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Color name
HEX #B49E82

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B49E82 it is the complementary color #4B617D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B49E82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B49E82 shade: #B99E7D, #CAB090, #DBC2A3, #ECD4B6 and #FDE6C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B49E82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B49E82 shade: #B49E82, #A38C6F, #927A5C, #816849 and #705636

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B49E82 shade: #B49E82, #B49182, #B48382 and #B48282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B49E82 shade: #B49E82, #B4AB82, #AFB482, #A2B482 and #94B482

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B49E82 shade matches the following richer shades: #B49E82, #C4A072, #D4A262, #E4A452 and #F4A642

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B49E82 shade: #B49E82, #A49C92, #949AA2, #8498B2 and #7496C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B49E82 shade: #B48382, #B49082, #B49E82, #B4AB82 and #B0B482

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B49E82 shade: #8E7555, #A48A68, #B49E82, #C3B29C and #D3C6B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B49E82 shade: #B49E82, #8FB482 and #8A82B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B49E82 shade: #B49E82, #82B49E and #9E82B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B49E82 shade: #B49E82, #8FB482, #8299B4 and #A782B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B49E82 shade: #B49E82, #82B485, #8299B4 and #B482B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 28 / 29

HEX #B49E82

RGB 180 158 130

HSL 33.6, 0.25%, 0.61%

LAB 66.34, 3.72, 17.61

 

Complementary color

CMYK 40 / 22 / 0 / 51

HEX #4B617D

RGB 75 97 125

HSL 213.6, 0.25%, 0.39%

LAB 40.45, -0.57, -18.32

 

CMYK 0 / 15 / 32 / 27

HEX #B99E7D

RGB 185 158 125

HSL 33, 0.3%, 0.61%

LAB 66.71, 5.04, 20.95

 

CMYK 0 / 13 / 29 / 21

HEX #CAB090

RGB 202 176 144

HSL 33.1, 0.35%, 0.68%

LAB 73.3, 4.55, 19.86

 

CMYK 0 / 11 / 26 / 14

HEX #DBC2A3

RGB 219 194 163

HSL 33.21, 0.44%, 0.75%

LAB 79.78, 4.12, 18.84

 

CMYK 0 / 10 / 23 / 7

HEX #ECD4B6

RGB 236 212 182

HSL 33.33, 0.59%, 0.82%

LAB 86.15, 3.73, 17.89

 

CMYK 0 / 9 / 21 / 1

HEX #FDE6C9

RGB 253 230 201

HSL 33.46, 0.93%, 0.89%

LAB 92.44, 3.39, 16.98

 

CMYK 0 / 12 / 28 / 29

HEX #B49E82

RGB 180 158 130

HSL 33.6, 0.25%, 0.61%

LAB 66.34, 3.72, 17.61

 

CMYK 0 / 14 / 32 / 36

HEX #A38C6F

RGB 163 140 111

HSL 33.46, 0.22%, 0.54%

LAB 59.61, 4.21, 18.71

 

CMYK 0 / 16 / 37 / 43

HEX #927A5C

RGB 146 122 92

HSL 33.33, 0.23%, 0.47%

LAB 52.73, 4.78, 19.9

 

CMYK 0 / 19 / 43 / 49

HEX #816849

RGB 129 104 73

HSL 33.21, 0.28%, 0.4%

LAB 45.7, 5.48, 21.22

 

CMYK 0 / 23 / 52 / 56

HEX #705636

RGB 112 86 54

HSL 33.1, 0.35%, 0.33%

LAB 38.49, 6.36, 22.68

 

CMYK 0 / 12 / 28 / 29

HEX #B49E82

RGB 180 158 130

HSL 33.6, 0.25%, 0.61%

LAB 66.34, 3.72, 17.61

 

CMYK 0 / 19 / 28 / 29

HEX #B49182

RGB 180 145 130

HSL 18, 0.25%, 0.61%

LAB 62.98, 10.9, 12.94

 

CMYK 0 / 27 / 28 / 29

HEX #B48382

RGB 180 131 130

HSL 1.2, 0.25%, 0.61%

LAB 59.48, 18.72, 7.99

 

