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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4A3A0 it is the complementary color #4B5C5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4A3A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4A3A0 shade: #B9A39B, #CAB5AE, #DBC7C1, #ECD9D4 and #FDEBE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4A3A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4A3A0 shade: #B4A3A0, #A3918D, #927F7A, #816D67 and #705B54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4A3A0 shade: #B4A3A0 and #B4A0A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4A3A0 shade: #B4A3A0, #B4A9A0, #B4AEA0, #B4B4A0 and #B0B4A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4A3A0 shade matches the following richer shades: #B4A3A0, #C29A93, #D09085, #DD8777 and #EB7D6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4A3A0 shade: #B4A3A0, #A7ADAE, #99B6BB, #8CC0C9 and #7EC9D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4A3A0 shade: #B4A0A8, #B4A0A3, #B4A3A0, #B4A9A0 and #B4AEA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4A3A0 shade: #907772, #A28D89, #B4A3A0, #C7BAB7 and #D9D0CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4A3A0 shade: #B4A3A0, #ADB4A0 and #A0A5B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4A3A0 shade: #B4A3A0, #A0B4A3 and #A3A0B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4A3A0 shade: #B4A3A0, #ADB4A0, #A0B1B4 and #A7A0B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4A3A0 shade: #B4A3A0, #A7B4A0, #A0B1B4 and #ADA0B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

Complementary color

CMYK 21 / 3 / 0 / 63

HEX #4B5C5F

RGB 75 92 95

HSL 189, 0.12%, 0.33%

LAB 37.8, -5.75, -3.89

 

CMYK 0 / 12 / 16 / 27

HEX #B9A39B

RGB 185 163 155

HSL 16, 0.18%, 0.67%

LAB 68.66, 6.7, 7.09

 

CMYK 0 / 10 / 14 / 21

HEX #CAB5AE

RGB 202 181 174

HSL 15, 0.21%, 0.74%

LAB 75.24, 6.33, 6.29

 

CMYK 0 / 9 / 12 / 14

HEX #DBC7C1

RGB 219 199 193

HSL 13.85, 0.27%, 0.81%

LAB 81.71, 6.01, 5.53

 

CMYK 0 / 8 / 10 / 7

HEX #ECD9D4

RGB 236 217 212

HSL 12.5, 0.39%, 0.88%

LAB 88.07, 5.71, 4.81

 

CMYK 0 / 7 / 9 / 1

HEX #FDEBE7

RGB 253 235 231

HSL 10.91, 0.85%, 0.95%

LAB 94.34, 5.43, 4.12

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

CMYK 0 / 11 / 13 / 36

HEX #A3918D

RGB 163 145 141

HSL 10.91, 0.11%, 0.6%

LAB 61.62, 6, 4.56

 

CMYK 0 / 13 / 16 / 43

HEX #927F7A

RGB 146 127 122

HSL 12.5, 0.1%, 0.53%

LAB 54.76, 6.39, 5.38

 

CMYK 0 / 16 / 20 / 49

HEX #816D67

RGB 129 109 103

HSL 13.85, 0.11%, 0.45%

LAB 47.73, 6.84, 6.27

 

CMYK 0 / 19 / 25 / 56

HEX #705B54

RGB 112 91 84

HSL 15, 0.14%, 0.38%

LAB 40.52, 7.38, 7.25

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

CMYK 0 / 11 / 11 / 29

HEX #B4A0A0

RGB 180 160 160

HSL 0, 0.12%, 0.67%

LAB 67.56, 7.31, 2.67

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

CMYK 0 / 6 / 11 / 29

HEX #B4A9A0

RGB 180 169 160

HSL 27, 0.12%, 0.67%

LAB 69.91, 2.38, 6.05

 

CMYK 0 / 3 / 11 / 29

HEX #B4AEA0

RGB 180 174 160

HSL 42, 0.12%, 0.67%

LAB 71.22, -0.32, 7.94

 

CMYK 0 / 0 / 11 / 29

HEX #B4B4A0

RGB 180 180 160

HSL 60, 0.12%, 0.67%

LAB 72.82, -3.54, 10.21

 

CMYK 2 / 0 / 11 / 29

HEX #B0B4A0

RGB 176 180 160

HSL 72, 0.12%, 0.67%

LAB 72.5, -5.01, 9.72

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

CMYK 0 / 21 / 24 / 24

HEX #C29A93

RGB 194 154 147

HSL 8.94, 0.28%, 0.67%

LAB 67.04, 13.83, 9.34

 

CMYK 0 / 31 / 36 / 18

HEX #D09085

RGB 208 144 133

HSL 8.8, 0.44%, 0.67%

LAB 65.79, 22.85, 15.62

 

