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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4A057 it is the complementary color #4B5FA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4A057. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4A057 shade: #B9A052, #CAB265, #DBC478, #ECD68B and #FDE89E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4A057. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4A057 shade: #B4A057, #A38E44, #927C31, #816A1E and #70580B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4A057 shade: #B39F56, #B38656, #B36C56 and #B35656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4A057 shade: #B39F56, #AEB356, #94B356, #7BB356 and #62B356

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4A057 shade matches the following richer shades: #B39F56, #C6AA42, #DAB52E and #EEC01A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4A057 shade: #B39F56, #9F9369, #8B887D, #777D91 and #6371A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4A057 shade: #B36D56, #B38656, #B39E56, #AEB356 and #95B356

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4A057 shade: #7E6F38, #9A8845, #B39F56, #BFAF72 and #CCBF8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4A057 shade: #B4A057, #57B356 and #7956B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4A057 shade: #B4A057, #56B39E and #9E56B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4A057 shade: #B4A057, #57B356, #566AB3 and #B156B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4A057 shade: #B4A057, #56B370, #566AB3 and #B35698

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 52 / 29

HEX #B4A057

RGB 180 160 87

HSL 47.1, 0.38%, 0.52%

LAB 66.16, -2.32, 40.4

 

Complementary color

CMYK 55 / 43 / 0 / 34

HEX #4B5FA8

RGB 75 95 168

HSL 227.1, 0.38%, 0.48%

LAB 42.01, 14.4, -41.67

 

CMYK 0 / 14 / 56 / 27

HEX #B9A052

RGB 185 160 82

HSL 45.44, 0.42%, 0.52%

LAB 66.57, -0.62, 43.51

 

CMYK 0 / 12 / 50 / 21

HEX #CAB265

RGB 202 178 101

HSL 45.74, 0.49%, 0.59%

LAB 73.11, -1.39, 42.24

 

CMYK 0 / 11 / 45 / 14

HEX #DBC478

RGB 219 196 120

HSL 46.06, 0.58%, 0.66%

LAB 79.55, -2.04, 40.99

 

CMYK 0 / 9 / 41 / 7

HEX #ECD68B

RGB 236 214 139

HSL 46.39, 0.72%, 0.74%

LAB 85.9, -2.59, 39.77

 

CMYK 0 / 8 / 38 / 1

HEX #FDE89E

RGB 253 232 158

HSL 46.74, 0.96%, 0.81%

LAB 92.16, -3.07, 38.6

 

CMYK 0 / 11 / 52 / 29

HEX #B4A057

RGB 180 160 87

HSL 47.1, 0.38%, 0.52%

LAB 66.16, -2.32, 40.4

 

CMYK 0 / 13 / 58 / 36

HEX #A38E44

RGB 163 142 68

HSL 46.74, 0.41%, 0.45%

LAB 59.48, -1.52, 41.66

 

CMYK 0 / 15 / 66 / 43

HEX #927C31

RGB 146 124 49

HSL 46.39, 0.5%, 0.38%

LAB 52.67, -0.52, 42.82

 

CMYK 0 / 18 / 77 / 49

HEX #816A1E

RGB 129 106 30

HSL 46.06, 0.62%, 0.31%

LAB 45.73, 0.74, 43.6

 

CMYK 0 / 21 / 90 / 56

HEX #70580B

RGB 112 88 11

HSL 45.74, 0.82%, 0.24%

LAB 38.64, 2.36, 43.31

 

CMYK 0 / 11 / 52 / 30

HEX #B39F56

RGB 179 159 86

HSL 47.1, 0.38%, 0.52%

LAB 65.79, -2.3, 40.44

 

CMYK 0 / 25 / 52 / 30

HEX #B38656

RGB 179 134 86

HSL 30.97, 0.38%, 0.52%

LAB 59.26, 11.43, 32.4

 

