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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4D330 it is the complementary color #4B2CCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4D330. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4D330 shade: #B9D32B, #CAE53E, #DBF751, #ECFF64 and #FDFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4D330. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4D330 shade: #B4D330, #A3C11D, #92AF0A, #819D00 and #708B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4D330 shade: #B4D330, #D3C630, #D39A30, #D36E30 and #D34230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4D330 shade: #B4D330, #88D330, #5CD330, #30D330 and #30D35C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4D330 shade matches the following richer shades: #B4D330, #C0E71C and #CDFB08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4D330 shade: #B4D330, #A7BF45, #9BAA59, #8E966D and #828281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4D330 shade: #D39A30, #D3C530, #B5D330, #8AD330 and #5ED330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4D330 shade: #7C921F, #99B426, #B4D330, #C0DA52 and #CDE174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4D330 shade: #B4D330, #30D36F and #B030D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4D330 shade: #B4D330, #30B5D3 and #D330B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4D330 shade: #B4D330, #30D36F, #4E30D3 and #D33095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4D330 shade: #B4D330, #30D39F, #4E30D3 and #D33064

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 77 / 17

HEX #B4D330

RGB 180 211 48

HSL 71.41, 0.65%, 0.51%

LAB 79.9, -30.57, 70.93

 

Complementary color

CMYK 64 / 79 / 0 / 19

HEX #4B2CCF

RGB 75 44 207

HSL 251.41, 0.65%, 0.49%

LAB 33.57, 56.94, -78.27

 

CMYK 12 / 0 / 80 / 17

HEX #B9D32B

RGB 185 211 43

HSL 69.29, 0.66%, 0.5%

LAB 80.22, -28.73, 72.76

 

CMYK 12 / 0 / 73 / 10

HEX #CAE53E

RGB 202 229 62

HSL 69.7, 0.76%, 0.57%

LAB 86.48, -29.53, 73.25

 

CMYK 11 / 0 / 67 / 3

HEX #DBF751

RGB 219 247 81

HSL 70.12, 0.91%, 0.64%

LAB 92.65, -30.18, 73.12

 

CMYK 7 / 0 / 61 / 0

HEX #ECFF64

RGB 236 255 100

HSL 67.35, 1%, 0.7%

LAB 96.11, -26.07, 69.77

 

CMYK 1 / 0 / 53 / 0

HEX #FDFF77

RGB 253 255 119

HSL 60.88, 1%, 0.73%

LAB 97.52, -18.04, 63.67

 

CMYK 15 / 0 / 77 / 17

HEX #B4D330

RGB 180 211 48

HSL 71.41, 0.65%, 0.51%

LAB 79.9, -30.57, 70.93

 

CMYK 16 / 0 / 85 / 24

HEX #A3C11D

RGB 163 193 29

HSL 70.98, 0.74%, 0.44%

LAB 73.56, -29.71, 69.84

 

CMYK 17 / 0 / 94 / 31

HEX #92AF0A

RGB 146 175 10

HSL 70.55, 0.89%, 0.36%

LAB 67.12, -28.63, 67.4

 

CMYK 18 / 0 / 100 / 38

HEX #819D00

RGB 129 157 0

HSL 70.7, 1%, 0.31%

LAB 60.59, -27.32, 63.19

 

CMYK 19 / 0 / 100 / 45

HEX #708B00

RGB 112 139 0

HSL 71.65, 1%, 0.27%

LAB 53.93, -25.84, 57.65

 

CMYK 15 / 0 / 77 / 17

HEX #B4D330

RGB 180 211 48

HSL 71.41, 0.65%, 0.51%

LAB 79.9, -30.57, 70.93

 

CMYK 0 / 6 / 77 / 17

HEX #D3C630

RGB 211 198 48

HSL 55.21, 0.65%, 0.51%

LAB 78.72, -11.25, 70.74

 

