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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4DCED it is the complementary color #4B2312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4DCED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4DCED shade: #B9DCE8, #CAEEFB, #DBFFFF, #ECFFFF and #FDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4DCED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4DCED shade: #B4DCED, #A3CADA, #92B8C7, #81A6B4 and #7094A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4DCED shade: #B5DCED, #B5CDED, #B5BEED, #BBB5ED and #CAB5ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4DCED shade: #B5DCED, #B5CDED, #B5BEED and #B5B5ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4DCED shade matches the following richer shades: #B5DCED, #ADDFF4 and #A6E2FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4DCED shade: #B5DCED, #BCD9E5, #C3D6DE, #CBD3D6 and #D2D0CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4DCED shade: #B5EDDF, #B5ECED, #B5DDED, #B5CEED and #B5BFED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4DCED shade: #72BDDD, #93CCE5, #B5DCED, #D6EBF5 and #F7FBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4DCED shade: #B4DCED, #D0B5ED and #EDE6B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4DCED shade: #B4DCED, #EDB5DD and #DDEDB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4DCED shade: #B4DCED, #D0B5ED, #EDC4B5 and #D2EDB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4DCED shade: #B4DCED, #E0B5ED, #EDC4B5 and #C1EDB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 7 / 0 / 7

HEX #B4DCED

RGB 180 220 237

HSL 197.89, 0.61%, 0.82%

LAB 85.51, -9.32, -12.62

 

Complementary color

CMYK 0 / 53 / 76 / 71

HEX #4B2312

RGB 75 35 18

HSL 17.89, 0.61%, 0.18%

LAB 18.98, 17.33, 19.69

 

CMYK 20 / 5 / 0 / 9

HEX #B9DCE8

RGB 185 220 232

HSL 195.32, 0.51%, 0.82%

LAB 85.67, -8.91, -9.7

 

CMYK 20 / 5 / 0 / 2

HEX #CAEEFB

RGB 202 238 251

HSL 195.92, 0.86%, 0.89%

LAB 91.98, -8.93, -10.17

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 24 / 7 / 0 / 7

HEX #B4DCED

RGB 180 220 237

HSL 197.89, 0.61%, 0.82%

LAB 85.51, -9.32, -12.62

 

CMYK 25 / 7 / 0 / 15

HEX #A3CADA

RGB 163 202 218

HSL 197.45, 0.43%, 0.75%

LAB 79.09, -9.29, -12.19

 

CMYK 27 / 8 / 0 / 22

HEX #92B8C7

RGB 146 184 199

HSL 196.98, 0.32%, 0.68%

LAB 72.57, -9.27, -11.76

 

CMYK 28 / 8 / 0 / 29

HEX #81A6B4

RGB 129 166 180

HSL 196.47, 0.25%, 0.61%

LAB 65.93, -9.25, -11.32

 

CMYK 30 / 8 / 0 / 37

HEX #7094A1

RGB 112 148 161

HSL 195.92, 0.21%, 0.54%

LAB 59.16, -9.22, -10.88

 

CMYK 24 / 7 / 0 / 7

HEX #B5DCED

RGB 181 220 237

HSL 198.21, 0.61%, 0.82%

LAB 85.57, -9.02, -12.52

 

CMYK 24 / 14 / 0 / 7

HEX #B5CDED

RGB 181 205 237

HSL 214.29, 0.61%, 0.82%

LAB 81.62, -1.18, -18.45

 

CMYK 24 / 20 / 0 / 7

HEX #B5BEED

RGB 181 190 237

HSL 230.36, 0.61%, 0.82%

LAB 77.74, 6.88, -24.35

 

CMYK 21 / 24 / 0 / 7

HEX #BBB5ED

RGB 187 181 237

HSL 246.43, 0.61%, 0.82%

LAB 75.9, 13.61, -27.11

 

CMYK 15 / 24 / 0 / 7

HEX #CAB5ED

RGB 202 181 237

HSL 262.5, 0.61%, 0.82%

LAB 77.11, 18.24, -25.15

 

CMYK 24 / 7 / 0 / 7

HEX #B5DCED

RGB 181 220 237

HSL 198.21, 0.61%, 0.82%

LAB 85.57, -9.02, -12.52

 

CMYK 24 / 14 / 0 / 7

HEX #B5CDED

RGB 181 205 237

HSL 214.29, 0.61%, 0.82%

LAB 81.62, -1.18, -18.45

 

CMYK 24 / 20 / 0 / 7

HEX #B5BEED

RGB 181 190 237

HSL 230.36, 0.61%, 0.82%

LAB 77.74, 6.88, -24.35

 

CMYK 24 / 24 / 0 / 7

HEX #B5B5ED

RGB 181 181 237

HSL 240, 0.61%, 0.82%

LAB 75.44, 11.8, -27.85

 

CMYK 24 / 7 / 0 / 7

HEX #B5DCED

RGB 181 220 237

HSL 198.21, 0.61%, 0.82%

LAB 85.57, -9.02, -12.52

 

CMYK 29 / 9 / 0 / 4

HEX #ADDFF4

RGB 173 223 244

HSL 197.75, 0.76%, 0.82%

LAB 86.1, -11.3, -15.47

 

CMYK 34 / 10 / 0 / 2

HEX #A6E2FB

RGB 166 226 251

HSL 197.65, 0.91%, 0.82%

LAB 86.73, -13.1, -18.24

 

CMYK 24 / 7 / 0 / 7

HEX #B5DCED

RGB 181 220 237

HSL 198.21, 0.61%, 0.82%

LAB 85.57, -9.02, -12.52

 

