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Color name
HEX #B4A550

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4A550 it is the complementary color #4B5AAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4A550. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4A550 shade: #B9A54B, #CAB75E, #DBC971, #ECDB84 and #FDED97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4A550. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4A550 shade: #B4A550, #A3933D, #92812A, #816F17 and #705D04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4A550 shade: #B4A550, #B48A50, #B46F50, #B45450 and #B45050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4A550 shade: #B4A550, #A8B450, #8DB450, #72B450 and #57B450

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4A550 shade matches the following richer shades: #B4A550, #C8B33B, #DCC127 and #F0CF13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4A550 shade: #B4A550, #9F9664, #8B8878, #777A8C and #636CA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4A550 shade: #B46F50, #B48A50, #B4A550, #A8B450 and #8DB450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4A550 shade: #7C7135, #998C41, #B4A550, #C0B36C and #CCC289

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4A550 shade: #B4A550, #50B455 and #7D50B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4A550 shade: #B4A550, #50B4A5 and #A550B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4A550 shade: #B4A550, #50B455, #505FB4 and #B450AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4A550 shade: #B4A550, #50B473, #505FB4 and #B45091

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 56 / 29

HEX #B4A550

RGB 180 165 80

HSL 51, 0.4%, 0.51%

LAB 67.42, -5.6, 45.37

 

Complementary color

CMYK 57 / 49 / 0 / 31

HEX #4B5AAF

RGB 75 90 175

HSL 231, 0.4%, 0.49%

LAB 41.06, 19.95, -47.32

 

CMYK 0 / 11 / 59 / 27

HEX #B9A54B

RGB 185 165 75

HSL 49.09, 0.44%, 0.51%

LAB 67.82, -3.84, 48.34

 

CMYK 0 / 9 / 53 / 21

HEX #CAB75E

RGB 202 183 94

HSL 49.44, 0.5%, 0.58%

LAB 74.34, -4.63, 47.17

 

CMYK 0 / 8 / 48 / 14

HEX #DBC971

RGB 219 201 113

HSL 49.81, 0.6%, 0.65%

LAB 80.75, -5.29, 45.96

 

CMYK 0 / 7 / 44 / 7

HEX #ECDB84

RGB 236 219 132

HSL 50.19, 0.73%, 0.72%

LAB 87.08, -5.85, 44.75

 

CMYK 0 / 6 / 40 / 1

HEX #FDED97

RGB 253 237 151

HSL 50.59, 0.96%, 0.79%

LAB 93.31, -6.33, 43.57

 

CMYK 0 / 8 / 56 / 29

HEX #B4A550

RGB 180 165 80

HSL 51, 0.4%, 0.51%

LAB 67.42, -5.6, 45.37

 

CMYK 0 / 10 / 63 / 36

HEX #A3933D

RGB 163 147 61

HSL 50.59, 0.46%, 0.44%

LAB 60.77, -4.77, 46.49

 

CMYK 0 / 12 / 71 / 43

HEX #92812A

RGB 146 129 42

HSL 50.19, 0.55%, 0.37%

LAB 54, -3.74, 47.34

 

CMYK 0 / 14 / 82 / 49

HEX #816F17

RGB 129 111 23

HSL 49.81, 0.7%, 0.3%

LAB 47.1, -2.44, 47.51

 

CMYK 0 / 17 / 96 / 56

HEX #705D04

RGB 112 93 4

HSL 49.44, 0.93%, 0.23%

LAB 40.05, -0.79, 46.33

 

CMYK 0 / 8 / 56 / 29

HEX #B4A550

RGB 180 165 80

HSL 51, 0.4%, 0.51%

LAB 67.42, -5.6, 45.37

 

CMYK 0 / 23 / 56 / 29

HEX #B48A50

RGB 180 138 80

HSL 34.8, 0.4%, 0.51%

LAB 60.3, 9.1, 36.92

 

CMYK 0 / 38 / 56 / 29

HEX #B46F50

RGB 180 111 80

HSL 18.6, 0.4%, 0.51%

LAB 53.66, 24.15, 28.67

 

