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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4A0D3 it is the complementary color #4B5F2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4A0D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4A0D3 shade: #B9A0CE, #CAB2E1, #DBC4F4, #ECD6FF and #FDE8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4A0D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4A0D3 shade: #B4A0D3, #A38EC0, #927CAD, #816A9A and #705887

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4A0D3 shade: #B4A0D3, #C2A0D3, #D0A0D3, #D3A0C9 and #D3A0BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4A0D3 shade: #B4A0D3, #A6A0D3 and #A0A0D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4A0D3 shade matches the following richer shades: #B4A0D3, #B295DE, #AF8AE9 and #AD7FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4A0D3 shade: #B4A0D3, #B7ABC8, #B9B6BD, #BBC2B2 and #BECDA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4A0D3 shade: #A0A8D3, #A6A0D3, #B4A0D3, #C1A0D3 and #CFA0D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4A0D3 shade: #8868B9, #9E84C6, #B4A0D3, #CABCE0 and #E1D9ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4A0D3 shade: #B4A0D3, #D3A0B5 and #A1D3A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4A0D3 shade: #B4A0D3, #D3B4A0 and #A0D3B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4A0D3 shade: #B4A0D3, #D3A0B5, #C0D3A0 and #A0D3BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4A0D3 shade: #B4A0D3, #D3A0A6, #C0D3A0 and #A0D3CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 24 / 0 / 17

HEX #B4A0D3

RGB 180 160 211

HSL 263.53, 0.37%, 0.73%

LAB 69.15, 17.28, -23.3

 

Complementary color

CMYK 21 / 0 / 54 / 63

HEX #4B5F2C

RGB 75 95 44

HSL 83.53, 0.37%, 0.27%

LAB 37.59, -17.04, 26.51

 

CMYK 10 / 22 / 0 / 19

HEX #B9A0CE

RGB 185 160 206

HSL 272.61, 0.32%, 0.72%

LAB 69.41, 17.83, -20.1

 

CMYK 10 / 21 / 0 / 12

HEX #CAB2E1

RGB 202 178 225

HSL 270.64, 0.44%, 0.79%

LAB 75.97, 17.37, -20.4

 

CMYK 10 / 20 / 0 / 4

HEX #DBC4F4

RGB 219 196 244

HSL 268.75, 0.69%, 0.86%

LAB 82.42, 16.94, -20.71

 

CMYK 7 / 16 / 0 / 0

HEX #ECD6FF

RGB 236 214 255

HSL 272.2, 1%, 0.92%

LAB 88.52, 14.97, -17.19

 

CMYK 1 / 9 / 0 / 0

HEX #FDE8FF

RGB 253 232 255

HSL 294.78, 1%, 0.95%

LAB 94.23, 11.1, -8.51

 

CMYK 15 / 24 / 0 / 17

HEX #B4A0D3

RGB 180 160 211

HSL 263.53, 0.37%, 0.73%

LAB 69.15, 17.28, -23.3

 

CMYK 15 / 26 / 0 / 25

HEX #A38EC0

RGB 163 142 192

HSL 265.2, 0.28%, 0.65%

LAB 62.46, 17.78, -23.07

 

CMYK 16 / 28 / 0 / 32

HEX #927CAD

RGB 146 124 173

HSL 266.94, 0.23%, 0.58%

LAB 55.63, 18.33, -22.87

 

CMYK 16 / 31 / 0 / 40

HEX #816A9A

RGB 129 106 154

HSL 268.75, 0.19%, 0.51%

LAB 48.65, 18.95, -22.69

 

CMYK 17 / 35 / 0 / 47

HEX #705887

RGB 112 88 135

HSL 270.64, 0.21%, 0.44%

LAB 41.49, 19.64, -22.53

 

CMYK 15 / 24 / 0 / 17

HEX #B4A0D3

RGB 180 160 211

HSL 263.53, 0.37%, 0.73%

LAB 69.15, 17.28, -23.3

 