CMYK 0 / 27 / 77 / 17

HEX #D39A30

RGB 211 154 48

HSL 39.02, 0.65%, 0.51%

LAB 67.41, 11.88, 60.32

 

CMYK 0 / 48 / 77 / 17

HEX #D36E30

RGB 211 110 48

HSL 22.82, 0.65%, 0.51%

LAB 57.28, 35.45, 50.56

 

CMYK 0 / 69 / 77 / 17

HEX #D34230

RGB 211 66 48

HSL 6.63, 0.65%, 0.51%

LAB 49.45, 55.84, 42.6

 

CMYK 15 / 0 / 77 / 17

HEX #B4D330

RGB 180 211 48

HSL 71.41, 0.65%, 0.51%

LAB 79.9, -30.57, 70.93

 

CMYK 36 / 0 / 77 / 17

HEX #88D330

RGB 136 211 48

HSL 87.61, 0.65%, 0.51%

LAB 77.3, -47.3, 67.58

 

CMYK 56 / 0 / 77 / 17

HEX #5CD330

RGB 92 211 48

HSL 103.8, 0.65%, 0.51%

LAB 75.5, -60.75, 65.23

 

CMYK 77 / 0 / 77 / 17

HEX #30D330

RGB 48 211 48

HSL 120, 0.65%, 0.51%

LAB 74.46, -69.37, 63.88

 

CMYK 77 / 0 / 56 / 17

HEX #30D35C

RGB 48 211 92

HSL 136.2, 0.65%, 0.51%

LAB 74.82, -65.04, 46.83

 

CMYK 15 / 0 / 77 / 17

HEX #B4D330

RGB 180 211 48

HSL 71.41, 0.65%, 0.51%

LAB 79.9, -30.57, 70.93

 

CMYK 17 / 0 / 88 / 9

HEX #C0E71C

RGB 192 231 28

HSL 71.53, 0.81%, 0.51%

LAB 86.23, -35.6, 81.32

 

CMYK 18 / 0 / 97 / 2

HEX #CDFB08

RGB 205 251 8

HSL 71.36, 0.97%, 0.51%

LAB 92.57, -39.73, 88.94

 

CMYK 15 / 0 / 77 / 17

HEX #B4D330

RGB 180 211 48

HSL 71.41, 0.65%, 0.51%

LAB 79.9, -30.57, 70.93

 

CMYK 13 / 0 / 64 / 25

HEX #A7BF45

RGB 167 191 69

HSL 71.8, 0.49%, 0.51%

LAB 73.48, -25.15, 56.79

 

CMYK 9 / 0 / 48 / 33

HEX #9BAA59

RGB 155 170 89

HSL 71.11, 0.32%, 0.51%

LAB 66.85, -17.85, 39.74

 

CMYK 5 / 0 / 27 / 41

HEX #8E966D

RGB 142 150 109

HSL 71.71, 0.16%, 0.51%

LAB 60.49, -10.09, 20.72

 

CMYK 0 / 0 / 1 / 49

HEX #828281

RGB 130 130 129

HSL 60, 0%, 0.51%

LAB 54.34, -0.19, 0.53

 

CMYK 0 / 27 / 77 / 17

HEX #D39A30

RGB 211 154 48

HSL 39.02, 0.65%, 0.51%

LAB 67.41, 11.88, 60.32

 

CMYK 0 / 7 / 77 / 17

HEX #D3C530

RGB 211 197 48

HSL 54.85, 0.65%, 0.51%

LAB 78.46, -10.74, 70.5

 

CMYK 14 / 0 / 77 / 17

HEX #B5D330

RGB 181 211 48

HSL 71.04, 0.65%, 0.51%

LAB 79.97, -30.17, 71.02

 

CMYK 35 / 0 / 77 / 17

HEX #8AD330

RGB 138 211 48

HSL 86.87, 0.65%, 0.51%

LAB 77.4, -46.59, 67.71

 

CMYK 55 / 0 / 77 / 17

HEX #5ED330

RGB 94 211 48

HSL 103.07, 0.65%, 0.51%

LAB 75.56, -60.23, 65.32

 