CMYK 0 / 53 / 56 / 29

HEX #B45450

RGB 180 84 80

HSL 2.4, 0.4%, 0.51%

LAB 47.78, 38.63, 21.07

 

CMYK 0 / 56 / 56 / 29

HEX #B45050

RGB 180 80 80

HSL 0, 0.4%, 0.51%

LAB 47, 40.65, 20.03

 

CMYK 0 / 8 / 56 / 29

HEX #B4A550

RGB 180 165 80

HSL 51, 0.4%, 0.51%

LAB 67.42, -5.6, 45.37

 

CMYK 7 / 0 / 56 / 29

HEX #A8B450

RGB 168 180 80

HSL 67.2, 0.4%, 0.51%

LAB 70.56, -18.44, 48.72

 

CMYK 22 / 0 / 56 / 29

HEX #8DB450

RGB 141 180 80

HSL 83.4, 0.4%, 0.51%

LAB 68.67, -29.29, 46.05

 

CMYK 37 / 0 / 56 / 29

HEX #72B450

RGB 114 180 80

HSL 99.6, 0.4%, 0.51%

LAB 67.13, -39.19, 43.86

 

CMYK 52 / 0 / 56 / 29

HEX #57B450

RGB 87 180 80

HSL 115.8, 0.4%, 0.51%

LAB 65.94, -47.6, 42.17

 

CMYK 0 / 8 / 56 / 29

HEX #B4A550

RGB 180 165 80

HSL 51, 0.4%, 0.51%

LAB 67.42, -5.6, 45.37

 

CMYK 0 / 11 / 71 / 22

HEX #C8B33B

RGB 200 179 59

HSL 51.06, 0.56%, 0.51%

LAB 72.78, -5.73, 60.94

 

CMYK 0 / 12 / 82 / 14

HEX #DCC127

RGB 220 193 39

HSL 51.05, 0.72%, 0.51%

LAB 78.17, -5.12, 73.14

 

CMYK 0 / 14 / 92 / 6

HEX #F0CF13

RGB 240 207 19

HSL 51.04, 0.88%, 0.51%

LAB 83.55, -4.09, 82.19

 

CMYK 0 / 8 / 56 / 29

HEX #B4A550

RGB 180 165 80

HSL 51, 0.4%, 0.51%

LAB 67.42, -5.6, 45.37

 

CMYK 0 / 6 / 37 / 38

HEX #9F9664

RGB 159 150 100

HSL 50.85, 0.24%, 0.51%

LAB 61.74, -4.38, 27.59

 

CMYK 0 / 2 / 14 / 45

HEX #8B8878

RGB 139 136 120

HSL 50.53, 0.08%, 0.51%

LAB 56.54, -1.81, 8.99

 

CMYK 15 / 13 / 0 / 45

HEX #777A8C

RGB 119 122 140

HSL 231.43, 0.08%, 0.51%

LAB 51.54, 2.79, -10.14

 

CMYK 38 / 33 / 0 / 37

HEX #636CA0

RGB 99 108 160

HSL 231.15, 0.24%, 0.51%

LAB 46.86, 9.94, -29.19

 

CMYK 0 / 38 / 56 / 29

HEX #B46F50

RGB 180 111 80

HSL 18.6, 0.4%, 0.51%

LAB 53.66, 24.15, 28.67

 

CMYK 0 / 23 / 56 / 29

HEX #B48A50

RGB 180 138 80

HSL 34.8, 0.4%, 0.51%

LAB 60.3, 9.1, 36.92

 

CMYK 0 / 8 / 56 / 29

HEX #B4A550

RGB 180 165 80

HSL 51, 0.4%, 0.51%

LAB 67.42, -5.6, 45.37

 

CMYK 7 / 0 / 56 / 29

HEX #A8B450

RGB 168 180 80

HSL 67.2, 0.4%, 0.51%

LAB 70.56, -18.44, 48.72

 