CMYK 0 / 39 / 46 / 13

HEX #DD8777

RGB 221 135 119

HSL 9.41, 0.6%, 0.67%

LAB 64.99, 31.18, 22.6

 

CMYK 0 / 47 / 55 / 8

HEX #EB7D6A

RGB 235 125 106

HSL 8.84, 0.76%, 0.67%

LAB 64.46, 40.56, 29.47

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

CMYK 4 / 1 / 0 / 32

HEX #A7ADAE

RGB 167 173 174

HSL 188.57, 0.04%, 0.67%

LAB 70.29, -1.91, -1.26

 

CMYK 18 / 3 / 0 / 27

HEX #99B6BB

RGB 153 182 187

HSL 188.82, 0.2%, 0.67%

LAB 72.11, -8.75, -5.84

 

CMYK 30 / 4 / 0 / 21

HEX #8CC0C9

RGB 140 192 201

HSL 188.85, 0.36%, 0.67%

LAB 74.5, -14.76, -10

 

CMYK 41 / 7 / 0 / 16

HEX #7EC9D7

RGB 126 201 215

HSL 189.44, 0.53%, 0.67%

LAB 76.75, -19.68, -14.29

 

CMYK 0 / 11 / 7 / 29

HEX #B4A0A8

RGB 180 160 168

HSL 336, 0.12%, 0.67%

LAB 67.78, 8.71, -1.48

 

CMYK 0 / 11 / 9 / 29

HEX #B4A0A3

RGB 180 160 163

HSL 351, 0.12%, 0.67%

LAB 67.64, 7.83, 1.11

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

CMYK 0 / 6 / 11 / 29

HEX #B4A9A0

RGB 180 169 160

HSL 27, 0.12%, 0.67%

LAB 69.91, 2.38, 6.05

 

CMYK 0 / 3 / 11 / 29

HEX #B4AEA0

RGB 180 174 160

HSL 42, 0.12%, 0.67%

LAB 71.22, -0.32, 7.94

 

CMYK 0 / 17 / 21 / 44

HEX #907772

RGB 144 119 114

HSL 10, 0.12%, 0.51%

LAB 52.22, 8.88, 6.38

 

CMYK 0 / 13 / 15 / 36

HEX #A28D89

RGB 162 141 137

HSL 9.6, 0.12%, 0.59%

LAB 60.37, 7.19, 5.02

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

CMYK 0 / 7 / 8 / 22

HEX #C7BAB7

RGB 199 186 183

HSL 11.25, 0.13%, 0.75%

LAB 76.48, 4.07, 3.16

 

CMYK 0 / 4 / 5 / 15

HEX #D9D0CE

RGB 217 208 206

HSL 10.91, 0.13%, 0.83%

LAB 84.13, 2.75, 2.09

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

CMYK 4 / 0 / 11 / 29

HEX #ADB4A0

RGB 173 180 160

HSL 81, 0.12%, 0.67%

LAB 72.27, -6.1, 9.36

 

CMYK 11 / 8 / 0 / 29

HEX #A0A5B4

RGB 160 165 180

HSL 225, 0.12%, 0.67%

LAB 67.78, 1.27, -8.33

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

CMYK 11 / 0 / 9 / 29

HEX #A0B4A3

RGB 160 180 163

HSL 129, 0.12%, 0.67%

LAB 71.39, -10.2, 6.33

 

CMYK 9 / 11 / 0 / 29

HEX #A3A0B4

RGB 163 160 180

HSL 249, 0.12%, 0.67%

LAB 66.69, 5.05, -9.94

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

CMYK 4 / 0 / 11 / 29

HEX #ADB4A0

RGB 173 180 160

HSL 81, 0.12%, 0.67%

LAB 72.27, -6.1, 9.36

 

CMYK 11 / 2 / 0 / 29

HEX #A0B1B4

RGB 160 177 180

HSL 189, 0.12%, 0.67%

LAB 71.02, -5.26, -3.55

 

CMYK 7 / 11 / 0 / 29

HEX #A7A0B4

RGB 167 160 180

HSL 261, 0.12%, 0.67%

LAB 67.02, 6.42, -9.42

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

CMYK 7 / 0 / 11 / 29

HEX #A7B4A0

RGB 167 180 160

HSL 99, 0.12%, 0.67%

LAB 71.82, -8.27, 8.66

 

CMYK 11 / 2 / 0 / 29

HEX #A0B1B4

RGB 160 177 180

HSL 189, 0.12%, 0.67%

LAB 71.02, -5.26, -3.55

 

CMYK 4 / 11 / 0 / 29

HEX #ADA0B4

RGB 173 160 180

HSL 279, 0.12%, 0.67%

LAB 67.52, 8.49, -8.62

 

Description

Color code: HEX #B4A3A0 | qconv.com Color code: HEX #B4A3A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 163 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 163 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 11 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 11% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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