CMYK 0 / 40 / 52 / 30

HEX #B36C56

RGB 179 108 86

HSL 14.19, 0.38%, 0.52%

LAB 52.93, 25.93, 24.3

 

CMYK 0 / 52 / 52 / 30

HEX #B35656

RGB 179 86 86

HSL 0, 0.38%, 0.52%

LAB 48.15, 37.76, 17.95

 

CMYK 0 / 11 / 52 / 30

HEX #B39F56

RGB 179 159 86

HSL 47.1, 0.38%, 0.52%

LAB 65.79, -2.3, 40.44

 

CMYK 3 / 0 / 52 / 30

HEX #AEB356

RGB 174 179 86

HSL 63.23, 0.38%, 0.52%

LAB 70.81, -14.93, 46.3

 

CMYK 17 / 0 / 52 / 30

HEX #94B356

RGB 148 179 86

HSL 80, 0.38%, 0.52%

LAB 68.9, -25.48, 43.57

 

CMYK 31 / 0 / 52 / 30

HEX #7BB356

RGB 123 179 86

HSL 96.13, 0.38%, 0.52%

LAB 67.37, -34.91, 41.37

 

CMYK 45 / 0 / 52 / 30

HEX #62B356

RGB 98 179 86

HSL 112.26, 0.38%, 0.52%

LAB 66.14, -43.22, 39.6

 

CMYK 0 / 11 / 52 / 30

HEX #B39F56

RGB 179 159 86

HSL 47.1, 0.38%, 0.52%

LAB 65.79, -2.3, 40.44

 

CMYK 0 / 14 / 67 / 22

HEX #C6AA42

RGB 198 170 66

HSL 47.27, 0.54%, 0.52%

LAB 70.28, -1.48, 55.44

 

CMYK 0 / 17 / 79 / 15

HEX #DAB52E

RGB 218 181 46

HSL 47.09, 0.7%, 0.52%

LAB 74.92, 0.47, 68.18

 

CMYK 0 / 19 / 89 / 7

HEX #EEC01A

RGB 238 192 26

HSL 46.98, 0.86%, 0.52%

LAB 79.59, 2.86, 77.96

 

CMYK 0 / 11 / 52 / 30

HEX #B39F56

RGB 179 159 86

HSL 47.1, 0.38%, 0.52%

LAB 65.79, -2.3, 40.44

 

CMYK 0 / 8 / 34 / 38

HEX #9F9369

RGB 159 147 105

HSL 46.67, 0.22%, 0.52%

LAB 61.01, -2.11, 23.88

 

CMYK 0 / 2 / 10 / 45

HEX #8B887D

RGB 139 136 125

HSL 47.14, 0.06%, 0.52%

LAB 56.66, -0.93, 6.3

 

CMYK 18 / 14 / 0 / 43

HEX #777D91

RGB 119 125 145

HSL 226.15, 0.11%, 0.52%

LAB 52.55, 2.2, -11.54

 

CMYK 40 / 32 / 0 / 35

HEX #6371A5

RGB 99 113 165

HSL 227.27, 0.27%, 0.52%

LAB 48.49, 8.34, -29.6

 

CMYK 0 / 39 / 52 / 30

HEX #B36D56

RGB 179 109 86

HSL 14.84, 0.38%, 0.52%

LAB 53.16, 25.38, 24.6

 

CMYK 0 / 25 / 52 / 30

HEX #B38656

RGB 179 134 86

HSL 30.97, 0.38%, 0.52%

LAB 59.26, 11.43, 32.4

 

CMYK 0 / 12 / 52 / 30

HEX #B39E56

RGB 179 158 86

HSL 46.45, 0.38%, 0.52%

LAB 65.52, -1.76, 40.11

 

CMYK 3 / 0 / 52 / 30

HEX #AEB356

RGB 174 179 86

HSL 63.23, 0.38%, 0.52%

LAB 70.81, -14.93, 46.3

 

CMYK 17 / 0 / 52 / 30

HEX #95B356

RGB 149 179 86

HSL 79.35, 0.38%, 0.52%

LAB 68.97, -25.08, 43.67

 

