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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4B2DB it is the complementary color #4B4D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4B2DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4B2DB shade: #B9B2D6, #CAC4E9, #DBD6FC, #ECE8FF and #FDFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4B2DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4B2DB shade: #B4B2DB, #A3A0C8, #928EB5, #817CA2 and #706A8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4B2DB shade: #B4B2DB, #BFB2DB, #CAB2DB, #D5B2DB and #DBB2D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4B2DB shade: #B4B2DB and #B2B2DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4B2DB shade matches the following richer shades: #B4B2DB, #ACA9E4, #A4A0ED and #9C97F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4B2DB shade: #B4B2DB, #BCBBD2, #C5C4C8, #CDCDBF and #D5D7B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4B2DB shade: #B2C6DB, #B2BCDB, #B4B2DB, #BEB2DB and #C9B2DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4B2DB shade: #7E7AC0, #9996CD, #B4B2DB, #D0CEE8 and #EBEAF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4B2DB shade: #B4B2DB, #DBB2D1 and #C1DBB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4B2DB shade: #B4B2DB, #DBB4B2 and #B2DBB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4B2DB shade: #B4B2DB, #DBB2D1, #D9DBB2 and #B2DBBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4B2DB shade: #B4B2DB, #DBB2C5, #D9DBB2 and #B2DBC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 19 / 0 / 14

HEX #B4B2DB

RGB 180 178 219

HSL 242.93, 0.36%, 0.78%

LAB 73.97, 9.06, -20.34

 

Complementary color

CMYK 3 / 0 / 53 / 70

HEX #4B4D24

RGB 75 77 36

HSL 62.93, 0.36%, 0.22%

LAB 31.65, -7.7, 23.85

 

CMYK 14 / 17 / 0 / 16

HEX #B9B2D6

RGB 185 178 214

HSL 251.67, 0.31%, 0.77%

LAB 74.2, 9.58, -17.23

 

CMYK 13 / 16 / 0 / 9

HEX #CAC4E9

RGB 202 196 233

HSL 249.73, 0.46%, 0.84%

LAB 80.69, 9.27, -17.56

 

CMYK 13 / 15 / 0 / 1

HEX #DBD6FC

RGB 219 214 252

HSL 247.89, 0.86%, 0.91%

LAB 87.09, 8.98, -17.9

 

CMYK 7 / 9 / 0 / 0

HEX #ECE8FF

RGB 236 232 255

HSL 250.43, 1%, 0.95%

LAB 92.91, 5.57, -10.62

 

CMYK 1 / 2 / 0 / 0

HEX #FDFAFF

RGB 253 250 255

HSL 276, 1%, 0.99%

LAB 98.62, 1.88, -2.05

 

CMYK 18 / 19 / 0 / 14

HEX #B4B2DB

RGB 180 178 219

HSL 242.93, 0.36%, 0.78%

LAB 73.97, 9.06, -20.34

 

CMYK 19 / 20 / 0 / 22

HEX #A3A0C8

RGB 163 160 200

HSL 244.5, 0.27%, 0.71%

LAB 67.35, 9.4, -20.07

 

CMYK 19 / 22 / 0 / 29

HEX #928EB5

RGB 146 142 181

HSL 246.15, 0.21%, 0.63%

LAB 60.6, 9.76, -19.83

 

CMYK 20 / 23 / 0 / 36

HEX #817CA2

RGB 129 124 162

HSL 247.89, 0.17%, 0.56%

LAB 53.7, 10.17, -19.61

 

CMYK 22 / 26 / 0 / 44

HEX #706A8F

RGB 112 106 143

HSL 249.73, 0.15%, 0.49%

LAB 46.63, 10.63, -19.42

 

CMYK 18 / 19 / 0 / 14

HEX #B4B2DB

RGB 180 178 219

HSL 242.93, 0.36%, 0.78%

LAB 73.97, 9.06, -20.34

 

