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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4A94A it is the complementary color #4B56B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4A94A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4A94A shade: #B9A945, #CABB58, #DBCD6B, #ECDF7E and #FDF191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4A94A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4A94A shade: #B4A94A, #A39737, #928524, #817311 and #706100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4A94A shade: #B5A949, #B58D49, #B57049, #B55349 and #B54949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4A94A shade: #B5A949, #A3B549, #86B549, #69B549 and #4CB549

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4A94A shade matches the following richer shades: #B5A949, #C9BA35, #DECA20 and #F2DA0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4A94A shade: #B5A949, #A0995E, #8B8973, #777887 and #62689C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4A94A shade: #B56F49, #B58B49, #B5A849, #A4B549 and #88B549

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4A94A shade: #7A7232, #978E3D, #B5A949, #C1B767 and #CCC584

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4A94A shade: #B4A94A, #49B552 and #7D49B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4A94A shade: #B4A94A, #49B5A8 and #A849B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4A94A shade: #B4A94A, #49B552, #4956B5 and #B549AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4A94A shade: #B4A94A, #49B573, #4956B5 and #B5498B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 59 / 29

HEX #B4A94A

RGB 180 169 74

HSL 53.77, 0.42%, 0.5%

LAB 68.44, -8.18, 49.38

 

Complementary color

CMYK 59 / 52 / 0 / 29

HEX #4B56B5

RGB 75 86 181

HSL 233.77, 0.42%, 0.5%

LAB 40.39, 24.53, -51.93

 

CMYK 0 / 9 / 63 / 27

HEX #B9A945

RGB 185 169 69

HSL 51.72, 0.46%, 0.5%

LAB 68.84, -6.38, 52.22

 

CMYK 0 / 7 / 56 / 21

HEX #CABB58

RGB 202 187 88

HSL 52.11, 0.52%, 0.57%

LAB 75.33, -7.19, 51.18

 

CMYK 0 / 6 / 51 / 14

HEX #DBCD6B

RGB 219 205 107

HSL 52.5, 0.61%, 0.64%

LAB 81.72, -7.87, 50.03

 

CMYK 0 / 6 / 47 / 7

HEX #ECDF7E

RGB 236 223 126

HSL 52.91, 0.74%, 0.71%

LAB 88.02, -8.44, 48.86

 

CMYK 0 / 5 / 43 / 1

HEX #FDF191

RGB 253 241 145

HSL 53.33, 0.96%, 0.78%

LAB 94.24, -8.93, 47.68

 

CMYK 0 / 6 / 59 / 29

HEX #B4A94A

RGB 180 169 74

HSL 53.77, 0.42%, 0.5%

LAB 68.44, -8.18, 49.38

 

CMYK 0 / 7 / 66 / 36

HEX #A39737

RGB 163 151 55

HSL 53.33, 0.5%, 0.43%

LAB 61.82, -7.33, 50.32

 

CMYK 0 / 9 / 75 / 43

HEX #928524

RGB 146 133 36

HSL 52.91, 0.6%, 0.36%

LAB 55.09, -6.26, 50.81

 

CMYK 0 / 11 / 87 / 49

HEX #817311

RGB 129 115 17

HSL 52.5, 0.77%, 0.29%

LAB 48.22, -4.91, 50.32

 

CMYK 0 / 13 / 100 / 56

HEX #706100

RGB 112 97 0

HSL 51.96, 1%, 0.22%

LAB 41.21, -3.24, 48.28

 

CMYK 0 / 7 / 60 / 29

HEX #B5A949

RGB 181 169 73

HSL 53.33, 0.43%, 0.5%

LAB 68.52, -7.82, 49.96

 

CMYK 0 / 22 / 60 / 29

HEX #B58D49

RGB 181 141 73

HSL 37.78, 0.43%, 0.5%

LAB 61.09, 7.31, 41.5

 

CMYK 0 / 38 / 60 / 29

HEX #B57049

RGB 181 112 73

HSL 21.67, 0.43%, 0.5%

LAB 53.91, 23.44, 32.92

 

