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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4C80D it is the complementary color #4B37F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4C80D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4C80D shade: #B9C808, #CADA1B, #DBEC2E, #ECFE41 and #FDFF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4C80D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4C80D shade: #B4C80D, #A3B600, #92A400, #819200 and #708000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4C80D shade: #B5C90C, #C9AA0C, #C9770C, #C9450C and #C9120C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4C80D shade: #B5C90C, #82C90C, #4FC90C, #1CC90C and #0CC92F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4C80D shade matches the following richer shades: #B5C90C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4C80D shade: #B5C90C, #A7B81E, #99A62F, #8C9540 and #7E8452

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4C80D shade: #C9770C, #C9A90C, #B6C90C, #84C90C and #51C90C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4C80D shade: #6F7B07, #92A20A, #B5C90C, #D7EF0F and #DEF236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4C80D shade: #B4C80D, #0CC945 and #900CC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4C80D shade: #B4C80D, #0CB6C9 and #C90CB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4C80D shade: #B4C80D, #0CC945, #1F0CC9 and #C90C90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4C80D shade: #B4C80D, #0CC97D, #1F0CC9 and #C90C58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 94 / 22

HEX #B4C80D

RGB 180 200 13

HSL 66.42, 0.88%, 0.42%

LAB 76.7, -26.3, 75.55

 

Complementary color

CMYK 69 / 77 / 0 / 5

HEX #4B37F2

RGB 75 55 242

HSL 246.42, 0.88%, 0.58%

LAB 38.97, 61.93, -89.38

 

CMYK 8 / 0 / 96 / 22

HEX #B9C808

RGB 185 200 8

HSL 64.69, 0.92%, 0.41%

LAB 77.07, -24.26, 76.51

 

CMYK 7 / 0 / 88 / 15

HEX #CADA1B

RGB 202 218 27

HSL 65.03, 0.78%, 0.48%

LAB 83.33, -25.51, 79.42

 

CMYK 7 / 0 / 81 / 7

HEX #DBEC2E

RGB 219 236 46

HSL 65.37, 0.83%, 0.55%

LAB 89.51, -26.57, 81.06

 

CMYK 7 / 0 / 74 / 0

HEX #ECFE41

RGB 236 254 65

HSL 65.71, 0.99%, 0.63%

LAB 95.62, -27.48, 81.76

 

CMYK 1 / 0 / 67 / 0

HEX #FDFF54

RGB 253 255 84

HSL 60.7, 1%, 0.66%

LAB 97.24, -20.27, 77.46

 

CMYK 10 / 0 / 94 / 22

HEX #B4C80D

RGB 180 200 13

HSL 66.42, 0.88%, 0.42%

LAB 76.7, -26.3, 75.55

 

CMYK 10 / 0 / 100 / 29

HEX #A3B600

RGB 163 182 0

HSL 66.26, 1%, 0.36%

LAB 70.35, -24.95, 71.59

 

CMYK 11 / 0 / 100 / 36

HEX #92A400

RGB 146 164 0

HSL 66.59, 1%, 0.32%

LAB 63.89, -23.43, 66.21

 

CMYK 12 / 0 / 100 / 43

HEX #819200

RGB 129 146 0

HSL 66.99, 1%, 0.29%

LAB 57.29, -21.87, 60.72

 

CMYK 13 / 0 / 100 / 50

HEX #708000

RGB 112 128 0

HSL 67.5, 1%, 0.25%

LAB 50.55, -20.3, 55.11

 

CMYK 10 / 0 / 94 / 21

HEX #B5C90C

RGB 181 201 12

HSL 66.35, 0.89%, 0.42%

LAB 77.06, -26.38, 75.97

 

CMYK 0 / 15 / 94 / 21

HEX #C9AA0C

RGB 201 170 12

HSL 50.16, 0.89%, 0.42%

LAB 70.31, -1.99, 71.59

 

CMYK 0 / 41 / 94 / 21

HEX #C9770C

RGB 201 119 12

HSL 33.97, 0.89%, 0.42%

LAB 57.69, 25.61, 62.42

 

CMYK 0 / 66 / 94 / 21

HEX #C9450C

RGB 201 69 12

HSL 18.1, 0.89%, 0.42%

LAB 47.88, 50.4, 55.78

 

CMYK 0 / 91 / 94 / 21

HEX #C9120C

RGB 201 18 12

HSL 1.9, 0.89%, 0.42%

LAB 42.58, 65.16, 52.54

 

CMYK 10 / 0 / 94 / 21

HEX #B5C90C

RGB 181 201 12

HSL 66.35, 0.89%, 0.42%

LAB 77.06, -26.38, 75.97

 

CMYK 35 / 0 / 94 / 21

HEX #82C90C

RGB 130 201 12

HSL 82.54, 0.89%, 0.42%

LAB 73.9, -46.46, 72.14

 

CMYK 61 / 0 / 94 / 21

HEX #4FC90C

RGB 79 201 12

HSL 98.73, 0.89%, 0.42%

LAB 71.87, -61.93, 69.65

 

CMYK 86 / 0 / 94 / 21

HEX #1CC90C

RGB 28 201 12

HSL 114.92, 0.89%, 0.42%

LAB 70.9, -70.25, 68.46

 

CMYK 94 / 0 / 77 / 21

HEX #0CC92F

RGB 12 201 47

HSL 131.11, 0.89%, 0.42%

LAB 70.91, -69.72, 60.61

 

CMYK 10 / 0 / 94 / 21

HEX #B5C90C

RGB 181 201 12

HSL 66.35, 0.89%, 0.42%

LAB 77.06, -26.38, 75.97

 

CMYK 10 / 0 / 94 / 21

HEX #B5C90C

RGB 181 201 12

HSL 66.35, 0.89%, 0.42%

LAB 77.06, -26.38, 75.97

 