CMYK 0 / 28 / 28 / 29

HEX #B48282

RGB 180 130 130

HSL 0, 0.25%, 0.61%

LAB 59.23, 19.28, 7.64

 

CMYK 0 / 12 / 28 / 29

HEX #B49E82

RGB 180 158 130

HSL 33.6, 0.25%, 0.61%

LAB 66.34, 3.72, 17.61

 

CMYK 0 / 5 / 28 / 29

HEX #B4AB82

RGB 180 171 130

HSL 49.2, 0.25%, 0.61%

LAB 69.78, -3.31, 22.32

 

CMYK 3 / 0 / 28 / 29

HEX #AFB482

RGB 175 180 130

HSL 66, 0.25%, 0.61%

LAB 71.8, -10.03, 24.99

 

CMYK 10 / 0 / 28 / 29

HEX #A2B482

RGB 162 180 130

HSL 81.6, 0.25%, 0.61%

LAB 70.83, -15.02, 23.5

 

CMYK 18 / 0 / 28 / 29

HEX #94B482

RGB 148 180 130

HSL 98.4, 0.25%, 0.61%

LAB 69.86, -20.22, 22.03

 

CMYK 0 / 12 / 28 / 29

HEX #B49E82

RGB 180 158 130

HSL 33.6, 0.25%, 0.61%

LAB 66.34, 3.72, 17.61

 

CMYK 0 / 18 / 42 / 23

HEX #C4A072

RGB 196 160 114

HSL 33.66, 0.41%, 0.61%

LAB 68.09, 7.09, 28.97

 

CMYK 0 / 24 / 54 / 17

HEX #D4A262

RGB 212 162 98

HSL 33.68, 0.57%, 0.61%

LAB 69.98, 11.07, 40.15

 

CMYK 0 / 28 / 64 / 11

HEX #E4A452

RGB 228 164 82

HSL 33.7, 0.73%, 0.61%

LAB 72, 15.51, 50.91

 

CMYK 0 / 32 / 73 / 4

HEX #F4A642

RGB 244 166 66

HSL 33.71, 0.89%, 0.61%

LAB 74.13, 20.28, 60.93

 

CMYK 0 / 12 / 28 / 29

HEX #B49E82

RGB 180 158 130

HSL 33.6, 0.25%, 0.61%

LAB 66.34, 3.72, 17.61

 

CMYK 0 / 5 / 11 / 36

HEX #A49C92

RGB 164 156 146

HSL 33.33, 0.09%, 0.61%

LAB 64.76, 1.13, 6.27

 

CMYK 9 / 5 / 0 / 36

HEX #949AA2

RGB 148 154 162

HSL 214.29, 0.07%, 0.61%

LAB 63.36, -0.53, -4.93

 

CMYK 26 / 15 / 0 / 30

HEX #8498B2

RGB 132 152 178

HSL 213.91, 0.23%, 0.61%

LAB 62.15, -1.09, -15.88

 

CMYK 41 / 23 / 0 / 24

HEX #7496C3

RGB 116 150 195

HSL 214.18, 0.4%, 0.61%

LAB 61.19, -0.19, -27

 

CMYK 0 / 27 / 28 / 29

HEX #B48382

RGB 180 131 130

HSL 1.2, 0.25%, 0.61%

LAB 59.48, 18.72, 7.99

 

CMYK 0 / 20 / 28 / 29

HEX #B49082

RGB 180 144 130

HSL 16.8, 0.25%, 0.61%

LAB 62.73, 11.46, 12.58

 

CMYK 0 / 12 / 28 / 29

HEX #B49E82

RGB 180 158 130

HSL 33.6, 0.25%, 0.61%

LAB 66.34, 3.72, 17.61

 

CMYK 0 / 5 / 28 / 29

HEX #B4AB82

RGB 180 171 130

HSL 49.2, 0.25%, 0.61%

LAB 69.78, -3.31, 22.32

 