CMYK 8 / 24 / 0 / 17

HEX #C2A0D3

RGB 194 160 211

HSL 280, 0.37%, 0.73%

LAB 70.4, 21.8, -21.28

 

CMYK 1 / 24 / 0 / 17

HEX #D0A0D3

RGB 208 160 211

HSL 296.47, 0.37%, 0.73%

LAB 71.73, 26.41, -19.13

 

CMYK 0 / 24 / 5 / 17

HEX #D3A0C9

RGB 211 160 201

HSL 311.76, 0.37%, 0.73%

LAB 71.7, 25.57, -13.64

 

CMYK 0 / 24 / 11 / 17

HEX #D3A0BB

RGB 211 160 187

HSL 328.24, 0.37%, 0.73%

LAB 71.27, 23.13, -6.55

 

CMYK 15 / 24 / 0 / 17

HEX #B4A0D3

RGB 180 160 211

HSL 263.53, 0.37%, 0.73%

LAB 69.15, 17.28, -23.3

 

CMYK 21 / 24 / 0 / 17

HEX #A6A0D3

RGB 166 160 211

HSL 247.06, 0.37%, 0.73%

LAB 67.99, 12.86, -25.18

 

CMYK 24 / 24 / 0 / 17

HEX #A0A0D3

RGB 160 160 211

HSL 240, 0.37%, 0.73%

LAB 67.52, 11.01, -25.94

 

CMYK 15 / 24 / 0 / 17

HEX #B4A0D3

RGB 180 160 211

HSL 263.53, 0.37%, 0.73%

LAB 69.15, 17.28, -23.3

 

CMYK 20 / 33 / 0 / 13

HEX #B295DE

RGB 178 149 222

HSL 263.84, 0.53%, 0.73%

LAB 66.7, 25.26, -33.16

 

CMYK 25 / 41 / 0 / 9

HEX #AF8AE9

RGB 175 138 233

HSL 263.37, 0.68%, 0.73%

LAB 64.3, 33.12, -43

 

CMYK 29 / 48 / 0 / 4

HEX #AD7FF5

RGB 173 127 245

HSL 263.39, 0.86%, 0.73%

LAB 62.22, 41.59, -52.93

 

CMYK 15 / 24 / 0 / 17

HEX #B4A0D3

RGB 180 160 211

HSL 263.53, 0.37%, 0.73%

LAB 69.15, 17.28, -23.3

 

CMYK 9 / 15 / 0 / 22

HEX #B7ABC8

RGB 183 171 200

HSL 264.83, 0.21%, 0.73%

LAB 71.8, 9.85, -13.19

 

CMYK 2 / 4 / 0 / 26

HEX #B9B6BD

RGB 185 182 189

HSL 265.71, 0.05%, 0.73%

LAB 74.47, 2.37, -3.18

 

CMYK 4 / 0 / 8 / 24

HEX #BBC2B2

RGB 187 194 178

HSL 86.25, 0.12%, 0.73%

LAB 77.5, -5.33, 7.2

 

CMYK 7 / 0 / 19 / 20

HEX #BECDA7

RGB 190 205 167

HSL 83.68, 0.28%, 0.73%

LAB 80.4, -11.8, 17.24

 

CMYK 24 / 20 / 0 / 17

HEX #A0A8D3

RGB 160 168 211

HSL 230.59, 0.37%, 0.73%

LAB 69.6, 6.54, -22.75

 

CMYK 21 / 24 / 0 / 17

HEX #A6A0D3

RGB 166 160 211

HSL 247.06, 0.37%, 0.73%

LAB 67.99, 12.86, -25.18

 

CMYK 15 / 24 / 0 / 17

HEX #B4A0D3

RGB 180 160 211

HSL 263.53, 0.37%, 0.73%

LAB 69.15, 17.28, -23.3

 

CMYK 9 / 24 / 0 / 17

HEX #C1A0D3

RGB 193 160 211

HSL 278.82, 0.37%, 0.73%

LAB 70.3, 21.48, -21.43

 

CMYK 2 / 24 / 0 / 17

HEX #CFA0D3

RGB 207 160 211

HSL 295.29, 0.37%, 0.73%

LAB 71.63, 26.08, -19.29

 

