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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4EC3B it is the complementary color #4B13C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4EC3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4EC3B shade: #B9EC36, #CAFE49, #DBFF5C, #ECFF6F and #FDFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4EC3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4EC3B shade: #B4EC3B, #A3DA28, #92C815, #81B602 and #70A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4EC3B shade: #B4EB3C, #E3EB3C, #EBC43C, #EB953C and #EB653C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4EC3B shade: #B4EB3C, #84EB3C, #55EB3C, #3CEB52 and #3CEB81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4EC3B shade matches the following richer shades: #B4EB3C and #BAFD2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4EC3B shade: #B4EB3C, #ADDA4D, #A7C95E, #A1B770 and #9AA681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4EC3B shade: #EBC23C, #E5EB3C, #B7EB3C, #88EB3C and #59EB3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4EC3B shade: #8AC213, #A5E716, #B4EB3C, #C2EF61 and #D0F387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4EC3B shade: #B4EC3B, #3CEB93 and #DA3CEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4EC3B shade: #B4EC3B, #3CB7EB and #EB3CB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4EC3B shade: #B4EC3B, #3CEB93, #703CEB and #EB3C93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4EC3B shade: #B4EC3B, #3CEBC8, #703CEB and #EB3C5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 75 / 7

HEX #B4EC3B

RGB 180 236 59

HSL 78.98, 0.82%, 0.58%

LAB 87, -41.41, 74.21

 

Complementary color

CMYK 62 / 90 / 0 / 23

HEX #4B13C4

RGB 75 19 196

HSL 258.98, 0.82%, 0.42%

LAB 29.28, 63.1, -78.94

 

CMYK 22 / 0 / 77 / 7

HEX #B9EC36

RGB 185 236 54

HSL 76.81, 0.83%, 0.57%

LAB 87.28, -39.74, 76.07

 

CMYK 20 / 0 / 71 / 0

HEX #CAFE49

RGB 202 254 73

HSL 77.24, 0.99%, 0.64%

LAB 93.42, -40.33, 76.33

 

CMYK 14 / 0 / 64 / 0

HEX #DBFF5C

RGB 219 255 92

HSL 73.25, 1%, 0.68%

LAB 94.89, -33.19, 71.29

 

CMYK 7 / 0 / 56 / 0

HEX #ECFF6F

RGB 236 255 111

HSL 67.92, 1%, 0.72%

LAB 96.2, -25.28, 65.3

 

CMYK 1 / 0 / 49 / 0

HEX #FDFF82

RGB 253 255 130

HSL 60.96, 1%, 0.75%

LAB 97.64, -17.15, 58.88

 

CMYK 24 / 0 / 75 / 7

HEX #B4EC3B

RGB 180 236 59

HSL 78.98, 0.82%, 0.58%

LAB 87, -41.41, 74.21

 

CMYK 25 / 0 / 82 / 15

HEX #A3DA28

RGB 163 218 40

HSL 78.54, 0.71%, 0.51%

LAB 80.78, -40.74, 73.49

 

CMYK 27 / 0 / 90 / 22

HEX #92C815

RGB 146 200 21

HSL 78.1, 0.81%, 0.43%

LAB 74.49, -39.9, 71.72

 

CMYK 29 / 0 / 99 / 29

HEX #81B602

RGB 129 182 2

HSL 77.67, 0.98%, 0.36%

LAB 68.11, -38.85, 68.68

 

CMYK 32 / 0 / 100 / 36

HEX #70A400

RGB 112 164 0

HSL 79.02, 1%, 0.32%

LAB 61.65, -37.52, 63.53

 

CMYK 23 / 0 / 74 / 8

HEX #B4EB3C

RGB 180 235 60

HSL 78.86, 0.81%, 0.58%

LAB 86.72, -40.92, 73.64

 

CMYK 3 / 0 / 74 / 8

HEX #E3EB3C

RGB 227 235 60

HSL 62.74, 0.81%, 0.58%

LAB 89.89, -22.33, 77.74

 