CMYK 0 / 54 / 60 / 29

HEX #B55349

RGB 181 83 73

HSL 5.56, 0.43%, 0.5%

LAB 47.61, 38.97, 25.03

 

CMYK 0 / 60 / 60 / 29

HEX #B54949

RGB 181 73 73

HSL 0, 0.43%, 0.5%

LAB 45.73, 43.87, 22.6

 

CMYK 0 / 7 / 60 / 29

HEX #B5A949

RGB 181 169 73

HSL 53.33, 0.43%, 0.5%

LAB 68.52, -7.82, 49.96

 

CMYK 10 / 0 / 60 / 29

HEX #A3B549

RGB 163 181 73

HSL 70, 0.43%, 0.5%

LAB 70.4, -21.58, 51.63

 

CMYK 26 / 0 / 60 / 29

HEX #86B549

RGB 134 181 73

HSL 86.11, 0.43%, 0.5%

LAB 68.46, -33.11, 48.93

 

CMYK 42 / 0 / 60 / 29

HEX #69B549

RGB 105 181 73

HSL 102.22, 0.43%, 0.5%

LAB 66.92, -43.38, 46.78

 

CMYK 58 / 0 / 60 / 29

HEX #4CB549

RGB 76 181 73

HSL 118.33, 0.43%, 0.5%

LAB 65.8, -51.73, 45.2

 

CMYK 0 / 7 / 60 / 29

HEX #B5A949

RGB 181 169 73

HSL 53.33, 0.43%, 0.5%

LAB 68.52, -7.82, 49.96

 

CMYK 0 / 7 / 74 / 21

HEX #C9BA35

RGB 201 186 53

HSL 53.92, 0.58%, 0.5%

LAB 74.69, -9.21, 65.05

 

CMYK 0 / 9 / 86 / 13

HEX #DECA20

RGB 222 202 32

HSL 53.68, 0.75%, 0.5%

LAB 80.67, -9.04, 76.97

 

CMYK 0 / 10 / 95 / 5

HEX #F2DA0C

RGB 242 218 12

HSL 53.74, 0.91%, 0.5%

LAB 86.53, -8.87, 85.29

 

CMYK 0 / 7 / 60 / 29

HEX #B5A949

RGB 181 169 73

HSL 53.33, 0.43%, 0.5%

LAB 68.52, -7.82, 49.96

 

CMYK 0 / 4 / 41 / 37

HEX #A0995E

RGB 160 153 94

HSL 53.64, 0.26%, 0.5%

LAB 62.56, -6.3, 31.9

 

CMYK 0 / 1 / 17 / 45

HEX #8B8973

RGB 139 137 115

HSL 55, 0.09%, 0.5%

LAB 56.7, -3.21, 12.08

 

CMYK 12 / 11 / 0 / 47

HEX #777887

RGB 119 120 135

HSL 236.25, 0.06%, 0.5%

LAB 50.81, 2.82, -8.29

 

CMYK 37 / 33 / 0 / 39

HEX #62689C

RGB 98 104 156

HSL 233.79, 0.23%, 0.5%

LAB 45.49, 10.95, -28.97

 

CMYK 0 / 39 / 60 / 29

HEX #B56F49

RGB 181 111 73

HSL 21.11, 0.43%, 0.5%

LAB 53.68, 24, 32.63

 

CMYK 0 / 23 / 60 / 29

HEX #B58B49

RGB 181 139 73

HSL 36.67, 0.43%, 0.5%

LAB 60.58, 8.42, 40.9

 

CMYK 0 / 7 / 60 / 29

HEX #B5A849

RGB 181 168 73

HSL 52.78, 0.43%, 0.5%

LAB 68.25, -7.3, 49.65

 

CMYK 9 / 0 / 60 / 29

HEX #A4B549

RGB 164 181 73

HSL 69.44, 0.43%, 0.5%

LAB 70.47, -21.17, 51.74

 