CMYK 22 / 0 / 56 / 29

HEX #8DB450

RGB 141 180 80

HSL 83.4, 0.4%, 0.51%

LAB 68.67, -29.29, 46.05

 

CMYK 0 / 9 / 57 / 51

HEX #7C7135

RGB 124 113 53

HSL 50.7, 0.4%, 0.35%

LAB 47.43, -4.06, 34.37

 

CMYK 0 / 8 / 58 / 40

HEX #998C41

RGB 153 140 65

HSL 51.14, 0.4%, 0.43%

LAB 57.95, -5.08, 41.15

 

CMYK 0 / 8 / 56 / 29

HEX #B4A550

RGB 180 165 80

HSL 51, 0.4%, 0.51%

LAB 67.42, -5.6, 45.37

 

CMYK 0 / 7 / 44 / 25

HEX #C0B36C

RGB 192 179 108

HSL 50.71, 0.4%, 0.59%

LAB 72.58, -5.36, 37.83

 

CMYK 0 / 5 / 33 / 20

HEX #CCC289

RGB 204 194 137

HSL 51.04, 0.4%, 0.67%

LAB 78.01, -5.09, 29.99

 

CMYK 0 / 8 / 56 / 29

HEX #B4A550

RGB 180 165 80

HSL 51, 0.4%, 0.51%

LAB 67.42, -5.6, 45.37

 

CMYK 56 / 0 / 53 / 29

HEX #50B455

RGB 80 180 85

HSL 123, 0.4%, 0.51%

LAB 65.75, -48.82, 39.46

 

CMYK 31 / 56 / 0 / 29

HEX #7D50B4

RGB 125 80 180

HSL 267, 0.4%, 0.51%

LAB 43.35, 39.41, -46.36

 

CMYK 0 / 8 / 56 / 29

HEX #B4A550

RGB 180 165 80

HSL 51, 0.4%, 0.51%

LAB 67.42, -5.6, 45.37

 

CMYK 56 / 0 / 8 / 29

HEX #50B4A5

RGB 80 180 165

HSL 171, 0.4%, 0.51%

LAB 67.33, -32.84, -1.18

 

CMYK 8 / 56 / 0 / 29

HEX #A550B4

RGB 165 80 180

HSL 291, 0.4%, 0.51%

LAB 48.3, 49.99, -38.18

 

CMYK 0 / 8 / 56 / 29

HEX #B4A550

RGB 180 165 80

HSL 51, 0.4%, 0.51%

LAB 67.42, -5.6, 45.37

 

CMYK 56 / 0 / 53 / 29

HEX #50B455

RGB 80 180 85

HSL 123, 0.4%, 0.51%

LAB 65.75, -48.82, 39.46

 

CMYK 56 / 47 / 0 / 29

HEX #505FB4

RGB 80 95 180

HSL 231, 0.4%, 0.51%

LAB 43.04, 19.5, -47.07

 

CMYK 0 / 56 / 3 / 29

HEX #B450AF

RGB 180 80 175

HSL 303, 0.4%, 0.51%

LAB 50.14, 53.17, -32.23

 

CMYK 0 / 8 / 56 / 29

HEX #B4A550

RGB 180 165 80

HSL 51, 0.4%, 0.51%

LAB 67.42, -5.6, 45.37

 

CMYK 56 / 0 / 36 / 29

HEX #50B473

RGB 80 180 115

HSL 141, 0.4%, 0.51%

LAB 66.2, -43.99, 24.56

 

CMYK 56 / 47 / 0 / 29

HEX #505FB4

RGB 80 95 180

HSL 231, 0.4%, 0.51%

LAB 43.04, 19.5, -47.07

 

CMYK 0 / 56 / 19 / 29

HEX #B45091

RGB 180 80 145

HSL 321, 0.4%, 0.51%

LAB 48.87, 48.29, -16.47

 

Description

Color code: HEX #B4A550 | qconv.com Color code: HEX #B4A550 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 165 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 165 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 56 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 56% 29% C M Y K

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Provide designers and agencies with accurate color values.

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