CMYK 0 / 17 / 74 / 8

HEX #EBC43C

RGB 235 196 60

HSL 46.63, 0.81%, 0.58%

LAB 80.44, 0.49, 69.13

 

CMYK 0 / 37 / 74 / 8

HEX #EB953C

RGB 235 149 60

HSL 30.51, 0.81%, 0.58%

LAB 69.1, 25.25, 58.08

 

CMYK 0 / 57 / 74 / 8

HEX #EB653C

RGB 235 101 60

HSL 14.06, 0.81%, 0.58%

LAB 59.25, 49.51, 47.94

 

CMYK 23 / 0 / 74 / 8

HEX #B4EB3C

RGB 180 235 60

HSL 78.86, 0.81%, 0.58%

LAB 86.72, -40.92, 73.64

 

CMYK 44 / 0 / 74 / 8

HEX #84EB3C

RGB 132 235 60

HSL 95.31, 0.81%, 0.58%

LAB 84.3, -57.52, 70.47

 

CMYK 64 / 0 / 74 / 8

HEX #55EB3C

RGB 85 235 60

HSL 111.43, 0.81%, 0.58%

LAB 82.74, -69.73, 68.41

 

CMYK 74 / 0 / 65 / 8

HEX #3CEB52

RGB 60 235 82

HSL 127.54, 0.81%, 0.58%

LAB 82.37, -72.26, 59.82

 

CMYK 74 / 0 / 45 / 8

HEX #3CEB81

RGB 60 235 129

HSL 143.66, 0.81%, 0.58%

LAB 82.89, -66.07, 39.14

 

CMYK 23 / 0 / 74 / 8

HEX #B4EB3C

RGB 180 235 60

HSL 78.86, 0.81%, 0.58%

LAB 86.72, -40.92, 73.64

 

CMYK 26 / 0 / 83 / 1

HEX #BAFD2A

RGB 186 253 42

HSL 79.05, 0.98%, 0.58%

LAB 92.07, -47.16, 83.36

 

CMYK 23 / 0 / 74 / 8

HEX #B4EB3C

RGB 180 235 60

HSL 78.86, 0.81%, 0.58%

LAB 86.72, -40.92, 73.64

 

CMYK 21 / 0 / 65 / 15

HEX #ADDA4D

RGB 173 218 77

HSL 79.15, 0.66%, 0.58%

LAB 81.6, -34.94, 62.26

 

CMYK 17 / 0 / 53 / 21

HEX #A7C95E

RGB 167 201 94

HSL 79.07, 0.5%, 0.58%

LAB 76.56, -27.9, 49.11

 

CMYK 12 / 0 / 39 / 28

HEX #A1B770

RGB 161 183 112

HSL 78.59, 0.33%, 0.58%

LAB 71.29, -19.4, 33.62

 

CMYK 7 / 0 / 22 / 35

HEX #9AA681

RGB 154 166 129

HSL 79.46, 0.17%, 0.58%

LAB 66.31, -10.89, 17.78

 

CMYK 0 / 17 / 74 / 8

HEX #EBC23C

RGB 235 194 60

HSL 45.94, 0.81%, 0.58%

LAB 79.94, 1.53, 68.65

 

CMYK 3 / 0 / 74 / 8

HEX #E5EB3C

RGB 229 235 60

HSL 62.06, 0.81%, 0.58%

LAB 90.05, -21.52, 77.94

 

CMYK 22 / 0 / 74 / 8

HEX #B7EB3C

RGB 183 235 60

HSL 77.83, 0.81%, 0.58%

LAB 86.9, -39.78, 73.87

 

CMYK 42 / 0 / 74 / 8

HEX #88EB3C

RGB 136 235 60

HSL 93.94, 0.81%, 0.58%

LAB 84.47, -56.27, 70.69

 

CMYK 62 / 0 / 74 / 8

HEX #59EB3C

RGB 89 235 60

HSL 110.06, 0.81%, 0.58%

LAB 82.84, -68.88, 68.54

 

