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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4DC45 it is the complementary color #4B23BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4DC45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4DC45 shade: #B9DC40, #CAEE53, #DBFF66, #ECFF79 and #FDFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4DC45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4DC45 shade: #B4DC45, #A3CA32, #92B81F, #81A60C and #709400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4DC45 shade: #B4DB46, #DBDB46, #DBB246, #DB8A46 and #DB6246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4DC45 shade: #B4DB46, #8CDB46, #63DB46, #46DB51 and #46DB7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4DC45 shade matches the following richer shades: #B4DB46 and #BCED35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4DC45 shade: #B4DB46, #ACCA58, #A3B86A, #9BA67C and #93948D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4DC45 shade: #DBB146, #DBD946, #B6DB46, #8EDB46 and #67DB46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4DC45 shade: #89AE21, #A4D127, #B4DB46, #C2E269 and #D0E98C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4DC45 shade: #B4DC45, #46DB89 and #C546DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4DC45 shade: #B4DC45, #46B6DB and #DB46B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4DC45 shade: #B4DC45, #46DB89, #6C46DB and #DB4698

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4DC45 shade: #B4DC45, #46DBB6, #6C46DB and #DB466C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 69 / 14

HEX #B4DC45

RGB 180 220 69

HSL 75.89, 0.68%, 0.57%

LAB 82.55, -33.68, 66.46

 

Complementary color

CMYK 60 / 81 / 0 / 27

HEX #4B23BA

RGB 75 35 186

HSL 255.89, 0.68%, 0.43%

LAB 30.02, 55, -71.82

 

CMYK 16 / 0 / 71 / 14

HEX #B9DC40

RGB 185 220 64

HSL 73.46, 0.69%, 0.56%

LAB 82.84, -32, 68.66

 

CMYK 15 / 0 / 65 / 7

HEX #CAEE53

RGB 202 238 83

HSL 73.94, 0.82%, 0.63%

LAB 89.08, -32.53, 68.33

 

CMYK 14 / 0 / 60 / 0

HEX #DBFF66

RGB 219 255 102

HSL 74.12, 1%, 0.7%

LAB 94.97, -32.49, 67.38

 

CMYK 7 / 0 / 53 / 0

HEX #ECFF79

RGB 236 255 121

HSL 68.51, 1%, 0.74%

LAB 96.3, -24.49, 61.05

 

CMYK 1 / 0 / 45 / 0

HEX #FDFF8C

RGB 253 255 140

HSL 61.04, 1%, 0.77%

LAB 97.75, -16.26, 54.4

 

CMYK 18 / 0 / 69 / 14

HEX #B4DC45

RGB 180 220 69

HSL 75.89, 0.68%, 0.57%

LAB 82.55, -33.68, 66.46

 

CMYK 19 / 0 / 75 / 21

HEX #A3CA32

RGB 163 202 50

HSL 75.39, 0.6%, 0.49%

LAB 76.23, -33.11, 66.49

 

CMYK 21 / 0 / 83 / 28

HEX #92B81F

RGB 146 184 31

HSL 74.9, 0.71%, 0.42%

LAB 69.82, -32.36, 65.72

 

CMYK 22 / 0 / 93 / 35

HEX #81A60C

RGB 129 166 12

HSL 74.42, 0.87%, 0.35%

LAB 63.31, -31.4, 63.64

 

CMYK 24 / 0 / 100 / 42

HEX #709400

RGB 112 148 0

HSL 74.59, 1%, 0.29%

LAB 56.71, -30.19, 59.76

 

CMYK 18 / 0 / 68 / 14

HEX #B4DB46

RGB 180 219 70

HSL 75.7, 0.67%, 0.57%

LAB 82.28, -33.16, 65.81

 

CMYK 0 / 0 / 68 / 14

HEX #DBDB46

RGB 219 219 70

HSL 60, 0.67%, 0.57%

LAB 85.08, -17.4, 69.55

 