CMYK 0 / 12 / 56 / 51

HEX #7E6F38

RGB 126 111 56

HSL 47.14, 0.38%, 0.36%

LAB 47.09, -1.73, 32.44

 

CMYK 0 / 12 / 55 / 40

HEX #9A8845

RGB 154 136 69

HSL 47.29, 0.38%, 0.44%

LAB 56.99, -2.09, 38.03

 

CMYK 0 / 11 / 52 / 30

HEX #B39F56

RGB 179 159 86

HSL 47.1, 0.38%, 0.52%

LAB 65.79, -2.3, 40.44

 

CMYK 0 / 8 / 40 / 25

HEX #BFAF72

RGB 191 175 114

HSL 47.53, 0.38%, 0.6%

LAB 71.52, -3.01, 33.35

 

CMYK 0 / 6 / 30 / 20

HEX #CCBF8F

RGB 204 191 143

HSL 47.21, 0.37%, 0.68%

LAB 77.33, -2.76, 25.92

 

CMYK 0 / 11 / 52 / 29

HEX #B4A057

RGB 180 160 87

HSL 47.1, 0.38%, 0.52%

LAB 66.16, -2.32, 40.4

 

CMYK 51 / 0 / 52 / 30

HEX #57B356

RGB 87 179 86

HSL 119.35, 0.38%, 0.52%

LAB 65.7, -46.42, 38.96

 

CMYK 32 / 52 / 0 / 30

HEX #7956B3

RGB 121 86 179

HSL 262.58, 0.38%, 0.52%

LAB 44.2, 34.66, -44.44

 

CMYK 0 / 11 / 52 / 29

HEX #B4A057

RGB 180 160 87

HSL 47.1, 0.38%, 0.52%

LAB 66.16, -2.32, 40.4

 

CMYK 52 / 0 / 12 / 30

HEX #56B39E

RGB 86 179 158

HSL 166.45, 0.38%, 0.52%

LAB 67.04, -32.83, 2.3

 

CMYK 12 / 52 / 0 / 30

HEX #9E56B3

RGB 158 86 179

HSL 286.45, 0.38%, 0.52%

LAB 48.49, 44.8, -37.37

 

CMYK 0 / 11 / 52 / 29

HEX #B4A057

RGB 180 160 87

HSL 47.1, 0.38%, 0.52%

LAB 66.16, -2.32, 40.4

 

CMYK 51 / 0 / 52 / 30

HEX #57B356

RGB 87 179 86

HSL 119.35, 0.38%, 0.52%

LAB 65.7, -46.42, 38.96

 

CMYK 52 / 41 / 0 / 30

HEX #566AB3

RGB 86 106 179

HSL 227.1, 0.38%, 0.52%

LAB 46.37, 13.6, -41.16

 

CMYK 1 / 52 / 0 / 30

HEX #B156B3

RGB 177 86 179

HSL 298.71, 0.38%, 0.52%

LAB 50.99, 50.16, -33.26

 

CMYK 0 / 11 / 52 / 29

HEX #B4A057

RGB 180 160 87

HSL 47.1, 0.38%, 0.52%

LAB 66.16, -2.32, 40.4

 

CMYK 52 / 0 / 37 / 30

HEX #56B370

RGB 86 179 112

HSL 136.77, 0.38%, 0.52%

LAB 66.05, -42.62, 26

 

CMYK 52 / 41 / 0 / 30

HEX #566AB3

RGB 86 106 179

HSL 227.1, 0.38%, 0.52%

LAB 46.37, 13.6, -41.16

 

CMYK 0 / 52 / 15 / 30

HEX #B35698

RGB 179 86 152

HSL 317.42, 0.38%, 0.52%

LAB 50.1, 46.11, -18.75

 

Description

Color code: HEX #B4A057 | qconv.com Color code: HEX #B4A057 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 160 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 160 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 52 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 52% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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