CMYK 29 / 0 / 90 / 24

HEX #8AC213

RGB 138 194 19

HSL 79.2, 0.82%, 0.42%

LAB 72.25, -40.37, 70.03

 

CMYK 29 / 0 / 90 / 9

HEX #A5E716

RGB 165 231 22

HSL 78.95, 0.83%, 0.5%

LAB 84.59, -46.1, 80.25

 

CMYK 23 / 0 / 74 / 8

HEX #B4EB3C

RGB 180 235 60

HSL 78.86, 0.81%, 0.58%

LAB 86.72, -40.92, 73.64

 

CMYK 19 / 0 / 59 / 6

HEX #C2EF61

RGB 194 239 97

HSL 79.01, 0.82%, 0.66%

LAB 88.95, -35.04, 62.38

 

CMYK 14 / 0 / 44 / 5

HEX #D0F387

RGB 208 243 135

HSL 79.44, 0.82%, 0.74%

LAB 91.35, -28.08, 48.18

 

CMYK 24 / 0 / 75 / 7

HEX #B4EC3B

RGB 180 236 59

HSL 78.98, 0.82%, 0.58%

LAB 87, -41.41, 74.21

 

CMYK 74 / 0 / 37 / 8

HEX #3CEB93

RGB 60 235 147

HSL 149.83, 0.81%, 0.58%

LAB 83.17, -62.91, 30.51

 

CMYK 7 / 74 / 0 / 8

HEX #DA3CEB

RGB 218 60 235

HSL 294.17, 0.81%, 0.58%

LAB 56.22, 79.9, -56.59

 

CMYK 24 / 0 / 75 / 7

HEX #B4EC3B

RGB 180 236 59

HSL 78.98, 0.82%, 0.58%

LAB 87, -41.41, 74.21

 

CMYK 74 / 22 / 0 / 8

HEX #3CB7EB

RGB 60 183 235

HSL 197.83, 0.81%, 0.58%

LAB 70.05, -16.71, -35.57

 

CMYK 0 / 74 / 22 / 8

HEX #EB3CB7

RGB 235 60 183

HSL 317.83, 0.81%, 0.58%

LAB 56.4, 75.96, -26.49

 

CMYK 24 / 0 / 75 / 7

HEX #B4EC3B

RGB 180 236 59

HSL 78.98, 0.82%, 0.58%

LAB 87, -41.41, 74.21

 

CMYK 74 / 0 / 37 / 8

HEX #3CEB93

RGB 60 235 147

HSL 149.83, 0.81%, 0.58%

LAB 83.17, -62.91, 30.51

 

CMYK 52 / 74 / 0 / 8

HEX #703CEB

RGB 112 60 235

HSL 257.83, 0.81%, 0.58%

LAB 42.27, 61.74, -79.87

 

CMYK 0 / 74 / 37 / 8

HEX #EB3C93

RGB 235 60 147

HSL 330.17, 0.81%, 0.58%

LAB 55.07, 71.88, -7.42

 

CMYK 24 / 0 / 75 / 7

HEX #B4EC3B

RGB 180 236 59

HSL 78.98, 0.82%, 0.58%

LAB 87, -41.41, 74.21

 

CMYK 74 / 0 / 15 / 8

HEX #3CEBC8

RGB 60 235 200

HSL 168, 0.81%, 0.58%

LAB 84.25, -51.28, 4.54

 

CMYK 52 / 74 / 0 / 8

HEX #703CEB

RGB 112 60 235

HSL 257.83, 0.81%, 0.58%

LAB 42.27, 61.74, -79.87

 

CMYK 0 / 74 / 60 / 8

HEX #EB3C5F

RGB 235 60 95

HSL 348, 0.81%, 0.58%

LAB 53.73, 67.6, 21.69

 

Description

Color code: HEX #B4EC3B | qconv.com Color code: HEX #B4EC3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 236 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 236 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 75 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 75% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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