CMYK 26 / 44 / 0 / 27

HEX #8868B9

RGB 136 104 185

HSL 263.7, 0.37%, 0.57%

LAB 50.26, 29.81, -38.22

 

CMYK 20 / 33 / 0 / 22

HEX #9E84C6

RGB 158 132 198

HSL 263.64, 0.37%, 0.65%

LAB 59.75, 23.28, -30.66

 

CMYK 15 / 24 / 0 / 17

HEX #B4A0D3

RGB 180 160 211

HSL 263.53, 0.37%, 0.73%

LAB 69.15, 17.28, -23.3

 

CMYK 10 / 16 / 0 / 12

HEX #CABCE0

RGB 202 188 224

HSL 263.33, 0.37%, 0.81%

LAB 78.41, 11.73, -16.17

 

CMYK 5 / 8 / 0 / 7

HEX #E1D9ED

RGB 225 217 237

HSL 264, 0.36%, 0.89%

LAB 87.85, 6.38, -8.8

 

CMYK 15 / 24 / 0 / 17

HEX #B4A0D3

RGB 180 160 211

HSL 263.53, 0.37%, 0.73%

LAB 69.15, 17.28, -23.3

 

CMYK 0 / 24 / 14 / 17

HEX #D3A0B5

RGB 211 160 181

HSL 335.29, 0.37%, 0.73%

LAB 71.1, 22.14, -3.48

 

CMYK 24 / 0 / 24 / 17

HEX #A1D3A0

RGB 161 211 160

HSL 118.82, 0.37%, 0.73%

LAB 80.01, -26.07, 20.11

 

CMYK 15 / 24 / 0 / 17

HEX #B4A0D3

RGB 180 160 211

HSL 263.53, 0.37%, 0.73%

LAB 69.15, 17.28, -23.3

 

CMYK 0 / 15 / 24 / 17

HEX #D3B4A0

RGB 211 180 160

HSL 23.53, 0.37%, 0.73%

LAB 75.47, 8.09, 14.33

 

CMYK 24 / 0 / 15 / 17

HEX #A0D3B4

RGB 160 211 180

HSL 143.53, 0.37%, 0.73%

LAB 80.38, -22.78, 10.02

 

CMYK 15 / 24 / 0 / 17

HEX #B4A0D3

RGB 180 160 211

HSL 263.53, 0.37%, 0.73%

LAB 69.15, 17.28, -23.3

 

CMYK 0 / 24 / 14 / 17

HEX #D3A0B5

RGB 211 160 181

HSL 335.29, 0.37%, 0.73%

LAB 71.1, 22.14, -3.48

 

CMYK 9 / 0 / 24 / 17

HEX #C0D3A0

RGB 192 211 160

HSL 82.35, 0.37%, 0.73%

LAB 82.02, -15.19, 23.18

 

CMYK 24 / 0 / 10 / 17

HEX #A0D3BE

RGB 160 211 190

HSL 155.29, 0.37%, 0.73%

LAB 80.62, -20.82, 5.03

 

CMYK 15 / 24 / 0 / 17

HEX #B4A0D3

RGB 180 160 211

HSL 263.53, 0.37%, 0.73%

LAB 69.15, 17.28, -23.3

 

CMYK 0 / 24 / 21 / 17

HEX #D3A0A6

RGB 211 160 166

HSL 352.94, 0.37%, 0.73%

LAB 70.69, 19.78, 4.24

 

CMYK 9 / 0 / 24 / 17

HEX #C0D3A0

RGB 192 211 160

HSL 82.35, 0.37%, 0.73%

LAB 82.02, -15.19, 23.18

 

CMYK 24 / 0 / 3 / 17

HEX #A0D3CD

RGB 160 211 205

HSL 172.94, 0.37%, 0.73%

LAB 81, -17.7, -2.42

 

Description

Color code: HEX #B4A0D3 | qconv.com Color code: HEX #B4A0D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 160 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 160 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 24 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 24% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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