CMYK 18 / 5 / 0 / 10

HEX #BCD9E5

RGB 188 217 229

HSL 197.56, 0.44%, 0.82%

LAB 84.98, -7.08, -9.11

 

CMYK 12 / 4 / 0 / 13

HEX #C3D6DE

RGB 195 214 222

HSL 197.78, 0.29%, 0.82%

LAB 84.47, -4.76, -6.11

 

CMYK 5 / 1 / 0 / 16

HEX #CBD3D6

RGB 203 211 214

HSL 196.36, 0.12%, 0.82%

LAB 84.04, -2.14, -2.43

 

CMYK 0 / 1 / 1 / 18

HEX #D2D0CF

RGB 210 208 207

HSL 20, 0.03%, 0.82%

LAB 83.61, 0.51, 0.73

 

CMYK 24 / 0 / 6 / 7

HEX #B5EDDF

RGB 181 237 223

HSL 165, 0.61%, 0.82%

LAB 89.73, -20.56, 0.98

 

CMYK 24 / 0 / 0 / 7

HEX #B5ECED

RGB 181 236 237

HSL 181.07, 0.61%, 0.82%

LAB 89.83, -17.13, -6.2

 

CMYK 24 / 7 / 0 / 7

HEX #B5DDED

RGB 181 221 237

HSL 197.14, 0.61%, 0.82%

LAB 85.83, -9.54, -12.13

 

CMYK 24 / 13 / 0 / 7

HEX #B5CEED

RGB 181 206 237

HSL 213.21, 0.61%, 0.82%

LAB 81.88, -1.71, -18.06

 

CMYK 24 / 19 / 0 / 7

HEX #B5BFED

RGB 181 191 237

HSL 229.29, 0.61%, 0.82%

LAB 77.99, 6.33, -23.96

 

CMYK 48 / 14 / 0 / 13

HEX #72BDDD

RGB 114 189 221

HSL 197.94, 0.61%, 0.66%

LAB 73.02, -14.75, -23.24

 

CMYK 36 / 11 / 0 / 10

HEX #93CCE5

RGB 147 204 229

HSL 198.29, 0.61%, 0.74%

LAB 79.07, -12.24, -18.23

 

CMYK 24 / 7 / 0 / 7

HEX #B5DCED

RGB 181 220 237

HSL 198.21, 0.61%, 0.82%

LAB 85.57, -9.02, -12.52

 

CMYK 13 / 4 / 0 / 4

HEX #D6EBF5

RGB 214 235 245

HSL 199.35, 0.61%, 0.9%

LAB 91.82, -4.94, -7.2

 

CMYK 2 / 1 / 0 / 1

HEX #F7FBFD

RGB 247 251 253

HSL 200, 0.6%, 0.98%

LAB 98.38, -0.95, -1.43

 

CMYK 24 / 7 / 0 / 7

HEX #B4DCED

RGB 180 220 237

HSL 197.89, 0.61%, 0.82%

LAB 85.51, -9.32, -12.62

 

CMYK 12 / 24 / 0 / 7

HEX #D0B5ED

RGB 208 181 237

HSL 268.93, 0.61%, 0.82%

LAB 77.62, 20.12, -24.33

 

CMYK 0 / 3 / 24 / 7

HEX #EDE6B5

RGB 237 230 181

HSL 52.5, 0.61%, 0.82%

LAB 90.75, -5.26, 24.78

 

CMYK 24 / 7 / 0 / 7

HEX #B4DCED

RGB 180 220 237

HSL 197.89, 0.61%, 0.82%

LAB 85.51, -9.32, -12.62

 

CMYK 0 / 24 / 7 / 7

HEX #EDB5DD

RGB 237 181 221

HSL 317.14, 0.61%, 0.82%

LAB 79.77, 26.59, -12.19

 

CMYK 7 / 0 / 24 / 7

HEX #DDEDB5

RGB 221 237 181

HSL 77.14, 0.61%, 0.82%

LAB 91.36, -14.59, 25.43

 

CMYK 24 / 7 / 0 / 7

HEX #B4DCED

RGB 180 220 237

HSL 197.89, 0.61%, 0.82%

LAB 85.51, -9.32, -12.62

 

CMYK 12 / 24 / 0 / 7

HEX #D0B5ED

RGB 208 181 237

HSL 268.93, 0.61%, 0.82%

LAB 77.62, 20.12, -24.33

 

CMYK 0 / 17 / 24 / 7

HEX #EDC4B5

RGB 237 196 181

HSL 16.07, 0.61%, 0.82%

LAB 82.28, 12.33, 12.99

 

CMYK 11 / 0 / 24 / 7

HEX #D2EDB5

RGB 210 237 181

HSL 88.93, 0.61%, 0.82%

LAB 90.6, -18.51, 24.26

 

CMYK 24 / 7 / 0 / 7

HEX #B4DCED

RGB 180 220 237

HSL 197.89, 0.61%, 0.82%

LAB 85.51, -9.32, -12.62

 

CMYK 5 / 24 / 0 / 7

HEX #E0B5ED

RGB 224 181 237

HSL 286.07, 0.61%, 0.82%

LAB 79.05, 25.23, -22.03

 

CMYK 0 / 17 / 24 / 7

HEX #EDC4B5

RGB 237 196 181

HSL 16.07, 0.61%, 0.82%

LAB 82.28, 12.33, 12.99

 

CMYK 19 / 0 / 24 / 7

HEX #C1EDB5

RGB 193 237 181

HSL 107.14, 0.61%, 0.82%

LAB 89.51, -24.39, 22.58

 

Description

Color code: HEX #B4DCED | qconv.com Color code: HEX #B4DCED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 220 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 220 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 7 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 7% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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