CMYK 13 / 19 / 0 / 14

HEX #BFB2DB

RGB 191 178 219

HSL 259.02, 0.36%, 0.78%

LAB 74.84, 12.57, -18.93

 

CMYK 8 / 19 / 0 / 14

HEX #CAB2DB

RGB 202 178 219

HSL 275.12, 0.36%, 0.78%

LAB 75.77, 16.15, -17.44

 

CMYK 3 / 19 / 0 / 14

HEX #D5B2DB

RGB 213 178 219

HSL 291.22, 0.36%, 0.78%

LAB 76.74, 19.79, -15.88

 

CMYK 0 / 19 / 3 / 14

HEX #DBB2D5

RGB 219 178 213

HSL 308.78, 0.36%, 0.78%

LAB 77.1, 20.69, -12.02

 

CMYK 18 / 19 / 0 / 14

HEX #B4B2DB

RGB 180 178 219

HSL 242.93, 0.36%, 0.78%

LAB 73.97, 9.06, -20.34

 

CMYK 19 / 19 / 0 / 14

HEX #B2B2DB

RGB 178 178 219

HSL 240, 0.36%, 0.78%

LAB 73.82, 8.43, -20.58

 

CMYK 18 / 19 / 0 / 14

HEX #B4B2DB

RGB 180 178 219

HSL 242.93, 0.36%, 0.78%

LAB 73.97, 9.06, -20.34

 

CMYK 25 / 26 / 0 / 11

HEX #ACA9E4

RGB 172 169 228

HSL 243.05, 0.52%, 0.78%

LAB 71.38, 13.63, -29.26

 

CMYK 31 / 32 / 0 / 7

HEX #A4A0ED

RGB 164 160 237

HSL 243.12, 0.68%, 0.78%

LAB 68.86, 18.56, -38.14

 

CMYK 37 / 39 / 0 / 4

HEX #9C97F6

RGB 156 151 246

HSL 243.16, 0.84%, 0.78%

LAB 66.41, 23.84, -46.94

 

CMYK 18 / 19 / 0 / 14

HEX #B4B2DB

RGB 180 178 219

HSL 242.93, 0.36%, 0.78%

LAB 73.97, 9.06, -20.34

 

CMYK 10 / 11 / 0 / 18

HEX #BCBBD2

RGB 188 187 210

HSL 242.61, 0.2%, 0.78%

LAB 76.61, 4.83, -11.41

 

CMYK 1 / 2 / 0 / 22

HEX #C5C4C8

RGB 197 196 200

HSL 255, 0.04%, 0.78%

LAB 79.34, 1.09, -1.89

 

CMYK 0 / 0 / 7 / 20

HEX #CDCDBF

RGB 205 205 191

HSL 60, 0.12%, 0.78%

LAB 82.06, -2.47, 6.96

 

CMYK 1 / 0 / 15 / 16

HEX #D5D7B6

RGB 213 215 182

HSL 63.64, 0.29%, 0.78%

LAB 85.06, -6.25, 16.08

 

CMYK 19 / 10 / 0 / 14

HEX #B2C6DB

RGB 178 198 219

HSL 210.73, 0.36%, 0.78%

LAB 79.02, -2.38, -12.74

 

CMYK 19 / 14 / 0 / 14

HEX #B2BCDB

RGB 178 188 219

HSL 225.37, 0.36%, 0.78%

LAB 76.4, 2.98, -16.67

 

CMYK 18 / 19 / 0 / 14

HEX #B4B2DB

RGB 180 178 219

HSL 242.93, 0.36%, 0.78%

LAB 73.97, 9.06, -20.34

 

CMYK 13 / 19 / 0 / 14

HEX #BEB2DB

RGB 190 178 219

HSL 257.56, 0.36%, 0.78%

LAB 74.76, 12.25, -19.06

 

CMYK 8 / 19 / 0 / 14

HEX #C9B2DB

RGB 201 178 219

HSL 273.66, 0.36%, 0.78%

LAB 75.68, 15.83, -17.58

 

