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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4EE34 it is the complementary color #4B11CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4EE34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4EE34 shade: #B9EE2F, #CAFF42, #DBFF55, #ECFF68 and #FDFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4EE34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4EE34 shade: #B4EE34, #A3DC21, #92CA0E, #81B800 and #70A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4EE34 shade: #B4EE34, #E6EE34, #EEC434, #EE9134 and #EE5F34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4EE34 shade: #B4EE34, #82EE34, #4FEE34, #34EE4A and #34EE7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4EE34 shade matches the following richer shades: #B4EE34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4EE34 shade: #B4EE34, #ADDC45, #A7CB57, #A0B969 and #99A77B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4EE34 shade: #EEC334, #E8EE34, #B6EE34, #84EE34 and #53EE34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4EE34 shade: #89C00F, #A4E612, #B4EE34, #C2F15A and #D0F480

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4EE34 shade: #B4EE34, #34EE91 and #DB34EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4EE34 shade: #B4EE34, #34B6EE and #EE34B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4EE34 shade: #B4EE34, #34EE91, #6C34EE and #EE3491

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4EE34 shade: #B4EE34, #34EEC9, #6C34EE and #EE3459

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 78 / 7

HEX #B4EE34

RGB 180 238 52

HSL 78.71, 0.85%, 0.57%

LAB 87.53, -42.59, 76.76

 

Complementary color

CMYK 63 / 92 / 0 / 20

HEX #4B11CB

RGB 75 17 203

HSL 258.71, 0.85%, 0.43%

LAB 29.93, 65.33, -81.96

 

CMYK 22 / 0 / 80 / 7

HEX #B9EE2F

RGB 185 238 47

HSL 76.65, 0.85%, 0.56%

LAB 87.81, -40.9, 78.45

 

CMYK 21 / 0 / 74 / 0

HEX #CAFF42

RGB 202 255 66

HSL 76.83, 1%, 0.63%

LAB 93.65, -41.12, 78.81

 

CMYK 14 / 0 / 67 / 0

HEX #DBFF55

RGB 219 255 85

HSL 72.71, 1%, 0.67%

LAB 94.84, -33.62, 73.88

 

CMYK 7 / 0 / 59 / 0

HEX #ECFF68

RGB 236 255 104

HSL 67.55, 1%, 0.7%

LAB 96.14, -25.79, 68.17

 

CMYK 1 / 0 / 52 / 0

HEX #FDFF7B

RGB 253 255 123

HSL 60.91, 1%, 0.74%

LAB 97.56, -17.73, 61.95

 

CMYK 24 / 0 / 78 / 7

HEX #B4EE34

RGB 180 238 52

HSL 78.71, 0.85%, 0.57%

LAB 87.53, -42.59, 76.76

 

CMYK 26 / 0 / 85 / 14

HEX #A3DC21

RGB 163 220 33

HSL 78.29, 0.74%, 0.5%

LAB 81.34, -41.85, 75.58

 

CMYK 28 / 0 / 93 / 21

HEX #92CA0E

RGB 146 202 14

HSL 77.87, 0.87%, 0.42%

LAB 75.07, -40.91, 73.2

 

CMYK 30 / 0 / 100 / 28

HEX #81B800

RGB 129 184 0

HSL 77.93, 1%, 0.36%

LAB 68.71, -39.77, 69.37

 

CMYK 33 / 0 / 100 / 35

HEX #70A600

RGB 112 166 0

HSL 79.52, 1%, 0.33%

LAB 62.27, -38.4, 64.01

 

CMYK 24 / 0 / 78 / 7

HEX #B4EE34

RGB 180 238 52

HSL 78.71, 0.85%, 0.57%

LAB 87.53, -42.59, 76.76

 

CMYK 3 / 0 / 78 / 7

HEX #E6EE34

RGB 230 238 52

HSL 62.58, 0.85%, 0.57%

LAB 90.88, -22.84, 81.02

 

CMYK 0 / 18 / 78 / 7

HEX #EEC434

RGB 238 196 52

HSL 46.45, 0.85%, 0.57%

LAB 80.69, 1.47, 72.18

 

CMYK 0 / 39 / 78 / 7

HEX #EE9134

RGB 238 145 52

HSL 30, 0.85%, 0.57%

LAB 68.52, 28.29, 60.95

 

CMYK 0 / 60 / 78 / 7

HEX #EE5F34

RGB 238 95 52

HSL 13.87, 0.85%, 0.57%

LAB 58.61, 53.01, 51.37

 

CMYK 24 / 0 / 78 / 7

HEX #B4EE34

RGB 180 238 52

HSL 78.71, 0.85%, 0.57%

LAB 87.53, -42.59, 76.76

 

CMYK 45 / 0 / 78 / 7

HEX #82EE34

RGB 130 238 52

HSL 94.84, 0.85%, 0.57%

LAB 85.07, -59.7, 73.59

 

CMYK 67 / 0 / 78 / 7

HEX #4FEE34

RGB 79 238 52

HSL 111.29, 0.85%, 0.57%

LAB 83.47, -72.38, 71.52

 

CMYK 78 / 0 / 69 / 7

HEX #34EE4A

RGB 52 238 74

HSL 127.1, 0.85%, 0.57%

LAB 83.11, -74.98, 63.68

 

CMYK 78 / 0 / 48 / 7

HEX #34EE7C

RGB 52 238 124

HSL 143.23, 0.85%, 0.57%

LAB 83.62, -68.87, 42.46

 

CMYK 24 / 0 / 78 / 7

HEX #B4EE34

RGB 180 238 52

HSL 78.71, 0.85%, 0.57%

LAB 87.53, -42.59, 76.76

 