CMYK 9 / 0 / 84 / 28

HEX #A7B81E

RGB 167 184 30

HSL 66.62, 0.72%, 0.42%

LAB 71.28, -23.67, 67.79

 

CMYK 8 / 0 / 72 / 35

HEX #99A62F

RGB 153 166 47

HSL 66.55, 0.56%, 0.42%

LAB 65.16, -19.99, 56.65

 

CMYK 6 / 0 / 57 / 42

HEX #8C9540

RGB 140 149 64

HSL 66.35, 0.4%, 0.42%

LAB 59.38, -15.66, 42.97

 

CMYK 5 / 0 / 38 / 48

HEX #7E8452

RGB 126 132 82

HSL 67.2, 0.23%, 0.42%

LAB 53.54, -10.63, 26.27

 

CMYK 0 / 41 / 94 / 21

HEX #C9770C

RGB 201 119 12

HSL 33.97, 0.89%, 0.42%

LAB 57.69, 25.61, 62.42

 

CMYK 0 / 16 / 94 / 21

HEX #C9A90C

RGB 201 169 12

HSL 49.84, 0.89%, 0.42%

LAB 70.05, -1.46, 71.39

 

CMYK 9 / 0 / 94 / 21

HEX #B6C90C

RGB 182 201 12

HSL 66.03, 0.89%, 0.42%

LAB 77.13, -25.96, 76.06

 

CMYK 34 / 0 / 94 / 21

HEX #84C90C

RGB 132 201 12

HSL 81.9, 0.89%, 0.42%

LAB 74, -45.74, 72.26

 

CMYK 60 / 0 / 94 / 21

HEX #51C90C

RGB 81 201 12

HSL 98.1, 0.89%, 0.42%

LAB 71.93, -61.45, 69.72

 

CMYK 10 / 0 / 94 / 52

HEX #6F7B07

RGB 111 123 7

HSL 66.21, 0.89%, 0.25%

LAB 48.96, -17.98, 52.48

 

CMYK 10 / 0 / 94 / 36

HEX #92A20A

RGB 146 162 10

HSL 66.32, 0.88%, 0.34%

LAB 63.32, -22.27, 64.43

 

CMYK 10 / 0 / 94 / 21

HEX #B5C90C

RGB 181 201 12

HSL 66.35, 0.89%, 0.42%

LAB 77.06, -26.38, 75.97

 

CMYK 10 / 0 / 94 / 6

HEX #D7EF0F

RGB 215 239 15

HSL 66.43, 0.88%, 0.5%

LAB 89.96, -30.25, 86.65

 

CMYK 8 / 0 / 78 / 5

HEX #DEF236

RGB 222 242 54

HSL 66.38, 0.88%, 0.58%

LAB 91.37, -27.91, 80.69

 

CMYK 10 / 0 / 94 / 22

HEX #B4C80D

RGB 180 200 13

HSL 66.42, 0.88%, 0.42%

LAB 76.7, -26.3, 75.55

 

CMYK 94 / 0 / 66 / 21

HEX #0CC945

RGB 12 201 69

HSL 138.1, 0.89%, 0.42%

LAB 71.06, -67.76, 52.58

 

CMYK 28 / 94 / 0 / 21

HEX #900CC9

RGB 144 12 201

HSL 281.9, 0.89%, 0.42%

LAB 38.57, 72.61, -66.25

 

CMYK 10 / 0 / 94 / 22

HEX #B4C80D

RGB 180 200 13

HSL 66.42, 0.88%, 0.42%

LAB 76.7, -26.3, 75.55

 

CMYK 94 / 9 / 0 / 21

HEX #0CB6C9

RGB 12 182 201

HSL 186.03, 0.89%, 0.42%

LAB 67.84, -30.98, -20.42

 

CMYK 0 / 94 / 9 / 21

HEX #C90CB6

RGB 201 12 182

HSL 306.03, 0.89%, 0.42%

LAB 47.05, 78.45, -40.96

 

CMYK 10 / 0 / 94 / 22

HEX #B4C80D

RGB 180 200 13

HSL 66.42, 0.88%, 0.42%

LAB 76.7, -26.3, 75.55

 

CMYK 94 / 0 / 66 / 21

HEX #0CC945

RGB 12 201 69

HSL 138.1, 0.89%, 0.42%

LAB 71.06, -67.76, 52.58

 

CMYK 85 / 94 / 0 / 21

HEX #1F0CC9

RGB 31 12 201

HSL 246.03, 0.89%, 0.42%

LAB 26.07, 64.07, -87.31

 

CMYK 0 / 94 / 28 / 21

HEX #C90C90

RGB 201 12 144

HSL 318.1, 0.89%, 0.42%

LAB 45.21, 73.74, -21.16

 

CMYK 10 / 0 / 94 / 22

HEX #B4C80D

RGB 180 200 13

HSL 66.42, 0.88%, 0.42%

LAB 76.7, -26.3, 75.55

 

CMYK 94 / 0 / 38 / 21

HEX #0CC97D

RGB 12 201 125

HSL 155.87, 0.89%, 0.42%

LAB 71.78, -59.12, 26.53

 

CMYK 85 / 94 / 0 / 21

HEX #1F0CC9

RGB 31 12 201

HSL 246.03, 0.89%, 0.42%

LAB 26.07, 64.07, -87.31

 

CMYK 0 / 94 / 56 / 21

HEX #C90C58

RGB 201 12 88

HSL 335.87, 0.89%, 0.42%

LAB 43.34, 68.73, 10.75

 

Description

Color code: HEX #B4C80D | qconv.com Color code: HEX #B4C80D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 200 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 200 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 94 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 94% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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