73% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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