CMYK 0 / 19 / 68 / 14

HEX #DBB246

RGB 219 178 70

HSL 43.49, 0.67%, 0.57%

LAB 74.41, 3.55, 58.69

 

CMYK 0 / 37 / 68 / 14

HEX #DB8A46

RGB 219 138 70

HSL 27.38, 0.67%, 0.57%

LAB 64.71, 24.96, 48.26

 

CMYK 0 / 55 / 68 / 14

HEX #DB6246

RGB 219 98 70

HSL 11.28, 0.67%, 0.57%

LAB 56.32, 45.56, 38.74

 

CMYK 18 / 0 / 68 / 14

HEX #B4DB46

RGB 180 219 70

HSL 75.7, 0.67%, 0.57%

LAB 82.28, -33.16, 65.81

 

CMYK 36 / 0 / 68 / 14

HEX #8CDB46

RGB 140 219 70

HSL 91.81, 0.67%, 0.57%

LAB 80, -47.88, 62.75

 

CMYK 55 / 0 / 68 / 14

HEX #63DB46

RGB 99 219 70

HSL 108.32, 0.67%, 0.57%

LAB 78.32, -60.24, 60.47

 

CMYK 68 / 0 / 63 / 14

HEX #46DB51

RGB 70 219 81

HSL 124.43, 0.67%, 0.57%

LAB 77.61, -65.58, 55.03

 

CMYK 68 / 0 / 44 / 14

HEX #46DB7A

RGB 70 219 122

HSL 140.94, 0.67%, 0.57%

LAB 78.09, -60.04, 36.49

 

CMYK 18 / 0 / 68 / 14

HEX #B4DB46

RGB 180 219 70

HSL 75.7, 0.67%, 0.57%

LAB 82.28, -33.16, 65.81

 

CMYK 21 / 0 / 78 / 7

HEX #BCED35

RGB 188 237 53

HSL 75.98, 0.84%, 0.57%

LAB 87.74, -39.07, 76.84

 

CMYK 18 / 0 / 68 / 14

HEX #B4DB46

RGB 180 219 70

HSL 75.7, 0.67%, 0.57%

LAB 82.28, -33.16, 65.81

 

CMYK 15 / 0 / 56 / 21

HEX #ACCA58

RGB 172 202 88

HSL 75.79, 0.52%, 0.57%

LAB 77.11, -26.97, 52.61

 

CMYK 11 / 0 / 42 / 28

HEX #A3B86A

RGB 163 184 106

HSL 76.15, 0.35%, 0.57%

LAB 71.63, -19.85, 37.17

 

CMYK 7 / 0 / 25 / 35

HEX #9BA67C

RGB 155 166 124

HSL 75.71, 0.19%, 0.57%

LAB 66.29, -11.28, 20.5

 

CMYK 1 / 0 / 5 / 42

HEX #93948D

RGB 147 148 141

HSL 68.57, 0.03%, 0.57%

LAB 61.05, -1.69, 3.56

 

CMYK 0 / 19 / 68 / 14

HEX #DBB146

RGB 219 177 70

HSL 43.09, 0.67%, 0.57%

LAB 74.16, 4.08, 58.42

 

CMYK 0 / 1 / 68 / 14

HEX #DBD946

RGB 219 217 70

HSL 59.19, 0.67%, 0.57%

LAB 84.55, -16.41, 69.02

 

CMYK 17 / 0 / 68 / 14

HEX #B6DB46

RGB 182 219 70

HSL 74.9, 0.67%, 0.57%

LAB 82.41, -32.37, 65.99

 

CMYK 35 / 0 / 68 / 14

HEX #8EDB46

RGB 142 219 70

HSL 91.01, 0.67%, 0.57%

LAB 80.1, -47.2, 62.88

 

CMYK 53 / 0 / 68 / 14

HEX #67DB46

RGB 103 219 70

HSL 106.71, 0.67%, 0.57%

LAB 78.46, -59.19, 60.66

 