CMYK 24 / 0 / 78 / 7

HEX #B4EE34

RGB 180 238 52

HSL 78.71, 0.85%, 0.57%

LAB 87.53, -42.59, 76.76

 

CMYK 21 / 0 / 69 / 14

HEX #ADDC45

RGB 173 220 69

HSL 78.68, 0.68%, 0.57%

LAB 82.11, -36.39, 65.87

 

CMYK 18 / 0 / 57 / 20

HEX #A7CB57

RGB 167 203 87

HSL 78.62, 0.53%, 0.57%

LAB 77.05, -29.49, 52.9

 

CMYK 14 / 0 / 43 / 27

HEX #A0B969

RGB 160 185 105

HSL 78.75, 0.36%, 0.57%

LAB 71.68, -21.64, 37.7

 

CMYK 8 / 0 / 26 / 35

HEX #99A77B

RGB 153 167 123

HSL 79.09, 0.2%, 0.57%

LAB 66.4, -12.73, 21.17

 

CMYK 0 / 18 / 78 / 7

HEX #EEC334

RGB 238 195 52

HSL 46.13, 0.85%, 0.57%

LAB 80.43, 1.98, 71.95

 

CMYK 3 / 0 / 78 / 7

HEX #E8EE34

RGB 232 238 52

HSL 61.94, 0.85%, 0.57%

LAB 91.03, -22.02, 81.21

 

CMYK 24 / 0 / 78 / 7

HEX #B6EE34

RGB 182 238 52

HSL 78.06, 0.85%, 0.57%

LAB 87.65, -41.84, 76.91

 

CMYK 45 / 0 / 78 / 7

HEX #84EE34

RGB 132 238 52

HSL 94.19, 0.85%, 0.57%

LAB 85.15, -59.09, 73.69

 

CMYK 65 / 0 / 78 / 7

HEX #53EE34

RGB 83 238 52

HSL 110, 0.85%, 0.57%

LAB 83.57, -71.6, 71.64

 

CMYK 29 / 0 / 92 / 25

HEX #89C00F

RGB 137 192 15

HSL 78.64, 0.86%, 0.41%

LAB 71.59, -39.96, 70.07

 

CMYK 29 / 0 / 92 / 10

HEX #A4E612

RGB 164 230 18

HSL 78.68, 0.85%, 0.49%

LAB 84.24, -46.12, 80.47

 

CMYK 24 / 0 / 78 / 7

HEX #B4EE34

RGB 180 238 52

HSL 78.71, 0.85%, 0.57%

LAB 87.53, -42.59, 76.76

 

CMYK 20 / 0 / 63 / 5

HEX #C2F15A

RGB 194 241 90

HSL 78.68, 0.84%, 0.65%

LAB 89.45, -36.48, 65.81

 

CMYK 15 / 0 / 48 / 4

HEX #D0F480

RGB 208 244 128

HSL 78.62, 0.84%, 0.73%

LAB 91.54, -29.28, 51.72

 

CMYK 24 / 0 / 78 / 7

HEX #B4EE34

RGB 180 238 52

HSL 78.71, 0.85%, 0.57%

LAB 87.53, -42.59, 76.76

 

CMYK 78 / 0 / 39 / 7

HEX #34EE91

RGB 52 238 145

HSL 150, 0.85%, 0.57%

LAB 83.93, -65.3, 32.51

 

CMYK 8 / 78 / 0 / 7

HEX #DB34EE

RGB 219 52 238

HSL 293.87, 0.85%, 0.57%

LAB 55.78, 82.83, -58.98

 

CMYK 24 / 0 / 78 / 7

HEX #B4EE34

RGB 180 238 52

HSL 78.71, 0.85%, 0.57%

LAB 87.53, -42.59, 76.76

 

CMYK 78 / 24 / 0 / 7

HEX #34B6EE

RGB 52 182 238

HSL 198.06, 0.85%, 0.57%

LAB 69.72, -16.04, -37.72

 

CMYK 0 / 78 / 24 / 7

HEX #EE34B6

RGB 238 52 182

HSL 318.06, 0.85%, 0.57%

LAB 56.1, 78.73, -26.33

 

CMYK 24 / 0 / 78 / 7

HEX #B4EE34

RGB 180 238 52

HSL 78.71, 0.85%, 0.57%

LAB 87.53, -42.59, 76.76

 

CMYK 78 / 0 / 39 / 7

HEX #34EE91

RGB 52 238 145

HSL 150, 0.85%, 0.57%

LAB 83.93, -65.3, 32.51

 

CMYK 55 / 78 / 0 / 7

HEX #6C34EE

RGB 108 52 238

HSL 258.06, 0.85%, 0.57%

LAB 40.92, 65.51, -83.79

 

CMYK 0 / 78 / 39 / 7

HEX #EE3491

RGB 238 52 145

HSL 330, 0.85%, 0.57%

LAB 54.74, 74.71, -6.68

 

CMYK 24 / 0 / 78 / 7

HEX #B4EE34

RGB 180 238 52

HSL 78.71, 0.85%, 0.57%

LAB 87.53, -42.59, 76.76

 

CMYK 78 / 0 / 16 / 7

HEX #34EEC9

RGB 52 238 201

HSL 168.06, 0.85%, 0.57%

LAB 85.05, -53.1, 5.15

 

CMYK 55 / 78 / 0 / 7

HEX #6C34EE

RGB 108 52 238

HSL 258.06, 0.85%, 0.57%

LAB 40.92, 65.51, -83.79

 

CMYK 0 / 78 / 63 / 7

HEX #EE3459

RGB 238 52 89

HSL 348.06, 0.85%, 0.57%

LAB 53.34, 70.42, 24.85

 

Description

Color code: HEX #B4EE34 | qconv.com Color code: HEX #B4EE34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 238 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 238 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 78 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 78% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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