CMYK 34 / 36 / 0 / 25

HEX #7E7AC0

RGB 126 122 192

HSL 243.43, 0.36%, 0.62%

LAB 54.2, 18.12, -36.12

 

CMYK 25 / 27 / 0 / 20

HEX #9996CD

RGB 153 150 205

HSL 243.27, 0.35%, 0.7%

LAB 64.16, 13.1, -27.82

 

CMYK 18 / 19 / 0 / 14

HEX #B4B2DB

RGB 180 178 219

HSL 242.93, 0.36%, 0.78%

LAB 73.97, 9.06, -20.34

 

CMYK 10 / 11 / 0 / 9

HEX #D0CEE8

RGB 208 206 232

HSL 244.62, 0.36%, 0.86%

LAB 83.64, 5.65, -12.56

 

CMYK 4 / 4 / 0 / 4

HEX #EBEAF5

RGB 235 234 245

HSL 245.45, 0.35%, 0.94%

LAB 93.06, 2.33, -5.2

 

CMYK 18 / 19 / 0 / 14

HEX #B4B2DB

RGB 180 178 219

HSL 242.93, 0.36%, 0.78%

LAB 73.97, 9.06, -20.34

 

CMYK 0 / 19 / 5 / 14

HEX #DBB2D1

RGB 219 178 209

HSL 314.63, 0.36%, 0.78%

LAB 76.98, 19.97, -10.03

 

CMYK 12 / 0 / 19 / 14

HEX #C1DBB2

RGB 193 219 178

HSL 98.05, 0.36%, 0.78%

LAB 84.59, -16.03, 17.32

 

CMYK 18 / 19 / 0 / 14

HEX #B4B2DB

RGB 180 178 219

HSL 242.93, 0.36%, 0.78%

LAB 73.97, 9.06, -20.34

 

CMYK 0 / 18 / 19 / 14

HEX #DBB4B2

RGB 219 180 178

HSL 2.93, 0.36%, 0.78%

LAB 76.63, 13.75, 6.31

 

CMYK 19 / 0 / 18 / 14

HEX #B2DBB4

RGB 178 219 180

HSL 122.93, 0.36%, 0.78%

LAB 83.66, -20.83, 14.82

 

CMYK 18 / 19 / 0 / 14

HEX #B4B2DB

RGB 180 178 219

HSL 242.93, 0.36%, 0.78%

LAB 73.97, 9.06, -20.34

 

CMYK 0 / 19 / 5 / 14

HEX #DBB2D1

RGB 219 178 209

HSL 314.63, 0.36%, 0.78%

LAB 76.98, 19.97, -10.03

 

CMYK 1 / 0 / 19 / 14

HEX #D9DBB2

RGB 217 219 178

HSL 62.93, 0.36%, 0.78%

LAB 86.32, -7.44, 19.98

 

CMYK 19 / 0 / 14 / 14

HEX #B2DBBC

RGB 178 219 188

HSL 134.63, 0.36%, 0.78%

LAB 83.84, -19.4, 10.85

 

CMYK 18 / 19 / 0 / 14

HEX #B4B2DB

RGB 180 178 219

HSL 242.93, 0.36%, 0.78%

LAB 73.97, 9.06, -20.34

 

CMYK 0 / 19 / 10 / 14

HEX #DBB2C5

RGB 219 178 197

HSL 332.2, 0.36%, 0.78%

LAB 76.64, 17.89, -4.01

 

CMYK 1 / 0 / 19 / 14

HEX #D9DBB2

RGB 217 219 178

HSL 62.93, 0.36%, 0.78%

LAB 86.32, -7.44, 19.98

 

CMYK 19 / 0 / 9 / 14

HEX #B2DBC8

RGB 178 219 200

HSL 152.2, 0.36%, 0.78%

LAB 84.12, -17.14, 4.91

 

Description

Color code: HEX #B4B2DB | qconv.com Color code: HEX #B4B2DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 178 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 178 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 19 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 19% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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