CMYK 15 / 0 / 79 / 43

HEX #7C921F

RGB 124 146 31

HSL 71.48, 0.65%, 0.35%

LAB 57.02, -23.21, 53.72

 

CMYK 15 / 0 / 79 / 29

HEX #99B426

RGB 153 180 38

HSL 71.41, 0.65%, 0.43%

LAB 69.15, -27.33, 63.4

 

CMYK 15 / 0 / 77 / 17

HEX #B4D330

RGB 180 211 48

HSL 71.41, 0.65%, 0.51%

LAB 79.9, -30.57, 70.93

 

CMYK 12 / 0 / 62 / 15

HEX #C0DA52

RGB 192 218 82

HSL 71.47, 0.65%, 0.59%

LAB 82.89, -27.17, 61.98

 

CMYK 9 / 0 / 48 / 12

HEX #CDE174

RGB 205 225 116

HSL 71.01, 0.64%, 0.67%

LAB 86.05, -22.58, 50.68

 

CMYK 15 / 0 / 77 / 17

HEX #B4D330

RGB 180 211 48

HSL 71.41, 0.65%, 0.51%

LAB 79.9, -30.57, 70.93

 

CMYK 77 / 0 / 47 / 17

HEX #30D36F

RGB 48 211 111

HSL 143.19, 0.65%, 0.51%

LAB 75.05, -62.25, 38

 

CMYK 17 / 77 / 0 / 17

HEX #B030D3

RGB 176 48 211

HSL 287.12, 0.65%, 0.51%

LAB 47.04, 71.42, -58.07

 

CMYK 15 / 0 / 77 / 17

HEX #B4D330

RGB 180 211 48

HSL 71.41, 0.65%, 0.51%

LAB 79.9, -30.57, 70.93

 

CMYK 77 / 14 / 0 / 17

HEX #30B5D3

RGB 48 181 211

HSL 191.04, 0.65%, 0.51%

LAB 68.3, -24.83, -25.17

 

CMYK 0 / 77 / 14 / 17

HEX #D330B5

RGB 211 48 181

HSL 311.04, 0.65%, 0.51%

LAB 51.04, 73.69, -33.98

 

CMYK 15 / 0 / 77 / 17

HEX #B4D330

RGB 180 211 48

HSL 71.41, 0.65%, 0.51%

LAB 79.9, -30.57, 70.93

 

CMYK 77 / 0 / 47 / 17

HEX #30D36F

RGB 48 211 111

HSL 143.19, 0.65%, 0.51%

LAB 75.05, -62.25, 38

 

CMYK 63 / 77 / 0 / 17

HEX #4E30D3

RGB 78 48 211

HSL 251.04, 0.65%, 0.51%

LAB 34.88, 56.53, -78.42

 

CMYK 0 / 77 / 29 / 17

HEX #D33095

RGB 211 48 149

HSL 322.82, 0.65%, 0.51%

LAB 49.66, 69.64, -17.2

 

CMYK 15 / 0 / 77 / 17

HEX #B4D330

RGB 180 211 48

HSL 71.41, 0.65%, 0.51%

LAB 79.9, -30.57, 70.93

 

CMYK 77 / 0 / 25 / 17

HEX #30D39F

RGB 48 211 159

HSL 160.86, 0.65%, 0.51%

LAB 75.9, -52.78, 14.28

 

CMYK 63 / 77 / 0 / 17

HEX #4E30D3

RGB 78 48 211

HSL 251.04, 0.65%, 0.51%

LAB 34.88, 56.53, -78.42

 

CMYK 0 / 77 / 53 / 17

HEX #D33064

RGB 211 48 100

HSL 340.86, 0.65%, 0.51%

LAB 48.11, 64.92, 10.26

 

Description

Color code: HEX #B4D330 | qconv.com Color code: HEX #B4D330 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 211 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 211 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 77 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 77% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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