CMYK 25 / 0 / 60 / 29

HEX #88B549

RGB 136 181 73

HSL 85, 0.43%, 0.5%

LAB 68.58, -32.35, 49.1

 

CMYK 0 / 7 / 59 / 52

HEX #7A7232

RGB 122 114 50

HSL 53.33, 0.42%, 0.34%

LAB 47.5, -5.8, 35.94

 

CMYK 0 / 6 / 60 / 41

HEX #978E3D

RGB 151 142 61

HSL 54, 0.42%, 0.42%

LAB 58.29, -7.37, 43.42

 

CMYK 0 / 7 / 60 / 29

HEX #B5A949

RGB 181 169 73

HSL 53.33, 0.43%, 0.5%

LAB 68.52, -7.82, 49.96

 

CMYK 0 / 5 / 47 / 24

HEX #C1B767

RGB 193 183 103

HSL 53.33, 0.42%, 0.58%

LAB 73.66, -7.55, 41.73

 

CMYK 0 / 3 / 35 / 20

HEX #CCC584

RGB 204 197 132

HSL 54.17, 0.41%, 0.66%

LAB 78.72, -7.25, 33.52

 

CMYK 0 / 6 / 59 / 29

HEX #B4A94A

RGB 180 169 74

HSL 53.77, 0.42%, 0.5%

LAB 68.44, -8.18, 49.38

 

CMYK 60 / 0 / 55 / 29

HEX #49B552

RGB 73 181 82

HSL 125, 0.43%, 0.5%

LAB 65.81, -51.33, 40.93

 

CMYK 31 / 60 / 0 / 29

HEX #7D49B5

RGB 125 73 181

HSL 268.89, 0.43%, 0.5%

LAB 41.94, 43.53, -49.2

 

CMYK 0 / 6 / 59 / 29

HEX #B4A94A

RGB 180 169 74

HSL 53.77, 0.42%, 0.5%

LAB 68.44, -8.18, 49.38

 

CMYK 60 / 0 / 7 / 29

HEX #49B5A8

RGB 73 181 168

HSL 172.78, 0.43%, 0.5%

LAB 67.5, -33.91, -2.61

 

CMYK 7 / 60 / 0 / 29

HEX #A849B5

RGB 168 73 181

HSL 292.78, 0.43%, 0.5%

LAB 47.53, 54.33, -39.96

 

CMYK 0 / 6 / 59 / 29

HEX #B4A94A

RGB 180 169 74

HSL 53.77, 0.42%, 0.5%

LAB 68.44, -8.18, 49.38

 

CMYK 60 / 0 / 55 / 29

HEX #49B552

RGB 73 181 82

HSL 125, 0.43%, 0.5%

LAB 65.81, -51.33, 40.93

 

CMYK 60 / 52 / 0 / 29

HEX #4956B5

RGB 73 86 181

HSL 232.78, 0.43%, 0.5%

LAB 40.26, 24.15, -52.15

 

CMYK 0 / 60 / 5 / 29

HEX #B549AC

RGB 181 73 172

HSL 305, 0.43%, 0.5%

LAB 48.97, 56.13, -32.29

 

CMYK 0 / 6 / 59 / 29

HEX #B4A94A

RGB 180 169 74

HSL 53.77, 0.42%, 0.5%

LAB 68.44, -8.18, 49.38

 

CMYK 60 / 0 / 36 / 29

HEX #49B573

RGB 73 181 115

HSL 143.33, 0.43%, 0.5%

LAB 66.29, -46.02, 24.64

 

CMYK 60 / 52 / 0 / 29

HEX #4956B5

RGB 73 86 181

HSL 232.78, 0.43%, 0.5%

LAB 40.26, 24.15, -52.15

 

CMYK 0 / 60 / 23 / 29

HEX #B5498B

RGB 181 73 139

HSL 323.33, 0.43%, 0.5%

LAB 47.56, 51.01, -14.85

 

Description

Color code: HEX #B4A94A | qconv.com Color code: HEX #B4A94A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 169 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 169 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 59 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 59% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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