CMYK 21 / 0 / 81 / 32

HEX #89AE21

RGB 137 174 33

HSL 75.74, 0.68%, 0.41%

LAB 66.29, -31.26, 61.86

 

CMYK 22 / 0 / 81 / 18

HEX #A4D127

RGB 164 209 39

HSL 75.88, 0.69%, 0.49%

LAB 78.25, -36.38, 71.54

 

CMYK 18 / 0 / 68 / 14

HEX #B4DB46

RGB 180 219 70

HSL 75.7, 0.67%, 0.57%

LAB 82.28, -33.16, 65.81

 

CMYK 14 / 0 / 54 / 11

HEX #C2E269

RGB 194 226 105

HSL 75.87, 0.68%, 0.65%

LAB 85.44, -28.34, 54.88

 

CMYK 11 / 0 / 40 / 9

HEX #D0E98C

RGB 208 233 140

HSL 76.13, 0.68%, 0.73%

LAB 88.72, -22.75, 42.45

 

CMYK 18 / 0 / 69 / 14

HEX #B4DC45

RGB 180 220 69

HSL 75.89, 0.68%, 0.57%

LAB 82.55, -33.68, 66.46

 

CMYK 68 / 0 / 37 / 14

HEX #46DB89

RGB 70 219 137

HSL 146.98, 0.67%, 0.57%

LAB 78.33, -57.41, 29.19

 

CMYK 10 / 68 / 0 / 14

HEX #C546DB

RGB 197 70 219

HSL 291.14, 0.67%, 0.57%

LAB 53.35, 69.44, -52.34

 

CMYK 18 / 0 / 69 / 14

HEX #B4DC45

RGB 180 220 69

HSL 75.89, 0.68%, 0.57%

LAB 82.55, -33.68, 66.46

 

CMYK 68 / 17 / 0 / 14

HEX #46B6DB

RGB 70 182 219

HSL 194.9, 0.67%, 0.57%

LAB 69.38, -20.03, -27.86

 

CMYK 0 / 68 / 17 / 14

HEX #DB46B6

RGB 219 70 182

HSL 314.9, 0.67%, 0.57%

LAB 54.88, 68.68, -28.46

 

CMYK 18 / 0 / 69 / 14

HEX #B4DC45

RGB 180 220 69

HSL 75.89, 0.68%, 0.57%

LAB 82.55, -33.68, 66.46

 

CMYK 68 / 0 / 37 / 14

HEX #46DB89

RGB 70 219 137

HSL 146.98, 0.67%, 0.57%

LAB 78.33, -57.41, 29.19

 

CMYK 51 / 68 / 0 / 14

HEX #6C46DB

RGB 108 70 219

HSL 255.3, 0.67%, 0.57%

LAB 42.28, 51.83, -70.76

 

CMYK 0 / 68 / 31 / 14

HEX #DB4698

RGB 219 70 152

HSL 326.98, 0.67%, 0.57%

LAB 53.72, 64.82, -12.69

 

CMYK 18 / 0 / 69 / 14

HEX #B4DC45

RGB 180 220 69

HSL 75.89, 0.68%, 0.57%

LAB 82.55, -33.68, 66.46

 

CMYK 68 / 0 / 17 / 14

HEX #46DBB6

RGB 70 219 182

HSL 165.1, 0.67%, 0.57%

LAB 79.24, -47.74, 6.85

 

CMYK 51 / 68 / 0 / 14

HEX #6C46DB

RGB 108 70 219

HSL 255.3, 0.67%, 0.57%

LAB 42.28, 51.83, -70.76

 

CMYK 0 / 68 / 51 / 14

HEX #DB466C

RGB 219 70 108

HSL 344.7, 0.67%, 0.57%

LAB 52.42, 60.39, 11.67

 

Description

Color code: HEX #B4DC45 | qconv.com Color code: HEX #B4DC45 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 220 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 220 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 69 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 69% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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