CMYK 2 / 0 / 28 / 29

HEX #B0B482

RGB 176 180 130

HSL 64.8, 0.25%, 0.61%

LAB 71.88, -9.64, 25.11

 

CMYK 0 / 18 / 40 / 44

HEX #8E7555

RGB 142 117 85

HSL 33.68, 0.25%, 0.45%

LAB 50.84, 5.06, 21.31

 

CMYK 0 / 16 / 37 / 36

HEX #A48A68

RGB 164 138 104

HSL 34, 0.25%, 0.53%

LAB 59.04, 4.83, 21.88

 

CMYK 0 / 12 / 28 / 29

HEX #B49E82

RGB 180 158 130

HSL 33.6, 0.25%, 0.61%

LAB 66.34, 3.72, 17.61

 

CMYK 0 / 9 / 20 / 24

HEX #C3B29C

RGB 195 178 156

HSL 33.85, 0.25%, 0.69%

LAB 73.44, 2.5, 13.45

 

CMYK 0 / 6 / 14 / 17

HEX #D3C6B6

RGB 211 198 182

HSL 33.1, 0.25%, 0.77%

LAB 80.52, 1.87, 9.64

HEX #D3C6B6

CMYK 0 / 12 / 28 / 29

HEX #B49E82

RGB 180 158 130

HSL 33.6, 0.25%, 0.61%

LAB 66.34, 3.72, 17.61

 

CMYK 21 / 0 / 28 / 29

HEX #8FB482

RGB 143 180 130

HSL 104.4, 0.25%, 0.61%

LAB 69.54, -22.03, 21.53

 

CMYK 23 / 28 / 0 / 29

HEX #8A82B4

RGB 138 130 180

HSL 249.6, 0.25%, 0.61%

LAB 56.75, 13.91, -25.22

 

CMYK 0 / 12 / 28 / 29

HEX #B49E82

RGB 180 158 130

HSL 33.6, 0.25%, 0.61%

LAB 66.34, 3.72, 17.61

 

CMYK 28 / 0 / 12 / 29

HEX #82B49E

RGB 130 180 158

HSL 153.6, 0.25%, 0.61%

LAB 69.37, -21.22, 5.92

 

CMYK 12 / 28 / 0 / 29

HEX #9E82B4

RGB 158 130 180

HSL 273.6, 0.25%, 0.61%

LAB 58.54, 20.37, -22.32

 

CMYK 0 / 12 / 28 / 29

HEX #B49E82

RGB 180 158 130

HSL 33.6, 0.25%, 0.61%

LAB 66.34, 3.72, 17.61

 

CMYK 21 / 0 / 28 / 29

HEX #8FB482

RGB 143 180 130

HSL 104.4, 0.25%, 0.61%

LAB 69.54, -22.03, 21.53

 

CMYK 28 / 15 / 0 / 29

HEX #8299B4

RGB 130 153 180

HSL 212.4, 0.25%, 0.61%

LAB 62.36, -1.78, -16.7

 

CMYK 7 / 28 / 0 / 29

HEX #A782B4

RGB 167 130 180

HSL 284.4, 0.25%, 0.61%

LAB 59.41, 23.35, -20.9

 

CMYK 0 / 12 / 28 / 29

HEX #B49E82

RGB 180 158 130

HSL 33.6, 0.25%, 0.61%

LAB 66.34, 3.72, 17.61

 

CMYK 28 / 0 / 26 / 29

HEX #82B485

RGB 130 180 133

HSL 123.6, 0.25%, 0.61%

LAB 68.81, -26.04, 18.79

 

CMYK 28 / 15 / 0 / 29

HEX #8299B4

RGB 130 153 180

HSL 212.4, 0.25%, 0.61%

LAB 62.36, -1.78, -16.7

 

CMYK 0 / 28 / 2 / 29

HEX #B482B1

RGB 180 130 177

HSL 303.6, 0.25%, 0.61%

LAB 60.64, 27.14, -17.2

 

Description

Color code: HEX #B49E82 | qconv.com Color code: HEX #B49E82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 158 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 158 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 28 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 28% 29% C M Y K

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Provide designers and agencies with accurate color values.

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